18th Century Caricatures

Caricatures and caricature-like figures from the 18th century, illustrating humor and satire in fashion and society, often depicting notable personas in a theatrical style.

Honoré Daumier (French, 1808 - 1879). M. Keratr., 1833. Lithograph on white wove paper. Image: 278 mm x 204 mm (10.94 in. x 8.03 in.). Second state, with letters.

Henry Slata, 1623, 1850 - 1870 drawing Henricus Slatius, the conspirator against Maurits in 1623, standing with the beer jug. Depicted as he was brought to The Hague as a prisoner, March 13, 1623. Netherlands paper arrest (of criminal)

Mr. Cockran Joseph Booth in the character of Lord Froth in William Congreves The Double Dealer, Covent Garden Theatre, 1776. Copperplate engraving by D. Reading after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

The English Jesuit October 7, 1771 Matthew Darly British This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etched satire of a man with a hat and cane resembles both William Petty, 2nd Earl of Shelburne or Si

Émir ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Portrait of Theophile Gautier Portrait of Th�ophile Gautier (1811-1872), French writer, according to Emile-Antoine Bayard (1837-1891). Paris, museum of romantic life.

James Gillray, 1757-1815, British, untitled , 1800. Etching.

Honoré Daumier (French, 1808 - 1879). M. Keratr., 1833. Lithograph on white wove paper. Image: 278 mm x 204 mm (10.94 in. x 8.03 in.). Second state, with letters.

Louis Boulanger (1806-1867). "Costume model for Saltabadil Le Spadassin de Dos, in the creation of the King has fun at the Comédie Française on November 22, 1832". Watercolor. Paris, house of Victor Hugo. 38945-11 Comedy Francaise, Scene costume, model, king has fun, spadassin, watercolor

Lorentz, Alcide Joseph (N.1813-02-25-D.1858), charge of the champion painter (dummy title). Plume and ink wash from China. Carnavalet museum, history of Paris.

Edouard Manet (1832-1883); , Polichinelle, 1874

Édouard Manet (French, 1832 - 1883). Polichinelle, 1874. Color lithograph printed from seven stones in black, grey, yellow, red, blue, green, and beige ink on wove paper. Sheet: 463 mm x 337 mm (18.23 in. x 13.27 in.). Third of three states.

Honoré Daumier, Antoine Odier, 1833 Antoine Odier

Caricature of William Conolly, M.P.. Arthur Pond (circa 1705-1758). circa 1735-1740. Prints; etchings. Etching

A bad subject. (Title registered (letter))

Politicians - Vanity Fair. 'The Colossus of Roads'. Sir George Samuel Jerkinson. 24 April 1875, Carlo Pellegrini, 1839-1889, Italian, 1875, Chromolithograph

The Viennese volunteer, in Italy Supplement to Faust, Poligrafisch illustrated magazine for art, science, industry, and sociable life, Thomas Benedetti -, Steel Engraver, Auer, Editor, Kargl, Printer

From a shopping call, Drive MA Ausi to Hietzing Schönbrunn, Zeiselwagenkutscher

Haarlem, Nachtwachts Nieuwejaars-Lied, aan de Burgerij van Haarlem 1846, New Year's greeting from the night watch of Haarlem for the year 1846, verso - stamped, New Year's greeting from the Haarlem night watch for the year 1846. Standing night watch with rattle and lance. With a verse in two columns., print, picture, new year's greeting, prints, pictures, Frederik Muller Historieplaten, height 339 mm, width 227 mm, print maker, printmaker, 1848 - 1849, paper, papier, letterpress printing, letterpress, woodcut

Mr. Cunin Grid. Honoré Daumier (1808-1879). Press cartoon. "Mr. Cunin Grid". Board published in "caricature" of July 18, 1833. Lithography. Paris, House of Balzac.

France, 18th century, Directory period. An Incroyable. Engraving.

Ollivier, Michel Barthélémy, France, Etudes de figures drapées, Figure studies, Young man in Spanish costume, verso lower right - stamped, Standing young man in Spanish costume, with a walking stick in his right hand. Print from a series of seven., print, prints, R, height 190 mm, width 150 mm, French, 1712 - 1784-06-15, print maker, printmaker, 1722 - 1784, 18th century, 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Le Chevalier de l'éperon d'or. Honoré Daumier (France, Marseilles, 1808-1879). France, 1842. Prints; lithographs. Lithograph

La gioconda, amilcare ponchielli

Sampson Brass - an attorney of no good repute. Date: First published: 1841

Vanity Fair: Turf Devotees; 'Never Bets', Viscount Falmouth, September 1, 1877, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1877, Chromolithograph

Louis the German (c. 806876), or Louis II, first king of East Francia. Grandson of emperor Charlemagne and third son of Louis the Pious, emperor of Francia, and Ermengarde of Hesbaye. He wears a distinctive crown, grey sleeveless jacket or sayon, white doublet and hose, and carries orb, sceptre and sword. Louis le Germanique. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

JOSEPH MALLORD WILLIAM TURNER English painter, pictured at the Royal Academy on 'varnishing day', 1845. Date: 1775 - 1851

Johann Nestroy as a northern German student Schlankel in The House of Temperaments costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

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Edouard Manet (French, 1832 1883 ), Polichinelle, 1874, seven color lithograph on Japanese paper

Mary E Humes, Figurehead Jolly Tar Figurehead: Jolly Tar

Health !!! / 6

Bernard Westmacott, Wooden Figure, 1935 1942 Wooden Figure

Jaques Charles Odry (rôle de Carmagnole). Honoré Daumier (1808-1879). Lithographs

Vanity Fair: Teachers and Headmasters; 'Badger', The Reverand Edward Hale, January 30, 1892, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1892, Chromolithograph

Everything would be good if everyone riches like angus. (IT)

Tobacco Store - Male Figure. Dated: c. 1937. Dimensions: overall: 50 x 35.4 cm (19 11/16 x 13 15/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Donald Donovan and Harold Bliss.

Séguin, F., ambulating singers and musicians; The eccentric comic singer, pupil of Paulus (dummy title), 1895. Pierre Noire, watercolor. Carnavalet museum, history of Paris. Standing man, picked up, holding a cane in his right hand

J M W TURNER English painter, sketching Date: 1775 - 1851

Vive Le Roi! Vive L'Empereur. Vive Le Diable. April 12, 1815 Thomas Rowlandson A French soldier with a wide mustache stands at center wearing a large cocked hat, inscribed with three ribbons, "Vive Le Diable," "Vive Le Roi," and "Vive Le Empereur." He holds a musket in his right hand and a snuff-box in his left hand. To the right a monkey and a cat embrace. A windmill is in the background at left.. Vive Le Roi! Vive L'Empereur. Vive Le Diable.. Thomas Rowlandson (British, London 1757-1827 London). April 12, 1815. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829) . Prints

L'or est une chimère. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Hat with a rowing card for the National Guard, Design for the series Chronology of Headgear, Anton Zampis -, drawer

Portret van Adolf Dubsky, Anonymous, 1880 - 1881 photomechanical print This print is part of a cover with 86 prints on 78 magazines and 11 text magazines. paper collotype historical persons. aristocracy; 'Aristocratia' (Ripa) Hofburg

Johann Nestroy as a northern German student Schlankel in The House of Temperaments costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Costume of a German waggoner, 16th century. He wears a fur cap with plume, jacket of coarse cloth or organsin, leather vest or burichetto, large leather bag, culottes and high boots. He carries a whip and sword. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Peasant of the Alps June 1, 1771 After Henry William Bunbury British This image of a peasant, this comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. Bunbury was a skilled amateur artist who toured Europe in 1769.. Peasant o

Pedler.. Busby, Thomas Lord. Prints. 1820. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing & dress , England , London, Peddlers

Leslie Matthew 'Spy' Ward, 1851-1922, British, Vanity Fair: Literary; 'Notes and Queries', Dr. John Doran, December 6, 1873, 1873. Chromolithograph.

Portrait of General van der Meersch in an interior, Anonymous, 1744 - c. 1842 drawing paper. watercolor (paint) brush historical persons. commander-in-chief, general, marshal

Le chevallier de l'Éperon d'Or. Honoré Daumier (1808-1879). Lithographs

Louis XVI King of Francois / Restorer of Freedom

Jean-Lambert Tallien (1767-1820). French politician during the French Revolution. He took an active part in the September Massacres, 1792. President of the National Convention (21 March to 5 April 1794). During the Directory he was a member of the Council of Five Hundred. Portrait. Engraving by Pannemaker after E. Viollat. ""History of the French Revolution"". Volume I, part 2, 1879.

A Jew Broker January 1, 1801 Thomas Rowlandson. A Jew Broker. Thomas Rowlandson (British, London 1757-1827 London). January 1, 1801. Hand-colored etching. Prints

Thétre Italien 1821 Eugène Delacroix French Published in the new liberal daily "Le Miroir," this satirical lithograph holds up the Thétre Italien in Paris, embodied here by the composer Gioacchino Rossini, as an admirable exemplar of the modern. His pockets stuffed with scores, Rossini adopts a stable, wide-legged stance as he balances his three best-known characters: Figaro, Rosina, and Othello. The commentary that accompanied the print poked fun at Delacroix for publishing it anonymously, while complimenting his drawing as one of "uncommon boldness" that was "biting and witty.". Thétre Italien 365126

The Viennese volunteer, in Italy Supplement to Faust, Poligrafisch illustrated magazine for art, science, industry, and sociable life, Thomas Benedetti -, Steel Engraver, Auer, Editor, Kargl, Printer

Water -wearing 'Sacchaz' (Pelgrim from Mecca), Léon Davent, After Luca Penni, After Nicolas de Nicolay, 1555 - 1568 print Print is part of an album. Lyon paper etching pilgrim(s)

Frederick or Frederic, Lord Leighton (1830-1896) English painter and sculptor born at Scarborough, Yorkshire. President of the Royal Academy 1878-1896. Leighton in military uniform on his retirement as Colonel of the Artists' Rifles (Middlesex (Artists') Rifle Volunteer Corps). Cartoon by Edward Linley Sambourne in the Punch's Fancy Portraits series from 'Punch' (London, 16 February 1884).

Costumes de Différents Pays, 'Habitant du Tyrol'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Leslie Matthew 'Spy' Ward, 1851-1922, British, Vanity Fair: Newspapermen; 'The Pall Mall Magazine', Ford Frederic Spencer Hamilton, February 7, 1895, 1895. Chromolithograph.

A postillon. (registered title) | A postillon. (registered title)

Post Mr Czyzes in the hat of the Liwski and the end of the ear, returned en Trois Quarts to the right; Scholtz, Julius (1825-1893); 1858 (1858-00-00-1858-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Fl. Ca 1912) - gift, hunters, hunting (iconogr.), German drawings, studies to paintings, studies studies, character sketches, sketches for paintings

Man in screen cap, rock and high boots . Watercolor by Fritz von Dardel Nordic

The painter January Suchodolski as an Uhlan, satirical drawing. Kostrzewski, Franciszek (1826-1911), painter

The right kind number 52 The good kind number 52 - The Little Master in Chenille, 1813. Anonymous. Engraving.

Tamboer der Schuttery / (Flank Komp.)

Black page, Costume model for Angelo, Padua Tyrant at Comedie-Francaise in 1835 Louis Boulanger. Black page, suit of costume for Angelo, Tyran of Padua La Comdie-French in 1835. Watercolor and graphite pencil on paper. Paris, Victor Hugo House.

Leslie Matthew 'Spy' Ward, 1851-1922, British, Vanity Fair: Wagerers; 'The Leviathan', Mr. Steel, October 27, 1877, 1877. Chromolithograph.

News // Who will dare criticize the firefighters of Nanterre to this

Founder of spoons of Etin. / 27 (title registered (letter)) | The cries of Paris. (Title of all)

Man with sword in historical costume. The man wears a tights with short puff pants and jam trinkle and a feather hat. Recto of drawing 2 on leaf 5 of an album with 35 drawings.

Standing soldier in ornamental frame, Jan Anthonie Langendijk Dzn (Possible), 1790 - 1818 drawing paper. watercolor (paint). pencil brush (military) uniforms

Raimund, Ferdinand.

Polin. Dimensions: 43.6 cm x 31.7 cm, 23.5 cm x 11 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

Copper engravings by Hendrick Goltzius depicting Stanislaw Sobocki and a young nobleman, created between 1583 and 1585, illustrating late 16th-century European portraiture and noble representation.

Robespierre, Maximilian de.

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, signature

Man with a riding crop, George Cruikshank, 1792-1878, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 6 inches (19.1 × 15.2 cm), boots, caricature, figure study, hat, man, monocle, riding crop

'Byron', c1820s, (1911). Artist: Count d'Orsay.

Vanity Fair: Literary; 'The Literary Mate', Sir John Digdale Astley, July 26, 1894, Leslie Matthew 'Spy' Ward, 1851-1922, British, 1894, Chromolithograph

Watercolor reproduction: Juliusz Kossak (1824-1899), Hucu, From: "Juljusz Kossak: 260 drawings in the text, 8 rights, 6 facsimili colorful with watercolor, portraits under L. . Witkiewicza ", p. 13; Löwy, Joseph (Vienna; Graphic AD; 1835-1902), Anczyc, W Adys A w Ludwik and Spóż (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950 ); 1900 (1900-00-00-1921-00-00);

The Enraged or the Aristocratic Advocate (IT)

Kurdish man with shield and club. Illustration by Mounier from Guillaume-Antoine Oliviers Travels in the Ottoman Empire, Egypt and Persia, 1801. Copperplate engraving by Dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817.

M Czyzna from Fajk in d They; Zausig, Amand (1804-1847); 1843 (1843-00-00-1843-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, German drawings, Turkers

Badingen to find Eugenie with his son will sing him from the organ in Dad.

Louis Philippe Boitard, active 1734-1760, Simon Eady of Northhampton, Opener of the Gospel, undated. Watercolor, pen and brown ink on medium, slighlty textured, cream laid paper.

Stop ! Douplir step. (Ti)

Napoleon on the deathbed; Unknown, Mayer, Henry Hoppner (1782-1847), Rubidge, Joseph William (1802-1827); 1880-1900 (1880-00-00-1900-00-00);

Vanity Fair: Turf Devotees; 'A Turf Reformer', Mr. Henry Chaplin, December 5, 1874, Carlo Pellegrini, 1839-1889, Italian, 1874, Chromolithograph

Standing woodcutter, Alexander Cranendoncq, 1809 - 1869, draughtsman: Alexander Cranendoncq, 1809 - 1869, paper, h 318 mm × w 231 mm

Czech knowing; Scholtz, Julius (1825-1893); 1840-1893 (1844-00-00-1844-00-00);Czechs, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Fl. Ca 1912) - Dar, peasants, German drawings, genre scenes, studies to paintings, character studies, villagers

Another hour !! / One Hour Again !! / 12 (title registered (letter)) | Physiological gallery (title of all)

Trustworthy Man Artist's working dates 1818-1872 France. Lithograph in black, with hand-coloring, on ivory wove paper . Edmé Jean Pigal

Vanity Fair - Explorers and Inventors. 'Wives without wires'. Mr. Guigliemo Marconi., Leslie Matthew 'Spy' Ward, 1851-1922, British, 1905, Chromolithograph

Balochard ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Mlle.Willmen. Artist: Paul Gavarni, French, 1804-1866

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