18th Century Festive Gatherings

Depictions of grand social events in historical settings, featuring elegantly dressed attendees at banquets and gatherings, embodying the spirit of celebration in the 18th century.

Concertzaal in Felix Meritis, 1791, Reinier Vinkeles (I), After Jacques Kuyper, after Pieter Barbiers (I), 1791 print Visitors in the concert hall in the building of the Felix Meritis Maatschappij in Amsterdam, inaugurated in 1789. Groups of people are talking to each other, while the orchestra is preparing on stage. paper etching / engraving concert hall Happy merits

Cabinet of Bernhard Siegfried Albinus, Noah van der Meer (II), 1751 - 1822 print In the Bernhard Siegfried Albinus cabinet in Leiden, two men at a table study the contents of glass jars. Touching cabinets with anatomical preparations are standing against the walls. Leiden paper etching / engraving Cabinet of Curiosities, 'Kunst- und Wunderkammer'. Study; 'Studiolo'; library

Bottling the Big Shell. Dated: 1916. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Philanthropic Society, The Chapel, John Bluck, active 1791-1831, British, And Augustus Charles Pugin, 1762-1832, French, after Thomas Rowlandson, 1756-1827, British, 1809, Aquatint, hand-colored

Bailly proclaims Mayor of Paris in 1789 Joseph Grann (1861-1915). Bailly proclaimed Mayor of Paris in 1789. Feather and ink of China, black, watercolor and gouache and golden paint on parchment (illuminated).

Alfonso XII (1857-1885). King of Spain. Mercedes of Orleans (1860-1878). Marriage of King Alfonso XII to Infanta María de las Mercedes of Orleans, celebrated on January 23, 1878. Royal celebrations in Madrid on the occasion of the event. Leaving the reception held at the Royal Palace in honor of the Ambassadors Extraordinary on the evening of January 27th. Drawing from life by J. Comba. Engraving by Ovejero. La Ilustración Española y Americana, 1878. Author: Juan Comba García (1852-1924). Spanish artist. Andrés Ovejero. 19th century Spanish engraver.

The opening of the Reichstag on July , by , Archduke Johan , Reichsverweser, Mossbeck, publisher

BALL SUPPER IN THE GALERIE DE DIANE, AT THE TUILERIES, PARIS, FRANCE, 1869

Drawing the State Lottery, 1763, (1886). Artist: Unknown.

Scene from a harem, engraving from Ancient and Modern Costumes, by Giulio Ferrario (1767-1847), Milan, 1827. Ancient Greece.

English War Work: The Great Tower, Pig Iron, 1916. Joseph Pennell (American, 1857-1926). Lithograph;

Meeting of the French Academy of 23 April 1868, Reception by Mr Jules Favre, Historical, digitally restored reproduction of a 19th century original

Spain. Barcelona. Labor Congress. Engraving by Padro. The Spanish and American Illustration, 1870.

Leaf with nine representations of events from the year 1721. Bottom right the delivery of the Electress of Saxony at Pillnitz, 24 October 1721, Theatre of War (sheet XXII), 1721 Theatre of War, Beginning from King Charles the II. Unto King Charles the III. Existing in IX. Historical Figures on an Elephant's Blade, as Battles, Sieges on Water and on Land, with the Principal Fortresses , print maker: Leonard Schenk, intermediary draughtsman: Adolf van der Laan, publisher: Pieter Schenk (I), (mentioned on object), Amsterdam, 1721 - 1722, paper, etching, h 484 mm × w 579 mm

Covent Garden Theatre July 1, 1808 Designed and etched by Thomas Rowlandson. Covent Garden Theatre. Microcosm of London, pl. 27. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). July 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

LAS CORTES DE CASTILLA JURAN A FELIPE V (8 DE MAYO DE 1701) EN LA IGLESIA DE LOS JERONIMOS - GRABADO SIGLO XVIII. Author: JUAN BAUTISTA BERTERHAM (S XVIII) FELIPE PALOTA (S XVIII). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FELIPE V DE BORBON.

Paris Universal Exhibition (1878) held at the Trocadero. Installation by J. Hermann Lachapelle, Continuous equipment maker for the production of soft drinks. "The Spanish and American Illustration", 1879. Colored engraving.

th, Schwarzenbergplatz - Fallenroom in the House of Merchants, postcard, Brothers Kohn KG B, producer

Gobelins, Exhibition room, vintage engraved illustration. Magasin Pittoresque 1845.

. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decor The mountain of Parnas with scene from: the age tower of the Amsteldamschen Schouwburg. The decor printed from a separate plate within a new passe-partout with the hall, orchestra bin and the facade of the stage with columns and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a later edition of the series of 12 stage decorors.

World Exhibition. - Swiss embroidery room.

The Hall, Blue Coat School (Microcosm of London, plate 10). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint John Bluck (British, 1791-1832). Dimensions: Sheet: 9 13/16 × 11 1/2 in. (25 × 29.2 cm)Plate: 9 1/8 × 11 1/8 in. (23.1 × 28.3 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: March 1, 1808. Museum: Metropolitan Museum of Art, New York, USA. Author: Designed and etched by Thomas Rowlandson. Designed and etched by Auguste Charles Pugin. Aquatint John Bluck.

Marriage Marie-Louise Archiduchesse request on behalf of Emperor Napoleon (IT)

At the window, legs and shoes leaning on a sill, American customs, United States of America, illustration from L'Illustration, Journal Universel, No 769, Volume XXIX, November 21, 1857.

. Exhibition of paintings of live masters, held in The Hague, May-June 1845. Interior of a gallery with visitors.

Cafe' Frascati in Paris, by Debucourt, France 18th Century. Engraving.

View of the decoration of the rue de la Feronnerie in Paris on the occasion of the restoration of Louis XV, king of France, in 1745, Jean -François Daumont, 1745 - 1775 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush street (+ city(-scape) with figures, staffage). public festivities Paris

Pauline ChapelIlluminated. Etcher: Francesco Piranesi, Italian, 1756-1810 After: Louis-Jean Desprez, French, 1743-1804

Watercolor by Johann Nepomuk Höchle depicting figures in front of the emperor's throne.

PAINTED SCREEN, ST. GEORGE'S CHAPEL

Bliżej Kultury Kossak, Juliusz (1824 1899)

Large Hall in The Prague Hradschin Castle. The Great Hall in the Hradschin in Prague. On the left side of the room stalls where paintings and prints and other goods are offered for sale. The hall is full of visitors, in the middle is a group of orers. There are two weapons shields in the upper corners. Copy to a picture from 1607 by Aegidius Sadeler.

The French Annexe at the International Exhibition, London, 1871. Illustration of '...the French annexe, which forms, with the French restaurant, a quadrangle of three galleries and a corridor, inclosing the garden, with its shrubs, its lawn, and its seats in the open air, where half an hour of repose may be agreeably passed, and a cup of coffee, an ice, or a cigar may be obtained by those who need such refreshment. The pictures and sculptures, the bronze statuettes, the tapestry and embroidery, the vases, lamps, decorative furniture, and jewellery which France contributes to this Exhibition

Juliusz Kossak (1824-1899), Lunch given in honour of Jan Matejko in the council hall of the magistrate of the city of Kraków, on November 5th; from: "Tygodnik Ilustrowany". Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Mrówczyński, Kazimierz (fl. 1878-1898), woodcutter, Berg, Wilhelm (fl. ca 1878-1902), woodcutter

Concertzaal in Felix Meritis, ca. 1810-1813, 1824 - 1825 Face in the concert hall of Felix Meritis in Amsterdam, ca. 1810-1813. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Happy merits Face in the concert hall of Felix Meritis in Amsterdam, ca. 1810-1813. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Happy merits

Magdalen Chapel, John Bluck, active 1791-1831, British, Augustus Charles Pugin, 1762-1832, French, after Thomas Rowlandson, 1756-1827, British, 1809, Aquatint, hand-colored, Sheet: 8 7/8 x 10 5/8in. (22.5 x 27cm)

The manufacture of theriac at Bologna. Gouache drawing by A. Terzi, 19--, after D. Ramponi, 1818.

The clothing of San Lorenzo Nun, 1789, Gabriele Bella (1730-1799), oil on canvas, 94x148 cm. Detail.

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Freshmen party at Vienna University, Austria 19th Century. Watercolour, detail.

Medallion Nº 11 of the Historical Gallery or Tables of the Events of the French Revolution (1795-1799), Royal Session in the Double of Menus-Plaisirs, 22 Avenue de Paris, Current Baroque Music Center, Versailles, June 23, 1789. ( TF)

Sir John Soane’s Museum in Lincoln's-Inn-Fields: the Breakfast-Room, 1864. 'The Breakfast-Room has some interesting prints, pictures, and drawings; a richly-mounted pistol, once belonging to Peter the Great and Napoleon I., of whom there is a portrait in his twenty-eighth year, painted by Gorma, a Venetian artist, and valued by Josephine as an excellent likeness; also a miniature of Napoleon, painted at Elba, in 1814, by Isabey'. From "Illustrated London News", 1864.

Entrée du Médreséh Châh-Sultân-Hussein, Ispahan, 1851-1854., 1851-1854., Paris. Publisher, Gide et J. Baudry. Iran, Antiquities, Etchings

Print made by unknown artist, View of the Higher House of Parliament in England, ca. 1695. Line engraving on slightly textured, medium thickness, white laid paper.

France, Paris, Basset, View of the Optician representing the dinner service for the emperor and the electors in the Hotel de Ville de Francfort on 22 June and 1 August 1758, View of the Roman Hall in Frankfurt am Main with a meal for the emperor and the electors on 22 June and 1 August 1758, print, optic print, prints, optic prints, height 319 mm, width 442 mm, Publication (Event), Publication, French, publisher, 1758 - 1799, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, brush, schilder, cutting, neuken, perforating, perforateren, print maker, prentmaker

Feyerliche Seegens division on Easter days at the court of Vienna by Pius the VI, Roman Pope single budget, Carl Schütz -, Artist, Artaria , Co, Verlag, Publishing House

Court of Kings Bench, Westminster Hall (Microcosm of London, plate 24). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Hill (American (born England), London 1770-1850 Clarksville, New York). Dimensions: Sheet: 9 7/16 × 11 7/16 in. (24 × 29.1 cm)Plate: 9 1/16 × 10 13/16 in. (23 × 27.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: 1808. Museum: Metropolitan Museum of Art, New York, USA. Author: Designed and etched by Thomas Rowlandson. Designed and etched by Auguste Charles Pugin. Aquatint by John Hill.

Choir stalls in Westminster Abbey Stalles de l'abbaye de Westminster, Londres, Stalls in Westminster Abbey, London England, Ireland and Scotland England, Ireland & Scotland, print maker: Louis Jules Arnout, (mentioned on object), intermediary draughtsman: Louis Jules Arnout, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), print maker: Paris, intermediary draughtsman: Paris, printer: Paris, publisher: Paris, publisher: Berlin, publisher: London, publisher: New York (city), 1855 - 1856, paper, h 565 mm × w 398 mm

Face on a tournament pool; Prospect Eins Turnier Saal; Tournament and screen schools. In a room, a number of men are practicing with weapons on targets. Sit all around and looks figures. At the top right numbered: 147. Left number numbered: 39.

First National Meeting in The Hague, 1796, Anonymous, 1796 - 1810 print Session of the first national meeting in The Hague, from 1 March 1796 to 31 August 1797. Face in the meeting room (former dance hall of the Stadhouderlijke Palace) with the members, all with a ribbon as a representative. In the background the full public gallery. Netherlands paper etching / engraving Lower House, Parliament, Chamber. revolutionary government Courtyard

Apollo gallery in the Louvre, Paris, France, illustration from L'Illustration, Journal Universel, No 461, Volume XVIII, December 25-31, 1851.

Phalon's Hair Dressing Establishment, in the St. Nicholas Hotel, New York. Eno, Amos F., 1836-1915. Prints. 1853 - 1884. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Business enterprises , New York (State) , New York, Hairdressing , 1800-1899, Advertising

Thomas Rowlandson, Royal Cock Pit, published 1808 Royal Cock Pit

Sketch representing the meeting of the sovereigns accompanying His Majesty the Emperor and king at the ball given by the city of Paris on December 4, 1809 Sketch representing the meeting of the sovereigns accompanying His Majesty the Emperor and king at the ball given by the city of Paris on December 4, 1809 . Estampe d'Adrien Godefroy (1777-1865).

John Bluck, active 1791-1831, British, New Covent Garden Theatre, 1810. Aquatint, hand-colored.

RAUT at the exhibition of paintings; Kasprzycki, Wincenty (1802-1849); before 1830 (1825-00-00-1830-00-00);Columns, paintings in the image, reef, romanticism (style), multi -stone scenes, palace interiors, purchase (provenance)

MADRID. FESTEJOS DE MAYO. LA SOCIEDAD CORAL CATALANA ACTUA ANTE EL PABELLON DEL AYUNTAMIENTO. GRABADO COLOREADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA. MADRID PINTADO.

Project for a Room for King Ludwig II (1854-1886) of Bavaria. Artist: Gyula Benczúr (Hungarian, Nyíregyháza 1844-1920 Dolány). Dimensions: 30 3/4 x 39 1/2 in. (78.1 x 100.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Pierre-Antoine Demachy (1723-1807). "Capital execution, place of the Revolution". Oil on marouflaged paper. Paris, Carnavalet museum. 25820-2 8th 8 VIII, executioner, condemns to death, capital execution, crowd, guillotine, oil on Maroufle paper, Place Revolution, French Revolution, Sentence, VIIIEM DRAWS

The Passing of the Great Emancipation Act. Date/Period: Ca. 1829. Painting. Oil on board. Height: 267 mm (10.51 in); Width: 470 mm (18.50 in). Author: George Jones.

. A man leads a woman along portrait busts that are arranged along the walls of the Tokenskabinet by Johan Willem, Duke of Saxony-Gotha.

Perspective Picture of a Kabuki Theater (Uki-e Kabuki shibai no zu) 1771-1781 Japan. Color woodblock print; oban, trimmed . Utagawa Toyoharu

James Pattison Cockburn, 1778-1847, British, Raftered Hall with Figures in 16th Century Dress, undated. Watercolor, gouache, and pen and brown ink on medium, slightly textured, beige wove paper.

Naval Museum in the Louvre, Room La Perouse, second sight, vintage engraved illustration. Magasin Pittoresque 1847.

Blancard, Hippolyte (1843 - D.1924), the Galerie des Emperors Romains at the Louvre Museum, 1st arrondissement, Paris (dummy title), 1890. Platinum draw. Carnavalet museum, history of Paris.

Sultan Abdulhamid II hosting a dinner at Yildiz Palace, Istanbul. Halftone by C. Hentschel, 1895, after J. Nash.

Spain. Barcelona. Labor Congress. Engraving by Padro. The Spanish and American Illustration, 1870. Colored.

LAVIALLE DE LAMEILLERE. "Execution of the triumphant ode to the glory of the Republic of Augusta Holmès, on September 19, 1889, at the Palais de l'Industrie, on the occasion of the distribution of the awards of the Universal Exhibition - 1890. Paris, Museum, Museum, Museum. Carnavalet. 39471-15 Commemoration, Distribution Reward, Universal Exhibition of 1889, Execution, Glory, Triumphal Ode, Industry Palace, AUGUSTA HOLMES REPUBLIC

Leopold marries - she's his second wife - Louise d'Orleans, daughter of Louis Philippe. Date: 9 August 1832

Wincenty Kasprzycki (1802-1849). Polish painter. Fine Art Exhibition in Warsaw in 1828, 1828. National Museum. Warsaw. Poland.

Covent Garden Theatre 1792 Thomas Rowlandson British. Covent Garden Theatre 389410

Drawing, Second Empire Salon; Unknown (French); brush and watercolor, gouache, graphite on white wove paper; Frame H x W x D: 60 x 75.6 x 2.5 cm (23 5/8 x 29 3/4 x 1 in.) Sheet: 37 x 52.7 cm (14 9/16 x 20 3/4 in.); Thaw Collection; 2007-27-24

Ball - Year 1863. Ślendziński, Wincenty (1837-1909), painter

MARIA CRISTINA DE HABSBURGO. REINA DE ESPAÑA . 1858 - 1929. SE CASO CON ALFONSO XII EN EL AÑO 1879. CONGRESO SOCIAL Y ECONOMICO HISPANO AMERICANO . RECEPCION EN EL PALACIO REAL A LOS CONGRESISTAS . MADRID 1900. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA.

Emanuel de Witte (Alkmaar, ca. 1617-Amsterdam, 1691/1692). Interior of the Nieuwe Kerk, Amsterdam, during a Service (ca. 1658). Oil on canvas. 57.2 x 65.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Picture series The search, where is Lohengrin In the opera, everyone is waiting for the main character to appear, Historical, digitally restored reproduction of a Liebig collector's picture from the 19th century, exact date unknown

'Escena parlamentaria en el Salón de Sesiones del Congreso de los Diputados', 1854-1855, 39 x 40 cm. Author: EUGENIO LUCAS VELAZQUEZ (1817-1870). Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN. OLOZAGA SALUSTIANO. JOAQUIN BALDOMERO FERNANDEZ-ALVAREZ ESPARTERO. GENERAL BALDOMERO ESPARTERO (1793-1879). I DUQUE DE LA VICTORIA. PRAXEDES MATEO SAGASTA (1825-1903).

Aquatint depicting dancers from 'Ballo, La vera felicità' after a set design by Alessandro Sanquirico, published in 1818 in Milan by Stanislao Stucchi. The image is part of a collection of various scenic decorations created for the Teatro alla Scala in Milan

The Cafe Royal 1912 Harold Gilman (1876-1919 British) Agnew & Sons, London, England

Brazil, Rio de Janeiro, stenography sketch for performance The Marriage of Figaro or The Day of Madness, Teatro Municipal

EEN FLOREND ENGELS HANDELSHUIS in YOKOHAMA, UTAGAWA YOSHIIKU, 1871 print Japanese and Westerners view the displayed were in a large departure of a trading house. Through the high windows a seascape with ships on the horizon. (Yokohama-e Triptics). paper Europeans: Englishmen Yokohama

The former feast hall of Jan III - Library in Pał Acu in Wilanów; Richter, Willibald (Fl. 1817-1862); around 1850 (1845-00-00-1855-00-00);Jan III Sobieski (King of Poland-1629-1696), Potocka née Potocki, Aleksandra (1818-1892), Potocki (family)-residences, Potocki, August (1806-1867), Wierzejski, Tadeusz (1892-1974), Wierzejski, Tadeusz (1892-1974) - collection, Wilanów (Warsaw), 19th century (costume), 19th century (crafts), Baroque (archite.), Baroque (painting), baroque (crafts), baroque (style), libraries (institutions), galleries, globes, dining rooms, paintings, palaces (architect), antique sculptures, antique vases, palace interiors, purchase (provenance), clocks

Augusta Victoria of Schleswig-Holstein, Auguste Viktoria Friederike Luise Feodora Jenny, 1858, 1921, was the last German Empress and Queen of Prussia, here at a meeting of the Central Committee to support the victims of the flood, digitally restored reproduction of a 19th century original, exact original date not known

Austria, 19th century. Freshman party at the University of Vienna. Watercolour.

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