17th Century Landscape Art

A collection of etchings depicting serene landscapes with trees, walking figures, and rural settings. The artworks evoke a tranquil and pastoral mood.

Fontana Blandusia, volgarmente detta Acquoria a Tivoli, 1794, Collection ou Suite de Vues Pittoresques de l'Italie (plate 63), etching on laid paper, plate: 28.4 x 37.7 cm (11 3/16 x 14 13/16 in.), sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.), Jacob Wilhelm Mechau (artist) German, 1745 - 1808

Bathing Nimfen, Bernard Lens (II), 1669 - 1725 print paper etching nymphs (in general); 'Ninfe in commune' (Ripa). public baths

Stormy landscape with Dido and Aeneas, William Woollett, After Thomas Jones (painter), after John Hamilton Mortimer, 1787 print Aeneas points to a cave to hide. On the left is Carthage. London paper etching (story of) Dido - love-affairs. Dido and Aeneas shelter from the storm in a cave. storm on land Carthage

Landscape with Mercury and Herse; Landscapes; Amenissimae Aliquot Requculae. Mercury, upper left in the air, falls in love with HERSE, which brings sacrifices with its comprises. Fourth print of part four of a series of sixty prints with landscapes, divided into five parts of each twelve prints.

A View of Part of the Garden at Hall Barn, William Woollett, 1735-1785, British, 1760, Engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm), Plate: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm), and Image: 13 1/8 × 20 1/16 inches (33.3 × 51 cm)

Fantasy landscape with classicist architecture, Frederik de Moucheron, 1643 - 1686 drawing paper. ink pen / brush fantastic architecture, unrealistic architectural fantasies. landscape with ruins

No. 18. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

First frontispiece for Fables and Fairy-Tales by Thierry-Faletans, 1868. Rodolphe Bresdin (French, 1822-1885), G. Chariol. Lithograph; sheet: 26.3 x 20.8 cm (10 3/8 x 8 3/16 in.); platemark: 24.4 x 26.3 cm (9 5/8 x 10 3/8 in.).

Landscape at the Rhederoord house in De Steeg, Reinier Vinkeles (I), after Johan Antonie Kaldenbach, 1786 print Two figures in conversation on a path along a house in a wide landscape. A carriage on the road. Amsterdam paper etching / engraving farm or solitary house in landscape (+ city(-scape) with figures, staffage). four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. road, path House Rhederoord. The alley

Przeszo Przyszoci Norblin, Marcin

IIde Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers le Midi, from Views of the Park and Gardens of Marshal Count de Lacy at Neu-waldegg. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna); Carl Conti (Austrian, Vienna 1740-1795 Vienna); Clemens Kohl (Austrian, Prague 1754-1807 Vienna); Franz Karl Zoller (Klagenfurt 1747-1829 Innsbruck). Dimensions: sheet: 20 1/2 x 25 7/8 in. (52.1 x 65.7 cm)sheet: 19 5/16 x 25 11/16 in. (49.1 x 65.2 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Stam, Willem Hendrik, Children in the grass at the water's edge near a farm, verso middle - stamped, print, prints, height 289 mm, width 226 mm, Dutch, 1831-06-29 - 1874-01-03, print maker, printmaker, 1841 - 1874, paper, papier, wood engraving

The Triumphal Arch. Dated: 1763/1764. Dimensions: plate: 13.7 x 9.5 cm (5 3/8 x 3 3/4 in.) sheet: 17.3 x 13 cm (6 13/16 x 5 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Casino del N. H. Grimani Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of the Casino del N. H. Grimani on the River Brenta. A gondola sails on the water. Numbered in the middle: LX and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. hôtel, i.e. small palace in city. gondola Brenta

View of the Rhine near Strasbourg, Wenceslaus Hollar, 1635 print Cologne paper etching city-view, and landscape with man-made constructions Strasbourg (France). Rhine

Perseus and the Origin of Coral. Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: 10 x 12 13/16 in. (25.4 x 32.5 cm). Date: ca. 1671.The rarely depicted subject of Perseus and the Origin of Coral is derived from Ovid's Metamorphoses. This drawing is one of seven known preparatory studies for one of Claude's most important late paintings: "Coast View with Perseus and the Origin of Coral" (Coke Collection, Holkham Hall, Norfolk), four of which depict the entire composition. The painting was commissioned by his patron, Cardinal Camillo Massimi, and executed in 1674. Museum: Metropolitan Museum of Art, New York, USA.

Avanzi della Villa di M. Bruto a Tivoli, 1794, Collection ou Suite de Vues Pittoresques de l'Italie (plate 64), etching on laid paper, plate: 28 x 38 cm (11 x 14 15/16 in.), overall: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.), Albert Christoph Dies (artist) Austrian, 1755 - 1822

Landscape with Ruins, Print made by Richard Earlom, 1743-1822, British, after Claude Lorrain, 1600-1682, French, Published by Boydell & Co., 1720-1804, British, 1817, Etching and mezzotint in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 9/16 x 16 5/8 inches (26.8 x 42.2 cm), Plate: 8 7/16 x 11 1/8 inches (21.5 x 28.3 cm), and Image: 7 5/8 x 10 1/16 inches (19.3 x 25.5 cm), animals, architectural subject, bridge (built work), castle, columns (architectural elements), figure, fortress, goats, grazing, landscape, pillars, river, road, rowboat, ruins, temple, trees

Antakalnis. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Rusiecki, Kanuty (1800-1860), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Joseph Mallord William Turner and Samuel William Reynolds I, The Woman of Samaria, published 1819 The Woman of Samaria

No. 80. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Two Shepherds in a Rocky Landscape. Dated: 1764. Dimensions: plate: 20.6 x 18.8 cm (8 1/8 x 7 3/8 in.) sheet: 29.5 x 25.9 cm (11 5/8 x 10 3/16 in.). Medium: etching on laid paper tinted pale blue. Museum: National Gallery of Art, Washington DC. Author: Salomon Gessner.

The Alcove, Isleworth, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Henry Dawe, 1790-1848, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream laid paper, Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/4 × 10 1/4 inches (18.4 × 26 cm)

Water Mill, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Robert Dunkarton, 1744-1811, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper, Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)

Two fishermen on a bridge, 1846 - 1900 This print is part of an album. Haarlem paper etching This print is part of an album. Haarlem paper etching

Jacob Wilhelm Mechau, Romitorio a Albano, 1785 Romitorio a Albano

Winter, a landscape with lumberjacks; Hiemis; The four seasons, with large buildings. Winter landscape with bare trees, some houses and skaters on the ice. Trees are pruned in the foreground. Under the show a text in Latin. Print from a series with the four seasons.

Arcadian landscape with dressed nymphs. Draughtsman: Jacob Esselens (possibly). Draughtsman: Herman van Swanevelt (rejected attribution). Dating: 1636 - 1687. Measurements: h 137 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Luke Sullivan, 1705-1771, British, A View of Cliefden on Buckinghamshire the Seat of the Rt. Hon. Earl of Inchiquin. Engraving.

Colored etching by Lorenz Janscha depicting Brigittenau and the Danube near Augarten, created around 1800.

Arcadian Landscape with Three Figures at a Lake 1792 Johann Christian Reinhart German Reinhart made this imposing drawing in Rome in 1792, when he and another leading German artist from the period, Joseph Anton Koch, started making "heroic" or "poetic" landscapes inspired as much by the Roman campagna as by the work of their seventeenth-century predecessors Claude Lorrain, Nicolas Poussin, and Gaspard Dughet. Although the figures are dressed in a style that hints at a specific mythological or historical subject, they were probably used merely to indicate the antique setting of the landscape, as were the villa in the left background and the funerary monuments at center and in the right background. The dense composition and regular hatching are typical of Reinhart's manner throughout his career. The drawing is related to a painting he made in 1796 (Museum Georg Schäfer, Schweinfurt), but it cannot be called preparatory, for it differs from the painting in many ways. Fully signed and date

Kensington Gardens: The Board Walk, Tristram J. Ellis, 1844-1922, British, after Tristram J. Ellis, 1844-1922, British, 1881, Etching

Beech Grove. Dated: 1840. Dimensions: plate: 28 x 20.4 cm (11 x 8 1/16 in.) sheet: 44.5 x 31.5 cm (17 1/2 x 12 3/8 in.). Medium: etching with drypoint and roulette on chine coll. Museum: National Gallery of Art, Washington DC. Author: Eugène Bléry.

. Winter landscape with shepherd with three cows on a path, seen on the back. A covered wagon meets them. Left skaters on a frozen river. Before the air. Thirteenth print from a series of thirteen with months.

Kobylanka in Jasielsk Circuit; Kobylanka im Jasloer Kreise. Piller, Piotr (Lwów ; zakład litograficzny ; fl. 1826-1848), lithography atelier, Auer, Karol (ca 1818- non ante 1858), graphic artist, Gorczyński, Adam (1805-1876), draughtsman, cartoonist

Drover with Calves in a Country Cart. Dated: c. 1755. Dimensions: overall (approximate): 24.1 x 29.2 cm (9 1/2 x 11 1/2 in.). Medium: graphite with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Gainsborough.

Landscape with two stags, and great house with park. unknown c. 1675-1725 Tapestry Dimensions: H 8'2" x W 9'3" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Sielman (); returned on photo verso.

Elkanah and his Wives Hannah and Peninnah, Wybrand Hendriks, after Nicolaes Pietersz Berchem, 1777 drawing paper. ink. watercolor (paint). pencil brush / pen childlessness of Hannah, wife of Elkanah

The Harbour of Copenhagen from the Esplanade between Langelinie and Toldboden; verso: Sketch of a Standing Man 1809 Christoffer Wilhelm Eckersberg Danish This early drawing by the "father of Danish painting" prefigures in many ways the interests that were to occupy Christoffer Wilhelm Eckersberg in his maturity: landscape and topography, marine painting, perspectival drawing (an obsession of his, here noticeable in the exact depiction of the slightly varying positions of the cannons), the almost mathematical principles underlying his masterful compositions, and a pure and elegant drawing style akin to that of his future teacher, Jacques-Louis David. In an almost inconspicuous way, it is also a depiction of the so-called Gunboat War (1807-14), a naval conflict between Denmark and Norway on one side and the British empire on the other. The cannons in the middle ground and the British ships in the distance, drawn with an admirable attention to detail, undoubtedly refer to this important m

William Byrne, 1743-1805, British, Wickham from the Marlow Road, 1803-1810. Line engraving, published state (India).

Rustic Sketch, or A Post Chaise. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 1/8 × 13 1/4 in. (28.2 × 33.7 cm)Plate: 9 3/8 × 11 13/16 in. (23.8 × 30 cm). Publisher: John Harris (British, ca. 1740-1812). Date: 1787 (). Museum: Metropolitan Museum of Art, New York, USA.

Attributed to William Watts, 1752-1851, British, Cranbourne Lodge, undated. Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, beige, wove paper.

The Woodcutters' Repast. John Linnell; English, 1792-1882. Date: 1815. Dimensions: 265 × 432 mm. Black and white chalks on blue wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with shepherds and milkmaid, N. Lamme, After Jacob de Heusch, 1700 - 1800 drawing paper. chalk. watercolor (paint) brush Milkmaid

The square of Blaricum. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 9-Aug-1839. Measurements: h 110 mm × w 146 mm. Museum: Rijksmuseum, Amsterdam.

On Green River. Dated: 1870s-1880s. Dimensions: image (irregular): 8.73 × 6.67 cm (3 7/16 × 2 5/8 in.) sheet: 9.84 × 7.94 cm (3 7/8 × 3 1/8 in.) support: 30.48 × 24.13 cm (12 × 9 1/2 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Carl C. Brenner.

Design for room painting with landscape with fragment of antique structure, anonymous, 1700 - 1800 drawing Design for room painting: landscape with fragment of antique structure, in the foreground a Corinthian column and pilaster. paper. watercolor (paint) brush landscape with monument. landscape with ruins. Corinthian order ~ architecture

Theater Decor: Het Bosch, Reinier Vinkeles (I), After Andries van der Groen, 1776 print The scenic seal Het Bosch, with a scene off: Don Quixote. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

On the estate Houdringe at De Bilt. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1860. Measurements: h 238 mm × w 332 mm. Museum: Rijksmuseum, Amsterdam.

Smuggling goods in the vicinity of Vilnius. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Deroy, Isidore Laurent (1797-1886), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher, Kukiewicz, Konstanty Benedykt Antoni (1818-1840), painter

Engraving depicting the reaping of barley by hand. Dated 19th Century

Artist: Currier & Ives, American, active 1834-1907, After: Frances Flora Bond Palmer, American, 1812-1876, The Return from thePasture, Lithograph, Image: 47 × 70.2 cm (18 1/2 × 27 5/8 in.); Sheet: 62.7 × 82.9 cm (24 11/16 × 32 5/8in.), Made in United States, American, 19thcentury, Works on Paper -Prints

The death of Johan and Garcias: four men in the forest, Robbert Muys, 1779 print Two men have a conversation in the foreground. Right two men. The print depicts a theater scene from the death of Johan and Garcias, or the unclear regtsleging of Cosmos de Medicis; Grand Duke of Tuscanen, a mourning game of Claas Bruin. Leiden paper etching forest, wood. theatre, theatrical performance

Tsarist sioo - general view; Brandard, Robert (1805-1862); 1835-1850 (1835-00-00-1850-00-00);

Liber Studiorum: St. Catherine's Hill, near Guilford. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

On the Houdringe estate near De Bilt, draughtsman: Hendrik Abraham Klinkhamer, 1860, paper, brush, pen, h 238 mm × w 332 mm

Twelve Illustrations of Robinson Crusoe, Carington Bowles, 1724-1793, British, 1783, beach, fire, literary theme, nude, spying, tropics

Landscape with a boat. Draughtsman: Jurriaan Andriessen. Draughtsman: Isaac de Moucheron (rejected attribution). Dating: 1752 - 1819. Measurements: h 99 mm × w 64 mm. Museum: Rijksmuseum, Amsterdam.

Robert Pollard, 1755-1838, British, The Hermitage of Warkworth, 1787. Engraving and etching on medium, slightly textured, cream, laid paper, mounted on, thick, rough, blued white, wove paper.

Statue among oaks. Starck, Louis, painter

Danube views, Hungary, Village Apostagh, After, Ludwig Erminy, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Ice fun on the Amstel at the Weesperzijde in Amsterdam, Izaak Jansz. de Wit, after Johannes Vinkeles, 1802 print A few are pulled by a sledge drawn by two horses, on the Weesperzijde in Amsterdam. On the frozen water many skaters and on the right a cake-and-Zopietentent. paper etching / engraving skates (winter sports). horse-sleigh. city-walls Weesperzijde. Amstel (river)

John Thomas Smith, 1766-1833, British, Near Deptford, Kent, 1797. Engraving.

The Anglers 1642-1652 Holland. Etching in black on ivory laid paper . Adriaen van Ostade

Landscape with seated man and standing woman, draughtsman: Monogrammist FWH, (possibly), draughtsman: anonymous, 1700 - 1800, paper, brush, h 227 mm × w 178 mm

Two round frames with autumn landscapes and autumn scenes. On the left the month of November. Central is the cutting of wood for the winter. In the background the wood is being brought to town. In the top center, the constellation of Sagittarius. On the right, December, the month of slaughter. Central is the slaughtering of pigs, after which the animals are smoked and salted. In the background, the cattle are being taken to the slaughterhouse. In the upper center is the constellation Capricorn. The print is part of a series on the twelve months, November and December The twelve months (series title)., print maker: Adriaen Collaert, Hans Bol, publisher: Hans van Luyck, Antwerp, 1578 - 1582, paper, engraving, h 145 mm × w 306 mm

Arcadian landscape with resting shepherds and cattle, Johann Wilhelm Kaiser (I), After Adriaen van de Velde, 1823 - 1900 print With a dilapidated monument at the foot of a hill, a shepherd and a woman rest; The woman has a child on the chest, the shepherd is next to a donkey. There are cows and sheep in the foreground, on the right is a horse. The print is part of a series of 25 prints to Dutch masters. Above the image: PL XII. paper. etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Arrival of Willem V and Wilhelmina van Pruisen at the Haarlemmerpoort, 1768, Simon Fokke, 1772 - 1773 print Arrival of the procession with Stadholder Willem V and Princess Wilhelmina van Pruisen at the Haarlemmerpoort in Amsterdam, on 30 May 1768. With large groups of spectators on the quays and on the water. Part of a press series with title print and 14 plates of the indentation of the Prince and Princess in Amsterdam, 30 May - 4 June 1768. Numbered in the bottom right handwritten: 1. paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. City-Gate. Bridge in city across river, canal, etc. (+ city (-scape) with figures, staff) Haarlemmerpoort

View of the Bowling-Green, Broadway. Davis, Alexander Jackson (1803-1892). Eno, Amos F., 1836-1915. Prints. 1823 - 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bowling Green (New York, N.Y.)

Games, Jacob.

Łazienki Park. Chart 10 from the portfolio Warsaw 1918". Jabłczyński, Feliks (1865-1928), graphic artist, Wilder, Hieronim (1874-1941), publisher

Launds. Frederick Landseer Maur Griggs (British, 1876-1938). Etching;

September 1741. This Jele At 16 suckers stayed shot by his book Maybe Landrafa von Hessen-Darmstadt near the house of My Liwski Jogerthal in Forst Romrod. Jele mia a white color, especially the main, but the ears were the poorest; Ridinger, Johann Elias (1698-1767); 18th century (1700-00-00-1800-00-00);

William Blake, 1757-1827, British, Illustrations of Eclogue I, Introductory, The Giant Polypheme, 1821. Wood-engraving and letterpress on medium, slightly textured, cream wove paper.

1869 Exhibition of Painting, A River, painting and drawing by Grandsire, vintage engraved illustration. Magasin Pittoresque 1869.

James Walker, 1748-1808, British, Woolwich, 1793. Engraving.

Brzozowski, Feliks (1836-1892), Refuge; from: "Kłosy" 1885, I, 16. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Brzozowski, Feliks (1836-1892), draughtsman, cartoonist

Artist: Edward Sachse, American, 1804-1873, Settlement of Immigrants in Missouri/ We left our belovedcountry…., Color lithograph, image: 35 × 51.3 cm (13 3/4 × 20 3/16 in.), Made in United States, American, 19thcentury, Works on Paper -Prints

The Fair Penitent, from "The Vicar of Wakefield" May 1, 1817 Thomas Rowlandson The Vicar of Wakefield was written by Oliver Goldsmith between 1761-62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.. The Fair Penitent, from "The Vicar of Wakefield". "The Vicar of Wakefield". Thomas Rowlandson (British, London 1757-1827 London). May 1, 1817. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

How Cities are Born (Wedding in the Village). Charles François Daubigny; French, 1817-1878. Date: 1840. Dimensions: 75 × 142 mm (image); 115 × 177 mm (plate); 243 × 320 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

A View of the Prince's House at Kew, Print made by Michael 'Angelo' Rooker, 1746-1801, British, after Paul Sandby RA, 1731-1809, British, 1776, Line engraving on medium, moderately textured, cream laid paper, Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm), Plate: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm), and Image: 5 × 7 5/8 inches (12.7 × 19.3 cm), children, gardens, horses (animals), royal palace, toys, wagon, whip, England, Greater London, Kew Palace, United Kingdom

A watercolor by an anonymous artist from 1786 depicting Lueg, showing architectural and landscape features in naturalistic detail.

Sweet Briar. Dated: c. 1808. Dimensions: sheet: 17.15 × 25.08 cm (6 3/4 × 9 7/8 in.). Medium: watercolor and graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM RUSSELL BIRCH.

Six eaux fortes par Alphonse Legros avec une introduction par Champfleury , Alphonse Legros (1837-1911)

Landscaping Met Herders a VISSERS, C.L. Jubier, After Jean Baptists has (Le Vieux), 1755 - 1786 print print maker: Francepublisher: Paris paper etching water course. fisherman. herd, flock

Face in the Colosseum with in the foreground a shepherd with cattle, draughtsman: Jean Grandjean, (signed by artist), Rome, 1779, paper, pen, brush, h 415 mm × w 542 mm

Design for a wall decoration in a hall: View of a garden with a statue, fountain and urns. Design for a painting.

The Lodge and Stables, &c. at Windsor Great Park, James Mason, 1710-1783, British, after Thomas Sandby RA, 1721-1798, British, 1772, Hand colored engraving on thick, rough, blued white, laid paper, Sheet: 16 7/8 × 25 1/8 inches (42.9 × 63.8 cm), Plate: 13 5/8 × 22 15/16 inches (34.6 × 58.3 cm), and Image: 12 3/16 × 21 15/16 inches (31 × 55.7 cm)

Rome's album Ponte Mammodo Unknown, puppy, Tomasso (ca 1790 1864)

Sobieski Bridge, Table 3. From the "Uprising" series; Dietrich, Fryderyk Krzysztof (1779-1847), Piwarski, Jan Feliks (1794-1859); 1831 (1831-00-00-1831-00-00);Jan III Sobieski (King of Poland - 1629-1696), Jan III Sobieski (King of Poland - 1629-1696) - iconography, Lasocki, Wacław (1837-1921), Lasocki, Wacław (1837-1921) - collections, Society of Fine Arts encouragement (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, Warsaw (Masovian Voivodeship), Polish graphics, Sobieski Bridge (Warsaw), Mosty (archite.), Nocturny, Poland (Culture) , monument to Jan III Sobieski (Warsaw), November Uprising (1830-1831), Łazienki Królewskie (Warsaw)

Vid Poltavy.. Passek, Vadim, 1807-1842. Illustrations, Prints. 1840. General Research Division

Long Calderwood, Sir David Young Cameron, 1865-1945, British, 1893, Etching on laid paper, Plate: 3 3/8 x 5in. (8.6 x 12.7cm) and Sheet: 4 5/8 x 5in. (11.7 x 12.7cm)

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