19th Century Etchings of Nature

A series of etchings depicting serene landscapes and natural settings, highlighting trees, rivers, and distant architecture with a focus on light and texture.

Dune road, Gerard ter Borch (II), c. 1634 - c. 1635, Sheet 54 recto from a sketchbook with 55 sheets., draughtsman: Gerard ter Borch (II), Haarlem, c. 1634 - c. 1635, paper

Francis Seymour Haden, 1818-1910, British, Sawley Abbey, 1873. Etching and drypoint on thick, slightly textured, cream wove paper.

Souvenir de Toscane (Memory ofTuscany). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

The Philosophers' Retreat (Le Repos des philosophes) 1871 Camille Corot French. The Philosophers' Retreat (Le Repos des philosophes). Camille Corot (French, Paris 1796-1875 Paris). 1871. Transfer lithograph; second state of three. Prints

Print made by Joseph Mallord William Turner, 1775-1851, British, Crowhurst, between 1813 and 1823. Etching, printed in brown ink on medium, slightly textured, cream wove paper.

Sub Tegmine... 1859 Sir Francis Seymour Haden Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity". Haden created this composition on a summer afternoon spent with Whistler in Londons Greenwich Park. A naval pensioner reclines under the sundrenched foliage of the sycamore trees that dominate the scene. Whistlers handwri

Jean Baptiste Camille Corot, Souvenir of Lake Maggiore (Souvenir du Lac Majeur), 1871 Souvenir of Lake Maggiore (Souvenir du Lac Majeur)

Krajobraz z chatami i rybakiem. Morgenstern, Carl Ernst (1847-1928), graphic artist

Along the River (Le long de la rive). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Dune road, Gerard ter Borch (II), c. 1634 - c. 1635, Sheet 54 recto from a sketchbook with 55 sheets., draughtsman: Gerard ter Borch (II), Haarlem, c. 1634 - c. 1635, paper

Bliżej Kultury H. Kleinmann & Co Haarlem, Rembrandt van Rijn (1606 1669)

La liseuse: La lecture sous les arbres (Woman Reading: Lesson under theTrees). Artist: Alphonse Legros, French, 1837-1911

A Morning, 1887. Elbridge Kingsley (American, 1841-1915). Wood engraving;

The Road to St. Gilles. Louis Auguste Lepère; French, 1849-1918. Date: 1911. Dimensions: 226 × 287 mm (image); 249 × 296 mm (plate); 266 × 367 mm (sheet). Etching and drypoint on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ville d'Avray Pond with Boatman, Evening 1862-1863 France. Etching and drypoint on cream China paper laid down on white wove card . Jean Baptiste Camille Corot

View of the Schenkweg with the dome, Jan Weissenbruch, 1849 print There are some trees along the Schenkweg in The Hague. On the right is a building that was used as a studio by the artist Johannes van der Drift. There are a few figures on the road, including members of the Haagsche Ettclub. The Hague paper. etching landscapes. workshop. adult man. road, path. trees Gift

Windmill Hill, No. I. Francis Seymour Haden; English, 1818-1910. Date: 1877. Dimensions: 150 × 226 mm (image/plate); 214 × 310 mm (sheet). Drypoint on copper printed on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Jean Baptiste Camille Corot, Little Shepherd, 1st Plate (Le Petit Berger), 1855 Little Shepherd, 1st Plate (Le Petit Berger)

John Linnell, 1792-1882, British, Tythrop, 1817. Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper.

Along the Riverbank. Alphonse Legros; French, 1837-1911. Date: 1880-1890. Dimensions: 175 × 215 mm (plate); 239 × 271 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sheaves of Rye. Louis Auguste Lepère; French, 1849-1918. Date: 1913. Dimensions: 171 × 271 mm (image); 181 × 280 mm (plate); 269 × 397 mm (sheet). Etching on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le Cap Martin. Artist: Henri-Joseph Harpignies (French, Valenciennes 1819-1916 Saint-Privé). Dimensions: 15 1/4 x 21 1/16 in. (38.7 x 53.5 cm). Date: 1910. Museum: Metropolitan Museum of Art, New York, USA.

Capt. Thomas Hastings, 1778-1854, British, Mr. Nash's, East Cowes, 25 June 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

The Island Opposite Boyle's Farm. Francis Seymour Haden; English, 1818-1910. Date: 1869. Dimensions: 176 × 254 mm (image/plate); 220 × 292 mm (sheet). Etching with drypoint on copper on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thames Ditton-with a Sail Made 1864 England. Etching on ivory laid paper . Francis Seymour Haden

Dans les ruines , Trees, Ruins, Alphonse Legros (1837-1911)

Evening in the Park 1903 Norway. Etching in brown-black on cream wove paper . Edvard Munch

Evening in the Park. Edvard Munch; Norwegian, 1863-1944. Date: 1903. Dimensions: 171 x 238 mm (image); 177 x 249 mm (plate); 316 x 450 mm (sheet). Etching in brown-black on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Potato rooisters at Katwijk, Carel Nicolaas Storm van 's -Gravesande, 1887 - 1889 print Two kneeling women grub potatoes. A church tower on the horizon. Netherlands paper drypoint reaping, picking, mowing ~ harvest. potatoes Katwijk

Camille Pissarro (French, 1830-1903), In the Fields at Ennery (Dans les champs, a Ennery), 1875, drypoint (zinc) posthumous impression

Bos, 1834 - 1906 Page 6 Recto from a sketchbook with 39 sheets. paper. pencil forest, wood

Jean Claude Richard de Saint Non after Jean Honoré Fragonard, Le Petit Parc, 1763 65 Le Petit Parc

The Shepherd and the Shepherdess, 1874. Charles François Daubigny (French, 1817-1878). Etching; sheet: 32.6 x 24 cm (12 13/16 x 9 7/16 in.); plate: 28.4 x 21.6 cm (11 3/16 x 8 1/2 in.).

Boom, Gerard van Nijmegen, after Rembrandt van Rijn, 1745 - 1808 print Rotterdam paper etching trees

On the Test. Francis Seymour Haden; English, 1818-1910. Date: 1854-1864. Dimensions: 149 × 223 mm (image/plate); 155 × 229 mm (sheet). Etching with drypoint on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thames Fishermen. Dated: 1859. Medium: drypoint with etching. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Alexander Cozens, 1717-1786, British, Hyde Park, between 1746 and 1750. Black chalk with white gouache and buff-gray ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper.

A Vermont village , Villages, Roads, Animal teams, Carts & wagons. Childe Hassam (1859-1935). Prints and Drawings

Netherlands, Apol, Louis, Sailing with a sailing boat, verso middle - stamped, print, prints, height 50 mm, width 85 mm, Dutch, 1850-09-06 - 1936-11-22, print maker, printmaker, 1860 - 1936, third quarter 19th century, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, second quarter 20st century, second quarter 20th century, paper, papier, etching, etchings, drypoint, dry needle

Two Figures on a Country Road. Dimensions: overall: 5.6 x 9.4 cm (2 3/16 x 3 11/16 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: John Varley.

Landscape with Poortgebouw, Jan Frederik van Deventer, 1832 - 1886 print paper etching / drypoint gate, entrance

Landscape with Trees. Dated: c. 1902. Dimensions: plate: 9.8 × 13.9 cm (3 7/8 × 5 1/2 in.) sheet: 19.1 × 21.7 cm (7 1/2 × 8 9/16 in.). Medium: drypoint, etching and roulette on wove paper. Museum: National Gallery of Art, Washington DC. Author: Paula Modersohn-Becker.

Little Poigny. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1906. Dimensions: 76 x 90 mm (image/plate); 84 x 95 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Poissy. Louis Auguste Lepère; French, 1849-1918. Date: 1908. Dimensions: 178 × 219 mm (image/plate); 230 × 290 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Study for The Cypress Trees of Montezuma, Park of Chapultepec, Mexico; Samuel Colman (American, 1832 - 1920); USA; recto: black crayon, pen and brown and black inks, brush and gray watercolor wash on paperboard. verso: graphite, pen and brown ink, brush and sepia wash on paperboard. ; 27.3 x 38 cm (10 3/4 x 14 15/16 in.)

Park landscape with grave monument, Ernst Willem Jan Bagelaar, 1798 - 1837 print Netherlands paper etching grave-building, monumental tomb

Landscape with two boys in the foreground, Anonymous, 1826 drawing paper. pencil

Etched by Joseph Mallord William Turner, 1775-1851, British, Dumbarton Rock, between 1813 and 1823. Etching printed in brown ink, with graphite Early state (touched) on medium, slightly textured, cream wove paper.

Auguste Deltre, Douze Eaux-Fortes et Pointes Seches, VII: Night Scene with Church Steeple in Distance, 1877, etching and drypoint on paper.

Souvenir of Italy Made 1862 France. Etching on cream laid paper . Jean Baptiste Camille Corot

Josef von Führich's drawing book, started December 10, 1806, includes pencil studies of figures, poses, and compositional arrangements.

La Gardeuse de chèvres (The GoatKeeper). Artist: Charles-François Daubigny, French, 1817-1878

Knotwilgen on the Waterkant, Augustinus Jacobus Bernardus Wouters, 1839 - 1888 print Face over a water with four pollard willows. In the foreground two figures in a sloop and a mill in the background. Netherlands paper etching trees: willow. windmill. rowing-boat, canoe, etc.

Francis Seymour Haden, 1818-1910, British, Kensington Gardens, no. 2 (large plate), 1860. Etching and drypoint, with plate tone on medium, smooth, cream Asian paper.

Woman with basket on her head in fordable place, Hendrik Jozef Franciscus van der Poorten, 1841 print paper etching wading, paddling - AA - female human figure

La Marais (The Swamp) 1849 Rodolphe Bresdin French. La Marais (The Swamp). Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). 1849. Etching; second state of two (Van Gelder). Prints

Rijn, Rembrandt van, Landscape with a haystack and a flock of sheep, verso lower left - stamped, print, prints, Rembrandt f 1652, lower left, height 83 mm, width 175 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1652, third quarter 17th century, derde kwart 17e century, paper, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Autumn's Grey and Melancholy 1884 Henry Farrer American. Autumn's Grey and Melancholy 382737 Artist: Henry Farrer, American, London 18441903 New York, Autumn's Grey and Melancholy, 1884, Etching, sheet: 3 7/8 x 6 in. (9.8 x 15.2 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1917 (17.3.3609)

Kate, Mari ten, Flood disaster 1855, Farm saved, 1855, verso - stamped, Farmhouse in Altenaar, near Elst, spared during the flood disaster of 1855. The print is part of a series of 24 prints about the flood disaster of 1855., print, prent, prints, prenten, height 145 mm, width 238 mm, Dutch, 1831-03-04 - 1910-03-26, print maker, printmaker, 1855 - 1860, paper, papier, etching, etsen

Souvenir d'Ostie (1st state). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with man in the middle for a shed. Draughtsman: Willem de Zwart. Dating: 1872 - 1931. Measurements: h 239 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.

The Plantation. Dated: 1919/1922. Dimensions: image: 27 x 31.5 cm (10 5/8 x 12 3/8 in.) sheet: 34.2 x 40.6 cm (13 7/16 x 16 in.). Medium: charcoal on with graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Robert Polhill Bevan.

Sunrise. Charles François Daubigny; French, 1817-1878. Date: 1850. Dimensions: 134 × 230 mm (image); 178 × 262 mm (plate); 305 × 412 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

Landscape with thatched house and walking figure, print maker: Arnoud Schaepkens, (mentioned on object), 1831 - 1904, paper, etching, drypoint, h 194 mm × w 122 mm

Arthur-Joseph Guéniot (1866-1951). Landscape with two buckets. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Landscape with a shepherd and a dog ca. 1653 Rembrandt (Rembrandt van Rijn) Dutch. Landscape with a shepherd and a dog. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). ca. 1653. Etching and drypoint; second of two states. Prints

Jean Baptiste Camille Corot, Souvenir of Bas Breau (Souvenir du Bas Breau), 1858 Souvenir of Bas-Breau (Souvenir du Bas-Breau)

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River face with a sailing ship, Gijsbertus Johannes Verspuy, 1833 - 1862 print A sailing ship on a river with a village on the right bank. A mill in the distance. Netherlands paper. etching sailing-ship, sailing-boat. river. windmill in landscape

Joseph Mallord William Turner, Isis, published 1819 Isis

Landscape with a shepherd and a dog. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 5 7/16 x 6 9/16 in. (13.8 x 16.6 cm). Date: ca. 1653. Museum: Metropolitan Museum of Art, New York, USA.

Nr. Lyndhurst, Aug.1871. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Le gué. Daubigny, Charles François (1817-1878). 1862. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Alphonse Legros, Prospect (Le point de vue), French, 1837-1911, etching

"Etching by Hermann Heller from 1913 depicting the Latomia of Capuz in Syracuse, showing architecture, landscape, and detailed composition."

Tuscany Made 1909 United States. Etching in black on buff wove paper . Donald Shaw MacLaughlan

The Hague, Hartogensis, Joseph, Farmyard with chickens, verso - stamped, print, prints, height 68 mm, width 90 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1855 - 1855, paper, papier, chine collé, etching, etchings

Rijn, Rembrandt van, Claussin, Ignace Joseph de, The little bridge of Six, verso - stamped, print, prints, verso set-up sheet - stamped, height 127 mm, width 222 mm, French, 1796 - 1844, print maker, printmaker, 1819 - 1819, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

18 Aug. 1847" pen in bruin recto r.o.

TheFarm. Artist: Julian Alden Weir, American, 1852-1919

Amiens, the Banks of the Somme, 1907. Auguste Louis Lepère (French, 1849-1918). Etching;

The Dead Apple Tree. Louis Auguste Lepère; French, 1849-1918. Date: 1913. Dimensions: 142 × 188 mm (image/plate); 222 × 329 mm (sheet). Etching on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Great Cavalier in the Wood, original impression 1854, printed in 1921. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 30.3 x 24.1 cm (11 15/16 x 9 1/2 in.); image: 28.6 x 22.3 cm (11 1/4 x 8 3/4 in.).

Shed (Le hangar). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

A Lock on the Stour, Suffolk. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1831. Dimensions: 177 × 215 mm (palte); 305 × 465 mm (sheet). Mezzotint in black ink on heavy ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Bridge with four figures, Anonymous, 1700 - 1800 drawing paper. ink pen / brush landscape with bridge, viaduct or aqueduct

The Canal, Morning. Alphonse Legros (French, 1837-1911). Etching and drypoint;

Le Soir (Coucher de Soleil) (EveningSunset). Artist: Alphonse Legros, French, 1837-1911

Landscape with high tree. Draughtsman: George Hendrik Breitner. Dating: 1867 - 1923. Measurements: h 125 mm × w 221 mm. Museum: Rijksmuseum, Amsterdam.

Watermill. Jean Jacques de Boissieu (French, 1736-1810); after Jacob van Ruisdael (Dutch, 1628/29-1682). Date: 1782. Dimensions: 302 × 422 mm (image); 356 × 478 mm (plate); 372 × 493 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jean Jacques de Boissieu.

Autograph lithograph by Jean-Baptiste Camille Corot from 1873, Memory of Sologne, printed on Chinese paper showing landscape elements and natural scenery.

Vondelpark in the winter. Two walking figures and a figure with a horse in a park with bare trees. Left in the background a church in the middle of houses.

Landscape with a woman sitting between two willows, Richard Nicolaüs Roland Holst, 1878 - 1938 drawing paper. ink. pencil pen

Le mur du presbytère , Rectories, Walls, Horses, Alphonse Legros (1837-1911)

Ville d'Avray: Boatman on a Pond (Evening Effect) 1862 Camille Corot French. Ville d'Avray: Boatman on a Pond (Evening Effect). Camille Corot (French, Paris 1796-1875 Paris). 1862. Etching; third state of three. Prints

Spring; Z: "Tygodnik Ilustrowany" 1880, No. 227 (May 1), p. 273 (title page); Brzozowski, Feliks (1836-1892), Krajewski, Jan (fl. 1874-1887), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1880 (1880-00-00-1880-00-00);

Netherlands, Bagelaar, Ernst Willem Jan, Ruins of Fort Sint-Pieter near Maastricht, print, prints, height 35 mm, width 90 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Expression creation

Pejzaże znad rzeki Paraiba. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Idealized Italian landscape with a river, draughtsman: Gerard ter Borch (I), (possibly), Zwolle, c. 1616, paper, brush, h 28 mm × w 30 mm

The Watering Place (2nd Plate). Alphonse Legros (French, 1837-1911). Drypoint;

Two barges along the shore of a canal. A woman at the helm of the stern boat., Trekvaart, print maker: Anna Maria Kruijff, (mentioned on object), after: Anton Mauve, (mentioned on object), c. 1880 - c. 1946, paper, etching, h 243 mm × w 193 mm, FTZYC Doctype

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