18th-19th Century Social Scenes

A collection of historical prints depicting social gatherings, theatrical events, and playful interactions in elegant attire, characterized by vibrant colors and detailed engravings.

Oh bravo ladies so it's your turn (1789). Oh bravo ladies so it's your turn (1789). Water colored.

The Rivals. Thomas Rowlandson; English, 1756-1827. Date: 1812. Dimensions: 225 × 325 mm (image); 250 × 350 mm (plate); 268 × 390 mm (sheet). Hand-colored etching and stipple engraving on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Cabal and Love by Bäuerle Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

A Master of the Ceremonies Introducing a Partner November 24, 1795 Thomas Rowlandson. A Master of the Ceremonies Introducing a Partner. Thomas Rowlandson (British, London 1757-1827 London). November 24, 1795. Hand-colored etching vol. I, p. 326, vol. II, p. 394. S. W. Fores (London). Prints

Le Follet Courrier des Salons, Brussels edition, ca. 1834. Three boys and a girl with toys (jump rope, ball and hoop) at a garden bench. In the background a fence and garden vase. Print from the fashion magazine Le Follet Courrier des Salons, Brussels edition, (1834-1836).

Conversazione. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet: 7 3/16 × 7 15/16 in. (18.2 × 20.2 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: March 20, 1803. Museum: Metropolitan Museum of Art, New York, USA.

The Talisman, Posse from Nestroy, Carl Carl as a donation, Johann Nestroy as Titus Feuerfuchs and others, Costümbild No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Company shocked at a lady getting up to ring the bell , Eating & drinking, Accidents, Courtship, Widows. James Gillray (1756-1815). Prints and Drawings

Oh bravo ladies so it's your turn (1789). Oh bravo ladies so it's your turn (1789). Water colored.

The Talisman, Posse from Nestroy, Carl Carl as a donation, Johann Nestroy as Titus Feuerfuchs and others, Costümbild No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Friedrich Beckmann and two not mentioned actors in The Father of the Defective Agency costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.

More miseries. Being persuaded to put your finger into the cage of a parrot... , Parrots, Bites & stings, Cats, Soldiers. Thomas Rowlandson (1756-1827). Prints and Drawings

Cabal and Love by Bäuerle Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Mad, Brünning, Mr, Director Carl and Hr, Find iron in Marie, the daughter of the regiment costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Copper Engraver, After, Anton Elfinger -, Artist

Vincenzo Gaiatti, Society scene: the wealthy's study, 1832.

The package boat Gallerie Droller Scenen for the theater newspaper, th year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

unknown artist, French Fire-Side. Hand-colored etching.

The Spoiled Child, Scene V, Lewis Vaslet, 1742-1808, British, ca. 1802, Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm) and Image: 13 5/8 × 18 7/8 inches (34.6 × 47.9 cm), apron, armed forces, ass (donkey), birdcage, bonnet, boy, broken, bust, cat (domestic cat), cheating, children, disaster, dog (animal), dresses, family, fireplace, fruits, genre subject, gesture, girl, humor, ink bottle, interior, knife, letters (correspondence), lovers, lute, miniature (painting), oranges, paint, paintings, pendant, portraits, quill, revenge, satire, sex, sheet music, smiling, sword, table, tankards, tricornes, uniform, wine

Parisian caricatures / n ° 1 / grace Mademoiselle, as hell, argue what nature has given you.

$More miseries. Sitting on a chair which a servant has fractured... , Chairs, Surprise. Thomas Rowlandson (1756-1827). Prints and Drawings$

In front of the theater poster Théatre de Variétés; Tronsens, Charles (1830-Post 1870); around 1860 (1801-00-00-1900-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Théatre des Variétés (Paris - 1807-1905), Society of Zachęta Piękna Pieces (Warsaw - 1860-1940) - collection, poster, cylinders (hats), women, men, French drawings, genre scenes, street scenes, theaters

Come on, are you not going to make grimace at cousin You know that I do not like it. / No. 5. (Registered title (letter)) | blossom and functions. (Title of all)

So reasonable, my friend! / No. 3. (Registered title (letter)) | Souvenir of simpingers. (Title of all)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), a wedding of reason The owners are very friendly husbands called the aunt who no longer wants to pay rent (registered title (letter)) , 1827. Lithography colored on woven paper. Balzac house.

The Scotch cottage of Glenburnia , Dwellings, Cleaning, Cats. Thomas Rowlandson (1756-1827). Prints and Drawings

I believe that these mornings there ... de mor sic pull me caricature name of ...! / No. 46. (registered title)

English Barracks, Thomas Malton, 1726-1801, British, And Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1791, Hand colored etching and aquatint on thick, slighlty textutred, beige, wove paper, Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm) and Image: 12 3/4 × 17 9/16 inches (32.4 × 44.6 cm)

Box lobby loungers , Theaters, Lobbies, Theater audiences, Nobility, Hanger, George, 1751-1824, Skeffington, Lumley St. George, Sir, 1771-1850. Thomas Rowlandson (1756-1827). Prints and Drawings

Staberl as Freischütz, parody of Carl theatrical picture gallery for the theater newspaper, st year, No, After, Johann Christian Schoeller -, Artist, Johann Wenzel Zinke -, artist

Inconvenient Partners in Waltzing. Isaac Robert Cruikshank (English, 1789-1856); published by Thomas Tegg (English, 1776-1846). Date: 1817-1819. Dimensions: 222 × 328 mm (image); 250 × 359 mm (plate); 267 × 410 (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Company shocked at a lady getting up to ring the bell prints, etchings, works on paper

Two young men meet the masked death on the street, Jean Ignace Isidore Gérard Grandville, 1830 print Paris paper Death as skeleton. mask. youth, adolescent. street. 'sudden death'

Manager and Spouter. Dated: 1784. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Dream of a resident ... pl.3. (Title registered) | Dreams (title of all)

Thomas Rowlandson, 1756-1827, British, Mr. Michell's Picture Gallery, Grove House, Enfield 1817, 1817. Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper.

Honoré Daumier (1808-1879). "Abuse of article 214 of the Civil Code". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56112-10 Abuse, article 214, Civil Code, Colorie, Child, Woman, Gommee, Man, Lithography

The Stingy from Zschokke to Moliere Gallerie Droller Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Unknown, La Bouillotte, 1804, etching colored by hand or "à la poupée" on paper.

Rohrbeck and Mr, Nestroy in The Doctor Nolens Volens, Schmidt and Mr, Scholz in The Schneider and his daughter costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Fox-hunting a pair: 1. Four O'Clock in the Country, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1788, Aquatint, hand-colored, Sheet: 9 x 11 3/4in. (22.9 x 29.8cm)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), sir, do not give me (written title (letter)), 1827. Colored lithography on vellum paper. Balzac house.

Moisasuras witch saying, Parody of Meisl Gallerie Droller Scenen, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Le retour a la vertu. Medium: color aquatint and stipple with etching. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil.

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 200 × 255 mm (image); 215 × 270 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Music Has Charms to Soothe the Savage Breast November 20, 1786 T. Smith. Music Has Charms to Soothe the Savage Breast. Designed and possibly etched by Thomas Rowlandson (British, London 1757-1827 London). November 20, 1786. Hand-colored etching, stipple and aquatint. Prints

Here's your potatoes, four full pounds for two pence! Buy my moss roses or dainty sweet briar! Light, your Honor, coach unhired. Pray remember the blind , Peddlers, Potatoes, Flowers, Soldiers, Blind persons, Charity. Thomas Rowlandson (1756-1827). Prints and Drawings

And Would'st Thou Turn the Vile Reproach on Me. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1807. Dimensions: 232 × 333 mm (image) 245 × 345 mm (plate/sheet). Hand-colored stipple and etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Monstrositions of 1819 & 1820, 29 Novembre 1819. Park scene with comic parade of the latest modes in 1819 and 1820

The Aimable Prussien. (You)

Vois-tu Fifine nous lanterne tous le deux et ça devient chose! faut en finir! j'te - joue ça en trente-six net! et j' t'en rends quatre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Peter Stieglitz, from Gallerie Drolliger Scenen to the theater newspaper, nd vol, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Sylphide Das Seefräulein by Therese Krones Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Printed Cotton Gowns Defended!, unknown artist, 1801, Etching, hand-colored, Sheet: 8 7/16 x 11 7/8in. (21.4 x 30.2cm)

Cries of London, No. 6: All a growing, here's Flowers. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: Sheet: 14 13/16 × 12 3/8 in. (37.7 × 31.4 cm)Plate: 14 5/16 × 11 13/16 in. (36.4 × 30 cm). Publisher: R. Ackermann (active 1794-1829). Series/Portfolio: Cries of London. Date: March 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

An Old Poacher Caught in a Snare June 19, 1823 Thomas Rowlandson. An Old Poacher Caught in a Snare. Thomas Rowlandson (British, London 1757-1827 London). June 19, 1823. Hand-colored etching. John Fairburn (British, active 1789-1840). Prints

Box-Lobby Loungers; Thomas Rowlandson (British, 1757 - 1827); 1785; Pencil, pen and black and gray ink, and watercolor; 37.5 × 56.2 cm (14 3,4 × 22 1,8 in.)

Arrival of amateurs in Africa. (IT)

4 / Three terms in advance, yes sir! ... (IT)

Company in a print trade, 1829 print Under numbered: 4. paper art dealer (+ graphic arts) Paris

Dignity! - "Grace was in all her Steps. Heaven in her eyes, In all her actions dignity" June 21, 1821 Theodore Lane British. Dignity! - "Grace was in all her Steps. Heaven in her eyes, In all her actions dignity" 398521

The supreme good tone number 5, or the deckers in store The supreme good tone number 5, or the cutters in store ". Anonymous print, at Martinet.

The glory of honest people (IT)

Kind The correct kind, number 5: The toilet, 1801 ".

Comme song quelques-unes, Pierre Maleuvre, French, 1740 - 1803, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Bedroom scene. A woman surreptitiously removes money from the trousers hanging by the bed of her sleeping husband. Below, title, publisher's and engraver's names. At top: 'Musée Grotesque, No. 48'., France, 1810-1815, Print, Print

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Tithe Pig. Artist: After Henry Wigstead (British, 1745-1800 Margate). Dimensions: Sheet: 9 5/16 × 11 5/8 in. (23.7 × 29.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: H. Brookes (London). Date: February 25, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Removal of the favorite sultane. (IT)

Staberl in Floribus by Bäuerle Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

A new color [... (registered title) | Caricature boards 1831. (Title of all)

Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce qu'on dit et ce qu'on pense, Gihaut Freres, Paris, 1829.

The mirror of the Jupiter, Contemporary paintings by Bäuerle theatrical picture gallery for the theater newspaper, rd vol, No, After, Johann Christian Schoeller -, Artist, Severin Buemann -, Copper Engraver

Praterharfenist, Illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest

Revenant tales. / N ° 9. (Registered title) | The castle life. (title of all)

Four Scenes from "Cries of London" Series: Here's your Potatoes...; Buy my Moss Roses...; Light your Honor; Pray Remember the Blind August 1, 1801 Thomas Rowlandson. Four Scenes from "Cries of London" Series: Here's your Potatoes...; Buy my Moss Roses...; Light your Honor; Pray Remember the Blind. Cries of London. After George Murgatroyd Woodward (British, 1765-1809 London). August 1, 1801. Hand-colored etching. Prints

Copper engraving and etching by Johann Georg Wille from 1764 depicting ambulant musicians performing, showing instruments and ensemble dynamics.

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. For a lady! Who has had nothing yet. Me too for a lady!". Colored lithography, 1829. Paris, Maison de Balzac. 34930-1 Lithography Colorie, Eating, Morality, Personification, Plateau, Reception, Renard, Service, Animal, Caricature

Paul Gavarni, L'Intrigue, 1814-1866, hand-colored lithograph on paper.

The visit at the Brickmaker's. Illustration by Phiz (Hablot Knight Browne) 1815-1882. From the book ""Bleak House"" by Charles Dickens. Published London 1853.

Wattier, Émile Charles (n.1800-11-17-D.1868-11-22), 7th ascending step. The blessing (title awarded), 1824. Colored lithography Wike paper. Balzac house.

Who's Mistress Now June 25, 1802 Thomas Rowlandson. Who's Mistress Now. Thomas Rowlandson (British, London 1757-1827 London). June 25, 1802. Hand-colored etching. Samuel Howitt (British, Nottinghamshire 1756-1823 London). Prints

Cartoon on English inland politics, 1820, 1820 print Cartoon on English inland politics, 1820. Presentation in two parts, a group of politicians is boosted and spit by the people while the queen watches from a balcony, a scene in the Lower House on the right. paper etching crowd, mob. spitting. Lower House, Parliament, Chamber. political caricatures and satires Houses of Parliament

Come on Zulema, Algiers is outbreak, take your groove and Sauvoon we ... (IT)

Comment qu' ça va, princesse - Pas mal, et toi, drôlesse!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Parisian tea party, with Incroyables and Merveilleuses, the early 19th century. Drawn by F. S. Harriet, engraved by Godefroy, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.

Bath Beau and Country Beau, 1788-1790. Thomas Rowlandson

Mr, Walter as Chevalier Dumont and Madame Schmidt as an old woman costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

I am a k; And I am a T. (title registered (letter))

Fashionable Portraits. George Cruikshank (English, 1792-1878); published by George Humphrey (English, c. 1773-1831). Date: 1819. Dimensions: 200 × 250 mm (image); 207 × 257 mm (plate); 213 × 263 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Les Invisibles (The Invisible Ones) 1810 William Brocas Irish This caricature, focused on languid, hyper elegant French ladies and gentlemen, belongs to a type established in Paris by the publisher Aaron Martinet. His series Le Suprême Bon Ton (The Highest Good Taste, ca. 1798-1802) satirized French dress and manners under the Emperor Napoleon and, when the Peace of Amiens briefly opened cross-Channel travel, the images proved popular in Britain. After hostilities resumed in 1803, British printmakers created variations such as this Irish print based on a Gillray design. Impractical hat styles are the focus, specifically poke bonnets for women, with long tunnel-like visors that became modish around 1810. The exaggerated versions here force the wearers to rely on male escorts to walk, although the mens own high collars and large hats turn them into unreliable guides.. Les Invisibles (The Invisible Ones) 359387

London, Colnaghi & Co, Amsterdam, Maaskamp, Evert, Kuyper, Jacques, Portman, Ludwig Gottlieb, Maak bekent dat voorbijgestelde is, Je vous annonce la mort de, Aanspreker, verso - gestempeld, An announcer (announcer) announces the death of someone to a maid in the doorway of a wine house. On the sign: Vry Wyn., book illustration, costume print, prints, pictures, lr: L. Portman sculpt.; lh J. Kuyper direx.; mo Amsterdam 1803 by E. Maaskamp, Announce that deceased is, height 234 mm, width 160 mm, Noord-Nederlands, 1772-06-14 - 1828, print maker, printmaker, 1803 - 1807, first quarter 19th century, paper, papier, stippelets, etching, hand coloring, 1761-06-29 - 1808-06-01, supervision, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1769-09-27 - 1834-01-31, publisher, uitgever, Publicatie, Brits

Colombine from the fairy world Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

unknown artist, Fashionables of 1816 Taking the Air in Hyde Park!, c. 1816. Hand-colored etching.

Costumed parade of 1841: riders (leaf x); Coated optimized. Listing the reception of Willem II Count of Holland Roman King within Utrecht in January 1249 given by HH Students for celebration of the 25th year of the repair of the Utrechtsche Hoogeschool den 2e Junij 1841.two Nobles on Horseback Followed by a Knight in Armor Armor with the Weapon or Luxembourg, preceded by a group (Oriental) Men in Long Mantels. Leaf Numbered X in The Series of Eighteen Plates of the Historic Costumed Procession Representing The Receipt of Count Willem II from Holland in Utrecht in 1249. The Procession Hero by the Students of the University of Utrecht on 2 June 1841 on the occasion of the celebration of The Celebration of the Twenty-Five-Year Recovery From The College.

Washington's Reception by the Ladies on Passing the Bridge at Trenton, N.J., April 1789, on His Way to be Inaugurated First President of the United States. Dimensions: Image: 12 1/16 × 8 3/4 in. (30.7 × 22.3 cm)Sheet: 14 1/8 × 12 1/8 in. (35.8 × 30.8 cm). Publisher: Lithographed and published by Nathaniel Currier (American, Roxbury, Massachusetts 1813-1888 New York). Sitter: George Washington (American, 1732-1799). Date: 1845.George Washington on horseback, accompanied by other gentlemen, is greeted by ladies bearing flowers as he rides over the bridge at Trenton. Banners bear the following inscriptions: "Battle of Trenton, December 26, 1776" "The Defender of the Mothers will be the Proctector of the Daughters.". Museum: Metropolitan Museum of Art, New York, USA.

Two lovers in a parlour disturbed by prying maids moving glasses in a cupboard. Miseries Domestic. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

Pitt i Evropa v 1791 godu Pitt and Europe in 1791, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

A Cake in Danger. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 15 3/8 × 10 5/16 in. (39 × 26.2 cm)Plate: 13 3/4 × 9 5/8 in. (34.9 × 24.5 cm). Date: April 20, 1806. Museum: Metropolitan Museum of Art, New York, USA.

They had them too long They had too long. "Anonymous print.

Woman Caught Stealing a Drink 1776-1827 England. Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, tipped onto brown wove paper . Thomas Rowlandson

Wattier, Émile Charles (N.1800-11-17-D.1868-11-22), 1st descending step. Boredom (attributed title), 1824. Colored lithography Wike paper. Balzac house.

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