18th Century Decorative Art

A collection of intricate wallpaper designs and fabric patterns from the 18th to 19th centuries showcasing floral motifs, classical influences, and decorative elements.

Roll wallpaper paper, stuck on linen, that arabesken, a arbor, medallion and vase in board, anonymous, 1750 - 1800 Roll wallpaper paper, stuck on linen, that Arabic, medallion and vase show in a board. On the back it says: "Fresneau Frères, place de l'etoile à paris", as well as the trademark NT and in Dutch: "451 to 60 cents the track". See also: BK-NM-9776-A/G and i. France paper. linen (material) printing Roll wallpaper paper, stuck on linen, that Arabic, medallion and vase show in a board. On the back it says: "Fresneau Frères, place de l'etoile à paris", as well as the trademark NT and in Dutch: "451 to 60 cents the track". See also: BK-NM-9776-A/G and i. France paper. linen (material) printing

Roll wallpaper paper, stuck on linen, that arabesken, a arbor, medallion and vase in board, anonymous, 1750 - 1800 Roll wallpaper paper, stuck on linen, that Arabic, medallion and vase show in a board. On the back it says: "Fresneau Frères, place de l'etoile à paris", as well as the trademark NT and in Dutch: "451 to 60 cents the track". See also: BK-NM-9776-A/G and i. France paper. linen (material) printing Roll wallpaper paper, stuck on linen, that Arabic, medallion and vase show in a board. On the back it says: "Fresneau Frères, place de l'etoile à paris", as well as the trademark NT and in Dutch: "451 to 60 cents the track". See also: BK-NM-9776-A/G and i. France paper. linen (material) printing

Stained glass drawing: Chevreuse - border Prosper Lafaye (1806-1883). Vitrail Drawing: Chevreuse - Border, between 1845 and 1875.

Design for a Valance with Bundles and Garlands of Flowers and Leaves Decorated with Gardening Tools upon which Small Birds Rest 1870-1900 () Anonymous, French, 19th century Rectangular sheet of paper with a design for a valance from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classi

GSELL-Laurent workshop. Album n ° 3; Stained glass project for the normal school; let small children come to me, alternating figurative and decorative medallions. Pencil, white gouache, blue wash. Paris, Carnavalet museum. Album n ° 3, alternation, Catholic, Christian, pencil, decorative, normal school, son god, white gouache, blue wash, figure medallion, project, stained glass

Warsaw. Face cut out field in the Salle de Salomon at the Palace on the Isle in the Royal Łazienki Park - view in the scale of 1:10. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Murals from different houses in Pompeii and Heraculaneum (circa 300BC to AD79). Handcoloured lithograph by Trampe from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt" (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Drawing, Painted Decoration with Alternate Suggestions; Italy; graphite, pen and ink, brush and watercolor on paper

Warsaw. Fragments of wall paintings in the Ballroom of the Palace on the Isle in the Royal Łazienki Park - two views in the scale of 1:10. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Ornament Design, Tripod and Roman Standards. Date: 1776. Pen and ink, brush and watercolor over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Raymond E Noble, Wall Painting (Restoration Drawing), c 1940 Wall Painting (Restoration Drawing)

Two decorative designs with floral pattern. .

Design drawing ca. 1883, based on earlier design Christopher Dresser British, Scottish. Design drawing 363734

Fragment of an aurifries, with embroidery of gold thread and silk .. Fragment of an aurifries, with embroidery. The fragment has a medallion within a wide edge within which an image of "the flight to Egypt". Above the medallion is a Renaissance ornament of a vase with flowers embroidered. The fragment belongs to Invnr. BK-NM-11712-A.

Luc-Olivier Merson (1846-1920). The months: June (the concert cafes - the Paris Grand Prix - Florian festivals - Flower Festival). Museum of Fine Arts of the City of Paris, Petit Palais. 37957-5 Arabesque, Cafe Concert, Cherubin, Floral Decor, Florian Feet, Flower Fete, Grand Prix de Paris, June, month, Ceiling, Statue class

Design for a Book Cover, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper, On greenish ground, round and pointed cartouche, made up of green vines, yellow flowers, yellow hearts at the bottom., USA, ca. 1897, graphic design, Drawing, Drawing

Design for a stained glass window with heraldic weapon, Anonymous, in or after 1907 - 1930 drawing Above the weapon a winged helmet and around Cararians and flower ornaments. Amsterdam cardboard. paper. watercolor (paint). deck paint. ink. pencil pen / brush coat of arms (as symbol of the state, etc.). flowers ~ ornament

Design for the Decoration of a Panel, Gilles Paul Cauvet, French, 1731-1788, Red crayon on paper, A pedestal is supported by lion feet. upon it sit laterally winged, armless mermaids. In the middle rises a plant from which the upper part of the body of a child springs which supports an octagonal medallion with the figure of a woman. Two half figures of winged children sit upon the oblique sides of the medallion. Framing 'moulds'., Paris, France, ca. 1775, Drawing, Drawing

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, watercolor on paper mounted on tan illustration board; Image: 5.6 x 15.4 cm (2 3/16 x 6 1/16 in.) Sheet (irregular): 29.2 x 17.1 cm (11 1/2 x 6 3/4 in.)

Mural painting with fake architectures in the cubicle of the House of Dioscuri, Pompeian house, 2nd century BC, Pompeii, Campania, Italy, chromolithograph by G Frauenfelder from a drawing by Abbate, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume I, plate 10, 1854, Naples.

Copper engraving by Giovanni Ottaviani depicting Raphael's loggias in the Vatican, Pilastro VII showing a boy on the left and a bird in a tree, colored in 1772.

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388261

Cover design for: Catalog of the Ideal Home Exhibition, 1912, Richard Nicolaüs Roland Holst, 1912 print A man and woman in an interior with chandelier. At the top of the text 'Holland Section', at the bottom of the text 'List of Artists'. paper interior of the house

Copper engraving and etching by Giovanni Volpato depicting Raphaels loggia in the Vatican, Series I/9, created and colored in 1772. The print shows architectural details and decorative frescoes in a classical interior.

Arabesques Gâmá el-Achrafîeh chemsah or stained glass in pierced plaster (15th century), created in 1877 by Prisse d'Avennes (1807-1879). Issued in Paris by A. Morel et Cie, Libraires-Éditeurs. Subject matter includes Islamic architecture and art, specifically related to Egypt and Cairo, featuring Islamic decoration and ornament, decorative arts, stained glass, and plasterwork. Dimensions of the piece are 45 x 31 cm

Schäfer Carl (1844-1908), Münster, Strasbourg. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 60.9 x 43 cm (including scan edges)

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); brush and watercolor, gouache, graphite on wove paper; Image: 8.9 x 5.1 cm (3 1/2 x 2 in.) Sheet: 11.7 x 7.8 cm (4 5/8 x 3 1/16 in.)

Ornament Design, Roman Votive, Panel with Dionysian Pattern of Grapes and Pinecones, and Eagle atop a Roman Standard. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design on Door of Seth Thomas Clock. Dated: 1936. Dimensions: overall: 27.9 x 22.7 cm (11 x 8 15/16 in.) Original IAD Object: Actual size. Medium: watercolor, pen and ink, gold ink, silver ink, andgraphite on paper. Museum: National Gallery of Art, Washington DC. Author: M. H. McDowell.

Decorative to grotesque panel with a basket containing candied fruits (comes from Flammang pastry, formerly 6, rue de Valois). Nineteenth century. Anonymous. Oil, tempera on canvas. Paris, Carnavalet museum. 72044-3 6 rue Valois, candied fruit, grotesque, oil, bird, basket, decorative panel, flammang pastry, templera on canvas

Drawing, "Peintures decoratives du theatre du Franconi dans le grand carre des champs elysees 1833"; Félix-Jacques Duban (French, 1798 - 1870); France; watercolor, graphite support: off-white paper mounted on off-white paper; 19.1 x 12.9 cm (7 1/2 x 5 1/16 in.) mount: 44.2 x 28.7

Marble inlay, Tomb of Itimad-ud-Daulah (Baby Taj), Agra, Uttar Pradesh, India.

Ornament sheet with grotesken, leaf vines, rolling and mythical figures

Ventilates Arabic handwriting, Anonymous, Gabriel Toudouze, c. 1829 - c. 1854 print Paris paper painting (including book-illumination, miniature-painting). Arabic script

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache on paper, mounted on illustration board; Image (a): 5.9 x 3.7 cm (2 5/16 x 1 7/16 in.) Image (b): 7.7 x 3.7 cm (3 1/16 x 1 7/16 in.) Sheet: 23.7 x 18 cm (9 5/16 x 7 1/16 in.)

Decorative paintings, Apollo Gallery, Louvre, 17th century. Panels by cabinet maker Berain for a window named after King Charles IX (centre), and other panels in the Berinades style. XVIIme Siecle. Hand-finished chromolithograph by Dufour & Picart from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Four decorative motifs 1830-97 Jules-Edmond-Charles Lachaise French. Four decorative motifs 385130

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): meander and flowers. Pencil watercolored on paper, 14.5 x 20.7 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Drawing, Design for a Book Cover: The Complaining Millions of Men; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache on paper; Mount: 19 x 12.2 x 0.2 cm (7 1/2 x 4 13/16 x 1/16 in.); 1943-33-1-3

Design for a sign with WB, Carel Adolph Lion Cachet, 1874 - 1945 drawing tracing paper. pencil. chalk brush dish, plate, saucer. work of applied art (+ ceramics ~ arts)

Architectural decoration in the Alhambra, (1898). 'Moresque - Architectural Ornament - Spain is the country, where the Islamitic art found its purest and most beautiful development in the buildings of the Moorish kings, for instance, in the palace of Alhambra near Granada (13th and 14th century). Especially with the Moors, Mahomedan ornamentation reached its culminating point. Figs 2-10 represent mouldings and wall surfaces executed in stucco and painted...The Moorish artists knew how to produce wonderful effects by artfully interlacing and twisting the geometrical and arabesque ornaments...we

Ceiling Design 19th century Anonymous, British, 19th century British. Ceiling Design. Anonymous, British, 19th century. 19th century. Pen and ink and watercolor and gold

Ariadne watching Theseus's boat depart from the island of Naxos. Mural from a triclinium in a shop/dwelling at Regio IX.II.5, Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei (The Most Beautiful Paintings of Pompeii), Leipzig, 1881.

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.5 x 21.6 cm (including scan edges)

Baan Gold leather, Gilt Punched Fond with painting of surroundings of rocailles and S and C-Voluten within which flower vases, flower and fruit branches and hers, anonymous, 1750- 1775 The gold-plated fond stock is painted with surrounds of rocailles and s and C-volutes, within which flower vases. At the bottom are fruits and flower branches and fruits and flower garlands with birds at the top. The painting is made of different shades of gray, red, green and blue. Northern NetherlandsNetherlands leather. The gold-plated fond stock is painted with surrounds of rocailles and s and C-volutes, within which flower vases. At the bottom are fruits and flower branches and fruits and flower garlands with birds at the top. The painting is made of different shades of gray, red, green and blue. Northern NetherlandsNetherlands leather.

Strack Johann Heinrich (1805-1880), fountain in front of the National Gallery on the Museum Island in Berlin (without date): Mosaic ornaments. Pencil watercolor on the box, 48.2 x 61.6 cm (including scan edges) Strack Johann Heinrich (1805-1880): Springbrunnen vor der Nationalgalerie auf der Museumsinsel, Berlin

Design for a Painted Ceiling. Artist: Anonymous, Italian, 19th century. Dimensions: 6-5/8 x 11-3/4 in. Date: 1825-75. Museum: Metropolitan Museum of Art, New York, USA.

Aesop's Fable: The Fox and the Crow, Block-printed paper, polished ground, Greek revival style. Central motif is a framed picture of Aesop's fable 'The Fox and the Crow' on black background. Surrounded by medallions of fruits and flowers, trailing grape vines, Greek palmettes, birds, and scrolls. Printed in nine colors: orange, brown, black, lavender and blue on an off-white satin or polished ground., France, 1840, Wallcoverings, Sidewall, Sidewall

Pulpit - San Buenaventura Mission. Dated: 1935/1942. Dimensions: overall: 35.6 x 24.3 cm (14 x 9 9/16 in.) Original IAD Object: 48" wide; 108" high. Medium: watercolor, pen and ink, and gold ink on paper. Museum: National Gallery of Art, Washington DC. Author: Dayton Brown.

Schäfer Carl (1844-1908), Stadtkirche, Immenhausen. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 61 x 43 cm (including scan edges)

Music by the Treurspel Gysbreght van Aemstel by Bernard Zweers, Antoon Derkinderen, 1894 - 1901 print Above an angel who kneels at the Christ child in a manger in a stable. Maria, Joseph and two oxen watch. Under a revenge goddess that descends on the walled city of Amsterdam. She has a burning torch in her right hand with which she sets fire to the city. Behind her, Walkuren (battle goddinnen) plunged into the city. Above the city the text 'Urbs Antiqua window'. Around the whole a rectangular decorative edge with flower and plant motifs. paper Mary, Joseph and the new-born Christ (Nativity). angels. Revenge, Requital, Retaliation; 'Vendetta' (Ripa). torch - BB - torch held upside down

Luc-Olivier Merson (1846-1920). Zodiac: fish (amphitrite). Museum of Fine Arts of the City of Paris, Petit Palais. 38067-2 Amphitrite, foliage, greyness, decorative painting, fish, apple, zodiac sign, zodiaqual, apple

Fanière brothers, grape cluster pendant (main title). Graphite, gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for Painted Decoration of Walls and Ceiling of a Room, Brush and gouache, watercolor on white wove paper, A short wall and part of the ceiling of an oblong room. The wall shows an imaginary damask cover flanked by pillars above a dado. The ceiling shows a framed view of the sky., Austria, ca. 1830, wallpaper designs, Drawing, Drawing

Design for Stained Glass Window, Brush and watercolor, pen and ink on paper, Three tall vertical panels. Left and right panels have the same design of geometric shapes and leaf patterns. The central panel shows the figure of St. Philip holding a cross below a Gothic canopy. Small ogival panels above, with floral motifs., Scotland, ca. 1860, glasswares, Drawing, Drawing

Album n � 4; Vitrail project for Versailles (Eveche); DECOR DECOR WINDOW ON BLUE BODY, IN THE CENTER, MEDAILLAN WITH PELICAN NOURISTED ITS PETITS Gsell-Laurent workshop. Album n � 4; Vitrail project for Versailles (Vecheche); Window with decor of ringer on blue background, in the center, medallion with pelican nourishing its little ones. Pencil, watercolor on layer.

Depicts Pilastro V of Raphael's loggias in the Vatican, illustrated by Giovanni Volpato in 1774 with copper engraving and color, showing a river god on the exterior.

Vignette with Lier and Apollo, Anonymous, 1821 - 1860 print Vignette with Lier on which the head of Apollo in Stralenkrans. In ornamental frame. paper etching vignette. piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus)

Divers ornemens d'architecture du XIIIe. et XIVe. siècles.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Ornament Design with Urn and Cameos. Date: 1777. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for Embroidery or, Fabrique de Saint Ruf, Lyon, France, Gouache Support: glazed laid paper, laid down on light brown wove paper, probably Lyons, France, France, 1805-10, textile designs, Drawing, Drawing

Persian ornament

Textile, Medium: silk on cotton Technique: embroidered on plain weave, Fragment with silk embroidery showing a stylized flower in shades of red, pink, purple, and light blue with dark blue leafy stems., 19th century, embroidery & stitching, Textile

Design for a calendar (), With butterflies, Theo Nieuwenhuis, 1911 drawing paper. ink. pencil brush / pen calendar, almanac. other ornament derived from animal forms. insects: butterfly

Arabesques painted in fresco on a fully-coloured ground from the Palazzo del Te, Mantua, from designs by Giulio Romano. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Wszyscy Święci w MNK unknown, Gerson, Wojciech (1831 1901)

Drawing, Design for Decorative Panel for July Festival Architecture; Félix-Jacques Duban (French, 1798 - 1870); France; brush, pen, watercolor, gouache, black ink, wash, graphite on off-white paper mounted on off-white laid paper; Sheet: 14.6 x 22.2 cm (5 3/4 x 8 3/4 in.) Mount: 44.1 x 29 cm (17 3/8 x 11 7/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Drawing, Ceiling Design; Italy; brush and watercolor on off-white wove paper

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388295

Schwechten Franz (1841-1924), tomb church of the Galla Placidia, Ravenna (without date): wall painting, detail. Ink watercolored gold heighted on paper on cardboard, 33.9 x 24.5 cm (including scan edges) Schwechten Franz (1841-1924): Grabkirche der Galla Placidia, Ravenna

Ornamentation and Crowned Lion (Nobel), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Pompeiian Design for Paneling second half 19th century Jules-Edmond-Charles Lachaise French. Pompeiian Design for Paneling 345667

Ceramic tiles of Rouen, France. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Square with Quail probably 5th century Squares like this example are a type of textile ornament related to mosaic emblemata or allegorical devices. Unlike earlier pieces, however, which clearly belonged to allegorical cycles, this square was probably made as an independent piece and had a more general meaning.. Square with Quail 444121

Nicolai Abildgaard (1743-1809), the ceiling. Draft Decoration of the Audience Room, 1790s

Etching with color accents of Jupiter by Michelangelo Maestri, produced between 1780 and 1820, showing the king of gods with classical attributes and symbolic elements.

Design for a bract with title frames and ornaments, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1884 - 1952 photomechanical print paper printing block

Ivory scupture of the martyrdom of Saint Killian by beheading on the jeweled front cover of a codex of gospels from 950-1050 and 1480-1500. Lithograph by Joh. Klipphahn. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1879. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Sievers Carl (1834-1891), New Museum on the Museum Island in Berlin. Wall and ceiling paintings (without date): ceiling painting. Pencil watercolored on paper, 31.1 x 37.4 cm (including scan edges) Sievers Carl (1834-1891): Neues Museum auf der Museumsinsel, Berlin. Wand- und Deckenmalereien

Heraldic flag of the clothweavers' apprentices of Warsaw, 1898 - two drawings of both sides: with inscription and image of Christ. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Design for Coffered Ceiling, Mme Païva's Chateau at Neudeck second half 19th century Jules-Edmond-Charles Lachaise French. Design for Coffered Ceiling, Mme Païva's Chateau at Neudeck 349545

Two designs for paneled ceiling with painted decoration 19th century Jules-Edmond-Charles Lachaise French. Two designs for paneled ceiling with painted decoration 386016

Panel with unique dark blue from Pompeii, early Fourth Pompeian Style. From a specimen in French architects Francois Mazois Les Ruines de Pompei. Debut du quatrieme style. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

Advertising card for lessons in decorative art by R.W.P. de Vries Jr., Reinier Willem Petrus de Vries (1874-1953), 1905 print Woman in a long dress with vast arms. In her hands she holds a decorative object, possibly a fan. paper arm stretched sidewards - AA - both arms or hands

Canon Table Page. Date/Period: 1256. Folio. Tempera and gold paint on parchment. Height: 265 mm (10.43 in); Width: 190 mm (7.48 in). Author: Toros Roslin.

Guide for Constructing the Letter L. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Exlibris project for the Library of the University of Warsaw; Tom, Józef (1883-1962); 1916 (1916-00-00-1916-00-00);University Library (Warsaw - 1817-) - exlibris, NE competition of the University Library in Warsaw (Warsaw - competition - 1916), Orzeł Biały (coat of arms), Polish Artistic Society (Warsaw), Polish Artistic Society (Warsaw) - collection, University of Warsaw (1816-), Warsaw (Mazowieckie Voivodeship) - headquarters of the addressee of the exlibris, heraldic exlibris, Polish ex -ekbris, Poland (culture)

Proef pressure for page from Reinaert de Vos, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Codex Egberti. ca. 980. Nativity. Ottonian art. Miniature Painting. ITALY. FRIULI-VENEZIA GIULIA. UDINE. Cividale del Friuli. Archaeological Museum.

Baan Gold leather, Gilt Punched Fond with painting of surroundings of rocailles and S and C-Voluten within which flower vases, flower and fruit branches and hers, anonymous, 1750- 1775 The gold-plated fond stock is painted with surrounds of rocailles and s and C-volutes, within which flower vases. At the bottom are fruits and flower branches and fruits and flower garlands with birds at the top. The painting is made of different shades of gray, red, green and blue. Northern NetherlandsNetherlands leather. The gold-plated fond stock is painted with surrounds of rocailles and s and C-volutes, within which flower vases. At the bottom are fruits and flower branches and fruits and flower garlands with birds at the top. The painting is made of different shades of gray, red, green and blue. Northern NetherlandsNetherlands leather.

Columbine, Aquilegia vulgaris, flower in patterns for wallpaper, stained glass and tiles. Lithograph by Anna Martin with pochoir (stencil) handcoloring from Eugene Grasset's Plants and their Application to Ornament, Paris, 1897. Grasset (1841-1917) was a Swiss artist whose innovative designs inspired the art nouveau movement at the end of the 19th century.

Sidewall (possibly France); block-printed on joined sheets; 97 x 60.5 cm (38 3/16 x 23 13/16 in.)

Design for an ex libris with monogram cwl. .

Middle Ages: embroideries, paintings and enamels. Embroidered fabrics of silk and gold found in tombs in Saint-Germain des Pres 12thC, 1-4, murals from Notre-Dame de la Roche 13thC, murals from Amencharasa-Rada, Sweden 9-15, enamels from Aix-la-Chapelle 16-27 and fragments of miniature paintings 28,29. Moyen Age. Hand-finished chromolithograph by F. Durin from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Design for window. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 24 1/8 x 11 1/8 in. (61.3 x 28.3 cm)Other (Design): 16 1/2 x 4 9/16 in. (41.9 x 11.6 cm). Maker: Tiffany Studios (1902-32). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Study for Proposed Portfolio "Decorated Chests of Rural Pennsylvania". Dated: 1941. Dimensions: overall: 45.7 x 35.5 cm (18 x 14 in.). Medium: tempera on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Design for a Painted Ceiling. Artist: Anonymous, Italian, 19th century. Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Design for room decorations with vertically two panels, the bottom with a ruin landscape in a oval oval.design for a wall decoration.

Watercolor illustration boards by Vincenzo Brenna depicting a wall of the Baths of Titus with seven young people, including figures and interior decoration.

The retail of the mahogany chair support from the collection of the Kotarbi Kotarbi, Mieczys Aw (1890-1943); 1916 (not after 18.09.1916) (1916-00-00-1916-00-00);

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