18th-19th Century Genre Paintings

Depictions of everyday life and domestic settings, featuring figures engaged in various activities, often highlighting intimate moments and communal experiences.

Home for Tea. Felix Schlesinger (1833-1910). Oil on panel, 60 x 78.8cm.

fine arts, religious art, persons, Jesus Christ, ""The first denial of saint peter"", painting by James Tissot (1836 - 1902),

Home for Tea. Felix Schlesinger (1833-1910). Oil on panel, 60 x 78.8cm.

'Peasants at the Table'. Flanders, Circa 1702. Dimensions: 24x32 cm. Museum: State Hermitage, St. Petersburg. Author: Jacques Smeyers.

The kitchen, 1798, by David Teniers II (1610-1690).

Adriaen van Ostade / 'Villagers Singing', ca. 1632, Dutch School, Oil on panel, 24 cm x 29 cm, P02123. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

OSTADE, Adriaen van (1610-1684). A Flute Player. ca. 1660. Baroque art. Oil on canvas. RUSSIA. MOSCOW. Moscow. Pushkin Museum of Fine Arts.

Tea house by Vasnetsov, Viktor Mikhaylovich (1848-1926) State Art Museum, Kharkov 1874 Oil on canvas 84x136 Russia Russian Painting of 19th cen. Genre Painting

Thomas Heaphy, 1775-1835, British, Inattention, 1808. Watercolor, pen and ink, sponging, and gum over graphite on wove paper.

Tobit and Anna waiting for the return of their son by Rembrandt van Rhijn (1606-1669)/ Museum Boijmans Van Beuningen, Rotterdam/ 1659/ Holland/ Oil on wood/ Baroque/ 40,3x54/ Bible

Strawberry Man at Fourth & Race. Date/Period: 1863. Painting. Oil on canvas. Height: 22.75 mm (0.89 in); Width: 19.75 mm (0.77 in). Author: UNKNOWN.

Two women on back yard by Antonio Diziani, oil on canvas, 1737-1797, Lithuania, Kaunas, State M. Ciurlionis Art Museum

David Teniers II (Antwerp, 1610-Brussels, 1690). Smokers in an Interior (ca. 1637). Oil on panel. 39.4 x 37.3 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

TAPIZ DE LA REAL FABRICA SEGUN CARTON DE TENIERS-S XVII-ESCUELA FLAMENCA-COMIDA EN UNA TABERNA. Author: Teniers. Location: MUSEO CATEDRAL. SANTIAGO DE COMPOSTELA. Coruña. SPAIN.

Fredegund visits Bishop Pratextatus on his deathbed by Alma-Tadema, Sir Lawrence (1836-1912) State A. Pushkin Museum of Fine Arts, Moscow 1864 Great Britain Oil on wood Painting Mythology, Allegory and Literature,History

News From India: Tavern Scene Alfred Elmore (1815-1881 British)

Peasant's Joy (The Expulsion). Dating: after c. 1619. Measurements: support: h 26.5 cm × w 42.5 cm; d 5 cm. Museum: Rijksmuseum, Amsterdam. Author: David Vinckboons (I) (workshop of).

The Fish Market in Antwerp. Dating: 1827. Measurements: h 59 cm × w 49 cm; d 11.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Ignatius Josephus Van Regemorter.

The Expulsion, by Charles de Groux, 19th century, Museum of Fine Arts, Ghent, Belgium, West Flanders, Belgium, Europe

The Rat Trap, Edmund Bristow, 1787-1876, British

La comida de los cerdos. Date/Period: 1904. Painting. Oil on canvas. Height: 1,300 mm (51.18 in); Width: 1,000 mm (39.37 in). Author: Fernando Fader.

The Carpenter's Shop by Margaret W. Tarrant

THE GLEANERS OF JERICO ("LAS ESPIGADORAS DE JERICO"), 1905. Author: ANTONIO MUÑOZ DEGRAIN (1840-1924). Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPAIN.

Print made by Jan van Somer, ca. 1645-after 1699, Dutch, Tric-trac Players, 1671. Mezzotint on medium, slightly textured, cream laid paper.

The Death of Aaron James Tissot (1836-1902 French) Jewish Museum, New York, USA

Lindh, Johan Erik, work, Escape to Egypt, copy after A. Lauréus, 1832, oil on canvas, painting, RELIGION, NT; SCENE, flight to Egypt, Maria, Baby Jesus, Joseph, donkey, animal, torch, night, 45 cm x 36.5 cm

'Dead Stag'. Sweden, 1878. Dimensions: 106x80 cm. Museum: State Hermitage, St. Petersburg. Author: BENGT NORDENBERG.

Mine in the Bastion du Mat, Sebastopol, Crimea, William Simpson, 1823-1899, British, 1856, Watercolor and gouache over graphite on medium, cream, slightly textured wove paper, Sheet: 10 3/8 x 15 15/16 inches (26.4 x 40.5 cm), genre subject, mine, soldiers, tools, Crimean Peninsula, Sebastopol, Ukraine

Zwei Bauern unterhalten sich in der Wohnstube, einer redet auf den anderen wichtigtuerisch ein, ländliche Szene aus dem Alpenraum, 1880, Historisch, authentisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4904214

Girl Screening Grain 1853 Gustave Courbet (1819-1877 French) Oil On Canvas Musee des Beaux-Arts, Nantes, France

Dandré-Bardon, Michel-François (n.1700-05-22-D.1783-04-14), the meal in Emmaüs (main title), 1736. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris. The meal in Emmaüs (main title)

William James Muller, 1812-1845, British, Cairo Bazaar, undated. Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper.

Joy of Pregnancy by Karl Pavlovich Briullov, Watercolour on paper, 1830, 1799-1852, Russia,, St. Petersburg, State Russian Museum

The corn-sifters (Les cribleuses de bl), 1865

Poor family at home. Early nineteenth century. Colored engraving.

Visit to the farm, Jan Brueghel I, 17th century, painting, 17th century, Belgian Art

The (Cooked) Food Market in St. Petersburg, by Volkov Adrian Markovic, 19th Century, 1858, oil on canvas, cm 95 x 130

SOROLLA, Joaqun (1863-1923). Kissing the Relic. 1893. Detail. Oil on canvas. SPAIN. BASQUE COUNTRY. VIZCAYA. Bilbao. Bilbao Fine Arts Museum.

Slaughterhouse interior. Poel, Egbert van der (1621-1664), painter

Milkwoman's cart, c. 1840 engraving by Victor Adam

Joshua Cristall, 1768-1847, British, Landing a Catch of Mackerel, Hastings, undated. Watercolor, gouache, and graphite on thick, slightly textured, cream wove paper.

Antoine Le Nain, The Young Card Players, 1643, oil on copper mounted on panel.

MASCARAS DE ALDEA - SIGLO XX. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Heemskerck and Barents Planning their Second Expedition to the Far North, Christoffel Bisschop, 1862 painting The painting shows Jacob van Heemskerck and Willem Barendsz when preparing their second attempt to find a northern passage to China. This tour would eventually end in the famous wintering on Nova Zembla. In addition to both protagonists, we see in this painting a map of the Arctic, a ship model, a globe and the fur of a polar bear that is taken from an earlier journey. Netherlands canvas. oil paint (paint) painting interior of the house. globe. scholar in his study. exploration, expedition, voyage of discovery. explorer. ship-model

The Women Of Algiers In Their Apartment by Delacroix, Eugene (1798-1863) / Louvre, Paris / 1834 / France / Oil on canvas / Genre / 180x229 / Romanticism

Scene from Don Quixote. Chapter IV: Books Being Burnt by the parish priest, the barber, the housewife and her niece. Madrid, Espasa Calpe Collection. Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION. MADRID. SPAIN. DON QUIJOTE.

A Woman Breaks the Skull of Abimelech James Tissot (1836-1902 French) Jewish Museum, New York City

Sir Hubert von Herkomer, 1849-1914, British, On Strike, 1897. Watercolor and gouache on smooth, slightly textured, cream wove paper.

'Dog Carrying Dinner to its Master (Fable by La Fontaine)'. Belgium, 1846. Dimensions: 60x81 cm. Museum: State Hermitage, St. Petersburg. Author: Josef Stevens.

El Maragato Threatens Friar Pedro de Zaldivia with His Gun. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1801-1811. Dimensions: 11 1/2 × 15 5/8 (29.2 × 38.5 cm). Oil on panel. Origin: Spain. Museum: The Chicago Art Institute, USA.

VAN CRAESBEECK, Joos (1606-1654). The mussel eaters. Circa 1650 - 1660. Flemish art. Painting. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Sick man at the walls of a Catholic monastery, Bronnikov, Feodor Andreyevich (1827-1902)

Woman Lifting Potatoes. Date: July-August 1885, Nuenen. Dimensions: 41.8 cm x 32.5 cm, 54 cm x 43.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: VINCENT VAN GOGH.

Bazaar in Constantinople by Khlebovsky, Stanislav (1835-1884) Private Collection Oil on wood 26x21 Poland Orientalism Genre Painting

Ibizans baking bread, oil on canvas, Narcís Puget Viñas, Puget museum, can Comasema, 15th century house, Ibiza, Balearic Islands, Spain.

Leaving the Sheep Pen Charles-Émile Jacque (French, 1813-1894). Leaving the Sheep Pen, 1880s. Oil on panel, 18 x 14 9/16 in. (45.7 x 37 cm). European Art 1880s

With a shelter; Siemiradzki, Henryk (1843-1902); 1889 (1889-00-00-1889-00-00);Origin unknown

DESOLLADERO O PATIO DE CABALLOS - 1924 - OLEO/LIENZO - 145 x 202 cm. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Leonard Strojnowski (1858-1935), meeting; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1908 (1908-00-00-1908-00-00);

Council of War in Phili Village, 1812 1882 A.D. Kivshenko (1851-1895 Russian) Oil on canvas

The Cottage Dooryard, Adriaen van Ostade, 1673, National Gallery of Art, Washington DC, USA, North America

Return of the prodigal son , Fine Art

The Spinner, a Niddy-noddy Hanging on the Wall. Dating: 1652 - 1662. Measurements: h 41.5 cm × w 33.5 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Nicolaes Maes.

Ferdinand Victor Eugene Delacroix (26 April 1798 - 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement.

LOS HOMBRECITOS - S XIX. Author: JUAN ANTONIO BENLLIURE GIL. Location: GALERIA SAMMER. MADRID. SPAIN.

Falstaff: 'I will esconce me behind the Arras', 1907, Frederick William Davis (d.1919), Frederick William Davis (1862-1919) worked chiefly in Birmingham, later in his career he accepted several commissions to paint scenes from Shakespeare's plays.

The Rejected Suitor. Date/Period: 1915. Painting. Oil on illustration board. Height: 20.25 mm (0.79 in); Width: 30.25 mm (1.19 in). Author: Louis Eilshemius.

People in historical clothing standing on stairs by Viktor Mikhaylovich Vasnetsov, Oil on playwood, 1877, 1848-1926, Russia, near Moscow, State Museum Abramtsevo Estate, 41, 6x46, 1

Old Man's Treasure (Das Katzchen). Date/Period: 1876. Painting. Oil on panel. Height: 1,073 mm (42.24 in); Width: 908 mm (35.74 in). Author: KARL GUSSOW.

Gallen-Kallela, Akseli, Otto Donner junior, 1897, line etching, graphics, plate width 8.2 cm, plate height 12, 2 cm, leaf width 22.3 cm, leaf height 34.6 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

Bal Masque, John Phillip (Aberdeen, Scotland, 1817 - 1867)

Nazareth. From the journey to Palestine. Ciągliński, Jan (1858-1913), painter

The American Cincinnatus, Jean Leon Gerome Ferris (1863-1930 American)

Ruth Gleaning James Tissot (1836-1902 French) Jewish Museum, New York, USA

Spanish school. Prison scene. Escena de prision. 1801-1814. Oil on tin-plate (43 x 32 cm). Barnard Castle, Bowes museum. Author: FRANCISCO DE GOYA. Location: MUSEO BOWES. BARNARD CASTLE. ENGLAND.

Meeting between Giuseppe Garibaldi and Giovanni Battista Cuneo in Taganrog, on the Black Sea, 1833, painting by Italo Nunes-Vais (1860-1932), 1881, oil on canvas, 37x47.5 cm.

Antonio Jaspe Moscoso (1856-1887). Spanish painter. The bag-piper, 1876. Museum of Fine Arts. A Coru-a, Galicia, Spain.

The oilmill. 1930. 235 x 442 cm. Madrid, Reina Sofia museum. Author: JOAQUIN VALVERDE (1896-1982). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

fine arts, Leyster, Judith, (1609 - 1660), painting, ""the musician"", municipal museum, Wiesbaden,

France, Rouen, Diomedes Devoured by his Horses

Men talking by Ivanov Sergei Vasilyevich, oil on cardboard, 1907, 1864-1910, Russia, Moscow, State Tretyakov Galler

All That Remains Of The Glory Of William Smith Edwin Henry Landseer (1802-1873 British) Oil On Wood Panel Christie's Images, London, England

'Iron Forge Viewed from Without'. Great Britain, 1773. Dimensions: 105x140 cm. Museum: State Hermitage, St. Petersburg. Author: JOSEPH WRIGHT OF DERBY.

Russian village by Appolinari Mikhaylovich Vasnetsov, watercolor on paper, 1908, 1856-1933, Russia, Moscow, State History Museum,

At the Water Trough. oil on canvas. Date: 1876-1877. Museum: Smithsonian American Art Museum.

The Reprimand Pierre-Édouard Frère (French, 1819-1886). , 1863. Oil on panel, 10 7/16 x 8 3/16 in. (26.5 x 20.8 cm). Throughout Ollers first Paris sojourn, Pierre-Édouard Frères small-scale paintings of village children engaged in everyday activities were enormously popular with the citys middle class. Paintings such as The Little Cook were praised for their truthful observations of the lives of the poor, then a novel focus for painters. Depictions of schooling, such as The Reprimand, were particularly fashionable after 1850, thanks to Frances renewed interest in educating young children. Oller was also intensely interested in pedagogy; he established art schools in Puerto Rico, published a treatise on geometry and art, and painted portraits of the islands most influential teachers. Durante la primera estadía en París de Oller, las pinturas a pequeña escala de Pierre-Édouard Frère de niños de pueblo, involucrados en actividades cotidianas, eran extremadamente populares en el círc

COMEDOR DE LOS POBRES - 1919. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The gate guard/The sentry. Date/Period: 1654. Painting. Oil on canvas. Height: 68 cm (26.7 in); Width: 58 cm (22.8 in). Author: Carel Fabritius.

The Story Teller. Lorenz Frolich (1820-1908). Oil on canvas, dated 1843, 54.9 x 73.7cm.

This image shows Der Falschspieler (The Wrongdoer or Peasants Brawling Over Cards) by Adriaen Brouwer, which is in the State Gallery in Dresden, Germany. It dates to 1630. AdriaenBrauwer.Adriaen Brouwer (also spelled Brauwer) (1605/06 in Flanders now Belgium - 1638), Flemish genre painter and draughtsman who influenced artists in both Flanders and Holland.He brought low-class peasant scenes to the fore of Dutch society. Such scenes denoted a sense of immoral behavior and were popular among rich citizens as they confirmed their status and moral standing. His characters for works such as this one were stereotypical members of the lower class with large limbs and dowdy features. As well as gambling he also portrayed them fighting, smoking and drinking and generally reveling in activities the upper classes deemed morally wrong.

Madrid 1937 (Spanish Civil War, Bombing of Madrid by the German Luftwaffe) Horacio Ferrer Morgado (1894-1978) Oil on canvas

Turkish Children at a Fountain by Decamps, Alexandre Gabriel (1803-1860) Musee Conde, Chantilly 1846 Oil on canvas 100x74 France Orientalism Landscape,Genre Painting

The Daughter of Jairus (La fille de Zäire) James Tissot (French, 1836-1902). The Daughter of Jairus (La fille de Zäire), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 7 7/16 x 10 7/8 in. (18.9 x 27.6 cm). European Art 1886-1896

Painting titled 'The Right of the Master' by Vasily Polenov. Vasily Dmitrievich Polenov (d.1927) a Russian landscape painter.

SERRANO, Manuel (19th century). Food Vendor. 2nd half 19th c. Painting. MEXICO. FEDERAL DISTRICT. Mexico City. Chapultepec Castle.

The Merchants Chased from the Temple (Les vendeurs chassés du Temple) James Tissot (French, 1836-1902). The Merchants Chased from the Temple (Les vendeurs chassés du Temple), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 5/16 x 11 9/16 in. (18.6 x 29.4 cm). Jesus drives the merchants from the Temple, among them moneychangers as well as those who sell animals for sacrifice and food for worshippers. He scatters their goodsin a dramatic flurry of flapping doves’ wingsas he wields a whip devised from his own belt, Tissot notes in his text. (This last detail comes from the account in John, though Tissot chose not to cite those verses in his Bible.) The sheer bulk of merchants with their wares and animals had grown so large, Tissot explains, that, for want of room, they had invaded Solomon’s Porch and the Court of the Gentiles, rendering the cisterns impure and the silence required for prayer impossible. European Art 1886-1894

The Return of the Prodigal Son (Le retour de l'enfant prodigue) James Tissot (French, 1836-1902). The Return of the Prodigal Son (Le retour de l'enfant prodigue), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 11/16 x 5 1/2 in. (22.1 x 14 cm). In this parable, a young man leaves the comfort of family, wanders foreign lands, and resorts to begging after wasting a fortune through debauchery. Returning, he receives the embrace of his father, who warmly welcomes him home despite his mistakes, prompting the young man to repent the rejection of his family. Tissot had treated the Prodigal Son subject several times before, first in the guise of early historicizing scenes that helped establish his career and then, in the early 1880s, as a series of paintings and later etchings set in Victorian England. As many scholars have pointed out, the parable may have had a particular autobiographical resonance for Tissot, who had left his homelandtrading his native France for E

Honoré Daumier (1808-1879). Imagination number 8: Avare. Engraving. Paris, Carnavalet museum. 23967-10 Avare, greed, hide, cassette, humorous, humor, imagination, series, caricature, engraving

Peto, Bardolph and Gadshill at left; Falstaff in the centre; Hal and Poins at right in the Boar's Head Tavern. Illustration to Henry IV, Part 1, Act 2, scene 4. Unknown artist, c.1840

ESCENA DE"TILL EULENSPIEGEL" (CUENTO POPULAR DE PICARO CAMPESINO)PINTURA DEL S XVII. Author: CORNELI DUSARTO (1660-1704). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Watercolor with the text: The melt is taken out, the cross loans in the valleys.

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