19th Century Domestic Scenes

Intimate domestic settings featuring interactions between figures, showcasing the everyday life and emotional nuances of that era.

Adoration by the Kings, Johann Leonhard Raab, after Giovanni Battista Tiepolo, 1835 - 1899 print München paper. etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh). Cherubim

E.L. Musikexlibris; Bayros, Franz von (1866-1924), Verlag Dr. Rudolf Ludwig (Vienna; Publisher; Ca 1908-1914); 1911 (1911-00-00-1911-00-00);E.L. (Fl. Ca 1911), E.L. (Flow. Ca 1911)-exlibris, Heine, Heinrich (1797-1856), Heine, Heinrich (1797-1856)-iconography, Germany (state), partage plus, romanticism, Witke-Jeżewski, Dominik (1862-1944)- collection, acts, female acts, male acts, eroticism, garland (ornament), heads, flowers, literature, masks, modernism (style), music, notes, eagles, poets, poetry, portraits, portraits of artists, men's portraits, birds, birds, Sculptures, erotic scenes, secession (style), notes, animals, sources (hydrol.)

Now, I only have to clean / your garbage!

Frontispice. Le génie de la musique , Supernatural beings, Composers, Plaques, Berlioz, Hector, 1803-1869, Wagner, Richard, 1813-1883, Brahms, Johannes, 1833-1897, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799. Etching, burnished aquatint, burin. Prints

The Least Strong is the Most Treacherous Made 1828 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet

Francisco de Goya y Lucientes, There is no one to help them., 1810-1820, etching and aquatint.

Landsknecht, anonymous, after Virgilius Solis, 1524 - 1612 print paper engraving / etching the soldier; the soldier's life. landscape with tower or castle. ranks in the army

Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799. Etching, burnished aquatint. Prints

Woman with a dog on a path, Jean Théodore Joseph Linnig, 1839 print paper etching road, path. walking the dog

Painter at work in his studio, Henri de Braekeleer, 1850 - 1879 print paper etching painter at work, in his studio

Allegory on the conquest of Ostend by Spinola, 1604, 1863 - 1882 drawing Allegory on the conquest of Ostend by Spinola, after the capitulation on September 20, 1604. The general Ambrogio Spinola kneels and removes a thorn (the occupied Ostend) from the leg of the Netherlands Lion. In the background the siege of Ostend by the Spanish army in the years 1601-1604. Signed copy to the original print. The drawing stuck on a larger leaf on which a transcription of the Latin verses and some notes. Southern Netherlands paper. ink pen / brush Oostende

Parade in a city with a knight on horseback, Otto von Thoren, 1838 - 1889 print paper. etching riding a horse, ass, or mule; rider, horseman. armour

Chagall, Marc (1887-1985) Private Collection Graphic arts 38x28,4 Mythology, Allegory and Literature Illustration for the poem The Dead Souls by N. Gogol

Beggar with Crutches Made 1881 France. Etching on ivory laid paper . Alphonse Legros

Les Partageuses Thursday you dined at Vachette's Made 1853 France. Lithograph in black on cream wove paper . Paul Gavarni

Already misleading! / 3 (registered title) | Children. (Ts)

Etching by Franz Stöber from 1857 in the Viennese artist album Dolce Far Niete, depicting figures, leisure scenes, and compositional elements using caustic etching.

The slang (Ive Part, Book 7) Albert Morand. The slang (Ive Part, Book 7). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

Lithography by Käthe Kollwitz depicting a Hamburg pub scene, executed in soft varnish, created in 1901.

Description: Femme de Thebes. Location: Aden, Yemen Date: 1900

Bliżej Kultury Publishing house F. Bruckmann A. G., Böcklin, Arnold (1827 1901)

Édouard Manet, The Barricade, 1871, printed 1884, lithograph on cream chine collé on white wove paper.

Album leaf. Los album leaf with a photo of a painting of dogs in a flood. Decorated with colored branches and stems. Beaching at photo album with photos surrounded by pen drawings.

Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.' (Que se rompe la cuerda.) 1814-15 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish This print is from the final group in the Disasters, the caprichos enfáticos, that indirectly and symbolically addresses the social and political havoc created by the war. Here, the figure on the rope probably alludes to the renewed political ascendancy of the Catholic Church in Spain, which had been undermined during the war by the secularizing agenda of both Spanish and Francophile liberals. The decaying rope may evoke the fragility of ecclesiastical privileges regained by force after 1814. The onlooker at lower right, pointing to the rope, is possibly uttering the phrase that serves as the caption to this plate. His alarm is counterbalanced by the nonchalance of the priest, oblivious to his impending fall.. Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.' (Que s

Peter Fendi pencil and watercolor depiction of The Widow's Alms, showing figures, gesture, and compositional elements, created in 1841.

Shipping and Trade, Philips Galle, After Frans Floris (I), After Marten van Cleve (I), 1574 print The Roman deity Doris as personification of navigation and sea trade. She is sitting in the foreground in a large anchor and is surrounded by all kinds of tools, referring to sea shipping. Behind her, on the right, two people are paying nets. At the rear left a wooden boat is built and a sailing ship is provided with a load. The print has a Latin caption and is part of a print series about human business. Antwerp paper engraving Doris, wife of Nereus. "Navigation" (Ripa). Ships (in general) (+ loading). Mending of Fishing Nets. crafts and industries. "Arts' (theory, armor, navigation, agriculture, hunting medicine, theatrica)

Paris / The kitchen. (Title registered (letter))

Girl seated on a rock holding a distaff 19th century Anonymous, 19th century. Girl seated on a rock holding a distaff. Anonymous, 19th century. 19th century. Wood engraving. Prints

Etching by Camille Pissarro titled 'Faders', showing figures and landscape elements with detailed line work, created in 1890.

Group of Children Around a Candle. Jean Baptiste Isabey (French, 1767-1855); printed by Gottfried Engelmann (French, 1788-1839). Date: 1818. Dimensions: 133 × 105 mm (image); 292 × 214 mm (sheet). Lithograph in black with second tint stone in orange on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean-Baptiste Isabey.

Print made by Samuel Davenport, 1783-1867, British, The Blind Harper, 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

Disorderly Folly, plate seven from The Proverbs Made 1815-1824 Spain. The double-bodied creature in this scene likely represents duplicity; literally two-faced, even its feet point in multiple directions. The distorted group kneeling beside the figure suggests a critique of misguided worship. This print has also been associated with the Spanish proverb ìshe who is ill wed never misses a chance to say so,î implying the folly of matrimony.. Etching, aquatint and drypoint on ivory wove paper . Francisco José de Goya y Lucientes

. Demea in conversation with Syrus. Dromo cleans the fish in the house. The figures are the name of their character. Mounted at the top: nobility. AC. III SC. IV.

Vertheidigung des Ræubers Barbone. Defense of the Barbone brigands.. Hess, Peter von, 1792-1871. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Arches, Rifles, Pleading (Begging)

Man with books trapped in a dungeon, Henry Brown, After Jacob Coeman, 1826 - 1870 print paper prison, jail. prisoner; in fetters. adult man. book

Three women on a bed, F.B. Lorieux, After P.J. Chaillou, 1791 print France paper etching / engraving bed

Rienzi bitten tot good, Henri Fantin-Latour, 1886 print On the left, Irene is approaching her brother Rienzi. In the background you can see that the Capitol is on fire. Paris paper One Person Praying. Calamity, distress; 'Calamitã ', 'Calamitã o miseria' (rippa). Opera

Jacques Adrien Lavieille's 'Lunch Break' is a woodcut on rolled china paper from around 1850, showing workers pausing for a meal, emphasizing posture, clothing, and group arrangement.

Fortune teller reads Mans Hand, Sebastiaan Theodorus Voorn Boers, after Jan Hendrik van de Laar, 1847 - 1865 print A woman reads the man's hand who sits on a ruin in front of her. On his lap rests an open book, he holds a passer in his hand. In the background the arch of Constantijn and the Colosseum. The Hague paper fortune-teller ~ pleasure fair and circus. chiromancy, handreading, palmistry Arch of Constantine. Colosseum. Rome

Wall painting fragment from the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale. Culture: Roman. Dimensions: 17 1/4"x 17 1/4". Date: ca. 50-40 B.C..Wall painting fragment from the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale. Seated woman and man standing before an altar. Museum: Metropolitan Museum of Art, New York, USA.

The courtille.////////llow, so much of my mother you dehlo ourselves. (Title registered (letter))

Picture photography: Escape to Egypt, fragment of the Dominician polyptych, in the collections of the National Museum in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); 1896-1897 (1896-00-00-1897-00-00);Amalia (1846-1928) - collection, Krieger

A father with two children at the mother's grave. Draughtsman: Willem Hendrik Schmidt. Dating: 1842. Measurements: h 292 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

Men in a tavern standing around a bar ca 1890-1910 (reprinted 1964) José Guadalupe Posada. Men in a tavern standing around a bar. José Guadalupe Posada (Mexican, 1851-1913). ca 1890-1910 (reprinted 1964). Metal plate engraving. Prints

Francisco Goya's 'Los Caprichos: Tú Que No Puedes' (1799) is an etching and aquatint showing a powerless figure, highlighting social critique, human limitations, and expressive gestures.

Laundress Kunigunde (title on object), A woman does laundry in a large tub. A second tub stands on the floor next to her. In addition, a smaller tub with laundry, wash house, home laundry, laundry room, Louis Charles Hora Siccama (mentioned on object), 1864, paper, etching, h 146 mm × w 120 mm

Drawing, Mathäus Küsel, 1680 print Drawing academy with a living model on a stage. The draftsmen are on benches. There is also a skeleton in the room and a lute hangs on the wall above a cupboard. Under the performance four lines of text in Latin. The print is part of an album. Augsburg paper etching drawing-lesson. draughtsman at work. academy, association of artists. artist (in general) working from live model

Entre onze heures etminuit.. Artist: Paul Gavarni, French, 1804-1866

Reader in a window. There are several figures in a window, one of which is a candlelight. The others listen.

Portrait of Charles Meryon Sitting Up in Bed 1858 France. Soft ground etching on ivory Japanese paper . Léopold Flameng

Flight to Egypt, Lodewijk Schelfhout, 1923 print Maria driving on a donkey in a snowy hilly landscape. She wears the Christ child in her arms, which hide behind her cloak. Joseph is running for them. paper drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. snow

Drawing; Fine Arts. Drawing academy with a living model on a stage. The artists sit on banks. There is also a skeleton in the room and a lute hangs on the wall above a cupboard. Under the show four lines text in Latin. The print is part of an album.

The Salute of the Cannon, Algiers. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1911. Dimensions: 120 × 200 mm (image/plate); 170 × 240 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

L'Amour Parmi Les Ruines; Jasi Ski, Feliks Stanis , Arthur Tooth & Sons (London, Paris, New York; Publisher; Fl. 1868-1901); 1899 (1899-00-00-1899-00-00);Art Nouveau (style), Printsellers' Association (London-Association-1847-1910), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), Francus ( Culture), French graphics, Polish graphics, women, men, Poland (culture), genre scenes, symbolism (style)

- Just look at that! the train that's about to pass is lucky to have a narrow escape... the whole affair would have blown up if I hadn't noticed in time.. - What is it then, what is it - Why, it's obvious, a needle has been placed right on the rail.. luckily I saw it in just in time!,” plate 1 from Les Chemins De Fer 1843 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

The skeleton of Death pulls on the arm of a mother in a nursery. Death carries off one child as another flees. The Mother breastfeeds a baby on her lap. Die Mutter. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from a series of Dance of Death, originally published in the Lavenburg Calendar in 1792. Reprinted in Totentanz from the original copperplates by Walther Nithack-Stahn, Eigenbrodler Verlag, Berlin, 1926.

Group men dives to coins on the floor, Charles Auguste Loye, 1877 print Scene from Book 5, Chapter 13, from Gargantua and Pantagruel by Rabelais. paper etching / drypoint coin. Greed, Covetousness, Cupidity; 'Cupidití' (Ripa)

Sous le charme, editorial proof. Chardon & Sormani (Paryż ; drukarnia ; fl. ca 1886-ca 1892), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Worms, Jules (1832-1914 aut 1924), painter

Un morceau de Schumann , Musicians, Spouses, Pianos, Flutes, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Pierrot dresses pony with plume (sketch), leo gestel, c. 1935 - Before 1936 drawing Pierrot with whip on the right, a dark -colored pony with plume on the back and bridle on the left (and profil) is dressed. paper. India ink (ink) types in 'commedia dell'arte': Pierrot

Interior with an old man, Johann Wilhelm Kaiser (I), After Salomon Koninck, 1823 - 1900 print Interior with an old man at a table. On the table a globe, books and an hourglass. The print is part of a series of 25 prints to Dutch masters. Above the image: Pl VII. paper. etching wise man. hourglass. globe

Crinoline, Anonymous, c. 1860 drawing Woman with hat, sitting under a tree. paper. ink. watercolor (paint) pen / brush fashion plates

Figure Wearing a Fur Cap, Facing Left, from the series Small Studies ofHeads. Artist: Giovanni Benedetto Castiglione, Italian, 1609-1664

Menu for a dinner of the Société des Bibliophiles Contemporains; Diner des Ombres des Bibliophiles Contemporains. An explosion through which parts of a printing press and books are blown into the air. In the foreground a feminine nude with a torch in her hand, she has been hit against the ground by the explosion. Dinner took place on April 6, 1895 and the dramatic show was a reference to the cancellation of the society on November 10, 1894.

The lion and the unicorn , Gargoyles, Stairways, Lions, Unicorns. Sir David Young Cameron (1865-1945). Prints

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