18th Century Fashion Illustrations

A collection of elegant 18th-century fashion illustrations depicting women in period clothing, rich in detail and characterized by flowing fabrics and ornate accessories.

Standing young woman (Marguérite Gérard) with her left hand taking up the skirt from the front, Standing young woman, looking on, draughtsman: Jean Honoré Fragonard, 1775 - 1780, paper, h 395 mm × w 255 mm

Ancienne Mode Françoise, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 4 18th century Simon Francis Ravenet, the elder French. Ancienne Mode Françoise, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 4 413625

Walstein, Eliza.

Costume de Bal - 1835 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Lopend meisje.Leaf 7 Recto from a sketchbook with 51 sheets.

La boulangère - 'a des écus' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Gilles Demarteau, the Elder, Antoine Watteau, Woman Playing the Guitar, 1764 Woman Playing the Guitar

(TOILETTE DU MATIN.). Artist: Paul Gavarni, French, 1804-1866

Standing young woman (Marguérite Gérard) with her left hand taking up the skirt from the front, Standing young woman, looking on, draughtsman: Jean Honoré Fragonard, 1775 - 1780, paper, h 395 mm × w 255 mm

Mlle. Dejazet. Rôle de la Périchole (Thtre. du Palais Royal) , Actresses, Déjazet, Virginie, 1798-1875. Paul Gavarni (1804-1866). Lithographs and Other Works

Lady in a veil with a feather fan in her left hand, turned to the right.. Hollar, Wenceslaus (1607-1677), graphic artist

The Toilet Made 1878 United States. Lithotint in black, with scraping and incising, on a prepared half-tint ground, on cream wove paper . James McNeill Whistler

Achille Devéria (1800-1857), French engraver, and Antoine Adolphe Catherine Fonrouge (1828-1855), French printer-lithograph. The hours of the day: 1 hour afternoon. Lithography on paper, 1829. Paris, Carnavalet museum. 77636-9 Afternoon, chair, drawing, woman, ice cream, day, day, lithography, mirror, furniture, watch, dress, daily life, hat, furniture, feather, dress

Paton, Mary Ann .

Camargo Marie to deal with.

Adelajda Marianna hr. Stadion von Warthausen (1804-1885) Karolowa Lancokorońska z Brzezia. Kriehuber, Josef (1800-1876), painter

(Académie Royale de Musique). Mlle. Guimard. (Rôle de la Chercheuse d'esprit, ballet pantomime). Chercheuse d'esprit. Coeuré, Sebastien, b. 1778. Prints. 1812 - 1823. Jerome Robbins Dance Division. Chercheuse d'esprit (Choreographic work : Gardel), Guimard, Marie Madeleine, 1743-1816

Marie Antoinette in a Park ca. 1780-81 Elisabeth Louise Vigée Le Brun With its stately pose and lush handling, this painterly sheet depicting Marie-Antoinette in a garden embodies all the qualities that brought success to Vigée Le Brun as a portraitist to the ancien régime court. The young Austrian-born Queen, Marie-Antoinette was a central figure in Vigée Le Bruns career, responsible in many ways both for her meteoric rise to fame and for her subsequent difficulties. While some artists, like her friend Hubert Robert, at the time of the Revolution sought their survival in adaptation, Vigée Le Brun remained a staunch monarchist and found her new patrons in foreign courts and among fellow emigrés and royalist sympathizers. When Vigée Le Brun, a young woman of twenty-three, was summoned to Versailles in 1778 to execute a full-length standing portrait of the queen, it was a distinction which must have both propelled her career and incited jealousy among certain members of the Académie roy

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Lenkeld, Charlotte of.

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Finette Made 1859 United States. Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Malibran, Maria Happiness.

Barrister.19th century reproduction of woodcut in Guyot´s 1490 edition of Danse Macabre

Standing woman in Münster clothes, Anna ter Borch, after Gerard ter Borch (II), 1645, draughtsman: Anna ter Borch, (mentioned on object), intermediary draughtsman: Gerard ter Borch (II), (possibly), draughtsman: Zwolle, (possibly), intermediary draughtsman: Münster, (possibly), 1645, paper, brush, h 130 mm × w 83 mm

Lola de Valence. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 10 3/8 x 7 1/8 in. (26.4 x 18.1 cm)sheet: 15 9/16 x 11 5/8in. (39.5 x 29.5cm). Publisher: Cadart & Luquet. Date: 1863. Museum: Metropolitan Museum of Art, New York, USA.

Mengozzi, Marie .

Portrait of Ada, Countess of Holland. Above her shoulder the coat of arms of Holland. Top center: XV. Portrait of Ada, Countess of Holland, print maker: Hendrik Spilman, (mentioned on object), intermediary draughtsman: Tako Hajo Jelgersma, (mentioned on object), after: anonymous, Haarlem, 1745, paper, etching, h 192 mm × w 135 mm

Rawdon, Elizabeth Anne .

Mlle.Dejazet. Artist: Paul Gavarni, French, 1804-1866

Flashing portrait of tabesinger deduvant Paul Chardin (1833-1918). "Portrait-Charge of Solange Tablesinger Dudevant (1828-1899), Girl from George Sand, back: view of back". Watercolor, lead mine. Paris, museum of romantic life.

Figurehead: "Columbia". Dated: c. 1936. Dimensions: overall: 55.7 x 45.9 cm (21 15/16 x 18 1/16 in.). Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Fairchild.

Evening, Louis Desplaces, After Martin Desjardins, After Nicolas Bertin, 1692 - 1739 print Paris paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. personification of the evening, 'Vesper'

Bellange, Jacques, Germany, Merian, Matthäus (I), Gardener, verso middle - stamped, Young woman with a basket on her arm, carries a decorated bowl on her head. In the background a cornfield with two walking couples. Below the image a two-line text in Latin., print, prints, height 195 mm, width 100 mm, Swiss, 1593-09-22 - 1650-06-19, print maker, printmaker, 1613 - 1617, first quarter 17th century, paper, etching, etchings, Work conception, 1575 - 1616

Gilles Demarteau's pencil drawing (1742-1776) depicts The Marauder of Flowers, showing a figure interacting with flowers in detailed composition.

O the Lark is Singing in the Sky,1864 Joseph Swain (d.1909) and John Everett Millais (d.1896), Landscape, 19th Century, Jug, Garden, Printing, Wood Engraving, Female, Clothing, Dress

Gallery of Fashion, vol. VII: April 1 1800 - March 1 1801 1794-1802 Nicolaus Heideloff Volume of costume plates from the series "Gallery of Fashion", published monthly by Nicolaus Heideloff between 1794 and 1803. Heideloff was born in Stuttgart, and spent the early years of his career in Paris. He fled from there to London during the French Revolution, and spent the next 30 years there. During this time he contributed to the growing market in popular prints through various endeavors including the Gallery of Fashion. In 1815, he was appointed to the directorship of the national paintings gallery in The Hague, now commonly known as the Mauritshuis.. Gallery of Fashion, vol. VII: April 1 1800 - March 1 1801. 1794-1802. Illustrations: etching and engraving (hand colored). Nicolaus Heideloff (German, Stuttgart 1761-1837 The Hague)

Plate IX. Rehberg, Friedrich, 1758-1835. 1794. Piroli, Tommaso, approximately 1752-1824. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Annie 1857-1858 United States. Etching with foul biting in black ink on ivory china paper laid down on off-white wove paper (chine collÈ) . James McNeill Whistler

Female Figurehead. Dated: c. 1939. Dimensions: overall: 55.9 x 38 cm (22 x 14 15/16 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Betty Fuerst.

Brougham and Vaux, Henry Lord .

(LODALISQUE.). Artist: Paul Gavarni, French, 1804-1866

Study for Mascarille disguised as a woman; Design for the illustration of "L'Etourdi'' from the 1734 edition of Molière's works (vol. I, p. 3). Man gekleed in een domino.

In Verso: sketch of the character of the religious; Maleszewski, Titus (1827-1898); 1858-1859 (1858-00-00-1859-00-00);Bersohn, Mathias (1823-1908), Bersohn, Mathias (1823-1908) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, Italians, ethnography, Women, Poland (culture), Polish drawings, national costumes, folk types, generic types, Italian (culture)

Study of a young woman, 1913. Artist: Jean-Antoine Watteau

Female Quadroon Slave of Surinam. She wears a satin petticoat, silk jacket, beaver cap, necklace and bracelet. "A Qauderoon is the offspring of a white and a mulatto." Copperplate engraving by Perry after an original illustration by Captain John Gabriel Stedman from his "Narrative of a Five Years' Expedition against the Revolted Negroes of Surinam," J. Johnson, London, 1813.

Camelia (title registered (letter)) | The flowers. (Title of all)

Kneeling girl, with hands in front of the chest, in oval, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. ink. pencil pen / brush

Jeaurat, Edme, Duchange, Gaspard, Watteau, Jean Antoine, France, Thomassin, Simon Henri, Figures de Modes, Seated lady dressed in the fashion of ca. 1710, Seated lady, leaning against a stone plinth with an ornamental vase on it. Seen from the front, a closed fan in her left hand. Dressed in the French fashion of ca. 1710. From a series of eight prints with figures in various costumes., costume print, prints, height 123 mm, width 78 mm, height 520 mm, width 380 mm, French, 1684-10-10 - 1721-07-18, print maker, printmaker, 1710 - 1738, first quarter 18th century, second quarter 18th century, paper, etching, engraving, engraving (printing process), 1687-02-25 - 1741-01-01, Work conception, after own design by, Publication (Event), Publication, 1662-04 - 1757-01-06, publisher, 1688 - 1738

A Fashionable Woman Standing in a Park, 1798, red chalk, sheet: 51.8 x 38.1 cm (20 3/8 x 15 in.), Carle Vernet (artist) French, 1758 - 1836

Sarah, wife of Tobit. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Listening young woman, Florent Nicolas Crabeels (attributed to), 1839 - 1879 print paper etching eavesdropper - AA - female human figure

Portret van Cecilia Sodano, squirrel dever, print print maker: Parisprinter: Parispublisher: Parispublisher: London paper artist's model, sitter. historical persons

Lady in black. Łopieński, Ignacy (1865-1941), graphic artist

Christine de Pizan to a desk, Louis Lassalle, c. 1841 - c. 1850 print Paris paper historical persons

Maid, jug on the head, to left, left, 1685 print Numbered 11 paper etching

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; Did not let anything (dress in Organdis) Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. Did not I leave anything (Color organdy dress). Engraving (Floor).

'A Woman of the Time of Charles II', 1907. Artist: Dion Clayton Calthrop.

Print, Woman with a Rosary, 18th century; Print Maker: Giuseppe Zocchi; Italy; etching in dark brown ink on laid paper; 25.5 × 17.7 cm (10 1/16 × 6 15/16 in.); Bequest of George Campbell Cooper; 1896-3-339

Rien n’est si joli que la fa a a a ble e e, si triste que la verite!…. Artist: Paul Gavarni, French, 1804-1866

Rose DeTannebourg.. Artist: Paul Gavarni, French, 1804-1866

Poorness; Debilitas; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A merged woman with a pitcher at the belt, runs barefoot and supported by stools. Under the show two lines text in Latin. The print is part of an album.

Paul Sandby RA, 1731-1809, British, The Misses Sandby of Norwich, undated. Graphite and brown wash on medium, slightly textured, cream laid paper.

Mme la Marquise de Belfons, Pieter Schenk, German, 1660-1711, Europe, ca. 1700, figures, Print, Print

Her Royal Highnes the Princess Elizabeth, Print made by William Ward, 1766-1826, British, after Johann Heinrich Ramberg, 1763-1840, German, active in Britain (1781-88), Published by Francis Jukes, 1747-1812, British, 1801, Stipple engraving on moderately thick, moderately textured, beige laid paper, Sheet: 13 5/16 × 10 5/16 inches (33.8 × 26.2 cm), Plate: 13 1/16 × 10 inches (33.2 × 25.4 cm), and Image: 10 13/16 × 8 11/16 inches (27.5 × 22.1 cm)

Les femmes artistes. - Madame E. de B... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Donzelli, Domenico.

Gulnare (Mlle. Waldor) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

La femme politique , Alexandre Benois Collection

Joshua Cristall, 1768-1847, British, A Seated Child, undated. Graphite on medium, slightly textured, cream wove paper.

Miss Ann Catley in the character of Euphrosyne in John Miltons Comus, Covent Garden Theatre, 1772. Ann Catley, or Ann Lascelles, was an English singer and actress 17451789. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1781.

Toileting young woman. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 485 mm × w 292 mm. Museum: Rijksmuseum, Amsterdam.

Miss Jane Pope in the character of Dorcas Zeal in Edward Thompsons The Fair Quaker of Deal, Drury Lane Theatre, 1773. Pope was an English actress, 1744-1818. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Woman in dress decorated with large ribbon raising a telescope, era of Marie Antoinette. Jeune dame en Bergere seduisante. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Francois Louis Joseph Watteau from the Gallerie des Modes et Costumes Francais, 1778-1787.

Farren, Elizabeth .

MESSAGERE.. Artist: Paul Gavarni, French, 1804-1866

La prima donna. - Si fa si la do mi si la!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Statue of a woman, 1636 - 1647 print Statue of a standing woman dressed in draperies. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. standing figure - AA - female human figure

Marie Taglioni als Sylphide Sylphide. Geiger, Peter Johann Nepomuk, 1805-1880. Prints. 1830 - 1839. Jerome Robbins Dance Division. Sylphide (Choreographic work : Taglioni, F), Taglioni, Marie, 1804-1884

Figure Study of a Seated Lady, James Miller, active 1773-1814, undated, Gray wash and graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm), dress, fascinator, figure study, gown, hair, letters, seated, solitary, still life

Pencil drawing by Louis Marin Bonnet between 1756 and 1793 depicting a Russian maid, showing figure, attire, and head covering.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

La Dame Au Manchon, Stan III; Jasiński, Feliks Stanisław (1862-1901), Vigée -lebrun, Elisabeth Louise (1755-1842); 1885 (1885-00-00-1885-00-00);Leopold (1882-1972), Leopold (1882-1972)-collection, Molé-Weymond (Flow. Ca 1768)-Iconography, Wellsz, actresses, French (culture), French graphics, Polish graphics, reproductive graphics, reproductive graphics, state prints, Poland (culture), portraits, female portraits, purchase (provenance)

Madame la Marquise de Coëtlogon. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: 12 3/16 x 8 7/16 in. (31 x 21.5 cm). Date: ca. 1777. Museum: Metropolitan Museum of Art, New York, USA.

Paul Gavarni, Mlle Feydeau, 1814-1866, lithograph on paper.

Fräulein Wewerka,

Gulnare (Mlle. Waldor). Paul Gavarni; French, 1804-1866. Date: 1843. Dimensions: 202 × 147 mm (image); 339 × 260 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

MARS1834.. Artist: Paul Gavarni, French, 1804-1866

Héloïse Leloir (1820-1873). "Summer toilets". Drawing for engraving published in "Le Bon tone", July 23, 1863, Plate 6. Printing house. Gouache on leader -mine lines on white paper. Galliera, fashion museum of the city of Paris. 37827-18 Feminine, woman, gouache, printing house, garden, good tone, lead mine, second empire, toilet summer

UNE ROBE DE SOIE.. Artist: Paul Gavarni, French, 1804-1866

Drawing (Italy)

Le Negligé. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 14 3/4 × 9 3/4 in. (37.4 × 24.8 cm)Plate: 13 3/4 × 9 5/8 in. (35 × 24.4 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: March 6, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Katharina of Medici, Queen of France.

Pen drawing in brown ink by Johann Wilhelm Baur showing a Neapolitan noble lady, created in the first half of the 17th century.

Tilly, Edmunda.

PELERINE DE SOIREE.. Artist: Paul Gavarni, French, 1804-1866

Albert Besnard, French (1849-1934), The Silk Gown (La robe de soie), 1887, etching

Madame, autrefois, c'était Louison...quand, moi, j'étais madame ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Seated woman with a book, draughtsman: Pieter van Loon, 1841, paper, h 244 mm × w 173 mm

Marquise de Pompadour ,. Paul Gavarni (1804-1866). Lithographs and Other Works

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