18th Century Embroidery Designs

Detailed designs for vests and waistcoats featuring floral motifs, vibrant colors, and intricate patterns, showcasing the fashion of the 18th century.

Mainz, Scholz, firm Jos., Netherlands, Letter of greeting with wreath of flowers and putti, verso - stamped, Letter of greeting with unwritten cartouche within a decorative frame with representations of a wreath of flowers and putti. Numbered lower right: No. 9., print, folk print, letter of greeting, prints, folk prints, height 424 mm, width 340 mm, print maker, printmaker, 1829 - 1880, paper, lithography (technique), colours, Publication (Event), Publication, German, publisher

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1780/85. Galliera, fashion museum of the city of Paris. 79097-24 Embroidery, cardboard, seam, flower, vest, gouache, haute couture, mode, project, vegetal, 18th century

Drawing, Design for a Waistcoat; France; pencil and various gouache colors on paper; 17.7 × 34.7 cm (6 15/16 × 13 11/16 in.)

Model for vest embroidery. Gouache on cardboard, 18th. 77573-9 Embroidery, gouache, haute couture, model, female mode, genre scene

Hand Blocked Chintz. Dated: c. 1936. Dimensions: overall: 28 x 35.6 cm (11 x 14 in.) Original IAD Object: 25" long; 10 1/4" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Magnette.

Design for the Embroidery of a Man's Waistcoat, Tracing, pen and ink, brush and gouache on paper, Unfinished design for the bottome left corner of a man's waistcoat embroidery. Large plant palmette, upside down under the pocket. Left palmettes along the bottom edge, leaf scrolls along the rising edge., France, 1780-1790, Drawing, Drawing

Drawing, Floral design for printed textile; Designed by Jean DuBois (Swiss, 1789 - 1849); France; brush and gouache, graphite on white wove paper; 24 x 38.8 cm (9 7/16 x 15 1/4 in.)

Design for Embroidery of a Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Festoons of a fringed ribbon connect fantastical plants of which two are shown colored. The bigger one consists of naturalistic and 'Persian' components, the other has naturalistic leaves and gem umbrels. A flower garland is suggested along the them; a frill is sketched beside it., France, ca. 1785, Drawing, Drawing

Print

Mainz, Scholz, firm Jos., Netherlands, Letter of greeting with wreath of flowers and putti, verso - stamped, Letter of greeting with unwritten cartouche within a decorative frame with representations of a wreath of flowers and putti. Numbered lower right: No. 9., print, folk print, letter of greeting, prints, folk prints, height 424 mm, width 340 mm, print maker, printmaker, 1829 - 1880, paper, lithography (technique), colours, Publication (Event), Publication, German, publisher

Print

Dado (France); block-printed on handmade paper

Design for an Embroidery, Pen and ink, brush and gouache on paper, A tall border is formed by a seesaw motif, intertwined with a ribbon on top and at the bottom. A rinceau is shown over the bottom border. It consists of a waved ribbon with feather motifs; flower boughs are laid upon it. The field shows four horizontal rows with staggered motifs in alternate ones. The first and fourth row consist of flower boughs, the second one of a ships on the sea, framed below by flower boughs, the third one consists of a bunch of flowers. On top are three horizontal rows with flwoer boughs and a repitition of the third row of the border., France, 1775-1790, Drawing, Drawing

Mainz, Scholz, firm Jos., Netherlands, Letter of greeting with wreath of flowers and putti, verso - stamped, Letter of greeting with unwritten cartouche within a decorative frame with representations of a wreath of flowers and putti. Numbered lower right: No. 9., print, folk print, letter of greeting, prints, folk prints, height 424 mm, width 340 mm, print maker, printmaker, 1829 - 1880, paper, lithography (technique), colours, Publication (Event), Publication, German, publisher

Brightly colored ornament design with, at center, a three-sided altar decorated with an image of a putto carrying accessories of the Roman god Mars, ornately decorated with rams' heads, garlands, etc. The altar is lit, with flames and smoke at top. At left and right are roman standards. Date: 1776. Pen and ink, brush and watercolor over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Design for the Embroidery of a Man's Waistcoat of Pattern No. 10 of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouache on paper; 19.4 × 29.9 cm (7 5/8 × 11 3/4 in.)

Print (France)

Pencil and watercolor drawing by Marie Lippert-Hoerner showing an ornamental corner filling, emphasizing decorative patterns and composition.

Design for Six Brooches, Girolamo Venturi, Black crayon, pen and dark ink, brush and watercolor, gold on paper, Above, in center a large brooch, consisting of two parts connected by two enameled knots; above, with alternative suggestions, a rinceau of volutes and stems with leaves; below, in center, a pedestal with a large green and small white diamond above, bands and volutes composed of white diamonds and golden curves on the side. Intermixed are seven round diamonds and large green oval ones. Nine green drops. Below are five brooches of the bunch type,” the first with three green drops, the second and fourth with a white drop, the third with three red and two white drops, and the fifth with two white drops., Siena, Italy, 1739, jewelry, Drawing, Drawing

Ceiling Design with Center Cut Out. Artist: Attributed to J. S. Pearse (British, active 1854-68). Dimensions: sheet: 9 13/16 x 5 1/4 in. (24.9 x 13.3 cm). Date: 1854-68. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous. Embroidery drawing project. Pencil and gouache on a map, around 1780-1790. Galliera, fashion museum of the city of Paris. Embroidery, fashion drawing, 18th 18th 18th 18th 18th 18th 18 century

GUIRLANDE Between two Mascarons of Leaves, Anonymous, After Hieronymus Bang, 1596 - 1633 print Leaf from a series of 12 sheets, numbered 1-8. Germany (possibly) paper engraving

Netherlands, Amsterdam, Ratelband and Johannes Bouwer, widow Jeronimus, Letter of Wishes with scenes from the New Testament, verso - stamped, Letter of Wishes with blank cartouche within a decorative frame with scenes from the New Testament. Numbered top right: N. 7., print, popular print, letter of wish, prints, popular prints, height 419 mm, width 328 mm, Publication (Event), Publication, publisher, 1767 - 1779, paper, etching, etchings, colours, print maker, printmaker

Ornament Design, Triangular Arabesque Panel between Roman Naval and Grass Crowns. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Print, Fire Screen: The Sense of Taste; After François Boucher (French, 1703-1770); etching, printed from two plates, hand colored with brush and watercolor on paper; 79 x 55.2 cm (31 1/8 x 21 3/4 in.)

Bag Face (France); silk

Chair seat cover 1725-50 Indian, possibly western, for the European market While the intended use of some Indian chintzes is difficult to determine, there can be no doubt that this panel was made to cover a European-style chair seat, although it was never used. The designs overall shape indicates that it was created specifically for an English chair dating between about 1720 and 1740.¹In comparison with the number of extant furniture frames from the eighteenth century, relatively few pieces of intact upholstery from that period have survived. We know that contemporary upholstery fabric—whether woven silk or wool, embroidery, or painted and dyed cotton, like the present example—was often ordered before the frame itself, which was then made to accommodate the textile. The fragility of this fine cotton fabric makes this survival all the more remarkable; had it been used, the seat cover would not be in such pristine condition. Parts of two related curtains also exist,² and the three piece

Frieze (USA); machine-printed paper; 91 x 49 cm (35 13/16 x 19 5/16 in.)

Drawing, Design for the Embroidered Decoration of a Man's Waistcoatr, Design 1876 of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouache on paper; 12 × 29.3 cm (4 3/4 × 11 9/16 in.)

Wallpaper Sample Book Morris & Company (London, England, 1875 - 1940). Wallpaper Sample Book, before 1917. Printed paper, 21 1/2 x 14 1/2 in. (54.6 x 36.8 cm). Decorative Arts before 1917

Detail of panel of Salon of Louis XIII, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of rectangular panel. Left, carved sides. It contains painted decoration: urn divides composition. Left, reclining youth holding garland of flowers. Extreme left, sphinx., USA, ca. 1885, interiors, Drawing, Drawing

Anonymous. Embroidery drawing project. Pencil and gouache on a map, around 1780-1790. Galliera, fashion museum of the city of Paris. Embroidery, fashion drawing, 18th 18th 18th 18th 18th 18th 18 century

Joaillerie: Album of Jewelry Designs, Page 8 1770 or after Anonymous, French Eighth page of a small album containing drawings with jewelry designs copied after the prints by L. van der Cruycen, "Nouveau Livre de Desseins..." (New Book of Designs...), published in Paris in 1770. This page contains a design for a headpiece or diademe, characteristic of the style in vogue during the reign of Louis XVI in France, displaying a serendipitous flavor, with asymmetrical forms, "rocaille" and stylized natural motifs, and heavily decorated with flowers, ribbons and tassels, thus representing the taste of the Rococo style, which was fashionable in France and Europe during the eighteenth century. The elaborately carved forms presented in the designs were particularly sought after during the third quarter of the eighteenth century, and were to be accomplished by skilled artisans who would work out the decorations by hand.The diademe contains interlacing garlands of leaves and flowers that frame thre

Diebitsch Carl von (1819-1869), chair (without date): View of a red chair with armrests, size information. Pencil watercolor on the box, 45.4 x 18.7 cm (including scan edges) Diebitsch Carl von (1819-1869): Stuhl

Sidewall, Block-printed, In bright blue, pink, and orange, shaded with maroon, flowers with bright green foliage spring from scrollwork stripes in grey blue and gold. Total of seven colors on white satin ground., probably France, 1835-50, Wallcoverings, Sidewall

Valentine 1850-60 Anonymous. Valentine. Anonymous. 1850-60. Cameo embossed, gilded lace paper, chromolithography

Domus Aurea, unidentified, grotteschi, details (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Domus Aurea, unidentified, grotteschi, details (recto) blank (verso) 362614

Netherlands, Amsterdam, Moolenyzer, Hendrik, Wish letter with tow barge, verso - stamped, Wish letter with unwritten cartouche within a decorative frame with a representation of a river with a tow barge. In small medallions representations of people skating and sledding, people in the rain and a walking family. Numbered top right: No. 4., print, popular print, wish letter, prints, popular prints, height 416 mm, width 336 mm, height 405 mm, width 330 mm, Publication (Event), Publication, Dutch, publisher, 1792 - 1847, paper, etching, etchings, colours, print maker, printmaker

Raschdorff Julius (1823-1914), fittings from the Gürzenich department store, Cologne. (From: Architectural sketchbook, H. 57/4, 1862.) (1862-1862): Detail. Lithography colored on paper, 24.6 x 34.9 cm (including scan edges)

Print, Wall Decoration, Plate XI from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican); Giovanni Volpato (Italian, 1733 - 1803); After Pietro Camporesi (Italian, 1726 - 1781), Raphael (Italian, 1483 - 1520); brush and watercolor, gouache over etching on white wove paper

Floral Swags Framing an Empty Oval. Artist: Attributed to Jean Pillement (French, Lyons 1728-1808 Lyons). Dimensions: 11 7/16 x 14 1/8 in. (29 x 35.8 cm). Former Attribution: Formerly attributed to Jean-Baptiste-André Gautier-Dagoty (French, Paris 1740-1786 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Mirror Surmounted by a Vase late 18th-early 19th century John Yenn British. Design for a Mirror Surmounted by a Vase 362953

Design for Wool Work, Hertz and Wegener, Brush and gouache on pre-printed squared paper, A design on squared paper, of a border of stylized acanthus leaves in shades of green against a background of three bands of red, shaded from vermilion to maroon., Germany, ca. 1866, textile designs, Drawing, Drawing

Fragment, Medium: silk Technique: cut loops of a tie-dyed, stenciled or block printed warp in a 3/1 twill foundation (velvet), Fragment of velvet in a chinoiserie design has a circular pavilion with a pointed roof and bells, flanked by fruit and pheasants and separated by looped garlands from scalloped pinnacled canopy. Under the canopy, two monkeys in cocked hats balance on either side of a composite musical instrument with central cymbal which they beat. Diamond framework of flowering vines sets off repeat. In shades of red, golden yellow, brown, tan, green, black, light blue, on a cream-colored ground., France, 18th century, printed, dyed & painted textiles, Fragment

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1785/90. Galliera, fashion museum of the city of Paris. 79099-16 Embroidery, cardboard, vest, gouache, lead mine, project, 18th century

Germany, Weigel, Johann Christoph, Bang, Hieronymus, 8-page series: Früchten buchlein, Fruit garlands, Früchtenbüchlein, Garland with three elongated fruits and a peach, The fruits hang between two volutes of leaf tendrils that spring from the wings of two half-visible female herms. Title page from a series of 12 sheets, numbered 1-8., print, ornament print, prints, ornament prints, height 77 mm, width 110 mm, print maker, printmaker, 1596 - 1633, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1553 - 1633-01-01, after design of, Publication (Event), Publication, German, 1661-07-15 - 1726, publisher

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1780/85. Galliera, fashion museum of the city of Paris. 79097-20 Embroidery, cardboard, seam, flower, vest, gouache, haute couture, mode, project, vegetal, 18th century

Drawing, Design for an Embroidered Waistcoat, Pattern 531 of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouache on paper; 15.4 × 31.1 cm (6 1/16 × 12 1/4 in.)

Drawing (Italy); pen and brown ink with graphite support: off-white wove paper

Flower Design: Daffodils and Calla Lilies 19th century Anonymous, French, 19th century French. Flower Design: Daffodils and Calla Lilies. Anonymous, French, 19th century. 19th century. Watercolor and gouache, over graphite. Drawings

Design for a Fan with Sunburst, Lilies, and Irises. Artist: Alphonse Mucha (Czech, Ivancice 1860-1939 Prague). Dimensions: 11 15/16 x 23 3/8in. (30.3 x 59.3cm). Date: late 19th-mid-20th century. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1780/85. Galliera, fashion museum of the city of Paris. 79098-9 Embroidery, cardboard, vest, gouache, lead mine, project, 18th century

Frieze, Machine-printed paper, liquid mica, Landscape frieze. Trellis arches across top and inverted arches along bottom. Scene contains mountains and clouds. Rose swags in foreground., USA, 1905-1915, Wallcoverings, Frieze

Drawing, Design for Embroidered Floral Motifs of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; graphite, brush and gouache on paper; 30.9 × 41 cm (12 3/16 × 16 1/8 in.)

George Loughridge, Block Print, c 1936 Block Print

Study for Proposed Portfolio "Decorated Chests of Rural Pennsylvania". Dated: 1941. Dimensions: overall: 35.8 x 45.8 cm (14 1/8 x 18 1/16 in.). Medium: tempera on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Design for a ceiling with two putti and symbols for the arts second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling with two putti and symbols for the arts 388252

Sidewall - fragment, Machine-printed on paper, Spray of flowers and grasses. Printed in colors on white ground., USA, ca. 1895, Wallcoverings, Sidewall - fragment

Design for Side Ottoman, Later Arabesque or Morisco Style 1835-1900 Robert William Hume British. Design for Side Ottoman, Later Arabesque or Morisco Style 391733

Roundel with Design of 'The Chinese Astronomer'

Textile Length. Philippe de Lasalle (France, 1723-1805). France, Lyon, 1770-1790. Textiles; panels. Silk satin with silk supplementary weft-patterning bound in plain weave (lampas) and silk discontinuous supplementary-weft patterning (brocade)

Pillow Cover, 19th century, 19 1/2 x 26 1/2 in. (49.53 x 67.31 cm), Linen, silk, embroidery, Greece, 19th century

Drawing, Design for comb; Italy

Nicholas Acampora, Wall Paper Border, 1936 Wall Paper Border

Deraisme, Pierre -Georges (n.1859 - D.1932), chimera and foliage (main title), 1898. Graphite and watercolor on white card. Petit Palais, Museum of Fine Arts of the City of Paris.

Fragment, Medium: silk, metallic thread Technique: satin and couching stitches on plain weave, Fragment of a vase filled with flowers that spill into the foreground. To the left is a caterpillar and at right, a small animal, perhaps a dog, on hind legs with a helmet and tunic., France, early 18th century, embroidery & stitching, Fragment

Two Fragments of Embroidery, 18th century. Spain, Southern, 18th century. Embroidery, silk threads on silk ground, linen appliqué; average: 28 x 43.2 cm (11 x 17 in.).

Embroidered Rug. Dated: 1935/1942. Dimensions: overall: 22.7 x 30.5 cm (8 15/16 x 12 in.) Original IAD Object: 21" wide; 35" long. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jules Lefevere.

Plate. Dated: c. 1938. Dimensions: overall: 50.8 x 38.1 cm (20 x 15 in.) Original IAD Object: 11/16 High 11 1/16 Dia. Medium: oil paint and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Byron Dingman.

Frieze, Machine-printed paper, Large, scrolling, acanthus inspired swirls with a simplistic landscape background. A small swag of leaves runs across the top. A series of framed rectangles run across the bottom. Printed in gold, cream, white, brown, black, and shades of green., Chicago, Illinois, USA, 1905-1915, Wallcoverings, Frieze

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Curved fantastic lily-of-the-valley plants rise from every second wedge in a row of downward curved leaf scrolls with carnations hanging in the hollows over lace crescents which connect the scrolls. More than two repeats are shown., France, 1805-1815, Drawing, Drawing

Design for Ceiling 18th century Workshop of Leonardo Marini Italian. Design for Ceiling 365420

Forget Me Not (valentine). Thomas Wood; English, 19th century. Date: 1860-1869. Dimensions: 61 × 81 mm (folded sheet). Collaged elements on cut and embossed (designed) ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Mural from the grand gallery in the Palazzo Imperiale (Ducal Palace), Mantua, Italy, painted by Giulio Romano in the 16th century. Handcoloured lithograph by Konter from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt." (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Fan Mount: The Spanish Piazza. Artist: Charles Edward Conder (British, London 1868-1909 Virginia Water, Surrey). Dimensions: Sheet: 5 7/8 × 19 5/8 in. (14.9 × 49.9 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for Embroidered Waistcoat, pattern 1614 of the Fabrique de St. Ruf; Designed by Mademoiselle Baulieu; France; brush and gouache on laid paper; 19.8 x 35.4 cm (7 13/16 x 13 15/16 in.)

Frieze (USA); Made by Wm. Campbell Wall Paper Company; machine-printed paper; 114.5 x 56 cm (45 1/16 x 22 1/16 in.)

Clarence Secor, Framed Flower Painting, 1937 Framed Flower Painting

Drawing, Design for a brooch; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Drawing, Drawing: Elevation of the window wall of the drawing room of the house of Herman Oelrichs, New York.; Created by J. G. Garton (English, active in U.S.A.); USA; graphite, brush and watercolors on two sheets of paper (joined); Sheet: 36 x 62 cm ( 14 3/16 x 24 7/16 in.); 1960-249-1

Drawing, Design for a Plate; Made for Noritake; Japan; brush and watercolor, gold gouache, graphite on cream paper; 29.1 x 15.8 cm (11 7/16 x 6 1/4 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-4

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1785/90. Galliera, fashion museum of the city of Paris. 79100-6 Embroidery, cardboard, vest, gouache, lead mine, project, 18th century

Design for a ceiling painting with Charitas and Pax, Dionys van Nijmegen, 1715 - 1798 drawing paper. ink. watercolor (paint). pencil brush / pen Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). (decorated) ceiling

Scheppig Carl (1803-1885), S. Maria del Popolo in Rome (without Dat.): Vault. Pencil and ink watercolor on paper, 44.7 x 42.5 cm (including scan edges) Scheppig Carl (1803-1885): S. Maria del Popolo, Rom

J Howard Iams, Plate, 1936 Plate

Design for a Wall with a Flower Vase, Birds, Two Gold Fish and Globe Fountains 19th century Anonymous, British, 19th century British. Design for a Wall with a Flower Vase, Birds, Two Gold Fish and Globe Fountains 386503

Unfinished cabinet panels. Culture: British. Dimensions: Overall: 17 1/2 × 22 in. (44.5 × 55.9 cm). Date: ca. 1660.Rare unfinished pieces of embroidery like this one can reveal much about the process of planning and executing needlework. In this case, the squares and rectangles were intended to be cut out and applied to a wooden box frame to make a small cabinet. The design was drawn on the silk foundation with ink. It is likely that some details were meant to be left unembroidered, as suggested by the painted pale pink cheeks of the woman in the blue dress and her reflection in the mirror she holds. She is a personification of one of the Five Senses (in this case, sight), and she looks at her companion, the personification of smell, who holds a flower. On the left side of the panel appears a scene from the Old Testament tale of Elijah and the Widow of Zarapeth. Museum: Metropolitan Museum of Art, New York, USA.

Love is a Star (Valentine) 1835-1845 United States. Collaged elements and watercolor on embossed ivory wove paper .

. Range sheet of parchment () On which a show has been painted on both sides with Tempera. Front: leaf-filling show, where one in a golden barrel, incense sacrificing vestual virgin is central. The composition seems to be built from two parts: links, an architectural surroundings with perspective view to a walled garden with a shell-shaped fountain and in the background buildings and mountains; Right, a garden with pond () And mountains in the background. In the Kollonade on the left, the abundance appears with a horn of plenty in her hand in the direction of women who bring flowers and wreaths to the image of flora, that in a niche between the busts of an unknown god and of The Goddess Artemis / Diana has been placed. To the right of the sacrificing virgin is a sad looking woman, the melancholy (daughter of Kronos / Saturn) to look at two dancing children, who cannot advise her. She is seated on an octagonal stone, who refers to the fact that Saturn is also the God of geometry. Left

Printed Cotton (Winter Sports). Dated: c. 1939. Dimensions: overall: 22.8 x 29.4 cm (9 x 11 9/16 in.) Original IAD Object: 6 1/4" long; 9 3/8" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Pearl Gibbo.

Design for a Firescreen with Picnic Scene and Playing Cards Late 18th century Eugène Charpentier French. Design for a Firescreen with Picnic Scene and Playing Cards 350833

Fragment painted silk. Fragment painted silk. Pattern: on cream-colored cross-side side two bouquets with a bow and palm leaves are painted between two edges with floral ornament in red, blue, orange, purple and green.

Switzerland, Germany, Jardinière, verso - graphite, Jardinière in the form of a gray and red container with a raised base on a gray base., ontwerptekening, drawings, tekeningen, HEINRICH JENNY, height 206 mm, width 224 mm, draughtsman, tekenaar, 1830 - 1850, paper, papier, ink, inkt, deck paint, dekverf, aquarelleren

Vestigia delle Terme di Tito. Decoration Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);DESA - collection, Rome, Italy, town, Terme di Tito, Umiastowski, Roman, collection, Nero's golden house, antique, architecture, archeology, relief, decorations, leather, purchase (provenance)

Printed Textile. Dated: c. 1940. Dimensions: overall: 36.7 x 29.2 cm (14 7/16 x 11 1/2 in.) Original IAD Object: 25" wide; 29" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Joseph Lubrano.

Pa. German Fractur. Dated: 1935/1942. Dimensions: overall: 29.8 x 24.6 cm (11 3/4 x 9 11/16 in.). Medium: watercolor, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elmer R. Kottcamp.

Edith Magnette, Embroidery, 1937 Embroidery

Serietitel voor de groep van vaandels veroverd bij Oostende, 1706. Desen Vendels Gekregen in Ostenden (title on object). Draughtsman: anonymous. Dating: 1713 - 1720. Place: Northern Netherlands. Measurements: h 172 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Deraisme, Pierre -Georges (n.1859 - D.1932), cartridge (main title), 1895. Graphite and gouache on paper laminated on Canson Gris. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a Comb, Pen and brown ink, brush and watercolor on white laid paper, laid down, Horizontal rectangle. Design for the cresting of a hair comb intended to be executed in gilded metal with diamonds and three engraved gems. In the center an oval, at the edges rectangular engraved gems, the first appears to be a nude silhouette of Minerva, the latter dancing girls. Eleven tines sketched below., Italy, ca. 1810, jewelry, Drawing, Drawing

Platter from Rouen, France, with fantasy Oriental landscape of pagoda, mountains, birds and flowers in imitation chinoiserie. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

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