19th Century Artistic Prints

A collection of prints and engravings featuring historical and artistic themes, showcasing figures, elegance, and intricate details typical of the 19th century.

Francisco de Goya (Spanish, 1746-1828). Ni asi la distingue. (Even thus he cannot make her out.), 1796-1797. From Los Caprichos, no. 7. Etching, aquatint, and drypoint. Plate: 196 mm x 150 mm (7.72 in. x 5.91 in.). Second state.

Young woman sat on a bed, Gustave Wappers (attributed to), 1813 - 1874 print paper etching adult woman. bed

Waiting for an answer | Library of Congress

Seated Nude. Sir William Russell Flint (1880-1969). Red chalk on grey paper. 24 x 33cm

Print made by Thomas Cheesman, 1760-1834/35, British, Lady Hamilton as The Sempstress, 1787. Stipple engraving and etching on moderately thick, slightly textured, beige laid paper.

'A Sketch at Lords', 1881. Artist: Unknown

Mother According is Wincenty Ślendziński. Cleastle from Tygodnik Ilustrowany 1874 (1) 225 Skorski, Konstanty (Fl. 1865 1882), Lendzi, Wincenty (1837 1909)

The filiation', 1799 Artist: Francisco Goya. Plate 75 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.

Salome with the head of John the Baptist ..

Rijn, Rembrandt van, Woman with naked upper body by a stove, verso lower right - pen in brown, print, prints, Rembrandt f. 1658, upper right, 197.189, lower right - pen in brown, J:Barnard, verso upper right - pen in brown, verso lower middle, Remy (kringeltje) 1749, 197, 189, height 226 mm, width 187 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1658 - 1658, third quarter 17th century, derde kwart 17e eeuw, Oriental paper, etching, etchings, drypoint, dry needle, burin, plate tone, Work conception, after own design by

The Tapestry Worker Made 1743 France. Jacques Fabien Gatitier-Dí Agoty adapted the three-plate color printing process invented around 1715 by adding a fourth plate inked in black or bistre to render tonal values more easily. Gautier made only ten reproductions of othersí works. In January 1743, he offered two color prints of The Tapestry Worker and The Young Draftsman after two paintings by Chardin shown in the Salon of 1738 (now in the Nationalmuseum, Stockholm).. Color mezzotint from four plates, on cream laid paper . Jacques Fabien Gautier d'Agoty

Even thus he cannot make her out', 1799 Artist: Francisco Goya. Plate 7 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.

Reading Werther's suffering according to the painting of Wilhelm Amberg. A clip from a German magazine. Amberg, Wilhelm (1822 1899), Brend'amour, Franz Robert Richard (1831 1915)

Brown ink drawing by Friedrich von Amerling from around 1835 showing a portrait draft of a princely abbess with an archduke crown on a lower chair in the foreground.

Etching by Queen Victoria, 1840, (1900). Artist: Unknown

Engraving depicting a scene from Much Ado About Nothing by William Shakespeare. Beatrice, lured to the garden by Hero so that she can overhear a conversation between Hero and Ursula. William Shakespeare (1564-1616) an English poet, playwright, and actor. Dated 19th century

CARROLL, Lewis (1832-1898). English writer, mathematician and photographer. Alice's Adventures in Wonderland. Illustration by John Tenniel. Engraving.

The Parting Look (without Man and Box). George Baxter; English, 1804-1867. Date: 1858. Dimensions: 635 × 470 mm. Steel engraving colored with wooden blocks, on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Photo production of an engraving to a painting: Resting shepherds () ..

Buy the Conqueror Wringer. Try the Conqueror before purchasing any other , Women, Infants, Laundry, Appliances, 19th Century American Trade Cards

'The Fair Penitent: Laetitia in Penitence Finds Relief and Protection from Her Parents', 1789. Artist: John Raphael Smith.

Princess Pauline Metternich, Pauline Princess Metternich-Sándor as Madelon in the play Diner de Madelon title page of Der Floh , Carl von Stur -, caricaturist

Philibert-Louis Debucourt, Modes et Manières No. 49: La Solitude (Fichu posé en Marmotte. Corsage bouffant. Manches longues et larges), 1801, hand-colored etching on paper.

Mon char, mes javelots...(Phèdre). Honoré Daumier (France, Marseilles, 1808-1879). France, 1841. Prints; lithographs. Lithograph

Coming down, Mr. Gustave Jundt table, vintage engraving. Coming down, Mr. Gustave Jundt table, vintage engraved illustration. Magasin Pittoresque 1869. Copyright: xZoonar.com/PatrickxGuenettex 10678847

Vervain flower fairy, Verbena officinalis, in dress of leaves and veil of flowers, standing next to a tree and holding a wooden stick. In the background, a child embraces a dying old man. Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from "Les Fleurs Animees," Paris, Gabriel de Gonet, 1847.

Järnefelt, Eero, work, Keittiössä (Girl weighs a pike), 1906, soft ground etching, colored, graphics, plate width 16.2 cm, plate height 24.7 cm, leaf width 18.2 cm, leaf height 26.7 cm, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Peonne in Valley of Arequipa, Peru, South America. Travel across South America from the Pacific Ocean to the Atlantic Ocean, 1848-1960 by Paul Marcoy (1815 - 1887) First stage, from Islay to Arequipa, Peru. Le Tour du Monde 1862

Alix malade. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: French 18th Century.

Lotus Leaf, Japanese still image. Postcards. 1902 - 1903. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection

Thomas Gainsborough RA, 1727-1788, British, Studies of Girls Carrying Faggots, ca. 1780. Black chalk and stumping, heightened with white chalk on medium, slightly textured, cream laid paper inset into a sheet of moderately thick, slightly textured, cream paper.

Young Woman in the Vaudois after the Grape Harvest. Artist: Wolfgang Adam Töpffer (Swiss, Geneva 1766-1847 Morillon). Dimensions: sheet: 9 13/16 x 7 1/4 in. (25 x 18.4 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.

'Of What Are You Thinking I Do Not Know', 1936. Artist: Paul Gauguin.

Valentine -

A letter from the field post according to the painting of Wilhelm F. Souchon. A clip from a German magazine. Call, Louis (N.N.), Souchan, Wilhelm Ferdinist (1825 1876)

Scene from Mozart's opera 'The Marriage of Figaro'. (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais, first performed on l May 1786 at the Burgtheater, Vienna. Susanna, maid to Countess Almaviva telling the page Cherubino to leave when they hear voices approaching. Instead he will hide in the chair, covered by a drape, only to be exposed by the Count. From 'A Day With Wolfgang Amadeus Mozart' by May Byron. (London, c1914).

A Lady Copying at a Drawing Table, Paul Sandby RA, 1731-1809, British, ca. 1765, Red chalk, black chalk, and graphite on medium, moderately textured, cream laid paper, Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm), copying, desk, drawing (activity), drawing table, genre subject, hat, lady, portrait, woman

Interior detail, wallpaper, panel number 7 'Cupid and Psyche' , Wallpapers, Cupid Roman deity, Psyche Greek deity. Frank Cousins Glass Plate Negatives Collection

Francisco de Goya (1746-1828), what does this confusion mean (65), 1810-1820

Harpist, young woman, long robe, balcony, wealth, castle, listening, man, historical illustration 1895

Egyptian dancer Makart, Hans, 1840-1884. still image. Reproductive prints. 1885. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Women , Egypt, Egypt , Social life and customs, Dance , Egypt, Egyptians , Clothing & dress, headdresses , To 499, Music , Egypt , To 499, Dancers

How HAPPY COULD I BE WITH EITHER, PICTURE BY JOHN SCOTT, ENGRAVING 1876, UK, britain, british, europe, united kingdom, great britain, european

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Allegory of the death of Thorbecke, 1872, June 4, 1872. The Dutch Virgin in mourning lays a wreath on the grave monument of Thorbecke on which the inscription 'Constitution 1848'. Plate published in the weekly De Nederlandsche Spectator, no. 23, 1872., print, prent, prints, prenten, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1872 - 1872, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Title of the secont part of Optique de Portraiture et peinture ...: "La Déesee des Arts lisant avec attention le traité d'optiqe de Grégoire Huret .... Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 13 3/8 × 9 3/16 in. (34 × 23.4 cm)Plate: 13 1/8 × 8 13/16 in. (33.3 × 22.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Dangerous Care According to the Drawing by Józef Szermentowski. Excerpt from Tygodnik Ilustrowany 1876 (2) 65 Skorski, Konstanty (Fl. 1865 1882), Szermentowski, Józef (1833 1876)

Illustration by J. Leech to the poem A Lay of St.Gengulphus. From the book The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, published 1865.

Faust and Marguerite in the garden walking hand-in-hand. Engraving by A. Blanchard III, 1853, after A. Scheffer, 1846.

The Duke Expels Valentine, from Act III, Scene i, Two Gentlemen ofVerona. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

John Everett Millais, The Doll House The Doll House

Spinner with spindle and distaff. Drawing by J. Marques. Engraving by Celesti Sadurni (1830-1896). Artistica Illustration, published in Spain, 1885. Later colouration.

Illustration by Henri Boutet, for 'Francine's Muff' (Le Manchon de Francine) by Louis-Henri Murger, also known as Henri Murger; (1822 - 1861), French novelist and poet.

When Other Friends Are Round Thee. Dated: c. 1853. Dimensions: sheet: 22.86 × 16.03 cm (9 × 6 5/16 in.). Medium: brush and brown ink, wash, and scratchwork on wove paper. Museum: National Gallery of Art, Washington DC. Author: Robert W. Weir.

This illustration of Alice poking the looking glass (mirror) and seeing an old man in the clock , not an actual clock as in the room she just left is from "Through the This illustration of Alice poking poke the looking glass (mirror) and seeing an old man in the clock, not an actual clock as in the room she just left is from "Through the Looking-Glass and What Alice Found There" by Lewis Carroll (Charles Lutwidge Dodgson), who wrote this novel in 1871 as a sequel to "Alice's Adventures in Wonderland." Alice has now stepped through the mantle mirror into another world.

Pretty teaching. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, burnished aquatint and burin

Picture (France); After Jan van Beers (Belgian, 1852-1927); silk

THE DUKE OF EDINBURGH'S COLLECTION AT THE SOUTH KENSINGTON MUSEUM, LONDON

Young woman with a hat and a staff at a fruit tree, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving fruit-tree culture; fruit harvest. head-gear

Hermann and Dorota illustration to the poem by Johann W. Goethe Hermann and Dorothea according to the picture of Ernst Bosch. A clip from a German magazine. Brend'amour, Franz Robert Richard (1831 1915), Paul, Ernst Wilhelm (1856 CA 1930), Bosch, Ernst (1834 1917)

F. Bouisset (French, active 19th century). Bouqueterie, 1899. Lithograph on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

Fox courting a hen turkey II. Caricature of the hommes - betes type.. Grandville, Jean-Jacques (1803-1847), draughtsman, cartoonist

The hours of the day - 8 am Achille Deveria (1800-1857) and Antoine Fondia (1828-1855). "The hours of the day - 8 am". Lithograph colored on paper.

Print made by Charles Turner, 1774-1857, British, Crying Forfeits, c.1826. Mezzotint (first state) on medium, moderately textured, beige, laid paper.

Europe. Spain. Spanish customs. Harvest. Drawing by Valeriano Becquer and engraving by Rico. Almanac. The Illustration, Spain. 1880.

Alice in the Looking-Glass House. Illustration by Sir John Tenniel, 1820-1914. From the book ""Through the Looking-Glass and What Alice Found There"" by Lewis Carroll. Published London 1912.

'Farm Yard', c1845. Artist: Benjamin Waterhouse Hawkins

The Heart of the Rose,1900 After: Sir Edward Burne-Jones (d.1898) Publisher: Berlin Photographic Company, 19th Century, Print, Garden, AngelPre-Raphaelite, Photographic print, Photogravure, Seated

Standing girl, at a fence. Draughtsman: Albertus Brondgeest. Dating: 1813. Measurements: h 248 mm × w 179 mm. Museum: Rijksmuseum, Amsterdam.

Princess Victoria makes a discovery, 1831. Artist: Unknown

A lithograph depicting 'Le monstre et le magicien,' featuring M.r Cooke in the role of the monster and M.r Ménier as Zametti. The print measures 18.7 x 13.5 cm and was published in 1826 in Paris by Chez Bezou. The work is associated with authors Mary Shelley and Jean Toussaint Merle, as well as Anthony Béraud and Thomas Potter Cooke

'Justice to Ireland', 1880. Artist: Joseph Swain

Portrait of Zofia nee Branicki, wife of Artur Potocki - against the background of Naples and Vesuvius. Briułłow, Aleksander Pawłowicz (1798-1877), painter

'Tis Lisette Whom I Adore, and with Reason More and More', c1900-1950. Artist: Unknown

Maid who washes a dish at a water pump, Pieter van Loon, 1811 - 1873, paper, ink, watercolor (paint), pencil, pen, h 296 mm × w 240 mm

Hester Maria Thrale, Giuseppe Marchi, ca. 1735-1808, Italian, after Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), ca. 1766, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 18 5/8 x 14 1/8 inches (47.3 x 35.9 cm), Plate: 18 5/8 x 14 1/8 inches (47.3 x 35.9 cm), and Image: 16 7/8 x 14 1/8 inches (42.9 x 35.9 cm), bonnet, carpet, child, cradle, curtain, dog (animal), dress, girl, oval, portrait

Offrande à l'amour, color wash manner and etching, Portalis/Beraldi 1880, no. 56, State i, Jean-François Janinet (artist) French, 1752 - 1814, Jean Jacques Lagrenée II (artist after) French, 1739 - 1821

Street Artists: the old blind accordion player woman of Pont des Arts, Paris, France, illustration from L'Illustration, Journal Universel, No 727, Volume XXIX, January 31, 1857.

Jessie remained alone at the table, from The Galaxy, July1868. Artist: Winslow Homer, American, 1836-1910

Scene from the life of Turkish women. Chlebowski, Stanisław (1835-1884), draughtsman, cartoonist

'Prepare, America!' , Gestures. George Bellows (1882-1925). Prints and Drawings

Illustration with standing woman in black dress at window at poem teils of Felicien Champsaur; Illustration Pour Deuils de Félicien Champsaur; L'Epreuve. Illustration with woman in black dress standing down a staircase at a window. She is in mourning and looks out the poem's poem of Felicien Champsaur

An engraving depicting a young cricketer. Dated 19th century

Danae and the Brazen Tower, 1900 After: Sir Edward Burne-Jones (d.1898) Publisher: Berlin Photographic Company, 19th CenturyPre-Raphaelite, Photographic print, Photogravure, Female, Architecture, Tower

James Gillray (1757-1815). "French habits, James Gillray (1757-1815). "French clothes, number 9: judge of the correctional court". Engraving.

A Mower by Bouguereau, vintage engraving. A Mower by Bouguereau, 1872 Exhibition of Painting, vintage engraved illustration. Magasin Pittoresque 1873. Copyright: xZoonar.com/PatrickxGuenettex 10679535

Scene from 'The Scarlet Letter' (1850) novel by the American author Nathaniel Hawthorne (1804-1864). Set in the times of the dour Puritan pioneers of New England the heroine, Hester Prynne, has to wear the scarlet letter A for Adultery embroidered on her bodice. Here she is being led to the public pillory. Illustration by Hugh Thomson (1860-1920) for an edition published in 1820. Halftone.

The Sleeping Shepherd; Early Morning. Dated: 1857. Dimensions: plate: 9.5 x 7.8 cm (3 3/4 x 3 1/16 in.) overall (mat size): 27.9 x 35.6 cm (11 x 14 in.). Medium: etching, hand-colored with watercolor and opaque white with gold highlights. Museum: National Gallery of Art, Washington DC. Author: Samuel Palmer.

In Holland Gari Melchers (American, 1860-1932). In Holland, 20th century. Etching on wove paper, Plate: 7 3/4 x 5 7/8 in. (19.7 x 14.9 cm). American Art 20th century

France - 15th century - Joan of Arc in prison. Illustration by Andre de Gauchos commissioned by Albert Ligier for a story about the Saint, 1897

Welcome decoration are hung over a door, historical illustration circa 1893

Heliogravure print by Albert Freiherr von Rothschild, 1891, depicting Weidhof'ner Ninetta, a seated figure in a detailed studio composition.

Bakelseförsäljerska. Oljemålning av Pehr Hilleström (1733-1816). Nordic

Quakeress. Quakeress

L'Anniversaire , Composers, Tombs & sepulchral monuments, Fictitious characters, Angels, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Women with a harpsichord. Colored engraving, 1895.

"Margaret at the Fountain" by Ary Scheffer, from Sir Richard Wallace's Loan Collection, 1872. '...a well-known scene in Goethe's "Faust." Poor Gretchen (that is to say, Margaret), some time after her seduction, meets Lieschen, another girl of her acquaintance, at the public fountain...Lieschen asks whether she has heard the shameful news about their former companion, Barbelchen, who has been detected in a lapse from feminine virtue..."That's what comes of her pride and her idleness, the vain, stuck-up thing! When we were forced to keep hard at work, she was strolling i

Spreader. (Title registered) | The Cree of Paris First Suite. (Title of the whole)

Punch, or the London Charivari. February 11, 1871./ For the sake of these !.(TI)

Hannah Trapnel, a Quaker and a pretended prophet. Line engraving after R. Gaywood, 1823.

of 2