17th Century Figures and Studies

Sketches and engravings depicting various figures from the 17th century, showcasing diverse postures and attire, showcasing a blend of realism and expressive detail.

Study sitting from the leg for on the leg; Thoma, Hans (1839-1924); 1880-1920 (1880-00-00-1920-00-00);

Hamadriada (according to Antoine Coysevox) Coysevox, Normand, Charles (1765 1840)

Image of a crack in the facade of the Dr. The Visserschool (Vondellaan 32) in Utrecht.

Son of the Tunisian Ambassador. Artist: Ozias Humphrey (British, Honiton, Devon 1742-1810 London). Dimensions: sheet: 11 3/4 x 8 1/2 in. (29.8 x 21.6 cm). Date: 1780. Museum: Metropolitan Museum of Art, New York, USA. Author: Ozias Humphrey.

Man Kneeling, Facing Right (recto); Sketches of Figures (verso). Jacob Jordaens (Flemish, 1593 - 1678)

Woman from Italy, seen on the back; Italica Mul (IR); Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti. Woman from Italy, seen on the back. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Reference from 1569 from the first edition from 1563.

Standing woman with jug in right hand, Cornelis Pietersz. Bega, 1642 - 1664 print paper etching female sex; woman

Sketch - Male figure John Henry Walker (1831-1899)

Woman in a mountain-style scarf, sketch for a stained-glass window with Mary and the Child. Rembowski, Jan (1879-1923), draughtsman, cartoonist

Monk. Thoma, Hans (1839-1924), draughtsman, cartoonist

Lazzaro Tavarone / 'Female Saint Seated on a Cloud'. Late XVI - Early XVII century. White chalk, Black chalk on tinted paper. Museum: Museo del Prado, Madrid, España.

Sitting woman. Draughtsman: Polidoro da Caravaggio (possibly). Dating: 1512 - 1543. Measurements: h 77 mm × w 60 mm. Museum: Rijksmuseum, Amsterdam.

Standing Woman with Muff Carl Sprinchorn (American, 1887-1971). Standing Woman with Muff, 1911. Ink wash on wove paper, Sheet: 10 x 7 15/16 in. (25.4 x 20.2 cm). American Art 1911

Drawing, Bust of a Model, Rome; Daniel Huntington (American, 1816-1906); USA; graphite, black chalk on off-white wove paper; 60.3 x 46.4 cm (23 3/4 x 18 1/4 in.); Bequest of Erskine Hewitt; 1942-50-167

Pencil sketches by Emerich Alexius Swoboda showing a figure and a fountain, highlighting posture, anatomy, and architectural elements.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Sketch ofFigures. Artist: William James Glackens, American, 1870-1938

Duke of Dorset (So-called). Drawing. Brown ink over graphite on medium, slightly textured, cream laid paper. Height: 521 mm (20.51 in); Width: 346 mm (13.62 in). Author: GEORGE ROMNEY.

African Woman, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 4 7/8 inches (14 × 12.4 cm)

Two Women Seen from Behind. Dated: probably c. 1754/1765. Dimensions: Overall: 10.7 x 7.9 cm (4 3/16 x 3 1/8 in.) support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Lola de Valence.

Political Cartoon of the American Civil War. Dated: c. 1860s. Dimensions: sheet: 21.59 × 17.78 cm (8 1/2 × 7 in.). Medium: pen and black ink over graphite on blue-gray laid paper. Museum: National Gallery of Art, Washington DC. Author: Emanuel Gottlieb Leutze.

Sketch of a leg. Draughtsman: Parmigianino. Dating: 1513 - 1540. Measurements: h 144 mm × w 49 mm. Museum: Rijksmuseum, Amsterdam.

The Blue Girl. Origin: United States. Pastel on brown paper. Date: 1873-1876. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Women, possible servants. Draughtsman: George Hendrik Breitner. Dating: 1897. Place: Amsterdam. Measurements: h 124 mm × w 201 mm. Museum: Rijksmuseum, Amsterdam.

A sketch in coal by Franz von Pausinger from a sketchbook showing Crown Prince Rudolf during an orientation trip, focusing on figures, gestures, and landscape arrangement, 1881.

Nancy.. Cigarette cards, Trade cards. George Arents Collection. Dickens, Charles, 1812-1870

Zoutvat, Cornelis Pronk, 1701 - 1759 drawing Design for a salt barrel with Chinese motif; side view. The salt barrel has an elongated, octagonal shape. The long side is decorated with a bird, the short sides are filled with flowers. The intermediate spaces are filled with a geometric motif. The design is part of a series that Pronk made commissioned by the United East India Company for the decoration of porcelain. paper. watercolor (paint). ink pen / brush salt-cellar, salt-shaker

Woman wearing a shawl and an apron, three-quarters to the left, Harmen ter Borch, 1652, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 3-Feb-1652, paper, brush, h 116 mm × w 103 mm

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Bolingbroke, costume sketch for King Richard II, Gouache, pastel, with fabric, Brown wove, 53 × 35.9 cm (20 7/8 × 14 1/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Design for illustration in De Amsterdammer: the Dutch Virgin keeps the Indonesian archipelago up (14 October 1916). Draughtsman: Johan Braakensiek. Dating: 1916 - before 14-Oct-1916. Measurements: h 458 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Milice hanovrienne. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching on laid paper

Jeffery Hudson, a dwarf and Walter Parsons, a giant. Engraving.

Old Woman Reading, Jurriaan Cootwijck, Gabriël Metsu, 1760

Draperiestudie.

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain 1876, reworked 1885 James McNeill Whistler American Whistler's portrait of the great Victorian actor Henry Irving (1838-1895) recalls Diego Velázquez's court portraits in its format, pose, and restricted palette of black, white, silvery grays, and golden ochers. Whistler had been impressed by Irving's 1876 appearance in the role of the grandfather of Philip IV, Velázquez's patron, in Alfred Lord Tennyson's verse play Queen Mary Tudor. Discussing Whistler's canvas in 1907, the actress Ellen Terry suggested the associations with Velázquez that the actor and the artist might have had in mind in emulating the Spanish master's style. She observed that Irving, "in his dress without much colour (from the common point of view), his long grey legs, and his Velasquez-like attitudes, looked like the kind of thing which Whistler loved to paint. Velasquez had painted a real Philip of the same race; Whistler would paint the actor wh

The muscles and tendons of the leg and the arm (). Pen and ink, with pink and brown watercolour washes, and black chalk and pencil, by C. Landseer, ca. 1815.

Untitled, from folio: Sketches in France & Germany, one of 22 sheets in FolioB. Artist: John Trumbull, American, 1756-1843

Female portrait by Rembrandt van Rhijn, pen, brush, Indian ink on paper, 1633-1634, 1606-1669, Russia, Moscow, State Pushkin Museum of Fine Arts, 5,9x5,9

Portret G.J. Michael, Hendrik Willem Caspari, 1820 drawing Portrait G.J. Michaëlis, palette in hand. Portrait on one sheet with glued picture and glued text in book print: Corporation of the 4th class of the Royal Netherlands Institute, appointed 1820 and handwritten identification of the portrayed person. Netherlands paper. pencil brush portrait, self-portrait of artist. palette

Laitière flamande. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching with drypoint and aquatint

A Young Benedictine Monk Kneeling. Dated: after 1824. Dimensions: sheet: 43.5 x 40 cm (17 1/8 x 15 3/4 in.). Medium: black chalk heightened with white chalk on blue-gray wove paper. Museum: National Gallery of Art, Washington DC. Author: Jean Leonard Lugardon.

Study for the figure of a queen by Niccolo dell 'Abbate, sometimes Nicolo and Abate (1509 or 1512 - 1571), Mannerist Italian painter in fresco and oils. He was of the Emilian school, and was part of the team of artists called the School of Fontainebleau that introduced the Italianate Renaissance to France.

Copy from Patterns of Medieval Art” - redraw from the tombstone of FilIIppo Buonaccorsi, called CalIImachus, from the Dominican Church in Kraków. Matejko, Jan (1838 1893)

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Poelzig Hans (1869-1936): Sketchbook F1

Headdress. Dated: c. 1937. Dimensions: overall: 29 x 22.5 cm (11 7/16 x 8 7/8 in.). Medium: graphite and watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Eva Noe.

Preliminary study for the first Bossche Wand: two studies of a monk, Antoon Derkinderen, 1869 - 1925 drawing paper. chalk monk(s), friar(s)

Study magazine, among other things with men's heads and women with caps. Also a study of a man on clogs, a boat and possibly a sled. Leaf 63 Verso from a sketchbook with 87 sheets.

Samurai Warrior, 20th century, Unknown Japanese, 37 1/2 x 26 1/2 in. (95.25 x 67.31 cm) (image)73 1/2 x 46 in. (186.69 x 116.84 cm) (outer frame), Ink and color on paper, Japan, 20th century

Man on horseback, seen from behind. Draughtsman: Gerard ter Borch (II) (mentioned on object). Dating: 25-Sep-1625. Place: Zwolle. Measurements: h 92 mm × w 48 mm. Museum: Rijksmuseum, Amsterdam.

Figure, half-figure, with feathered hat on head and beer pitcher in both hands., Man with pitcher The drinker, print maker: Hermanus Fock, intermediary draughtsman: Abraham Bloemaert, print maker: Amsterdam, intermediary draughtsman: Netherlands, 1781 - 1822, paper, etching, h 128 mm × w 100 mm

Study of women in bust, wrapped in a mante and capped with a hat Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Study of women in bust, wrapped in a mante and capped with a hat. Feather, black ink, greyish wash.

Confrere of the Misericordia, engraving from Florence and Tuscany by Eugene Muntz, from L'Illustrazione Italiana, Year XXV, No 51, December 18, 1898.

The evening.

Figurehead. Dated: c. 1939. Dimensions: overall: 46.4 x 38.3 cm (18 1/4 x 15 1/16 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Jane Iverson.

Ermitage de Passy. Artist: Pierre-Louis Pierson (French, 1822-1913); Painted and retouched by Unknown (French). Dimensions: Image: 12 x 8.5 cm (4 3/4 x 3 3/8 in.)Mount: 13 x 9.6 cm (5 1/8 x 3 3/4 in.)Mat: 35.6 x 27.9 cm (14 x 11 in.). Person in Photograph: Countess Virginia Oldoini Verasis di Castiglione (1835-1899). Date: 1863. Museum: Metropolitan Museum of Art, New York, USA.

Potter, c. 1775, 5 13/16 x 4 1/16 in. (14.8 x 10.3 cm), Ink on paper, India, 18th century

Billethead. Dated: c. 1938. Dimensions: overall: 38.2 x 49 cm (15 1/16 x 19 5/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Henry Murphy.

Woman Holding a Jug and a Study of her Head Seen from the Left. Artist: Cornelis Bega (Dutch, Haarlem 1631 or 1632-1664 Haarlem). Dimensions: 6 13/16 x 5 1/16 in. (17.3 x 12.9 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Portret mężczyzny, sylwetka profilowa. unknown, amateur

Mars. Thoma, Hans (1839-1924), draughtsman, cartoonist

Luohan, after a set attributed to Guanxiu stone carved in 1757; rubbing 18th or 19th century Unidentified Of the many luohan painters throughout Chinese history, none was more influential than the Buddhist monk Guanxiu (832-912), whose wild caricatures inspired generations of artists to depict luohans as exotic, superhuman beings. Guanxiu’s paintings were already considered rare in 1757, when the Qianlong emperor encountered what he believed to be an authentic set in a monastery in Hangzhou. To preserve their appearance, the emperor commissioned copies and had them carved in stone so that rubbings like these could be made. The original paintings are now lost, making these copies some of the most important surviving evidence of Guanxiu’s style.. Luohan, after a set attributed to Guanxiu. Unidentified artist, possibly Ding Guanpeng (active 1726-71). China. stone carved in 1757; rubbing 18th or 19th century. Ink on paper. Qing dynasty (1644-1911). Rubbing

Anglo-Saxon knight. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

O France are finally delivered / those who are fattened in your blood! (TI)

The Woman with the Jug, Standing. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Bega.

Marva Ragini Malkosa Indian. Marva Ragini Malkosa, ca. 1725. Ink and color on paper, sheet: 7 x 4 3/4 in. (17.8 x 12.1 cm). Asian Art ca. 1725

Man Seated on a Rock, Mather Brown, 1761-1831, American, active in Britain, undated, Pen and black ink, graphite and oil paint on medium, moderately textured, beige laid paper, Sheet: 8 3/4 × 6 5/8 inches (22.2 × 16.8 cm), figure study, figures (representations), gesturing, man, rocks (landforms)

Two caricatural figures. .

Hawaii, from the Races of Mankind series (T181) issued by Abdul Cigarettes 1881 Issued by Abdul Cigarettes Trade cards from the "Races of Mankind" series (T181), issued in 1881 to promote Abdul Cigarettes.. Hawaii, from the Races of Mankind series (T181) issued by Abdul Cigarettes 631450

Naples - National Museum: Leone X Code Cardinals Luigi De 'Rossi and Gulio de' Medici, Raffaello Sanzio. .

Bliżej Kultury Matejko, Jan (1838 1893)

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