19th Century Engravings

Engravings illustrating lively social scenes and significant historical events in a detailed, vintage style.

Engraving depicting a General view of Rome, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Engraving depicting a General view of Rome, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Freed slaves to thank the mayors of Amsterdam for their liberation, ca. 1682-1684, Jan Luyken, Jan Claesz ten Hoorn, 1684

Luyken, Jan, Amsterdam, The illustration of how the Magistrates and Clergy of the city of Amsterdam were led out of the ship on 26 May. 1578, Alteration of Amsterdam, May 26, 1578, 1578. The Spanish-minded city council and the Roman Catholic clergy are forced to leave, on the quay at the Dam they step into boats that are ready., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 274 mm, width 347 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1679 - 1694, paper, papier, etching, etchings, Work conception, after own design by

Ceremonial move -in of his majesty Franz I to his residence city of Vienna on June , Recorded by Emperor Franz I in Vienna on June , Langer, Copper Engraver, After, Johann Josef Schindler -, Artist, Anton Paterno, Publishing House

Campo San Zanipolo Decorated for the Visit of Pius VI. Dated: 1782. Dimensions: overall: 34.1 × 46.7 cm (13 7/16 × 18 3/8 in.). Medium: pen and dark brown inks with gray wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Domenico Fossati.

Spain (1820-1823). Liberal Triennium. Memorable 7th July 1822 in Madrid at four o'clock. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

History of Spain. Madrid. Opening of the Spanish Courts on February 15, 1878. Arrival of the King and Queen at the Palace of the Courts. Drawing from life by Ferrant. Engraving. La Ilustración Española y Americana, 1878. Author: Alejandro Ferrant y Fischermans (1843-1917). Spanish artist.

Northern Netherlands, City Hall of Amsterdam, almanac plate from ca. 1786, verso - stamped, Mayors in the city hall of Amsterdam. Part of a group of 6 plates from an almanac from ca. 1786. Marked at the top: VI., print, prent, prints, prenten, Frederik Muller Historieplaten, height 87 mm, width 56 mm, print maker, prentmaker, 1786 - 1790, paper, papier, etching, etsen

Painting depicting the entry of Henry IV into Paris. Henry IV (1367-1413) was King of England and Lord of Ireland. Dated 14th Century

Speculum Romanae Magnificentiae: Papal Benediction late 16th century Giovanni Ambrogio Brambilla Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set

The Pillory and the statue of Charles I, Charing Cross, London, England, 18th century

Execution of the Count Ferdinand von Hardegg in Vienna at the square am Hof on June , Unknown

Tullia drives over her father Tullius's body, Jean Lepautre, 1628 - 1682 print France paper etching Tullia drives her chariot over the dead body of her father Servius Tullius

The Barberi race (horse race) arriving at the Arch of St Peter, feast of St John, Florence, Italy, drawing by Levasseur, from L'Illustration, Journal Universel, No 438, Volume XVIII, July 17-24, 1851.

Federal meeting in Geneva, trial of those accused on August 22, Switzerland, from a sketch by Champod, illustration from L'Illustration, Journal Universel, No 1143, Volume XLV, January 21, 1865.

President James Buchanan inaugurating the equestrian statue of George Washington, February 22, Washington, United States of America, from a drawing by Casimir Vernier, illustration from L'Illustration, Journal Universel, No 890, Volume 35, March 17, 1860.

'Smithfield Market, 1810', 1920. Artist: Thomas Rowlandson.

The impeller; Javelin between Ververs and Wevers in Florence (July 25, 1619); Battaglia del Re Tessi E del RE Tinta Festa Rapresentata in Firenze Nel Fiume d'Arno Il di XXV di Luglio 1619. View of the Arno river in Florence, where a jam takes place between Ververs and Wevers. From the banks and two bridges, many interested parties are giving the festivities. In the foreground some carriages and first name spares. At the top of the show a banderole with Italian text. The scene is caught in a cartouche in the form of a range, hence the nickname of this print.

Saluting the President of the French Republic, Napoleon III, in the throne room of the Capitol, Toulouse, France, illustration from L'Illustration, Journal Universel, No 503, Volume XX, October 16, 1852.

Doktorpromotion in der Universität Altdorf, Deutschland, 1750, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Bliżej Kultury unknown

The wedding procession of Napoleon and Marie-Louise along the Champs Elysees on 2nd April 1810 by Anonymous / Private Collection / 1810 / France / Etching, watercolour / History / 35,3x45,7

Windhall in the Rue Questsponsive Penoix, 1720, 1720 Face in the Rue Quinquempoix in Paris where the wind trade was mainly driven. Starts on the street between traders and ruined buyers. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. print maker: Northern Netherlandspublisher: Paris paper etching Paris Face in the Rue Quinquempoix in Paris where the wind trade was mainly driven. Starts on the street between traders and ruined buyers. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. print maker: Northern Netherlandspublisher: Paris paper etching Paris

Giuseppe Gherardi (1756-1828), the Feast of gifts in Piazza della Signoria in Florence, 1809. The feast was held under The Loggia dei Lanzi building. In the background Palazzo Vecchio.

In 't Jaar 1568. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

The Arrival of King Frederick I in Berlin, Germany, Frederick I 11 July 1657, 25 February 1713, from the House of Hohenzollern was the first King of Prussia, since 1688, as Frederick III he took Margrave of Brandenburg and Elector of the Holy Roman Empire and sovereign Duke in Prussia in 1701, as King Frederick I of the name, Historical, digital reproduction of an original 19th century artwork, Europe

Capital Execution, Revolution Square. Work of the Pierre-Antoine Demachy's school. Oil on canvas. FRANCE. LE-DE-FRANCE. Paris. Mus_e Carnavalet (Carnavalet Museum).

Reception of the body of Napoleon Bonaparte in the Hôtel des Invalides in Paris in 1840. Lithograph by V.J. Adam after J. Arnout.

Solemn entry of S. Mr. Louis XVIII in Paris by the Gate St Denis on May 3, 1814

The trial of King Charles I of England. From The National and Domestic History of England by William Aubrey published London circa 1890

Federation Generale de Francais au Champ de Mars le 14 juillet 1790. Dated: probably 1794. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Duclos after Charles Monnet.

Covent Garden Market, Westminster Election (Day). Circa 1808. After a work by August Pugin and Thomas Rowlandson in the Microcosm of London, published in three volumes between 1808 and 1810 by Rudol

One of the Montgolfier brothers departing from England (18th c.). Engraving.

The equestrian statue of the King of the Romans Claude Gell�e (said Lorraine, around 1600-1682). "The equestrian statue of the King of the Romans", 1637. Forte, 3rd state. Museum of Fine Arts of the city of Paris, small palace.

Catherine II on the balcony of the Winter Palace, welcomed by the Guards and the people on the day of the coup on June 28, 1762. Joachim Kestner

An engraving depicting Regent Street, London, during the Season. Dated 19th century

The celebration for the inauguration of the Freedom Tree in Revolution Square in Amsterdam on March 4, 1795 Holland / Das Fest zur Einweihung des Freiheitsbaum auf dem Revolutionsplatz in Amsterdam am 4. März 1795, Holland, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

Charlatans in the Piazzetta San Marco in Venice, by Gabriel Bella (1730-1799).

Der Karneval in Nizza, Frankreich, Historisch, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt

Eighteen nobles in Brussels beheaded, 1568, 1588 print The beheading of eighteen nobles, including the two brothers of Batenburg, on a scaffold on the Paardenmarkt in Brussels, 1 June 1568. Printed with cache over the caption. paper etching on the scaffold or place of execution Brussels. Zavel

A wagon announcing the feast of St John, Florence, Italy, drawing by Levasseur, from L'Illustration, Journal Universel, No 438, Volume XVIII, July 17-24, 1851.

Historical photo (ca 1880) of King Agrippinus, painting by Vittore Carpaccio, Venice, Venezia, Italy, Historical, digitally restored reproduction of a...

Jacques Callot, Parade in the Amphitheater, 1616 Parade in the Amphitheater

Venice, Senate of Venice, Furlani, Ludovico, Italy, Canaletto, Brustoloni, Giovanni Battista, Solennità dogali, Habita a Serenissimo Duce in Basilica D. Marci ad populum allocutione, ab eoque Dux salutatus, Doge being carried by crowd through St. Mark's Square, verso - stamped, The Doge of Venice is carried from the St. Mark carried across St. Mark's Square through a crowd of spectators. In the foreground men with sticks make a path through the crowd., print, engraving, prints, engravings, height 445 mm, width 563 mm, Italian, 1712 - 1796, print maker, printmaker, 1766 - 1766, paper, papier, etching, etchings, 1697 - 1768-04-20, after, after a painting by, Publication (Event), Publication, publisher, granter of privilege

Vincenzo Rustici (1556-1632). Bull races in Piazza del Campo in Siena, around 1585. Oil on canvas, 126x192 cm. Detail.

James Fittler, 1758-1835, British, King on His Throne in the House of Lords, ca. 1820. Engraving.

Die Judengasse in Wien, Austria, historical wood engraving, ca. 1880, digitally restored reproduction of a 19th century original, exact original date ...

The procession of Francis Goodchild, Lord Mayor of London, in an elegant ceremonial coach, watched by a crowd on the ground and Frederick, Prince of Wales, with his consort, on a balcony. Engraving by Thomas Cook after William Hogarth, 1795.

Regency fops and belles promenading at Hyde Park Gate. The Arrival, or Western Entrance to Cockney Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Obratnoe shestvie Ikh Imperatorskikh Velichestv iz Uspenskago sobora v Kremlevskii dvorets. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

The fountain of the regeneration, on the Debris of the Bastille Helman / Charles Monnet. "The fountain of regeneration, on the debris of the Bastille, August 10, 1793".

Via Toledo from Holy Spirit Square and Palazzo Doria d'Angri in Naples, 1837, by Gaetano Gigante (1770-1840), Italy 19th Century. Oil on canvas, detail.

Johan van Oldenbarnevelt's decapitation, 1619; Abbildung Der Iustitien Geefhen in s'graven Haege den 13 May A.O 1619 An Iohan von Olden Barnefelt Gewener's lawyer of Hollandt. The beheading of Johan van Oldenbarnevelt at the Binnenhof in The Hague on May 13, 1619. View of the square with all surrounding buildings and the collected audience. Under the show, six lines are Latin and on the right twelve rules German.

Stories of St Ursula, the Ambassadors Return to the English Court, 1495, by Vittore Carpaccio (ca 1465- ca 1526), oil on canvas, 297x527 cm. Detail.

Courtyard of a palace with crowd, anonymous, 1600 - 1699 print View of the courtyard of a large palace. There is a crowd of people in the courtyard and the balconies. In the foreground on the right an ornamental canopy with on top of Apollo in his solar wagon. The print is part of an album. paper etching inner court of palace or 'hôtel'. crowd, mob. piece of sculpture, reproduction of a piece of sculpture. Apollo in the chariot of the sun, drawn by four horses, usually preceded by Aurora holding a torch; 'Carro del Sole' (Ripa)

King on His Throne in the House of Lords, James Fittler, 1758-1835, British, after Edward Pugh, 1763-1813, British, ca. 1820, Engraving, Sheet: 6 9/16 x 8 1/16in. (16.6 x 20.4cm)

Michele Bellanti (1807-1883). Maltese painter. View of the San Paolo Street. Lithograph. National Museum of Fine Arts. Valletta. Malta.

FEE OF THE FOUNDATION OF THE REPUBLIC. / 1st Vendemiaire An 5. (registered title (letter))

'Embarco del Dux de Venecia' (detail), After 1595, Oil on canvas, P00044. Author: LEANDRO DA PONTE BASSANO (1557-1622). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Grand ceremonial banquet at the French Court in the 14th century, with "entremets" (dishes that were served after roasts, vegetables and sweets). Engraving by Huyot from "Dictionnaire raisonné du mobilier français de l'époque carlovingienne à la Renaissance" by Viollet-le-Duc (1814-1879). "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

Inauguration of Willem I in Brussels on September 21, 1815, c. 1825 Inauguration of King William I in Brussels on September 21, 1815. Standing on a platform in the open air, the king takes the oath in front of the public. The show is scratched. copper (metal) engraving / etching new ruler taking the oath Brussels

Ausladestelle an der Seine, Händler mit Waren für den Markt, Paris, um 1880, Frankreich, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, historisch, Ein geschäftiger Marktplatz mit Zelten und vielen Menschen vor einer städtischen Kulisse

France, Tortorel, Jacques, L'assemblee des trois estats, tenus à Orleans au mois de Ianvier 1561, Assembly at Orléans, 1561, Assembly of the three estates at Orléans, January 1561. In the presence of the king, his mother and the Duke of Guise. In the caption the legend AX and a 6-line text in French. Unnumbered., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 362 mm, width 490 mm, French, print maker, printmaker, 1570 - 1570, Lassemblee des troius estatz, tenus a Orleans

Book 23-1-18. Tournament at the Vatican in the 15th century. French engraving. 16th century. Library of the Escorial. Madrid. Author: Antonio Lafreri (1512-1577). Location: MONASTERIO-BIBLIOTECA-COLECCION, SAN LORENZO DEL ESCORIAL, MADRID, SPAIN.

The Federation in 1790. Works at the Champ de Mars, the eve of the Federation. (IT)

Franz Joseph Haydn 1732-1809 at the Performance of The Creation celebrating his 76th birthday in Great Hall of Vienna University March 27 1808

Set design for the first production of the opera by M. P. Mussorgsky 'Boris Godunov'. Artist M. Bocharov.

In gardens by Mihaly Zichy, color lithograph, 1856, 1827-1906, Russia, Moscow, State History Museum,

ROUSSEAU, Jean Baptiste (1670-1741). French poet. Rosseau's mortal remains being carried to Panth_on. Paris. 11th October 1974. Ilustration by Girardet. Engraving.

Meeting of the French Academy of 23 April 1868, reception by Mr Jules Favre, Historical, digitally restored reproduction of a 19th century original, e...

July fourteenth. Albert Bligny (1849-1908). July fourteenth. Photomechanical process.

France, Paris, Huquier, Jacques Gabriel, 8th. View of the new optical illusion, representative of the St. Ovide Fair, which is situated in the Place Vendôme, in Paris, View of the Place Vendôme in Paris with the Saint-Ovide Fair, Numbered in the title: 8., print, optic print, prints, optic prints, height 202 mm, width 275 mm, Publication (Event), Publication, French, 1725 - 1805-06-07, publisher, 1735 - 1805, paper, watercolor (paint), watercolour, etching, etchings, brush, Borstel, perforating, print maker, printmaker

Allegory to the restriction of the import of foreign luxury goods, Johann Hieronymus Delete Kohl -, publishing house

Julerl, the cleaning maker by Meisl Gallerie Drolliger Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

christmas christmas market royal castle Berlin copper engraving by J. L. Halle after drawing by J. D. Schubert late 18th century,

'Town of Riga Swearing Allegiance to Russia in 1710'. Russia, 1868. Dimensions: 228x382 cm. Museum: State Hermitage, St. Petersburg. Author: ALEXANDER VON KOTZEBUE.

French Revolution (1789-1799). National Convention. Interrogation of King Louis XVI before the National Convention, December 11, 1792. Colored engraving.

Old Smithfield Market. Date/Period: 1824. Painting. Oil on canvas. Height: 508 mm (20 in); Width: 699 mm (27.51 in). Author: Jacques-Laurent Agasse.

The German pavilion at the Universal Exhibition of 1900, Paris, 1900. Artist: Unknown

Bartholomew Fair, John Bluck, active 1791-1831, British, Thomas Rowlandson, 1756-1827, British, after Augustus Charles Pugin, 1762-1832, French, 1808, Aquatint, hand-colored

Opening of the first Italian Exposition of Industry and Art at Florence by Victor Emmanuel, 1861. '...half the assembled thousands were of the softer but less easily close-packed sex - for every ticket gave the hearer the privilege of taking in a lady on his arm...As soon as the "Re galantuomo" had entered, and, declining to seat himself on his throne, taken up his position, standing a little in front of and almost among the crowd of spectators, the burst of vivas, the waving of pocket-handkerchiefs, and the shouts of "Vittorio Emmanuele, Re d'ltalia!" were such as to show

Victoria and Albert on a visit to Glasgow, landing from the "Fairy" Yacht Date: 1849

Carnival according to the image of Francois Flameng. A clip from a German magazine Boileau (n.n.), Flameng, Francois (1856 1923)

The fish market on Dam Square, Amsterdam, Netherlands in 1797. From a print by John Henry Wright after a drawing by Thomas Rowlandson.

Ceremony for the laying of the foundation stone of the Galleria Victor Emmanuel II in Milan, March 7, 1865, by Domenico Induno (1815-1878), oil on canvas. Italy, 19th century.

Gate of Calais O The Roast Beef of Old Engalnd From the original picture by Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

Riot at the bridge of the Archbishop in Paris during the revolution of 1848, painting by Philippe Chaperon (1823-1907). France, 19th century.

Joseph Constantine Stadler, active 1780-1812, British, The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic. Aquatint, hand-colored.

The Republic at the Zenith of Its Power. Golden Liberty. The Royal Election of 1573, by Jan Matejko. Golden Liberty (Latin: Aurea Libertas; Polish: Zota Wolno,) was a unique aristocratic political system in the Kingdom of Poland and, after the Union of Lublin (1569), in the PolishñLithuanian Commonwealth

View of the Market and Fountain of the Innocents, Paris, 1822. Oil on canvas. John James Chalon (1778-1854) British painter. Busy market scene with fruit and vegetable stalls, shoppers and horse-drawn wagons.

CARRO DEL PARNASO-MASCARA EN EXALTACION POR FERNANDO VI-1747-DET CARRO (CONJ Nº 120113). Author: DOMINGO MARTINEZ (1688-1749). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. FERDINAND VI. VON SPANIEN.

Catalina II de Rusia (1729-1796) llamada la Grande. Escena en que es reconocida como Emperatriz de todas las Rusias en 1762.

Old Smithfield Market, London Signed in brown paint, lower left: "JLA", Jacques-Laurent Agasse, 1767-1849, Swiss

Italy, 18th century. Florence, Piazza Santa Croce with a Florentine football game or costume football game in 1739. Painting.

William Johnstone White, active 1804-died c.1870, British, House of Commons, as it appeared in 1741-2.

Italy Venice events deprivation of the ancient horses from San Marco Cathedral by the French 1797 wood engraving 19th century after copper engraving by Jean Duplessi-Bertaux,

Marie Antoinette coming out of the concierge, Table by Mr. Georges Cain, according to Mr. Block's photograph. (IT)

Castle in Neustadt an der Weinstrase by unknown artist, Woodcut, 1832, Private Collection

PLAZA MAYOR LIMA (PERU) - 1680 - FUENTE Y MERCADO. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

The Four Stages of Cruelty First Stage of Cruelty Engraved by T. E. Nicholson after Hogarth from The Works of Hogarth, London 1833, The Four Stages of Cruelty First Stage of Cruelty Engraved by T E Nicholson after Hogarth from The Works of Hogarth published London 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

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