18th-19th Century Portraits

Elegant portraits of women from the 18th and 19th centuries, showcasing rich fabrics and intricate hairstyles, reflecting a soft, romantic style.

Portrait of a Lady, Wearing a White Dress and a Blue Cloak, with Red Flowers in her Corsage, a Parapet and Trees Beyond. Nicolas de Largilliere (1656-1746). Oil on canvas.

1530s LA BELLA BY TITIAN A BEAUTIFUL RENAISSANCE WOMAN WEARING FASHION OF THE TIME IN THE PITTI PALACE FLORENCE ITALY

Mary of Modena Signed, center left: "S, VE. J~monogram", Simon Verelst, 1644-1710, Dutch

Portrait of Julia Wieman née Czaban. Pfanhauser, Franciszek Jan (1796-1865), painter

Circle of Jacques Louis David, Portrait of a Young Woman in White, c 1798 Portrait of a Young Woman in White

'Portrait of Grand Duchess Natalia Alexeyevna'. Sweden, 1776. Dimensions: 88x66 cm. Museum: State Hermitage, St. Petersburg. Author: ALEXANDER ROSLIN.

'Female Portrait'. Holland, 17th century. Dimensions: 55x46 cm. Museum: State Hermitage, St. Petersburg. Author: Govert Flinck.

Portrait of Clémentine (Mrs. Alphonse) Karr, 1845, Henri Lehmann, French, 1814 - 1882, 26 x 19 7/8 in. (66.0 x 50.5 cm), Oil on canvas, France, 19th century

Portrait of a Woman, Arnold Boonen (attributed to), 1690 - 1729 painting Portrait of a woman sitting at a table. In the hand a watch. Pendant of SK-A-1914. canvas. oil paint (paint) historical persons not known by name - BB - woman. adult woman

Marie de Medicis (1573-1642). Quenn of France as the second wife of Henry IV of France. Marie de Medicis, Queen of France (around 1622). Oli on canvas by Peter Paul Rubens (1577-1640). The Prado Museum, Madrid, Spain.

Dorothy Quincy Mrs. John Hancock; about 1772 Oil on canvas John Singleton Copley American; 1738-1815

'Portrait of Grand Princess Maria Nikolayevna (1819-1876)'. 1841. Dimensions: 249x151 cm. Museum: State Hermitage, St. Petersburg. Author: CHRISTINA ROBERTSON.

Portrait of Sarah Eleanore von Fermor by Vishnyakov, Ivan Yakovlevich (1699-1761) / State Russian Museum, St. Petersburg / Russian Art of 18th cen. / c. 1750 / Russia / Oil on canvas / Portrait / 135x109

Portrait of Marthe Marie Tronchin 1758-1761 Switzerland. An admirer of Rosalba Carriera, Liotard evolved a highly personal, realist style that was not well received by the Academicians in Paris, but was welcomed in England, Holland, and his native Geneva. This portrait was made at the height of Liotardís career in Geneva, during a period (c. 1757-63) in which he portrayed the most politically and intellectually vital individuals in that city. Liotard depicted no less than eight members of the Tronchin family, one of the most important and influential dynasties of the Swiss Republic.. Pastel on vellum . Jean Etienne Liotard

condesa Potocka con turbante, , Francisco Xavier Winterhalter, castillo del conde Branicki, Montrésor, departamento de Indre y Loira, France,Western Europe.

Lady Oxenden. Date/Period: Ca. 1755-ca. 1756. Painting. Oil on canvas. Height: 1,517 mm (59.72 in); Width: 1,270 mm (50 in). Author: THOMAS HUDSON.

'Portrait of Alexandra Kutorga'. Russia, 1847. Dimensions: 80x62,5 cm. Museum: State Hermitage, St. Petersburg. Author: Yakov Kapkov.

Portrait of a woman. Portrait of a woman. Bust, looked at. Part of the portrait miniaturen collection.

MARQUESA DE CABALLERO. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

John Hoppner (1758-1810). English painter. Miss Frances Beresford, ca. 1785. Oil on canvas. Calouste Gulbenkian Museum. Lisbon. Portugal. Author: John Hoppner (1758-1810). British painter.

'Portrait of an Artist'. Holland, 1688. Dimensions: 42x36 cm. Museum: State Hermitage, St. Petersburg. Author: Ludolf Backhuizen.

Portrait of Anne, Countess of Chesterfield; Thomas Gainsborough, English, 1727 - 1788; 1777 - 1778; Oil on canvas; Unframed: 219.7 x 156.2 cm (86 1/2 x 61 1/2 in.), Framed: 248.9 x 185.4 x 9.5 cm (98 x 73 x 3 3/4 in.)

Anne Flore Millet, Marquise de Bréhan (around 1752- after 1800). "Portrait of Marie-Antoinette as a great mourning at the temple, she carries the effigy of the dolphin, on the right, the bust of Louis XVI". Oil on canvas. Paris, Carnavalet museum. 35191-10 Bust, dolphin, temple enclosure, royal family, great mourning, medallion, black, prison, portrait, queen france, French revolution, king, oil on canvas

Joseph Wright of Derby. Date/Period: Between 1774 and 1776. Painting. Oil on canvas. Height: 673 mm (26.49 in); Width: 565 mm (22.24 in). Author: Attributed to Richard Hurleston.

Vicente López Portaña / 'Maria Josepha Amalia of Saxony, Queen of Spain', ca. 1828, Spanish School, Oil on canvas, 70 cm x 59 cm, P00867. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Retrato de Cecilia Böhl de Faber, 1858. Óleo sobre lienzo, 50,30 x 37,50 cm. Museum: Museo del Romanticismo, MADRID, SPAIN. Author: BECQUER VALERIANO.

Antonio María Esquivel y Suárez de Urbina / 'Fernanda Pascual de Miranda', 1832, Spanish School, Oil on canvas, 77,5 cm x 56 cm, P04296. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Mrs John Clerk Maxwell (neé Frances Cay) and her Son James, 1833. By William Dyce.. From PreRaphaelites.org:. The child's informal pose and lively expression owe much to the influence of the artist of Sir Joshua Reynolds (1723-92) upon Dyce early in his career. Mrs Clerk Maxwell seems only just to succeed in holding the child in check. In adult life James Clerk Maxwell was one of the outstanding British physicists of the nineteenth century, becoming first holder of the Chair of Experimental Physics at Cambridge in 1871. At various stages in its history, the painting has become known as 'James Clerk Maxwell,' and as 'A Small Boy, with his Mother,' a title which consigned the famous physicist's mother to anonymity. Mrs Maxwell was the sister of Robert Dundas Cay and Jane Cay for whom the picture was painted. The Cays were relatives of the artist through Robert's marriage to Dyce's sister Isabelle. A letter and receipt from the artist dated 21 March 1833 is in the object file at Birmingha

Coming From Church. Charles Sillem Lidderdale (1831-1895). Oil on canvas. Signed and dated 1884. 91.5 x 63.5cm.

Jean-Baptiste André Gautier-Dagoty, Jeanne Béca, Comtesse du Barry, and her servant Zamor, 1771, color intaglio with hand coloring on laid paper.

The Empress Eugénie (Eugénie de Montijo, 1826-1920, Condesa de Teba) 1854 Franz Xaver Winterhalter German Winterhalter began an official portrait of Empress Eugénie (Eugénie de Montijo, Condesa de Teba, 1826-1920) shortly after her marriage in 1853 to Napoleon III, emperor of France, but it was not exhibited until 1855. The present work is, in contrast, relatively intimate in scale and effect. It shows the empress in a Second Empire adaptation of an eighteenth-century gown. Her interest in the previous century, especially her fascination with Marie Antoinette, queen of France from 1774 to 1793, is well documented.. The Empress Eugénie (Eugénie de Montijo, 1826-1920, Condesa de Teba). Franz Xaver Winterhalter (German, Menzenschwand 1805-1873 Frankfurt). 1854. Oil on canvas. Paintings

Portrait of the artist's aunt, sketch; Rodakowski, Henryk (1823-1894); 1851 (1851-00-00-1851-00-00);Singer, Babetta, Singer, Babetta - iconography, cap, armchairs, portraits, female portraits, purchase (provenance)

'Portrait of Empress Elizabeth Petrovna'. Germany, 1750s. Dimensions: 160x128 cm. Museum: State Hermitage, St. Petersburg. Author: ANONYMOUS.

Portrait of Elizabeth of Palatinate (1652 - 1722)

Marie de Rabutin-Chantal, Marquise de Sevigne (born 5 February 1626 in Paris, died 17 April 1696 at Grignan Castle, Provence) was a member of the French nobility, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Artist: Joseph Badger, American, 1708-1765, Subject: Hannah Gookin Kent, American, 1691-1758, Mrs. Richard Kent (Hannah Gookin)(1691-1758), ca.1746, Oil on canvas, 50 × 40 in. (127 × 101.6cm), American, 18thcentury, Paintings

'Miniature "Portrait of a Young Woman in a Black Dress"'. Russia, 1840s. Dimensions: 1,3x9,5 cm. Museum: State Hermitage, St. Petersburg. Author: ANONYMOUS.

Vigee-Lebrun, Elisabeth (1755-1842). Marie-Antoinette of Austria, Queen of France. 1783. Rococo. Oil on canvas. FRANCE. LE-DE-FRANCE. YVELINES. Versailles. National Museum of Versailles.

The early 1900s caption reads: "Portrait of Madame Mole-Raymond in the Louvre. This famous painting of Madame Mole-Raymond, the pretty actress of the Comedie Francaise, is one of Vigee Le Brun's masterpieces. Her brush is now at its most dextrous use; the laughing pretty woman is caught like a live thing and fixed upon the canvas as at a stroke as she trips across the vision, with muff upraised, smiling out upon us as she passes. Vigee Le brun never started character with more consummate skill than here; never set down action with more vivid brush, catching movement flying.".

Lady Caroline Howard by Sir Joshua Reynolds, circa 1778 National Gallery of Art, Washington DC, USA, North America

England, Kent, Edenbridge, Chiddingstone, Chiddingstone Castle, The Great Hall, Portrait of Queen Anne and The Duke of Gloucester

Portrait of Marie Louise of Savoy (1749-1792), Princess of Lamballe by Hickel, Anton (1745-1798) / Kunstmuseum Liechtenstein / 1788 / Austria / Oil on canvas / Portrait / 66x44 / Rococo

Anonymous (Copy after: Madrazo y Kuntz, Federico de) / 'Isabella II of Spain'. XIX century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Anne Catharine Hoof Green. oil on canvas. Date: 1769. Museum: NATIONAL PORTRAIT GALLERY.

Watercolor on ivory by Moritz Michael Daffinger depicting Marianne Baronin Zois von Gemestein in a white dress seated in a red chair, with a white rose in her hair, around 1840.

Portrait of Eva Wtewael (1607-1635). Date/Period: 1628. Painting. Oil on panel. Height: 54.70 mm (2.15 in); Width: 40.50 mm (1.59 in). Author: JOACHIM WTEWAEL.

Portrait of Miss Caroline Hopwood, aged 18, Half Length, Wearing a Brown Dress, Holding Flowers in a Landscape. George Henry Harlow (1787-1819). Dated 1814, Oil on canvas, 76 x 63.5cm.

Portrait of the Queen of France Maria Leszczyj (1703-1768) according to J.-M. Nattier; Nattier, Jean-Marc (1685-1766), 1760-1770 (1760-00-00-1770-00-00);

Angelica Singleton Van Buren (Mrs. Abraham Van Buren). Date/Period: 1842. Painting. Oil on canvas Oil on canvas. Height: 1,073.15 mm (42.25 in); Width: 854.20 mm (33.63 in). Author: Henry Inman.

The Italian beauty ,. Louis Prang & Company Collection

Genaro Boltri Attributed to / 'Female Portrait'. Ca. 1780. Museum: Museo del Prado, Madrid, España.

Lady with a Harp: Eliza Ridgely. Dated: 1818. Dimensions: overall: 214.5 x 142.5 cm (84 7/16 x 56 1/8 in.) framed: 242.6 x 172.1 x 9.8 cm (95 1/2 x 67 3/4 x 3 7/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Thomas Sully.

Anonymous, Bal primers (main title). Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

Elizabeth, Mrs William Field. Date/Period: Ca. 1842. Painting,oil on canvas. Height: 1,032 mm (40.62 in); Width: 863 mm (33.97 in). Author: Henry MUNDY.

Dolley Madison. Date/Period: 1848. Painting. Oil on canvas. Height: 768 mm (30.23 in); Width: 641 mm (25.23 in). Author: William S. Elwell.

Lambert Marshall, 1810-1870, British, Portrait of Mrs. Ben Marshall, 1826. Oil on canvas.

Portrait of young woman with tambourine by Anna Dorothea Therbusch-Lisiewska, Oil on canvas, 1765, 1721-1782, Russia, St. Petersburg, State Hermitage, 69, 5x53

Manuel González Santos / 'Adela Narbona Beltrán, the painter's wife'. 1897. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Antonio María Esquivel / 'The Actress Matilde Díez'. 1840 - 1850. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Portrait of M Czyzna; Maes, Nicolaes (1634-1693); around 1670-1680 (1670-00-00-1680-00-00);Weyer, Johann Peter (1794-1864) - collection, bows, Dutch painting, oval, wigs, portraits, men's portraits, portraits in bust, costumes, purchase (provenance), Żaboty

Portrait of Manuelita Rosas, daughter of Argentine dictator Juan Manuel de Rosas, 1851, by Prilidiano Pueyrredon (1823-1870). Argentina, 19th century.

Henryk Rodakowski (1823-1894). Polish painter. Portrait of Leonia Bluhdorn, the Artist's Stepdaughter, 1870-1871. National Museum. Warsaw. Poland.

Portrait of a Lady (The Artist's Wife), William Dyce (Aberdeen, Scotland, 1806 - 1864) 1856

'Queen Marie Antoinette of France and two of her Children Walking in The Park of Trianon', 1785, Oil on canvas, 276 x 194 cm. Author: ADOLPH ULRIK WERTMÜLLER (1751-1811). Location: NATIONAL MUSEUM. STOCKHOLM. MARIE ANTOINETTE. LUIS XVI FRANCIA ESPOSA. LUIS XVI FRANCIA HIJOS. MARIA ANTONIETA DE AUSTRIA HIJOS. LUIS XVII DE FRANCIA. MADAME ROYALE.

Italian school. Charlotte of Spain, queen of Portugal. c.1787. Oil on canvas (172 x 128 cm). Madrid, Prado museum. Author: TRONO GIUSEPPE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JUAN VI ESPOSA. CARLOTA JOAQUINA INFANTA.

Portrait of Josnia Parduyn (1642-1718), Second Wife of Aernout van Citters, Godfried Schalcken, 1705 painting Portrait of Josina Parduyn (1642-1718), second wife of Aernout van Citters. Bust in Ovaal, on the back of her family crest and that of her four ancestors (Parduyn, Parduyn, Solomons and Tirion), an inscription and the number 4. canvas. panel. oil paint (paint) historical persons - BB - woman

Portrait of Grand Duchess Maria Nikolaevna by Christina Robertson, oil on canvas, 1796-1854, 19th century, Russia, St. Petersburg, State Hermitage, 34, 2x26, 4

Fiametta 1910 William Clarke Wontner (1857-1930 British) Private Collection

Henriette von Nassau-Weilburg, Duchess of Württemberg 1780-1857, so-called portrait of Maria Dorothea of Württemberg, Archduchess of Austria 1797-1855, historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

Mrs John Thomas. Date/Period: 1858. Painting,oil on canvas. Height: 916 mm (36.06 in); Width: 712 mm (28.03 in). Author: RICHARD NOBLE.

Zenaide and Carlotta, the daughters of King Joseph, by Jacques-Louis David (1748-1825).

Portrait of Justyna Lanckorońska Wojniakowski, Kazimierz (1772 1812)

Saskia, Rembrandt, Harmensz van Rijn, 1642.

Portrait of a Woman Attributed to Bartolomeo Traballesi (Italian, Florentine School, active by 1560, died 1585). Portrait of a Woman, ca. 1570-1575. Oil on panel, 34 7/8 x 25 1/2in. (88.6 x 64.8cm). This Florentine portrait is an outstanding example of Italian Mannerist painting, a Late Renaissance style defined by complex compositions, vivid colors, and unnaturally elongated figures. Here, Bartolomeo Traballesi emphasizes his sitters grace and refinement by artificially sloping her shoulders and lengthening her neck and fingers. Also typical of Mannerist portraiture are the models trappings of status and erudition: a Turkish carpet of a type then popular at the Medici court and a book of poetry. Traballesis portrait, last on view in 1956, was recently treated in the Museums conservation lab for this presentation. European Art ca. 1570-1575

Mary, Queen of Scots, three-quarter length portrait, standing, facing left; castle in background

Francisco de Goya, María Teresa de Borbón y Vallabriga, later Condesa de Chinchón, 1783 María Teresa de Borbón y Vallabriga, later Condesa de Chinchón

Sidonie Potocka de Ligne, geboren 1786, Historisch, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt

Mrs. William Man Godschall (Sarah Godschall, 1730-1795). Artist: John Russell (British, Guildford 1745-1806 Hull). Dimensions: 23 3/4 x 17 3/4 in. (60.3 x 45.1 cm). Date: 1791.Russell was England's leading pastellist in the later eighteenth century. He studied under Francois Cotes and from 1769 to 1806 exhibited annually at the Royal Academy, of which he was a member. This portrait and a companion piece showing the sitter's husband were executed to celebrate the couple's fortieth anniversary. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of a Woman from Southern Germany, by Hans Holbein the Younger, circa 1520-5, Royal Art Gallery, Mauritshuis Museum, The Hague, Netherlands, Europe

The Falconer. Dating: 1850 - 1880. Measurements: h 80 cm × w 68 cm. Museum: Rijksmuseum, Amsterdam. Author: Christoffel Bisschop.

The Countess De Chinchon seated, 1800, by Francisco de Goya (1746-1828).

Portrait of Charlotte and Sarah Carteret-Hardy - Thomas Lawrence, 1801

Anna Orzelska (1707-1769); Pesne, Antoine (1683-1757); around 1730 (1730-00-00-1730-00-00);

Katherine, Countess of Chesterfield, and Lucy, Countess of Huntingdon, Anthony Van Dyck, 1599-1641, Flemish

Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835-1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano). Artist: Michele Gordigiani (Italian, Florence 1835-1909 Florence). Dimensions: 25 3/16 x 20 1/2 in. (64 x 52 cm). Date: 1864.Gordigiani was the premier portraitist of the Risorgimento, the period of modern Italian unification. This portrait, commissioned by marchese Ferdinando Panciatichi (1813-1897), scion of a distinguished Florentine family, depicts the patron's daughter or daughter-in-law. That it was one of a pair--the pendant is now unlocated--can be deduced from the original receipt for the exuberant gilt wood frame with silk velvet elements the painting still bears, a masterpiece of the <i>intagliatore</i>, or carver, Niccola Ricci (active 1848-1866). The frame's opulence is evocative of the years 1864-71, during which Florence served as King Vittorio Emanuele II's temporary capitol. Museum: Metropolitan Museum

The Mirabita Sisters. Date/Period: 1754/1764. Painting. Oil on canvas. Width: 95.9 cm. Height: 78.7 cm (without frame). Author: ANTOINE DE FAVRAY.

Portrait of aristocrat by W. Ulrich, Color lithograph, 1850s, Neoclassicism, active 19th century, Russia, Moscow, Russian State Library,

Erminia Frezzolini, also Erminia Frezzolini-Poggi born March 27, 1818 in Orvieto, Italy, died November 5, 1884 in Paris, was one of the most important Italian opera singers in the 19th century, historically, digitally restored reproduction of a template from the 19th century, record date not stated

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