18th Century Portraits

Etchings featuring 18th-century figures in formal attire, showcasing classical styling and intricate details in clothing, evoking historical elegance.

Jacob Boczkon Boczkon Jacob Głowacki, Jan Nepomucen (1802 1847)

Print made by James Bretherton, ca. 1730-1806, British, The Houndsditch Macaroni, 1772. Etching on medium, moderately textured, blued white laid paper.

Leslie, Leopold Graf .

Gustave Brion (1824-1877). Illustration of the complete works "Les Misérables" by Victor Hugo. "Mr Gillenormand". Gilmer photograph. Albumin paper draw. 1862. Paris, house of Victor Hugo. 100147-10 Illustration, Romanesque character, portrait, 19th 19th 19th 19th 19th 19th century

Suett, Richard .

Holman, Joseph Gregor .

Amsterdam light; Title page For: The Amsterdam Lichtmis, or Zoldaat from Fortuin, 1731. The main character from Amsterdam's light mass, dressed in a knee pants, full of staves under his arm. The light mass is a fictional person who likes to play by playing card. While traveling from city to town, he leads a life as 'light mass': someone without morality, which decorates one woman after the other.

Actor as Marquis. Janinet, Jean-François (1752-1814), graphic artist, unknown, draughtsman, cartoonist

Jacob Boczkon Boczkon Jacob Głowacki, Jan Nepomucen (1802 1847)

John Wilkes, Esq. William Hogarth (British, 1697-1764). John Wilkes, Esq., 1763. Etching on laid paper, 13 7/8 x 9 1/8 in. (35.2 x 23.1 cm). European Art 1763

Monsieur Le Virtu November 3, 1771 Matthew Darly British This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etching of a man leaning on a cane as though examining a work of art represents the picture dealer D

Ireland in Scotland, or a Trip from Oxford to the Land of Cakes, 1807. Richard Dighton (British, 1795-1880). Etching, hand colored;

Drawing by Giovanni Battista Internari depicting a cavalier standing left with arms crossed behind, executed in chalk and feather; paper shows some cracks.

Mr. Mareschal of Bouflers. (IFF 253/281) (registered title)

1525 / Murat (Joachim) Grand Duke of Cleves, from Berg / May 19, 1804 Marshal de France + 1815

Iffland, August Wilhelm .

Album of Mexican and French cartes-de-visite, between 1861-1880

Masséna, André Duc The Rivoli Printing the essling stale: Böibos, Amadem, Amademus

Topçu gunner of the Ottoman Empire, 16th century. In distinctive red hat, buttoned dolman coat, with dagger and scimitar. Jopegs, Bombardiers. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Sir Thomas Dereham, wearing a wig, standing with his hand in his pocket. Etching by Arthur Pond after P.L. Ghezzi.

(untitled). Artist: Paul Gavarni, French, 1804-1866

Gentleman, Side View with Hat. Jean Antoine Watteau; French, 1684-1721. Date: 1704-1721. Dimensions: 117 × 71 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

King, Thomas .

Defoe, Daniel .

Édouard Manet, Le Bailarin (Mariano Camprubi), 1862, etching on paper.

Montering van het Utrechtse Gordongenootschap, ca. 1785. Uytregt gordongenootschap (title on object). Draughtsman: anonymous. Dating: 1789. Place: Northern Netherlands. Measurements: h 220 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Jeaurat, Edme, Duchange, Gaspard, Watteau, Jean Antoine, France, Thomassin, Simon Henri, Figures de Modes, Standing man by a basin dressed in the French fashion ca. 1710, Standing gentleman, seen from the front and looking to the left. Leaning on a basin with his right hand. Dressed in the French fashion of ca. 1710. From a series of eight prints with figures in various costumes., costume print, prints, height 124 mm, width 77 mm, French, 1684-10-10 - 1721-07-18, print maker, printmaker, 1710 - 1738, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), 1687-02-25 - 1741-01-01, Work conception, after own design by, Publication (Event), Publication, 1662-04 - 1757-01-06, publisher, 1688 - 1738

L'Etudiant , Alexandre Benois Collection

Friedrich August Hoffmann. .

CODICE TRUJILLO DEL PERU - TOMO I - CORREGIDOR E INTENDENTE - ACUARELA - SIGLO XVIII. Author: MARTINEZ COMPAÑON BALTASAR. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Savoyard, standing in front of a wall, Jean-Baptiste Tilliard, After Augustin de Saint-Aububin, 1766-1770 print Savoyard, with a wooden container on his left arm, standing in front of a garden wall with stairs paper etching / engraving Street trader. Flight of steps. 'driving people', vagrants

Ferville de Vaucarbeil, Louis-Basil.

Honoré Daumier, Le Tailleur, September 27, 1835 Le Tailleur

Man sitting on a chair with legs crossed. Draughtsman: anonymous. Draughtsman: Cornelis Troost (rejected attribution). Dating: 1700 - 1800. Measurements: h 226 mm × w 300 mm. Museum: Rijksmuseum, Amsterdam.

Standing man with stab, anonymous, 1700 - 1800 drawing Standing man with stab, in the hand a long stick. paper. chalk standing figure

St Just.

Theodora de Verdion, an eccentric teacher of languages, a book seller and collector of medals. Engraving by G. Scott, 1803.

Don Mariano Camprubi (Le Baïlarin) 1862-63 Edouard Manet French. Don Mariano Camprubi (Le Baïlarin) 337400

Woodward, Henry .

Mary Darly, active 1762 -1772, British, The Coursing. Etching.

The Grand Smoker 1843 France. Etching and drypoint on ivory China paper, laid down on ivory wove paper, laid down on ivory card . Jean Louis Ernest Meissonier

Inside Attire of the French Citizen 1794 After Jacques Louis David French. Inside Attire of the French Citizen 398406

Pencil and watercolor drawing by Josef Danhauser showing two figure studies on brown paper, enhanced with deck white, focusing on posture, proportion, and gesture.

Gram, his.

Savoyard with his hat in his arms, standing in a departure, Jean-Baptiste Tilliard, After Augustin de Saint-Aubin, 1766-1770 print Savoyard: Young man with a stitch under his arm, standing in a beautiful departure for a half -open sliding door. A painting with a ladies' portrait on the wall paper etching / engraving 'driving people', vagrants. Child. Communal Rooms

Pierre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Mr. Lebrun / Archi-Treasurer of the Empire.

Frezzolini, Giuseppe.

Standing man with stitch, anonymous, 1700 - 1800, Standing man with stitch, in hand a long stick., draughtsman: anonymous, draughtsman: Cornelis Troost, (rejected attribution), 1700 - 1800, paper, h 295 mm × w 223 mm

Kotzebue, August .

Anything Will Do For an Officer January 1, 1796 Thomas Rowlandson British. Anything Will Do For an Officer. Thomas Rowlandson (British, London 1757-1827 London). January 1, 1796. Hand-colored etching. S. W. Fores (London). Prints

'On demande un remplaçant.' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Portrait of the Comte de Toqueville, back, Anonymous, 1800 - 1900 drawing paper. oil paint (paint) brush historical persons

The Windsor Milkman or, Anything to turn a Penny, Richard Newton, 1777-1798, British, 1792, Etching, hand-colored, Sheet: 13 1/2 x 9 7/8in. (34.3 x 25.1cm)

Thomas Patch, 1725-1782, British, A Man Standing, Facing the Artist, Trees Beyond, 1760s. Black chalk on medium, slightly textured, cream laid paper bound in carta fiorentina.

Louis Boulanger (1806-1867). "Costume model for the Duke of Presmes, in the creation of the King has fun at the Comédie Française on November 22, 1832". Watercolor. Paris, house of Victor Hugo. 38945-9 Comedy Francaise, Scene costume, Duke, Model, King has fun, watercolor

Jourda, Comte de Vaux, Christmas.

. PRINT LINKS Numbered: 4.

Costume design for the opera Boris Godunov by M. Musorgsky, Benois, Alexander Nikolayevich (1870-1960)

. Portrait of the Marshal François de Créquy.

Study of an Ostler 1725-1809. Paul Sandby

JOHNSON, Samuel (1709-1784). English writer and lexicographer. Engraving.

Brantôme, Bourdeille Pierre, Lord of (UM 1540 - 1614).

The Tower Macaroni, Matthew Darly, active 1754-1778, after Matthew Darly, active 1754-1778, 1772, Engraving

Standing farmer with hand and arm into his cloak, print maker: Jurriaan Cootwijck, Adriaen van Ostade, 1724 - 1798

Rott, Moritz.

Portrait of Willem II, Prince of Orange. Portrait of Willem II. He is in a landscape with a hook in his right hand. In the background a bodyguard.

Molkwerum man, Paulus Constantijn la Fargue, 1775, draughtsman: Paulus Constantijn la Fargue, 1775, parchment (animal material), brush, pen, h 143 mm × w 100 mm

Mężczyzna we fraku w czerwone wzorki z błękitnym obszyciem. Dupin, Nicolas (1753-), graphic artist, Esnauts et Rapilly (Paryż ; firma księgarsko-wydawnicza ; 17..-18..), publishing house, Le Clerc, Pierre Thomas (ca 1740-ca 1796), draughtsman, cartoonist

Een kamerdienaar. Costumes van het hof van Willem V (series title). Draughtsman: Isaac Lodewijk la Fargue van Nieuwland. Dating: 1766. Measurements: h 390 mm × w 268 mm. Museum: Rijksmuseum, Amsterdam.

Louis XIV (King of France), Paris, Picart, Etienne, Bernard, Members of the French Royal Family, Portrait of Charles of France, Duke of Berry, lower right - engraved, Portrait of Charles of Bourbon, Prince of France. In the background a palace garden with fountains. In the margin a three-line caption in French., print, costume print, prints, verso - stamped, Charles de Bourbon Duc de Berry, Troisieme fils de Monseigneur le Dauphin et de Marie Anne, Christine Victoire de Baviere, Naquit a versailles le 31. Aoust 1685, bottom center in the margin - engraved, Dessigné par B. Picart, bottom center - engraved, et se vendent a Paris rue St. jacques au Buste de Monseigneur CPR 1702, 1702, height 315 mm, width 206 mm, Northern Dutch, 1673-06-11 - 1733-05-08, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, etching, engraving, engraving (printing process), Northern Netherlands, intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1632-1

Habit of the dauphin son to Louis XIV King of France. Le dauphin de France fils de Louis XIV.. Jeaurat, Edme, approximately 1688-1738. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Men , Clothing & dress , France , 1600-1699, Louis, Dauphin of France, 1661-1711

Karikatuur Van Minister Félix Barthe, Honoré Daumier, 1833 print Barthe carries his ministry portfolio under his right arm. Paris paper historical persons. political caricatures and satires. caricatures (human types). minister ~ government

Noordelijke Nederlanden, De Patriotische Grenadier, Patriotse Grenadier, Northern Netherlands, verso - stamped, Cartoon of a patriot grenadier with bearskin and rifle, standing next to two trees. With two-line verse. Transparent or see-through print in which, when held up to the light, it becomes visible that the patriot is walking on the devil's leash and the verse is supplemented to four lines. The print comes with a text sheet., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, Gy Patriotse Heeren de Duivel leert u Exerceeren, om u en 't Land te Ruineren en 't Recht uyt Stad, en Staat te Weeren, underneath - handwritten, height 125 mm, width 95 mm, print maker, printmaker, 1787 - 1787, paper, etching, hand colouring

Frederick II., King of Prussia Eraser: Gericke, Johann Ernstfactic genesis: Berlin

Henry Hervey Foster Quin (1799-1878) the first Homeopathic physician in England. Founded the British Homeopathic Society (1844) and the London Homeopathic Hospital (1850). Cartoon from 'Vanity Fair' (London, 10 January 1872). Chromolithograph.

The terrible Cochrane, English amiral.(TI)

Massena, André Duc de Rivoli Prince d'Essling.

Anonymous red chalk drawing from the mid-17th century showing a standing man with spread legs, a blessing gesture on the left, and a wide-brimmed hat.

Nobleman of Venice, after Gentil Belin, 1496. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Kosciego, Tadeusz.

The Hospital, Count of Rosnay and Hall, François de.

R. W. Selby-Lowndes in a Scarlet Coat, Richard Dighton, 1795-1880, British, 1843, Watercolor, with pen, in brown ink, gray ink, graphite, and gouache on medium, slightly textured, beige, wove paper, Sheet: 11 × 8 3/4 inches (27.9 × 22.2 cm), portrait

Aristocrat cursing the revolution / aristocrat believing in the counter-revolution. (IT)

ENRIQUE CAVENDISH (1731-1820). Author: ROSENBERG C.

A Travelling Tutor and Monkey Child. Artist: George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: sheet: 11 3/16 x 8 1/16 in. (28.4 x 20.5 cm). Publisher: Published London by William Holland (British, 1757-1815). Date: 1797. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Gunst, Pieter van, Dyck, Anthony van, Portrait of Viscount Patrick Chaworth of Armagh, verso lower left - stamped, Patrick Chaworth, Viscount of Armagh, in armour. Next to him a shield and helmet. On the shield the motto: Non Inferiora seqvutus., print, book illustration, prints, width 331 mm, height, 513 mm, 1649 - 1731-05-22, print maker, printmaker, 1716 - 1716, paper, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, publisher

'On demande un remplaçant.' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Portrait of unknown man, in oval. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 143 mm × w 106 mm. Museum: Rijksmuseum, Amsterdam. Author: Jurriaan Andriessen.

George Romondo, an eccentric mimic. Engraving by G. Scott, 1805.

James Gwin, 1700-1769, Premiere Position pour tirer L'Epée, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper, mounted on, moderately thick, moderately textured, beige, laid paper.

Francis Bacon, Viscount St Albans. Etching by J. Romney after G. M. Brighty, 1817.

Leithner, Eduard .

A Natural Crop; - Alias - A Norfolk Dumpling, James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 7 1/8 x 5 5/8in. (18.1 x 14.3cm)

Choiseul-Stainville, Jacques Philippe Comte.

Portrait of Paul Hugot Gustave Caillebotte (1848-1894). Portrait of Paul Hugot. Dry tip and water-on-board, 1878. Museum of Fine Arts in the city of Paris, small palace.

Karl Mathias Rott as Großcanon costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1785-1851, British, 1834, Hand colored soft-ground etching, Sheet: 5 1/4 x 8in. (13.3 x 20.3cm)

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