18th Century Allegorical Prints

A collection of intricate etchings featuring allegorical themes, personifications, and ornate frames, depicting scenes of justice, authority, and the Roman Empire.

Allegory on the Second Centenary of the Reformation Title page for: J. Manné, Accurate as theologian as historical remarks on the work of the Reformation, 1719, Allegory on the Second Centenary of the Reformation in an architectural setting, decorated with allegorical figures and portrait medallions by Luther and Hus. Allegorical representation with the reformers Luther and Melanthon at an altar, in the distance lies the Saint Peter's church. An angel with a burning torch is flying in the air, Jupiter has appeared next to her with lightning bolts. Below three historical representations in medallion, with explanatory texts, 'Confessio Augustana', 'Augsburger Konfession', (story of) Jupiter (Zeus), Martin Luther, Philipp Melanchton, Johannes Hus, Adolf van der Laan (mentioned on object), paper, etching, h 165 mm × w 130 mm

Title Page for Carriage Designs, Antoine Aveline, French, 1691 - 1743, Jean Mondon, French, fl. 1736 - 1745, Etching on paper, Europe, France, Europe, 18th century, Print, Print

Autoriteit en doctrine; Autorité, Doctrine; B Bordures; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A picture frame with a lying lion with flags and a shield for a throne with woman figures. Below you have a frame with a smoke vessel on a pedestal with a snake, thereby there are a mask and agricultural objects such as rakes. Print number 75.

CREATHER CAREL VI, 1711, Anonymous, 1711 print Different scenes of the events during the coronation of Charles VI to Roman-German Keizer, in Frankfurt, October 22, 1711. Scenes in ornamental and allegorical frames. At the top of the personifications of Constantia and Fortitudo. This magazine possibly part of a larger print. paper etching coronation of a ruler. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Constancy, Tenacity; 'Costanza', 'Tenacità' (Ripa) Frankfurt am Main

Cartouche with allegory at the end of the Roman Empire, Jan Caspar Philips, 1748 print The personification of Rome is trunning with spear, globe and image of Victoria. Three men like personifications of the gutters, theirs and vandals trample the Italian landscape, run with sword and burning torch on Rome and deprive her the globe. On the right a king points a group of men behind him on an open book. In the foreground an image of a church interior and putti with a passer and a map. In the frame portrait busts of Roman emperors. paper engraving / etching Rome (one of the four world empires). attack ~ siege Rome

Mildness and justice overcome evil, Bernard Picart (workshop or), After Bernard Picart, 1728 print Medallion with a crowned man, the personification of the critical judgment, puts his finger on a book, and tramples the envy. He is accompanied by gentleness with a lamb and justice with scales. Around the show The motto: Mansuetudo Tuas Atque Aequum Temerat Iras. Around ornaments with a dog and a cat and in the middle of a medusa head. Amsterdam paper etching / engraving Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Friendliness, gentleness, affabilities; 'Affability, pleasantness, amiability', 'pleasant soul, negotiable & loving', 'benignity' (Ripa). Ornaments ~ art. Forethough, resolution; 'Social Security', 'Providence' (Ripa). Angers; 'IRA' (Ripa) ~ Personification of One of the Seven Deadly Sins

Portret van Marie Charles Louis d'Albert Luynes, Pierre Charles Ingouf, after Jean Francois Guillet, 1770 print Paris paper engraving / etching historical persons. ornament ~ cartouche. weapons

Allegory on the Second Centenary of the Reformation Title page for: J. Manné, Accurate as theologian as historical remarks on the work of the Reformation, 1719, Allegory on the Second Centenary of the Reformation in an architectural setting, decorated with allegorical figures and portrait medallions by Luther and Hus. Allegorical representation with the reformers Luther and Melanthon at an altar, in the distance lies the Saint Peter's church. An angel with a burning torch is flying in the air, Jupiter has appeared next to her with lightning bolts. Below three historical representations in medallion, with explanatory texts, 'Confessio Augustana', 'Augsburger Konfession', (story of) Jupiter (Zeus), Martin Luther, Philipp Melanchton, Johannes Hus, Adolf van der Laan (mentioned on object), paper, etching, h 165 mm × w 130 mm

Mildness and justice overcome evil, Bernard Picart, 1718 print Medallion with a crowned man, the personification of the critical judgment, puts his finger on a book, and tramples the envy. He is accompanied by gentleness with a lamb and justice with scales. Around the show The motto: Mansuetudo Tuas Atque Aequum Temerat Iras. Around ornaments with a dog and a cat and in the middle of a medusa head. Amsterdam paper etching / engraving Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Friendliness, gentleness, affabilities; 'Affability, pleasantness, amiability', 'pleasant soul, negotiable & loving', 'benignity' (Ripa). Ornaments ~ art. Forethough, resolution; 'Social Security', 'Providence' (Ripa). Angers; 'IRA' (Ripa) ~ Personification of One of the Seven Deadly Sins

Trademark of Jan Both, Anonymous, 1600 - 1699 print Germany paper etching trade mark, trade token, trade sign, trade card

The title card of the "Second Livre d'ornents" series; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, water deities, decorations, herms, hippokamps (mitol. iconogr.)

The birth of Monseigneur / Dolphin

Title print for a series of study sheets with figures and horses, Anonymous, 1675 - 1711 print Amsterdam paper etching Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). globe

Honor (Honos) and bravery (Virtus) walk through a garden, Jan Caspar Philips, c. 1730 - 1775 print The honor and the bravery run hand in hand through a French garden. Putti and an angel who holds a torch with a flame, from a pedestal on which Concordia (unity) is around. At the rear left the angel is Mercury. paper etching Honos as Roman personification. Virtus as Roman personification

Ornamented object with the portrait of Ranuccio Farnese II, Duke of Parma and Piacenza, Giuseppe Pini, 1706 - 1796 print Ornamented object with two medallions: on the left the portrait of Ranuccio Farnese II and on the right Mars and Minerva with a crown of lilies (Fleurs-de-Lis) and three lily branches growing from the ground. Left and right the horn of abundance (Cornucopia) and at the bottom two hippocampuses. Italy paper engraving / etching historical persons. coin. 'Cornucopia', Horn of Plenty. historical persons. fantasy ornament. sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster)

An etching by Wenzel Hollar depicting the title page for a philosophy work, featuring Serene Prince Maximilian, created in 1649.

Kupferplatte und Scheidewasser, pl. 5. Kupferdruckerei der Königliche Kunst-Akademie (Düsseldorf ; drukarnia ; 1819-1918), printing house, Neureuther, Eugen Napoleon (1806-1882), graphic artist, Buddeus, Julius (1812-1860), publisher, Schulgen-Bettendorff, C. (fl. ca 1823-1843), printer

Judgment of Paris, Pieter van der Heyden, After Jacob Floris, 1566 print The judgment of Paris in a frame of rolling work with female Hermen, Mascarons, Putti and Garlandes. Leaf from series consisting of a title page and 15 of the 16 magazines with cartouches with biblical and mythological representations in a frame of rolling and grotesken. Netherlands (possibly) paper engraving the Judgement of Paris (without Mercury)

Man on a stake on which four putti urinate, Félicien Rops, 1864 print Brussels paper etching / drypoint violent death by burning at the stake; pyre. urination

Spring; Der Frühling / le printemps; Four Seasons. In an oval medallion a representation of a garden with figures in a gondola. Above the medallion a tree and garlands. At the bottom of seed beads, garlands and a winged head that blows. Publisher number 51.

December, Johann Esaias Nilson, 1766 print In a rocaille frame with leaf motifs, a performance of people by a fireplace. In an interior, four women are working on household work. Four men drink and make music. By the fireplace is a woman with wood, a man hugs her. On the left in the background, a figure looks through a hatch at the company. In the lower margin a four -line French text. Augsburg paper etching / engraving December and its 'labours'. open hearth, fire-place. household chores. making music; musician with instrument

Apollo, Minerva and Mercury gather, Bernard Picart, 1725 print Minerva and Mercury point to the Apollo -drifting Apollo. Above the show The motto: Junctam Mercurio Pallada Phoebus Amat. print maker: Amsterdampublisher: Rotterdam paper etching / engraving ornaments ~ art. (story of) Mercury (Hermes). (story of) Apollo (Phoebus). (story of) Minerva (Pallas, Athena). Pegasus, the winged horse

Print, Design for Holy Water Spouts, from "Inventions Pour Faire des Plaques"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; red crayon on paper; 21.6 × 14.4 cm (8 1/2 × 5 11/16 in.)

Design for title page: Christelyke moral Spiegel, Simon Fokke, 1741 drawing Design for title page: Christelyke moral Spiegel: the worship of the kings, surrounded by biblical representations. paper. ink pen / brush adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Portrait of Josef II.Portret of Aartshertog Jozef from Austria at a young age, later known as Emperor Jozef II, in a Rocaille frame. On the left is a woman with scepter, rich apple and the stefans crown. Right father time with snake ourobouros. Two women are in the foreground as personal prosperity and justice personnifications at a globe.

Print, Vignette; After Filippo Juvarra (Italian, 1678 - 1736); etching on paper; 13.7 × 17.8 cm (5 3/8 in. × 7 in.); 1907-7-3

Portrait van Frederik Willem II, Johann Esaias Nilson, 1754 - 1788 print Portrait of Frederik Willem II at a young age, in a rocaille frame with crowned eagle with scepter surrounded by rays. Under the portrait are putti with a globe, books and attributes belonging to the arts, sciences and religion. Augsburg paper etching / engraving historical persons. prince. predatory birds: eagle. cupids: 'amores', 'amoretti', 'putti'

Saint Agatha. Saint Agatha. Part of a series of 24 performances of female martyrs (Martyrological). The performances are equipped with edges with flowers and animals.

Nero; Nero and Phalaar. On the right in a Rocaille frame is emperor Nero. He points to the presentation in the background where a young man cuts the veins in the feet of the blindfolded seneca. At the top of the frame there is a female personification of caution with hose and mirror. In the undermaster twice a four-line German and Latin text. Publisher number 22.

Oval cartouche with Hercules and the Ketenzian Bull, Johannes of Lucas van Doetechum, after Hans Vredeman de Vries, 1565 - 1571 print Hercules, standing next to a tree, the Cretan bull with its left hand. A bow runs over the cartouche, decorated with leaf motifs, which is worn by two female Hermen. From series of title page + 16 magazines with cartouches or architecture fantasies with a performance in a frame of grotes' with fable being, animals, garlands, trophies and mascarons. Netherlands (possibly) paper etching (7) the Cretan bull is captured by Hercules. ornament ~ cartouche

To the Minister Citizen (IT)

November, Anonymous, After Georg Sigmund Rösch, 1705 - 1766 print In a rocaille cartouche, a man slaughter a pig. In the background a landscape with houses. Around the show Rocaille Ornaments, Griffiene, a Sagittarius and the corresponding sign of the zodiac. Publishing number 75. Augsburg paper etching November and its 'labours'. adult man. slaughtered ox or pig. griffin (lion/eagle); 'Griffo' (Ripa)

Rotterdam, Hofhout en Zoon, Johannes, Scharp, Jan, Groenendijk, A., Jacob, Column of honour for Their Illustrious Highnesses, Carolus, George, Augustus, Hereditary Prince of Brunswick Wolfenbuttel, and Frederica, Louisa, Wilhelmina, born Princess of Orange and Nassau, erected in memory of their most illustrious marriage, solemnized in The Hague, the 14th of November MDCCLXXXX, Column of honour at the marriage of Princess Louise of Orange-Nassau with Charles of Brunswick-Wolfenbüttel, 1790, verso - stamped, Allegorical representation with a column of honour of the bridal couple, in honour of the marriage of Princess Louise of Orange-Nassau with Charles of Brunswick-Wolfenbüttel in The Hague on 14 October 1790. In front of the monument sit Love and Hope, in the air angels with a wreath. On the sheet around the plate are columns and decorations of fillets, vignettes of Mars and Venus (= Abundance), an explanation of the representation and a verse., print, engraving, prints, engravings, Fr

French Revolution. Allegory Montagnarde: Personification of reason, imposture, virtue, innocence, people, mountain, despotism, justice, betrayal. (TF)

Man and his profession , Stuckgießer Roth, Gelbgießer , Haselwander, Drawer, Burchard Edinger, Lithographer, Matthias Rudolph Toma -, printer, publisher

Portrait of Giovanni Barbarigo and the personification of trust or security; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On the front a medallion with the portrait of Giovanni Barbarigo's in front with banner. A fortification port with ship on the back. The flags with the coat of arms of Venice. In addition, the text: Regni Securitas. The pedestal is flanked by two hearted men with banners. The left has an eagle on its coat of arms. The judge has a centaur with bat. The woman in the middle is trust or safety. She is wearing an olive wreath on her head and supports her head with her left arm resting with elbow on a pillar. A skewer in her right hand. The print is part of an album.

Allegorical performance with four women in a landscape, Gabriel Huquier, After Jean Antoine Watteau, 1729 - 1737 print An allegorical performance with four women in a landscape around a tree with garlands. Around the show a ornamented frame with a cartouche with women's portrait, vases with flowers, fountains with putti, baskets and bars and garlands. Paris paper etching Amusement

Print, Design for Tabernacle, from "Tabernacles"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 33.7 × 21.7 cm (13 1/4 × 8 9/16 in.)

Submission of Naples to Karel III, 1707. The residents of the city of Naples hand over the keys of the city to General von Daun who takes the city on behalf of King Karel III, July 6, 1707. The central representation of the key transfer in a very richly decorated ornamental ornamental Framed frame with a cartouche at the top of the description of the events in German. At the bottom of an allegorical performance in which a kneeling figure hands over the peace of peace to King Charles III (Archduke Karel van Austria) that stands with its triumphar and accompanied by Hercules on the clouds. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Ornament with putti on either side of a vase with dolphins and a bird, c. 1725 - c. 1750 print This print is part of an album. Paris paper etching cupids: 'amores', 'amoretti', 'putti'. vase ~ ornament. dolphin ~ ornament

Augsburg, Lotter, Elias Tobias, Nilson, Johann Esaias, Selinde and Huldreich, verso - stamped, Selinde receives Huldreich in a candlelit room. He extends his hand to her. On the right, through a door, an old man looks woman to the two. Around the representation a frame with rocaille ornaments and leaf motifs. In the bottom margin a four-line German text., print, image, ornamental print, book illustration, prints, ornamental prints, height 220 mm, width 147 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1764 - 1764, paper, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher, printer

Wijwatervat with religious performance, putti and leaf vines

The Monkeys of Mars Artist's working dates 1710-1762 France. Etching on paper . Jean Moyreau

The twelve patriarches, the sons Jacobs sees / one here is stated with their names, / lyk they were to him his last blessing, / knowing that God commands the blessing himself, 1715 - 1813 print Leaf with a large representation of a staircase with thirteen steps. Jacob and his twelve sons, the patriarchs, are on the steps. In the arch under the stairs a performance of Jacobs dream. Under the image one fresh in two columns. Numbered at the top right: No. 113. publisher: Amsterdamprint maker: Netherlands paper letterpress printing the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. the twelve tribes of Israel (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context)

Man and his profession, The Architect etc, Carl Josef Geiger -, Drawer, Dre Twer Dreyer, Lithographer, Matthias Rudolph Toma -, Printer, Publisher

Allegorisch Portret van Georges -Louis Leclerc de Buffon, Nicolas Ponce, After Clément Pierre Marillier, 1790 - 1816 print France paper etching / engraving historical persons. scholar, philosopher. biology

Coat of arms of Ernst Casimir, Willem Frederik and Hendrik Casimir II, graves of Nassau-Dietz. Coat of arms of Ernst Casimir, Willem Frederik and Hendrik Casimir II with five helmets and two lions. Around it around a cloak with a crown.

Image of St. Justin (Justus). Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Balcewicz, Franciszek Wacław (fl. ca 1748-1760), graphic artist

Allegorical performance on the occasion of the marriage of Johanna Pauw and Ysbrand Vincent in 1726 in Amsterdam. Allegorical performance on the occasion of the marriage of Johanna Pauw and Ysbrand Vincent. On top of a wine barrel is a peacock, with amor on its back. De Pauw refers to the name of the wife. The winters dressed figure, who tries to put ice blocks on fire, refers to the first name of the Ysbrand husband and the name of his mother Yver (from the French word for winter: hiver). The central representation is surrounded by ornaments and vines. At the top of the initials of the couple and a banderole with the motto: Virtus Sine Superbia, et voluptas sine libidine, Animos Aetrennis Flammis accendered.

Portret van Giovanni Domenico Cassini. .

True and accurate illustration , title page for part, glorification of Emperor Karl VI , after, Johann Andreas Thelott -, Artist, Hieronymus Sperling -, Copper Engraver, Johann Andreas D , Pfeffel -, publisher

Plate 25: a shipwreck 1756 Bartolomeo Crivellari. Plate 25: a shipwreck. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching and engraving. Prints

Allegorical composition in honor of Willem V Prins of Oranje-Nassau, July 11, 1787. Allegorical composition in honor of Willem V Prins of Oranje-Nassau, July 11, 1787. On an altar is a bust portrait in a medallion of Willem V. under the portrait Four other medallions with from left to right; Justice, agriculture, unity, weapons and the cornucopia. The portrait of Willem v is flanked by two solicitous figures. On the left the winged fame with her trumpet and on the right a lady with the freedom hat and in her left hand the coats of arms of orange and Prussia. Behind her watch the Dutch lion. On the altar is the orange tree, which is highlighted from heaven by God's eye. Under the image a fourteen-line fresh in two columns, between the Zeeland and the Prussian weapon.

Portrait of Francesco Barbarigo and the personifications of Africa, Europe, America and Asia, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Francesco Barbarigo on the front. On the back an eagle on a globe. The pedestal is surrounded by the female personifications of the four continents. Africa is a woman with the head of an elephant on her head. A cord with corals around her neck and arm. In her right hand a scorpion and in the left a horn of abundance with corners. A few snakes at her feet. In addition, Europe has a temple with a crown on the head and in her right hand. With her left hand she shows a crown, scepter and tiara. America is depicted with headdress and arrow and bow. Asia is a woman with flower wreath and an incense. There is a camel next to her. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). continents represented allegorica

Wall panel with two saters under octagonal table; Livre de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal. List of a landscape, supporting a mask.

Amsterdam, Founder, heirs of widow Cornelis, Netherlands, Robyn, J., A., Het viertal Evangelieschryvers, Vol geests, vol vuurs wittes en yvers (...), verso - stamped, Four medallions with representations of the four evangelists with writing attributes. Between the medallions a trophy with the symbols of the evangelists and a cross. In the bottom margin a verse in two columns. Numbered top right: No. 110., print, prent, volksprent, prints, prenten, volksprenten, height 382 mm, width 268 mm, print maker, prentmaker, 1715 - 1813, paper, papier, houtsnede, letterpress printing, boekdruk, Nederlands, Publication (Event), Publicatie, publisher

A Girl As a Bride Hurries Toward a Boy in Turkish Costume, Gravelot, French, 1699 - 1773, active in England, Jacques Jean Pasquier, French, died 1785, Etching on paper, France, 1760, Print, Print

February; February; First six months of the year. In a Rocaille Cartouche figures on a Arrenslee. Around the show Rocaille ornaments, musical instruments, fish, the corresponding sign of the zodiac and fantasy heads. Publisher number 74.

Ticket for a Ball at the Mansion House, London, 17 April 1775, hosted by Lord Mayor John Wilkes. A bare-breasted woman representing Abundance in a wreath of flowers sits holding a caduceus with a cornucopia at her feet. Putti dance and fly around holding grapes and a basket of flowers representing Pleasure. Copperplate stipple engraving by Francesco Bartolozzi after Giovanni Battista Cipriani from Andrew W. Tuer's Bartolozzi and his Works, Field and Tuer, London, 1881.

Two men playing hockey at a bridge; Designs for the edge of an octagonal dish, with scenes of country life.

Mother and daughter with coil for a house, Pierre Adrien Le Beau, after Charles Joseph Dominique Eisen, 1768 print Clothing: civilian clothing 1768. print maker: Franceprint maker: Francepublisher: Paris paper etching / engraving dress, gown (+ women's clothes). spindle. mother and daughter(s) (family group)

. Grave monument for the preacher Johan Diederich Deiman. On the right the personification of time, with corners and a sickle, which makes an end to life. On the left a jamming woman with a book under her arm. They flank the oval portrait of deim, which is framed by a snake that bites in his own tail (Ouroboros): the sign of eternity. A column behind the portrait, with the family crest on it. Three skulls under the monument and on the plaque a two-legged text.

Wszyscy Święci w MNK

View of the Wengen monastery in Ulm, Anonymous, 1650 - 1749 print paper engraving / etching refectory ~ monastery. scales Ulm

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Certificate of the Royal Academy of Arts appointing Henry Perronet Briggs as Academician. Engraving.

Title print for an oeuvrecatalog of designs by Juste Aurèle Meissonnier, Pierre Alexandre Aveline, Juste Aurèle Meissonnier, 1738 - 1749 print Personification of art surrounded by putti in an architectural cartouche with the title of the series. This print is part of an album. paper etching title-page. ornament ~ cartouche. cupids: 'amores', 'amoretti', 'putti'. 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa)

Faust, Georg.

Cartouche with calligraphy, left and right-bottoming a woman with a palm branch and a victor; Exercitatio Alphabetics Nova et utillisima .... Leaf XXI. Cartouche with the text Tutte Le Vie de l'Huomo .... A long garland walks along the bottom edge of the cartouche that ends on either side in a fish. From series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Hercules with the zodiac in the background, Bernard Picart, 1732 print Hercules with the club in his hand. In the background part of the zodiac with bull and ram. Above the show The motto: Impavidum Ferient Ruinae. Around the show a ornamental list of the attributes of Hercules. Amsterdam paper etching / engraving (story of) Hercules (Heracles). Aries (zodical sign of March). Taurus (zodiacal sign of April)

Fokke, Simon, Amsterdam, Couple in love, verso - stamped, A couple in love in antique clothing outdoors. Above the couple flies a putto with a bow and arrow. A second putto scatters flower petals. Venus, surrounded by putti, is pulled through the air in a shell by two doves. The scene is framed with an ornamental border with coats of arms depicted in the left and right corners., print, prints, height 137 mm, width 170 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1749 - 1749, paper, papier, etching, etsen, Work conception, after own design by

Title vignette with allegory on pastoral life, François van Bleyswijck, 1681 - 1746 print Title vignette with allegory on pastoral life. A shepherd entertains a shepherdin with his flute game while they sit between the sheep and goats. A Bijenkorf symbolizes eloquence or poetry and musical instruments such as pan flute and Lier complete the shepherdic idyll. Leiden paper etching pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. bee-hive. herd, flock

Paris, Bailly, Jacques (I), Leclerc, Sébastien (I), Autumn, Birds and hunting attributes, Symbolic representation of autumn. A round frame with an image of a falcon hunting a bird. Above that an owl and the text Et fulminis ocyor alis. Around hunting attributes., print, ornament print, book illustration, prints, ornament prints, height 174 mm, width 202 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1668 - 1668, paper, papier, etching, engraving, engraving (printing process), Work conception, 1629 - 1679-11-02

Cartoon on the mutual arts between the European princes, 1741; The negociator's. Cartoon on the mutual arts between the European princes and the French Cardinal Fleury in the years 1740-1741. On the right the cardinal in a wheelchair, down ships at sea. With caption of four verses in English.

Print, Decoration de la Salle de Spectacle ; Print Maker: Charles Nicolas Cochin the younger (1715 - 1790); engraving on paper; 75 × 53.5 cm (29 1/2 × 21 1/16 in.); Bequest of Katherine Strong Welman; 1908-23-58

. Medal with the portrait of Governor General Gustaaf Willem, Baron of Imhoff (I). There are coat of arms under the portrait, which is flanked by putti with the attributes of caution and justice.

Trap des age, 1806 - 1830 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge a representation of the Last Judgment. Left front a putto and front right. Under the image one fresh in two columns. Marked at the top right: Aa. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing the ages of man represented by a staircase. Last Judgement. human life divided into stages

Claude Augustin Duflos's etching and copper engraving (1735-1741) depicts the Republic of Literariae with Triumvirs Boyle, Lockio, and Sydenhamio, showing figures, gestures, and classical composition.

Frontispice to Theatre Italien n.d. Claude Gillot French. Frontispice to Theatre Italien 369545

Amsterdam, Tirion, Isaak, Folkema, Jacob, On the Elevation of His Serene Highness Willem Karel Henrik Friso to Stadtholder, Captain and Admiral General over the United Provinces MDCCXLVII, Allegory on the Elevation of Willem IV to Stadtholder, 1747, verso - stamped, 1747. Monument crowned with a bust of the stadtholder and decorated with allegorical scenes. Putti hang a portrait medallion and a medallion with the coat of arms of the Republic on the monument. At the bottom the lyre of Apollo and the Aegis, the shield of Minerva with the head of Medusa., print, prints, height 242 mm, width 174 mm, Dutch, 1692 - 1767, print maker, printmaker, 1747 - 1747, paper, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Northern Netherlands, 1705 - 1765, publisher

Family crest of Hooft flanked by the personification of caution and miverva.

Cartouche with girls' school, c. 1650 - c. 1700 print Four girls in a school class with school mistress who points in the book of one of the children. She holds a slice in her left hand. In the background on the right a woman enters the room. The scene is surrounded by a cartouche with an angel's head on the left and right side. paper engraving elementary school; class, form. teacher and pupil. ornament ~ cartouche

Helmet awarded Sphinx; Diverse trophées. The Sphinx carries a headdress with springs. From series from title page and five sheets.

Sater, scholar and a donkey, 1728 print Under a canopy, there are a saat, a scholar and a donkey. Animals watch animals left and right in the ornamental list. At the bottom of a whale and a crab. paper etching / engraving ass, donkey. ornaments ~ art. satyrs, fauns, Sileni. Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa) (+ symbolical representation of concept)

Regards here, children! The zinly features, / or sentences, all vyf depicted by rank and stairs, / and caress your sentences Zelv 'by the pleasant jewelry, / that in this print -tafreel finds itself further, J. Robyn, 1806 - 1830 print Stairs with a few on each step that one of the five senses depicts. From left to right: the feeling, the taste, the smell, hearing and the face. On the stairs also three medallions with portraits. Under the image one fresh in two columns. Numbered at the top right: No. 143. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing the (five) senses

Dutch Virgin flanked by Mars and Mercury, 1730 print Hollandse Virgin with bundles of arrows on her throne, on either side Mars and Mercury. The Dutch Lion lies at her feet. paper engraving / etching personifications of countries, nations, states, districts, etc.. (story of) Mars (Ares). (story of) Mercury (Hermes)

Hetzner, Georg H. .

De Tijd, c. 1758 - c. 1760 print In the front, the winged personification of the time is on the zodiac with a mirror in his right hand and in his left a snake that bites in his own tail, symbolizes for eternity. Behind him four putti for a ruin. The two putti with sun and lunar written history. In the background another personification of the time with an hourglass, possibly a reference to Charon, the ferryman of the underworld. Above a three -line text in Latin and under a three -line text in German. Augsburg paper etching other allegories of Time, e.g. 'Tempo' (Ripa)

L'indiscret. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: François Marie Isidore Queverdo after François Marie Isidore Queverdo.

Portrait of Joseph II, Roman -German Keizer, Johann Esaias Nilson, 1764 - 1788 print paper engraving / etching historical persons. armorial bearing, heraldry. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order)

Bacchanal with saters and bacchands to a statue of Bacchus, Claude Gillot, 1683 - 1722 print Paris paper etching thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus

Cartouche with dragon heads and wings, Daniel Rabel, 1632 print A fortified city on the water is depicted in the cartouche. Page 2 from series of 13 sheets with cartouches in French lobe style. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Allegory in honor of the king of Prussia for his restoration of the stadholder of Willem V, 1788, Jan Gerritsz. Visser, after Johannes le Francq van Berkhey, 1789 print Allegory in honor of the king of Prussia for his restoration of the stadholder of Willem V, 1788. Erebog with Prince Willem V and Princess Wilhelmina for a monument, on the right the king of Prussia and the Duke of Brunswijk. At the bottom of Prince William I in his tomb. On either side obelisks in honor of Willem II, III and IV and Princess Anna. In the foreground De Herauten of the Netherlands, the Lands Union, Great Britain and Prussia and two weapon trophies. A text sheet belongs to the print. Northern Netherlands paper etching / engraving monument, statue. stadtholder. grave, tomb. obelisk, needle

Admission ticket for the National Art Cabinet on the house in the Bosch, Reinier Vinkeles (I), after Jan Gerard Waldorp, c. 1800 print Admission ticket for the National Art Cabinet on the House in the Bosch in The Hague, in the form of a diploma. In the foreground painting attributes and three putto with a hunting still life, possibly from Weenix. Granted to donors to the National Art Cabinet. Amsterdam paper engraving / etching symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). picture, painting. 'Cornucopia', Horn of Plenty. attributes of Mercury. book Palace Huis ten Bosch

Drawing, Design for a Painted Panel; Designed by Etienne de Lavallée-Poussin (French, 1735-1802); France; pen and brown ink with ink wash, graphite; 31.4 × 10.4 cm (12 3/8 × 4 1/8 in.)

Memorial for Hendrik Danielsz. Hooft, Noach van der Meer (II), After Johannes Elffers, After H. van Irhoven, 1787 print Memorial for Hendrik Danielsz. Hooft, mayor of Amsterdam. On the monument is his portrait, which is honored by Minerva. She keeps a lance with the hate of freedom in her other hand. On the left, three putti play with the portrait of Cicero. In the middle of the all -seeing eye of God. At the bottom of the margin a text in Dutch. Amsterdam paper etching / engraving the all-seeing eye, triangle with eye ~ symbol of God the Father. (story of) Minerva (Pallas, Athena). crowning with laurel. other memorial structures

Of the German Fatherland text of the song, framed by views of German and Austrian cities, Havemann, Lithographer, Johann Rauh -, printer

Closing the Union of Utrecht, 1579. The conclusion of the Union of Utrecht. View of interior with a curtain on top of a curtain in which a group of men standing around a table an oath, January 23, 1579. At the top a cartouche with a representation of the case-law of Count Willem III in 1336. At the bottom of the weapons of the seven provinces.

Illumination of A. Groenendijk's house in Rotterdam, Jacob Groenendijk, after A. Groenendijk, 1788 print Chassinet with an allegorical representation of the Triple Alliance between the Republic, Prussia and England from 1788 in Rebus form. Part of the illumination of the Huis van Adriaen Groenendijk in Rotterdam, on the occasion of the birthday of Princess Wilhelmina van Pruisen on August 7, 1788. paper etching / engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Rotterdam

The Monument of pain and glory / consecrate the memory / Distinguished Ludov. ANT. henf. Duke d'Enghien. (Titre inscrit (letter)) | Allégorie sur la mort du Duc d'Enghien. (Title factice)

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