18th-Century Book Illustrations

A collection of finely etched illustrations from the 18th century, showcasing various themes, allegorical scenes, and intricate detailing.

An etching by Giovanni Paolo Lasinio from 1820 depicting Christ presented before Herod, showing the biblical narrative in a religious composition.

Collection of 18th-century book illustrations produced through etching by different engravers for printed works.

Copper engraving and etching by Nicolas Delaunay depicting the benefits of sleep for a book illustration, created in 1776, showing figures and allegorical elements.

Etching by Giovanni Benedetto Castiglione created between 1645 and 1648 depicting Melancholia, showing an allegorical figure representing melancholy with detailed composition.

Etchings by Johann Friedrich Bause illustrating the frontispiece of Don Quijote, a scene from Oberon by Wieland, and a scene from Belisar by Marmontel, created between 1753 and 1809.

A collection of illustrations by Oscar Pletsch depicting everyday scenes of children, created using wood engraving techniques between 1850 and 1900.

Book illustration by Nicolas Ponce, engraved and etched in 1778, exemplifying 18th-century print traditions.

Early 19th-century lithography showing Albrecht Dürer's Christian and mythological hand drawings, illustrating figures, gestures, and composition.

Copper engraving and etching by Jean Dambrun around 1781 showing Paul of Tarsus being taken to prison, representing a biblical narrative.

Etching by Cornelis Schut from 1615-1655 showing head studies and the conversion of Paul, depicting facial expressions, gestures, and composition.

An etching by Giovanni Paolo Lasinio from 1820 depicting Christ presented before Herod, showing the biblical narrative in a religious composition.

Etching by Lodovico Mattioli showing Diana being flogged by a satyr, created between 1700 and 1740.

Etching by Francesco Mazzola depicting Sleeping Amor, a small standing shepherd, and a boy with two elderly figures, created between 1515 and 1540, illustrating human figures in varied poses.

Etching by Anton Joseph von Prenner circa 1728 showing Flora, Roman goddess of flowers, surrounded by garden plants and blossoms.

Etching by Lazzaro Baldi created between 1642 and 1703 depicting a music angel, showing the angel playing instruments with wings and flowing garments.

Grotesque decorative etching by François de la Guertière showing ornamental motifs, executed in the mid-17th century.

Copper engraving and etching by Nicolas Ponce, created in 1782, showing a book illustration with figures and ornamental details.

Etching by Salvatore Castiglione depicting the awakening of Lazarus, created in 1645, illustrating the biblical event of Lazarus being raised from the dead.

Etching by Adriaen van Ostade depicting a scissor grinder, a man and woman in conversation, street musicians, and a TRIC-TRAC player, created between 1627 and 1685.

Copper engraving by Albrecht Dürer depicting Apostles Thomas and Paul, created after 1514.

Copper engraving and etching by Jean Michel Moreau, around 1800, depicting illustrations for Denis Diderot, Salomon Gessner, and Ludwig Ferdinand Huber with detailed composition and figures.

A wooden stitch illustration by Oscar Pletsch depicting a mother with multiple children in a room, created between 1861 and 1873.

Etching by Stefano della Bella showing a portrait of Cosimo III de Medici and his wife Marguerite Louise dOrléans within a medallion, created around 1661.

Etching by Pietro Santo Bartoli from 1650-1700 showing ornamental designs from Raphael's prototypes, including intricate classical motifs and decorative elements.

Copper engravings and etchings by Johann Georg Wille from 1730-1808 depicting multiple portraits with detailed facial features, attire, and composition.

A copper engraving and etching by Albrecht Dürer after 1505 depicting a satyr family, showing mythological figures, gestures, and landscape.

A 17th-century copper engraving and etching by Bartholomäus Kilian depicting Mary's symptom of a founder, showing figures, gestures, and symbolic elements.

Oscar Pletsch's wooden stitch prints from 1850-1900 show scenes with children, depicting figures, gestures, clothing, and interactions in varied settings.

Copper engraving and etching by Nicolas Ponce from 1784 created as a book illustration.

Etching by Gillis van Scheyndel showing craftsmen, farmers, sellers, and market women, created between 1615 and 1660, highlighting daily activities and figures.

Crayon manner etching by François Boucher from the 18th to mid-19th century depicting a mother with two small children, showing figures, interaction, and domestic setting.

This wooden stitch illustration by Oscar Pletsch from 1850-1900 shows children in domestic and outdoor scenes, emphasizing gestures, interactions, and everyday activities.

Oscar Pletsch created wood engravings illustrating children at play and in everyday situations during 1872 and 1873.

Etching by Louis Charles Château from 1781 depicting a scene titled 'The Fall', showing figures in motion, dramatic gestures, drapery, and detailed composition.

Copper engraving by Johann Theodor de Bry depicting letters R and S, produced in 1595.

Etching by Abraham Blooteling depicting Ceres with a satyr and a farmer, created between 1656 and 1690.

Woodcut by Erhard Schön illustrating a scene from the Lyon Bible sequence, showing biblical figures, gestures, and architectural elements from 1522.

Copper engraving and etching by Nicolas Ponce, created in 1783, showing a book illustration with human figures and decorative elements.

Raphael Sadeler the Elder created copper engravings between 1580 and 1632 depicting Marian and Christian representations, showing figures, gestures, and symbolic attributes for book illustration.

Etching by Karel Dujardin depicting various landscapes and scenes, created between 1642 and 1678.

An etching by Christian Wilhelm Ernst Dietrich showing a woman milking a goat and a man braiding a pasture fence, illustrating rural life and agricultural activities in 18th-century Europe.

Copper engravings by Jacob de Gheyn IIs workshop depicting a series of four portraits inspired by Italian Renaissance medals, created between 1594 and 1596, illustrating human faces, Renaissance attire, and classical portraiture.

Copper engraving by Elias Hainzelmann from 1655-1693 depicting the Garden Mariano with detailed botanical and architectural elements.

Etchings made by various artists for use as illustrations in books, demonstrating the craftsmanship of 18th-century print culture.

Photo production of a drawing of a man and three children by Adriaen van Ostade, Edmond Fierlants, After Adriaen van Ostade, c. 1855 - in or before 1860 photograph photographic support albumen print adult man. child

Etching by Leendert van der Cooghen, 1666, showing figures engaged in a game of backgammon, with detailed posture, clothing, and game board.

Copper engraving and etching by Charles Nicolas Cochin père illustrating works of Virgil, created in 1743.

Etching by Abraham Genoels showing a garden with a water basin and Neptune statue, created between 1655 and 1690.

Woodcut by Lucas Cranach the Elder depicting scenes from the Passional, showing Christ, Antichrist, and narrative elements, created between the late 15th and mid-16th century.

Etching by Antonio Fantuzzi from 1548 depicting Neptune as a horse alongside Ceres, showing mythological figures in detailed composition.

Copper engraving and etching by Johann Martin Bernigeroth, 1730-1767, portraying Friedrich Augustus, King of Poland and Elector of Saxony, showing facial features, attire, and regalia.

Bernhard Rode etching of three studies based on sculpture decorations: Christ, Caritas, and Religio; includes a title page, part of a historical collection, 1748-1797.

Etching by Balthasar Jenichen from 1562-1621 depicting the figure of Virgil Solis, showing portrait details, period attire, and visual characteristics of the artist.

Etching by Gabriel, 18th century, depicting the Fates, showing three mythological figures controlling destiny, with symbolic elements characteristic of 18th-century engraving.

Copper engraving prints by Bartholomäus Kilian from 1650-1696 depicting various individual portraits, showing facial features, posture, attire, and composition.

A copper engraving by Heinrich Aldegrever from the 16th century depicting personifications of virtues and vices, showing figures, gestures, and symbolic attributes.

Copper engraving and etching by an unknown monogrammist, 1575-1650, depicting the twelve apostles in group formation with iconographic elements and biblical representation.

Copper engraving by Hans Collaert the Elder showing David witnessing the angel of vengeance in Jerusalem, created between 1555 and 1580, illustrating a biblical narrative with figures and city setting.

Copper engraving by Willem van Swanenburg after 1611 depicting Abraham Bloemaert, showing facial features, clothing, and compositional elements.

The 1572 etching by Jost Amman depicts a portrait of Friedrich von Wiesberg, showing facial features, attire, posture, expression, and background elements in European print art.

Etching by Jacques Callot from 1636 showing 'The Pictures of the Year', a series of illustrated events and scenes.

A title page by Frederick Christian Lewis for the Liber Studiorum series after Claude Lorraine, created in aquatint in 1840.

Woodcut by Anton Woensam depicting allegorical figures of virtues and a portrait of Johann von Leyden, showing human figures, composition, and symbolic elements, created in the first half of the 16th century.

Copper engraving by Cornelis Cort depicting the combat between the Horatii and Curiatii, produced between 1555 and 1575.

Copper engraving and etching by Esaias van Hulsen from 1616 depicting a grotesque ornament in black, showing detailed 17th-century European decorative style.

Bound Print, Title Page; Designed by Jean Bérain the Elder (French, 1640-1711); Published by Jacques Thuret (French, 1669-1738); France; engraving

Chodowiecki's etching 'The Desertract' (1774), based on Sedaine's work, illustrates scenes from the play, showcasing his skill in dramatic storytelling through print.

Jacques Callots 1636 etching series 'The Pictures of the Year' presents detailed portrayals of European life and seasonal activities using fine engraving.

Copper engraving and etching by Hendrik Hondius the Elder depicting a portrait of John Mabusio, also known as Jan Gossaert, created in 1610.

This etching by Nicolas Vleughels, created between 1688 and 1737, depicts a landscape with a background act in an oval format, illustrating natural scenery and compositional technique in late 17th- and early 18th-century Flemish art.

Etching depicting mythological scenes with human figures, deities, animals, and symbolic elements, created in the 18th century.

Balthasar Jenichen's 1574 etching portrays Duke Albrecht V of Bavaria in a devotional pose, emphasizing his piety and leadership. The work reflects the religious and political themes prevalent in 16th-century German art.

Woodcut from 1522 by an anonymous artist depicting scenes from Doctor Keiserszbergs Postill on the four Gospels, showing figures, gestures, and narrative elements.

Etching by Giuliano Traballesi showing Kassandra during the fall of Troy, created between 1747 and 1812, depicting a classical mythological scene with figures and architectural elements.

Etching by Joseph Fischer of a title leaf dedicated to Martin von Molitor, including landscapes and ruins, created between 1790 and 1822.

Copper engraving and etching by Benoit Audran in 1698 depicting scenes from the biblical story of Samson with detailed composition.

Woodcut by an unknown monogrammist from the 16th century depicting scenes from the Book of Revelation, illustrating John, visions, and apocalyptic imagery.

Photo production of a cardboard painting, representing Elymas is blinded with blindness, Anonymous, After Rafaël, c. 1850 - in or before 1860 photograph photographic support albumen print the sorcerer Elymas (Elymes, Bar-Jesus), who tries to prevent Paul and Barnabas from speaking, is struck blind by Paul

Copper engraving by Antonio Pazzi depicting a heraldic representation, created between 1706 and 1766, illustrating coats of arms and symbolic motifs.

Etching by Daniel Nikolaus Chodowiecki depicting Shakespeare's 'Coriolan' for the Lauenburg Genealogical Calendar of 1787, showing figures and dramatic narrative in book illustration.

Copper engraving and etching by Joseph de Longueil from 1750-1792 depicting a double portrait with a vignette and allegorical elements, showing two figures, symbols, and composition details.

Reproduction of a print of grotesque ornaments, presumably by Heinrich AldGrever, Simonau & Tooey, after Heinrich Aldgrever, c. 1866 - in or before 1871 photomechanical print This print is part of a cover with 57 prints on 54 sheets. Brussels (possibly) paper ornaments ~ art

Etching by Bernard Picart from 1727 depicting ornamental designs, showing decorative patterns, motifs, and detailed linework.

An etching by Kauffmann from the late 18th to mid-19th century showing a nymph performing a sacrifice, highlighting classical attire, gestures, and composition.

Etching by Daniel Nikolaus Chodowiecki from 1781 illustrating Voltaire's text with typographical fonts, showing detailed book illustration techniques.

Copper engraving and etching by Grégoire Huret from 1626-1670 showing a portrait of Jacques Boyerau, emphasizing facial features, attire, and compositional detail.

Copper engravings and etchings by Bernard Picart created between 1693 and 1733, depicting decorative vignettes, ornamental designs, and illustrative motifs.

Daniel Nikolaus Chodowieckis 1787 etching depicts Camille, showing two girls, interior settings, attire, and narrative composition in the book Camille or Letters of Two Girls from Our Age.

Etching by an unknown artist depicting Margaritone d'Arezzo, created between the mid-18th and mid-19th century, showing the artist in a visual or portrait context.

Etching by Michel Dorigny, 1644, depicting a frontispiece illustration with detailed composition, figures, and decorative elements.

Etching by Ignace Joseph de Claussin depicting the Adoration of the Shepherds and the Rest on the Flight into Egypt, created between 1805 and 1844.

Photo production of a sketch of a boy who makes a painting by Albert Hendschel, Theodor Huth, after Albert Hendschel, c. 1865 - in or before c. 1870 photograph This photo is part of a cover with 50 photos on 48 sheets, a list of images and a title page. Frankfurt am Main paper albumen print painting ~ applied arts (+ artist at work). toddler (male)

This woodcut by Hans Springinklee from 1519-1520 depicts the Bible, featuring scenes and figures from both the Old and New Testament, illustrating religious narratives and Renaissance printmaking.

Etching by Franz Riepenhausen depicting a scene from the Iliou Persis, showing classical figures, architectural elements, and action, created in 1829.

This etching by Mauro Tesi depicts various ornamental designs, created between 1750 and 1766. The work emphasizes decorative motifs and artistic patterns used in architecture and design.

Bound Print, Panel Design of Grotesque Ornamentation; Designed by Jean Bérain the Elder (French, 1640-1711); Print Maker: Juan Dolívar (Spanish, active in France, 1641-1692); Published by Jacques Thuret (French, 1669-1738); France; engraving

Johannes Huibert Prins engraved a spinner in front of her house with a mussel bowl or bone between 1773 and 1806, showing domestic life, building facade, and everyday objects.

The 1636 etching 'The Pictures of the Year' by Jacques Callot portrays human figures in various scenes, highlighting detailed etching techniques and 17th-century European artistic conventions.

Etching and copper engraving by Sebald Beham depicting peasant pairs and scenes from Marienleben, showing figures, rural activities, and narrative elements, created between the 16th and 17th century.

The 1636 etching 'The Pictures of the Year' by Jacques Callot illustrates yearly human activities, seasonal labor, and celebrations, with detailed figures and landscapes.

Etching by Daniel Nikolaus Chodowiecki from 1785 illustrating Figaro's wedding, showing figures, gestures, attire, and compositional arrangement in 18th-century European prints.

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