18th Century Allegorical Prints

A collection of intricate etchings featuring allegorical themes, personifications, and ornate frames, depicting scenes of justice, authority, and the Roman Empire.

Allegory on the Second Centenary of the Reformation Title page for: J. Manné, Accurate as theologian as historical remarks on the work of the Reformation, 1719, Allegory on the Second Centenary of the Reformation in an architectural setting, decorated with allegorical figures and portrait medallions by Luther and Hus. Allegorical representation with the reformers Luther and Melanthon at an altar, in the distance lies the Saint Peter's church. An angel with a burning torch is flying in the air, Jupiter has appeared next to her with lightning bolts. Below three historical representations in medallion, with explanatory texts, 'Confessio Augustana', 'Augsburger Konfession', (story of) Jupiter (Zeus), Martin Luther, Philipp Melanchton, Johannes Hus, Adolf van der Laan (mentioned on object), paper, etching, h 165 mm × w 130 mm

Leopold I., Roman-German Kaiser.

Offering. Félicien Rops; Belgian, 1833-1898. Date: 1895. Dimensions: 195 × 130 mm (image); 216 × 151 mm (plate); 272 × 171 mm (sheet). Heliogravure, with drypoint, on ivory laid paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Allegory with the glorification of Louis Napoleon, king of Holland Aan den Koning. Vader des Vaderlands, (...) (title on object), Allegorical representation with a bust portrait by Lodewijk Napoleon, probably on the occasion of his arrival in the Netherlands, June 1806. His portrait is surrounded by Wisdom, personified by Minerva in armor and the Abundance, with a cornucopia, scattering food to the people. Justice, with scales, and Truth, with mirror, that drive away the List and Lie. The whole is encased in an oval frame. In the margin the coat of arms of the Kingdom of Holland and a six-line caption in Dutch, Justice, 'Justitia', 'Giustitia divina' (Ripa), one of the Four Cardinal Virtues - MM - triumph, Wisdom, 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa), Abundance, 'Abondanza', 'Abondanza maritima' (Ripa), Truth, 'Verità' (Ripa), Louis Napoleon Bonaparte, Pierre Etienne Lambert Jonxis (mentioned on object), Utrecht, 1806, paper, etching, h 370 mm × w 298 mm

Siege from La Rochelle, September 1627-October 1628 (edge, part in the middle). Substantive part (edge work, part in the middle) of a print of the siege of the Huguenot Bolwerk La Rochelle in the years 1627 and 1628, which was commissioned by the French king by the French army under the leadership of Cardinal Richelieu. On this magazine a portrait of the brother of Louis XIII, Gaston, in oval with peripheral, surrounded by a crown and military attributes.

Portrait of the Marlborough

Napoleon I, nicknamed the Great Monument for the City of Lyon

Lazio Viterbo Viterbo Palazzo Comunale4. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Böhme, Jakob Publisher: Weekker, Allard Scorer: Bullhout, Desideriuschauer: Höhlin, Nicolaus

Allegory on the Peace of Amiens, 1802, 1802 print Monument with six portrait medallions. They probably present Frans II, Napoleon I Bonaparte, Arthur Wellesley, André Masséna, Sidney Smith and Alexander Suvorov. On top of the monument a Januskop. On the left the personification of peace: a female figure with a palm branch in her hand that tramples a snake and a burning torch. On the left a putto with a horn of abundance. paper etching symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Janus' head, two-faced head. historical persons. 'Cornucopia', Horn of Plenty. palette

William I, c. 1028 - 1087, aka William the Conqueror and sometimes William the Bastard. First Norman King of England. After an engraving from The New, Impartial and Complete History of England by

Title page for: Chargers for the art-promoting company v.w. Observed in Den Jare 1807..

Available, Johannes publisher: Becker, Johann Friedrich (1737) Painter: Meuser, Georg Albrechtsteer: Nunzer, Andreas

Timpane with the mermaid of Edam; Image of the image, mermaid, in the Purmer gate in Edam standing, which is in 1610, Volboud; It is very damaged from stone, now (1784). Timpane with the mermaid or the green bitch of Edam from 1403 in the Purmerpoort in Edam. Image of standing naked woman with long hair, under the image a caption.

Title print with park landscape, Stefano della Bella, after Israel Henriet, c. 1643 print paper etching / engraving park. drawing (+ artist at work)

Philips, Jan Caspar, Amsterdam, The fires rise heavenwards, The heart looks towards the prince, Allegory of the elevation of William IV to stadtholder and of the Liberal Gift requested in 1747, verso lower left - stamped, Allegory of the elevation of William IV to stadtholder and of the Liberal Gift of the fiftieth penny requested in 1747 to support the country at war. At the top an allegorical representation with Freedom in the center, fireworks on the left, on the right the prince accepts the sword of Divine Government., print, prints, height 165 mm, width 282 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1747 - 1747, paper, etching, engraving, engraving (printing process), Work conception, after own design by

Prostitutes being led through the streets of Naples watched by men from the side and from a window. Engraving by Collyer after S. Wale.

Title print for a series with yachts on birds, fish and mammals, Claes Jansz. Visscher (II), After David VinckBoons, 1612 print Title print for a series with yachts on birds, fish and mammals, entitled in the middle, on the inside of an animal skin. The title is flanked by a fisherman and a hunter, surrounded by hunting and vis Attributes and trophies. Amsterdam paper etching / engraving title-page. hunting, chase. hunter. fisherman. fowling, fowler

Lazio Roma Rome S. Ignazio di Loyola96. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Lofcourant in memory of William I, Prince of Orange, buried on August 23, 1584, Hermanus van Lubeek, 1789 - 1802 Lofcourant in memory of William I, buried on August 23, 1584. In the middle of a portrait of William I in an oval with edge. In the middle of the tomb or pomp of Willem I in the Nieuwe Kerk in Delft, completed in 1623. On the left a personification of bravery and right of care. At the bottom left a weapon spell and a meaning of a meaning. In the middle columns and frameworks with Dutch text in book print. print maker: Low Countriesprint maker: Low Countriespublisher: Rotterdam paper letterpress printing grave-building, monumental tomb. interior of church new church

Władysław, Duke of Shabilia in Opole , from: Jan Matejko's Album with an Explanators Text by Kazimierz Władysław Wójcicki (Part Two) (Card 27) Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902), Matejko, Jan (1838 1893)

Copper engraving from around 1470 depicting the Phrygian Sibyl, showing a female prophetic figure in traditional classical attire.

Bookplate: Coat of Arms with James Giles inscribed below. Peter Rushton Maverick (American, 1755-1811). Engraving;

Freedom and the Hollandse Leeuw, Johan Christoffel Schultz, 1759 - 1812 print Freedom keeps the lance with the hate of freedom in one hand and a laurel wreath in the other hand at a palm tree. Next to her the Dutch Lion. Amsterdam paper etching personifications of countries, nations, states, districts, etc.

Netherlands, Marot, Daniël (I), Nouveaux Liure d'Ornements propres pour faire en Broderie et petit point, Title page: Nouveaux Liure d'Ornements propres pour faire en Broderie et petit point, On the left two embroidered cloths can be seen, on the right a coverlet with the English royal coat of arms. Copy after a print from the series Nouveaux Liure d'Ornements propres pour faire en Broderié et petit point published by Daniel Marot., print, ornament print, title page, prints, ornament prints, height 185 mm, width 272 mm, Work conception, 1663 - 1752-06-04, after a design by, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Title print with figures and animals in a landscape, with the portrait of Philips Wouwerman, Jean Moyreau, After Jacques de la Joue (II), 1737 print publisher: ParisFrance paper etching / engraving historical persons. horse

Développement d'un chapiteau de l'abbaye de St. Georges de Boscherville, ... partie de l'entablement de la nef de la cathédrale de Bayeaux, en basse Normandie.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

. Coat of arms of a cardinal flanked between two figures with polishing, on a cloud cover.

W ADYS, KSI Szl ski in Opole; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Rogo of aristocratic titles (Ti)

ARTE Y PUNTUAL DE TOCAR VIOLIN GRABADO DE JOANNES CRUCE EN EL AÑO (1756). Author: JOSE HERRANDO (1720-1763). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Allegory on William Cowper with horses, putti and Justitia, Nicolas de Beauvais, after François Boucher, 1735 - 1741 print Paris paper etching / engraving Justice (Justice) as Roman personification. Cupids: 'Love' '' Amoretti '' Putti '

Charles X and his advice. (IT)

Bronzen Lampen, Giovanni Battista Piranesi, 1778 print Different bronze lamps from antiquity. At the top right an epitaph with explanatory list of letters. Text on a banderole in the middle. Rome paper etching oil-lamp

Napoleon I Emperor ... Marie-Louise Arch Iduches Session of Austria, Empress

Title Print 'Oeuvres de PH. Wouwermans Hollandois'.

Allegorical representation with a statue set up in honor of the Prussian King Frederick II as a thank you for his intervention in the Netherlands and rejecting the patriots in 1787. Image of the king associated with honorary column with the seven province weapons of the Netherlands. Chained the rigid (from the patriots) on the ground. On the leaf under the plate a statement of the show and a fresh in two columns.

Woodcut of the White King with entourage under a tent roof from the Weißkunig series of Emperor Maximilian I. by Hans Burgkmair the Elder, wooden stick, 1514-1516.

Competition bookplates of Count Tomasz Potocki. Łopieński, Ignacy (1865-1941), graphic artist

Coat of arms of Napoleon, 1808; The Arms of Nap.n Bonaparte Alias the Corsican. Cartoon on Napoleon and his dirkes in Europe, 1808. Coat of arms with eight numbered quarters, each a crime of Napoleon presented. Left and right a devil as arm holder. Above the globe shield in fire and flame. Down bible quote from spells.

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, The new Pandora's box, Cartoon on the internal division over income tax, 1872, Cartoon on the internal division among liberals after the rejection of the introduction of an income tax. Pandora opens a vase from which all kinds of difficult political issues escape. Plate published in the weekly De Nederlandsche Spectator, no. 22, 1872., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1872 - 1872, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Bliżej Kultury unknown

Thun and Hohenstein, Franz Josef Graf.

Plate showing coins of the main cities of Europe. Engraving from Denis Diderot, Jean Baptiste Le Rond d'Alembert, L'Encyclopedie, 1751-1757. Entitled Monnoyage (Minting).

Three vignettes: a), b) with entwined plants, c) with the motif of stylised lyre. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Nic. Poussin pictori Gallo Ioa. Bap. Lvd. Gior. Seroux d'Agincourt M.D.CC.XXXII, Histoire de l'art par les monumens, depuis sa décadence au IVe siècle jusqu'à son renouvellement au XIVe, Segla, André, 1748-1783, Seroux d'Agincourt, J. B. L. G., 1730-1814, Etching, 1823, Bust by Segla placed in the Panthéon by Seroux d'Agincourt.

Father with children and old man in a forest and elephants in landscape; Title page for: Jakob Glatz, Eduard and Mathilde Oder small graduations für Wizrible Knaben und Mädchen, 1820. Two performances on a leaf. Left: A father walks through the forest with his son and daughter and their dog. There they come across an old man. He is leaned against a tree and eats his breakfast. Right: Two elephants in a landscape with palm trees. Four figures with them.

Mr. and Madame de Lavalette // Memoirs of a Bourgeois de Paris

The Reichspostmuseum in Berlin with historical stamps and costumes, Illustration from 1890, Germany, Historical, digital reproduction of an original from the 19th century, Europe

Etching depicting the body of Emperor Franz I of Austria lying on a parade bed, created in 1835, anonymous artist, on paper.

Organic Senatus-Consulting Establishment of the Imperial Government of 28 Floreal An XII. (IT)

Twenty-four riders dueling and forming two columns, from 'La Gara delle Stagioni'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 8 5/8 x 12 in. (21.9 x 30.5 cm)Mat: 13 1/2 x 17 3/16 in. (34.3 x 43.7 cm). Series/Portfolio: 'La Gara delle Stagioni'. Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Helmet on which Nike is; Diverse trophées. Nike has two prisoners at her feet. From series from title page and five sheets.

Sint-Nicolaas game, G. Theod. Bom, B.C. Albek, Anonymous, c. 1858 print. gameboard Spiral -shaped pot game, numbered with boxes from 1 to 63. At number 63: the Saint sitting on a gift table, while his servant opens the door for the children. In the four corners of the game Sinterklaas scenes. In midfield the title and the rules. Amsterdam paper letterpress printing board-games. board-games of chance. festivities on St. Nicholas (Eve) (December 5)

Bliżej Kultury unknown

Design for embroidery with the evangelist Lucas, c. 1850 - c. 1875 Birmingham paper. graphite (mineral). watercolor (paint) pen

Page from Ackermann's 'Repository of the Arts, Science etc,', Medium: g.) paper and textile swatches (fibers not identified), Component 'g' is a page from Ackermann's Repository, September 1810. Page contains printed graphics and four textile swatches: three woven and one printed., England, 1810, sample books, Page from Ackermann's 'Repository of the Arts, Science etc,'

Landing at Jamestown ; The portraictuer of Captayne John Smith, admirall of New England.. 1657 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Smith, John, 1580-1631

Tittelpagina Voor 'picturesque tour in the Ardennes', Martinus Antonius Kuytenbrouwer Jr., 1854 print Tittelpage for the book 'Tournée Pittoresque Dans Les Ardennes' with various impressions of the Ardennes. Brussels paper. etching fishes. beasts of prey, predatory animals: fox. boar (male pig). hoofed animals: deer. sheep

Sacrifice to a statue of Priapus Bacchus with a thyrsus on his shoulder in cameo. A woman and boy bring votive offerings of clay apples and phalli in a basket. He was worshipped in this way in Lampsacus. Sacrificio di Priapo in cameo. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.

Die Meistersinger von Nuernberg, an opera written and composed by Richard Wagner, digitally restored reproduction of an original 19th century original, exact original date not known

Calligraphy of the province of Gelderland, Cornelis van Baarsel, after Jan Gerritsz. Visser, 1790 print. calligraphy Calligraphy of the name of the province of Gelderland. Within a framework with the provincial views, allegorical and mythological figures, weapons of the most important cities and two topographical faces. Here: faces on Arnhem and Zutphen. Part of a series of seven calligraphies of the provinces. print maker: Northern Netherlandsprint maker: Amsterdam paper etching / engraving / calligraphy calligraphy Friesland. Arnhem. Zutphen

Two women in conversation in front of a proscenium with Ionic columns. A scene from a theatre play. From a bronze Etruscan bowl in the Museum of the Knights of the Order of Saint Stephen, Cortona. Patera aerea Etrusca. in Museo Equitis Corazzi. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Design for illustration for the Colossus of the nineteenth century by P.J. Andriessen (large plate, page 41); scene from the life of Napoleon, George Lodewijk de Wetstein Pfister, 1877 - 1942 drawing paper. ink. pencil pen / brush historical events and situations. (ANDRIESSEN, De Kolossus der Negentiende Eeuw) specific works of literature (with AUTHOR, Title). title-page. historical persons

Putti with attributes of the seven free arts for the title cartouche, Lucas Kilian, 1640 - 1708 print Text in Latin in the title cartouche and the lower margin. paper engraving the liberal arts, 'Artes Liberales'. cupids: 'amores', 'amoretti', 'putti'

Design for an ex libris by Bernard W.M. Ottevanger, Leo Gestel, 1931 - 1933 drawing tracing paper. deck paint. ink. pencil pen globe. standing figure (+ nude human being). standing figure - AA - female human figure (+ nude human being). birds

Stairs of the old age; From the man and down / d'a sweet and d 'different scared. A staircase of the age: a woman staircase. On the stairs of the stairs, in the form of a bridge, women are between 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. Numbered at the top right: 4.

PortraT van Dietrich Meyer, Rudolf Füssli (the youngest), 1755 - 1757 print paper etching portrait, self-portrait of graphic artist. ornament derived from architectural details. plants; vegetation

Cartouche with title flanked by a woman and a putto; The third part new ornments (...) ..

Exlibris project for the Library of the University of Warsaw; 1916 (1916-00-00-1916-00-00);University Library (Warsaw - 1817-) - exlibris, NE competition of the University Library in Warsaw (Warsaw - competition - 1916), Orzeł Biały (coat of arms), Polish Artistic Society (Warsaw), Polish Artistic Society (Warsaw) - collection, University of Warsaw (1816-), Warsaw (coat of arms), Warsaw (Masovian Voivodeship) - headquarters of the addressee of the exlibris, heraldic exlibris, Polish exlibris, Herby, Poland (culture)

Election / S.M. Napoleon III Emperor of the French ... (IT)

Leopolds IIs attitude, died on March , Johann Hieronymus Deleteenkohl -, publishing house

Kings (IT) crimes

Langeveld, Dirk Meland, Kerkhoff, Daniël, Netherlands, Koning, Theodoor, Monument for the Blessed Reformer Joannes Calvinus, Monument for John Calvin, 1509-1564, 1509-1564. Above a small portrait of the church reformer, left and right scenes of ceremonies in the Calvinist church around the year 1791: communion, consistory, baptism and the adoption as member. In the middle Calvin on the Reichstag and an image of the Synod of Dordrecht of 1618-1619. Proof print. Allegory on the Reformation., print, prent, prints, Frederik Muller Historieplaten, height 453 mm, width 593 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1791 - 1791, fourth quarter 18th century, paper, etching, etchings, 1766-02-05 - 1821-03-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Design for the party decoration on the occasion of the silver marriage of J.C. Vanmpelendam and wife.design for the party decoration on the occasion of the silver marriage or j.c. Vanmpelendam and wife in the upper room or arti in Amsterdam.

Plate - "Cadmus Anchored". Dated: c. 1936. Dimensions: overall: 20.3 x 25.4 cm (8 x 10 in.) Original IAD Object: 4 5/8" in diameter. Medium: black and white photograph. Museum: National Gallery of Art, Washington DC. Author: Helmut Hiatt.

Wadsworth, Martinez & Longman pure prepared paints. Wadsworth, Martinez & Longman pure prepared paints

Bliżej Kultury Jurczykiewicz, A., Litographic Plant: Pruszyński Andrzej

Astronomy: Saturn with his scythe, riding in his chariot. Engraving by C. Lasinio after Raphael, 1516.

A copper engraving from 1658 depicting the coat of arms of Leopold I, showing heraldic shield, crown, and symbolic elements of the Habsburg monarchy.

EL ANGEL CUSTODIO - SIGLO XVII - LIENZO 170X 110 CM. Author: ESCUELA ESPAÑOLA. Location: FUNDACION SANTANDER CENTRAL HISPANO. MADRID. SPAIN.

Ivan IV., Zar from Russia.

Ex Libris Kaety Schultess-Kauffmann; Kauffmann, Jean (1866-1924); 1909 (1910-00-00-1910-00-00);

Meurs, Jacobus van, Amsterdam, Strunck, Jacob Willem, Northern Netherlands, Baarsel, Cornelis van, Calligraphies of the seven provinces, Zeeland, Calligraphy of the province of Zeeland, Calligraphy of the name of the province of Zeeland. Within a frame with the provincial coat of arms, allegorical and mythological figures, coats of arms of the most important cities and two topographical views. Here: Middelburg and Vlissingen. Part of a series of seven calligraphies of the provinces., print, calligraphy, prints, Frederik Muller Historieplaten, height 305 mm, width 411 mm, Dutch, 1761 - 1826-08-17, print maker, printmaker, 1790 - 1794, paper, papier, etching, etchings, engraving, engraving (printing process), 1766 - 1813-09-13, 1760 - 1824-05-01, intermediary draughtsman

Allegorical figure of the genius of Alexandria in Egypt. A woman seated by a river, her right arm on the head of the Nile and her left on a basket with three ears of wheat. Rowboat and dhow on the river, temples to Osiris and Harpocrates, animals on the shore. In lapis lazuli. Alessandria in lapis lazzali. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.

Frame with head in rays and painting palette, anonymous, 1800 - 1899 print Frame with leaf motifs, a painter's palette, at the top a jerked figure in a ray wreath and at the bottom the initials MF. In the middle a written text with a list of seventeenth-century artists. paper. ink etching / writing (processes) / pen ornaments ~ art (+ framing decorations). palette

Calligraphy on the Eendracht of the Land, 1787, Leonard Jozef Ferrier, 1787 print. calligraphy Calligraphic allegory on the Eendracht of the Land, 1787. With two allegorical medallions on the Eendracht. Northern Netherlands paper etching / engraving calligraphy Netherlands

Vignette with the personification of truth; Truth; Virtues and vices. Vignet with the depicting of the personal truth in an architectural frame in which an open book and two globes have been processed. The truth keeps a mirror and a branch with leaves in her hands, on her chest the sun is shown in the shape of a radiant disk. The print is part of a series of book illustrations about virtues and vices.

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