18th Century Portraits of Gentlemen

Collection of historical portraits depicting men in elaborate 18th-century attire, showcasing different styles and expressions through engravings and sketches.

Self-portrait of Taco Scheltema.

William Parsons, thief, fraud, cheat and highwayman, executed 1750. Copperplate engraving after George Cruikshank from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Thomas Patch, 1725-1782, British, Portrait of a Man, called Edward Gibbon, 1760s. Red chalk on medium, slightly textured, cream laid paper bound in carta fiorentina.

Mary Darly, active 1762 -1772, British, The Novicate. Etching.

James Boswell in the Dress of a Corsican Chief, Print made by J. Miller, active 1769-1825, British, after Samuel Wale RA, 1721-1786, British, 1769, Line engraving and stipple on Laid paper, Sheet: 7 1/4 x 4 1/4 inches (18.4 x 10.8 cm), costume, historical subject, male, portrait, Shakespeare Jubilee, 1769

Loudon, Gideon Ernst Freiherr.

Theodora de Verdion, an eccentric teacher of languages, a book seller and collector of medals. Engraving, 1803.

Mrs. Susan Greville in the character of Sir Harry Wildair in George Farguhars Sir Harry Wildair. However, Greville only performed this role in The Constant Couple at Drury Lane in 1776. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Jean Sylvain Bailly. Lithograph by A. Lacauchie.

Lafayette

Self-portrait of Taco Scheltema.

My Lord Tip-Toe Just Arrived from Monkey Land November 3, 1771 Matthew Darly British This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etching shows a Frenchifed nobleman wearing a wig with high toupée over

Print made by James Bretherton, ca. 1730-1806, British, John Jehu L'Inghilterra, 1772. Etching on medium, moderately textured, blued white laid paper.

Montag Wycinka from the German press stuck on the album's card unknown

Napoleon

Iffland, August Wilhelm .

Jourdan (Jean-Baptiste, Count of)

Montering van schutterij van Vlaardingen, ca. 1785. Vlaardingen Schuttery (title on object). Draughtsman: anonymous. Dating: 1789. Place: Northern Netherlands. Measurements: h 220 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Riel, Marquis de Beurnonville, Pierre.

Monting the Schutterij van Zwolle, ca. 1785; Swol Schuttery. Monting or uniform of the Schutterij of Zwolle, approx. 1785. Part of a sketchbook with 41 colored drawings of the montages of the armed shooters and citizenship corps in the Netherlands in the period ca. 1783-1789.

Charles IV of Spain, called the Hunter (1748-1819). King of Spain from 1788 to 1808. Portrait. Illustration by Cibera. Engraving by Zarza. Historia General de España by Father Mariana. Madrid, 1853. Author: Eusebio Zarza (1842-1881). Spanish artist. Ildefonso Cibera. Spanish illustrator and xylographer of the second half of the 19th.

Nathaniel Smith, 1740-1787, Study of a Man, 1743. Black chalk and white chalk on thin, slightly textured, blue laid paper.

Gov. B. Wentworth.. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Governors , 18th century, Wentworth, Benning, 1696-1770

Design for illustration for the colossus of the nineteenth century by P.J. Andriessen (Textill., P. 157); Scene from the life of Napoleon.design for a print.

BODIN. "Portrait of actor Bocage in the role of Jeannie Le Breton (Porte St Martin 1846)". Watercolor. Paris, Carnavalet museum. Actor, Saint-Martin gate, watercolor

London, Darly, Matthew, Macaronies, The Unfortunate Macaroni, bottom center in margin - engraved, top left V.2; top right number 9. English caricatures from the series 'Macaroni' published by D. Marly in 1771 and 1772., cartoon, costume print, prints, THE UNFORTUNATE MACARONI., Pub accor to Act by MDarly Strand, height 176 mm, width 126 mm, Publication (Event), Publication, 1720 - 1780, publisher, uitgever, 1772 - 1772, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etchings

Portrait of Nicolas Jarry, Pieter Willem van Megen, Mathias de Sallieth, 1782

Nker.

Frederick II., King of Prussia Stecher: Wrankmore, W. C.Troken: Ramberg, Arthur Georg vonverleger: Payne, Albert HenryDation: 1827/1850 publisher: Leipzig

Landscape with a soldier, Carel Webbers, 1781 - 1837

Quick, John .

Le lundi. - Jour de friture au Grand-Vainqueur. Au Mouton noir, le rigodon ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Man with stitch and blue coat (Lodewijk Ernst Hertog van Brunswijk Wolffenbttel). Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 207 mm × w 113 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Alexander I, Czar of Russia. Artist: Jean-Baptiste-François Bosio (French, Monaco 1764-1827 Paris). Dimensions: 6 5/8 x 4 7/16in. (16.8 x 11.3cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of the young Ferdinand Maximilian of Austria (1832-1867), Archduke of Austria. He renounced his title to become emperor of Mexico (1864-1867) as Maximilian I. Drawing by C. Legrand. Lithography by J. Donón. "Reyes Contemporáneos". Volume I. Published in Madrid, 1855. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand. Spanish lithographer active from 1829 to 1858.

AlcideTousez. Artist: Paul Gavarni, French, 1804-1866

Figures de modes 1705-1715 France. Etching in black on ivory laid paper . Jean Antoine Watteau

STATUE OF THE LATE SIR ROBERT PEEL, AT LEEDS

Mr. John Henderson in the character of Bayes in George Villiers, Duke of Buckinghams The Rehearsal, Haymarket Theatre, 1777. Died 1785. Copperplate engraving by R. Pollard after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.

Edelfelt, Albert, work, End vignette of the two tarragon poem, 1897 - 1900, drawing, 26.5 cm x 19.5 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

BARERE.

Wieland, Christoph Martin.

Karl Xiv. Johann, King of Sweden.

Portrait of Jacques Delille n.d. Jean-Baptiste-François Bosio French. Portrait of Jacques Delille 334835

Frederick II, Roi de Prusse 1770-1900 Germany. Aquatint and engraving on paper . Johann Friedrich Jugel

London, Darly, Matthew, Macaronies, Who's afraid, bottom center in margin - engraved, Man with arms outspread. He wears a justaucorps and camizosole. Accessories: cocked hat with button and loop, walking stick, shoes. Top left V.6; top right number 2. English caricatures from the series 'Macaronies' published by D. Marly in 1771 and 1772., print, cartoon, prints, costume and fashion prints, costume and fashion fashion prints, WHO s AFRAID, Pub accor to Act MArch 18 th 1772 by M Darly 39 Strand, height 172 mm, width 125 mm, Publication (Event), Publication, 1720 - 1780, publisher, uitgever, 1772 - 1772, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etsen

London, Darly, Matthew, Macaronies, ROASTBEEF & PORT, or Bully Bramble Fisq.r Justice of Peace in Wasp Town., bottom centre in the margin - engraved, Top right number 24. English caricatures from the series 'Macaronies' published by D. Marly in 1771 and 1772., print, prent, caricature, prints, prenten, costume and fashion prints, kostuum- en modeprenten, Pub by MDarly accor to Act April 1st 1772 Strand, height 180 mm, width 127 mm, Publication (Event), Publication, 1720 - 1780, publisher, uitgever, 1772 - 1772, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etchings

Montering van de schutterij van Oostzaandam, ca. 1785. Oost zaandam Schuttery (title on object). Draughtsman: anonymous. Dating: 1789. Place: Northern Netherlands. Measurements: h 220 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Mr. Middleton of the Theatre Royal, Covent Garden, in the Character of Romeo. Artist: After W. Willings (British, active 1790s). Dimensions: Sheet: 9 7/16 × 6 5/8 in. (24 × 16.8 cm). Engraver: Heurston (British, active 1790s). Sitter: James Middleton (British, 1768-1799). Date: 1793-7. Museum: Metropolitan Museum of Art, New York, USA.

GEORGE MORLAND, BY T. ROWLANDSON

Bliżej Kultury Unknown, Larivière, Charles Philippe Auguste de (1798 1876)

Signor Frezzolini as Dulcamara in the opera LElisir dAmore costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Paul Gavarni, Melingue, Acteur et Statuaire, c. 1853, lithograph on wove paper.

London Cries: All Fire and No Smoke. Date/Period: Ca. 1759. Genre subject. Gray wash, brown wash, and graphite on medium, cream, slightly textured laid paper. Height: 197 mm (7.75 in); Width: 143 mm (5.62 in). Author: Paul Sandby.

Baron deBezenval. Artist: Louis de Carmontelle, French, 1717-1806

Portrait of Ferdinand Hertog from Brunswijk-Lüneburg, Jacob Houbraken, 1766 print Knee piece of Ferdinand Hertog of Brunswijk-Lüneburg in military uniform, in a landscape. In his right hand he holds a command staf and his sting lies in front of him. Under the portrait his name and title are in two lines in French. The Hague paper engraving / etching warfare; military affairs (+ commander-in-chief). commander-in-chief, general, marshal

Standing man with gun, 1710 - 1772 Leaf 60 Recto from a sketchbook with 105 sheets. paper. chalk standing figure. firearms: rifle

Savoyard, a letter Delivered to has departure; Knife people, or ultramontain committee, the Savoyards. .

Suffren of Saint-Tropez, Pierre André de.

Knave (Robespierre from France) from Court Game of Geography 1838-55 William and Henry Rock. Knave (Robespierre from France) from Court Game of Geography. 1838-55. Engraving, etching, and hand coloring (watercolor). William and Henry Rock

Portrait of Ferdinand Hertog van Brunswijk-Lüneburg; Ferdinand Duc de Brunswvic & de Lunebourg. Knee piece from Ferdinand Duke of Brunswijk-Lüneburg in military uniform, in a landscape. He holds a command hand in his right hand and his stitch lies before him. Under the portrait his name and title in two rules in French.

MARTêNEZ COMPAîN Y BUJANDA, Baltasar Jaime (1735-1797). Trujillo del Perœ en el siglo XVIII. 1782 - 1785. Vol. 1. Series depicting civilian and military costumes. Quartermaster general. Watercolour. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Palacio Real Library.

Renwick Williams, a man convicted of wounding women. Reproduction of a stipple engraving.

Le Majo ,. Paul Gavarni (1804-1866). Lithographs and Other Works

people ""Der Fuerst"" (The Prince) illustration from ""Muenchner Bilderbogen"" (Munich Sheet of Pictures) wood engraving 19th century,

Henri Jacques-Guillaume Clarke, 1804, (1839). Creator: Julien Leopold Boilly.

The Paw-miny. The cock a toe vulgurly call'd cockatoo.. Walpole, Horace, 1717-1797. Prints, Caricatures. 1781. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Great Britain , 1700-1799

A barber wearing a long cloak is playing the guitar. Coloured engraving by Juan de la Cruz after Manuel de la Cruz.

A Running Postillion, David Allan, 1744-1796, British, born in Scotland, undated, Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 7 1/8 inches (24.1 × 18.1 cm), caricature, figures (representations), letter (correspondence), man, postillion, running, soldier

John Wilkes, Esq. William Hogarth (British, 1697-1764). John Wilkes, Esq., 1763. Etching on laid paper, 13 7/8 x 9 1/8 in. (35.2 x 23.1 cm). European Art 1763

Karl Mathias Rott as Großcanon costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

. Portrait of Willem van Braam, schout-at-night of Holland and West Friesland.

France, 18th century. Caricature of the impoverished author (L'Auteur tombe'). Print by Basset.

Coaching: 1.Postilion, wearing broad-brimmed hat, facing left, James Bretherton, ca. 1730-1806, British, after Henry William Bunbury, 1750-1811, British, 1774, Etching, Sheet: 8 1/8 x 5 5/8in. (20.6 x 14.3cm)

Paoli, Pasquale.

L'Estocq, Anton Wilhelm of.

Sir Thomas Wharton, reign of Charles I, after Van Dyck. "Brother to Philip, now Lord Wharton, 1639, about the age of 25." Whereas Van Dyck shows him in scarlet jacket and breeches, here he is shown in buff clothes, with cane, sword, plumed hat and gorget (neck armour). Handcolored engraving from "Civil Costume of England from the Conquest to the Present Period" drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854).

Nederlanden, Burgh, Hendrik van der, Portrait of Hendrik Delbroek, 1787, Northern Netherlands, verso - stamped, Portrait of the patriot Hendrik Delbroek, nicknamed Steenen Lamp, a street type in The Hague, 1787. Standing full-length to the right., print, prints, Frederik Muller Historical plates, Resembling image of Delbroek nicknamed Steenenlamp, famous supporter of the patriot party in 1787, below - handwritten, height 345 mm, width 254 mm, 1769 - 1858-09-15, print maker, printmaker, 1787 - 1787, paper, papier, lithografie (technique)

Siena: costume of the Tower Contrada,

The right honble. Richard Lord Howe Commander in Chief of his Majesty's Fleet, in the Channel. 1760 - 1900. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Standing man with pipe. Draughtsman: anonymous. Draughtsman: Abraham van Strij (I) (rejected attribution). Dating: c. 1700 - c. 1800. Measurements: h 194 mm × w 124 mm. Museum: Rijksmuseum, Amsterdam.

Tarleton, Banastre .

Portrait of Christoffel afternoon. Portrait of Christopher afternoon, schout-at-night of the Frisian admiralty and cartographer. A sea battle in the background.

Patern-Staff - Weymouth, James Gillray, 1757-1815, British, 1797, Etching, hand-colored, Sheet: 9 x 5 5/8in. (22.9 x 14.3cm)

Napoleon I in Ste Hélène.

Lablache, Luigi.

SIRE, if it's the dolphin that commands we are f ............. / bah! From the triumph of the trocadero, it layer without pilot ... .. (IT)

Standing man with clogs; Standing figures. At the top right: Bladz. 6.

Costume d'hiver, par Humann, 1846, Paul Gavarni (Sulpice-Guillaume Chevalier), French, 1804-1866, 7 7/8 x 5 5/16 in. (20 x 13.49 cm) (image)10 1/16 x 6 15/16 in. (25.56 x 17.62 cm) (sheet), Lithograph on chine applique, France, 19th century

MARTêNEZ COMPAîN Y BUJANDA, Baltasar Jaime (1735-1797). Trujillo del Perœ en el siglo XVIII. 1782 - 1785. Vol. 2. Illustration 49. 'Alcalde Yndio de Valles', an Indian myor. Watercolour. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Palacio Real Library.

Portrait of Hidde Heeremiet, Jacob Ernst Marcus, After Hendrik Willem Caspari, 1816 print Buste of the accountant at the Admiralty of Amsterdam and co-founder of Felix Meritis, Hidde Heeremiet. Amsterdam paper etching / brush

MOZO DE LA SERRANIA DE CORDOBA. Author: R VILLA-URRUTIA. Location: MUSEO DEL ROMANTICISMO-DIBUJO. MADRID. SPAIN.

The author fallen

Woodward, Henry .

Ioh. Gottlob Bochmius Monogramista G.L.

Iffland, August Wilhelm .

Thomas Patch, 1725-1782, British, Lord Macartney Seated, His Head Turned towards the Artist, 1760s. Red chalk on medium, slightly textured, cream laid paper bound in carta fiorentina.

An Arch Duke and An Arch General!!!, unknown artist, eighteenth century, 1799, Etching and aquatint, hand-colored, Sheet: 11 5/8 x 8 7/8in. (29.5 x 22.5cm)

Traitor ... = prince, without the traitors you would never have left England. (IT)

of 2