19th Century Fashion Illustrations

Colorful lithographs depicting stylish figures from the 19th century in various settings, showcasing elegant attire and playful interactions.

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Les baskets à deux ases (registered title (letter)). Colored lithography, woven paper. Balzac house.

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Les baskets à deux ases (registered title (letter)). Colored lithography, woven paper. Balzac house.

Alfred ma p'tite Minette, dépêche-toi! v'là mon savoyard - de parterre qui s'embête ,. Paul Gavarni (1804-1866). Lithographs and Other Works

McLean's Scraps for Albums, McLean, active 1820s, 1826, Aquatint, hand-colored, Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)

Cabal and Love , parody and magic game by Bäuerle Theatric picture gallery for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Krupp and his case not planned / 10

6 / Abandoned

Men with a woman with a flag; Jeanne d'Arc; Who loves me who follows me! -.A woman with a flag on which the french fleur-de-lis in an interior, surrounded by many richly dressed men. At the Top Right: pl. II. Bottom Right: Bladz. 97.

Touch for touch : Or a female physician in full practice , Physicians, Sick persons, Money. Thomas Rowlandson (1756-1827). Prints and Drawings

Aanspreker; Maak bekent dat overleden is / Je vous annonce la mort de.A Speaker (cancellation) shares the death of someone to a housewife in the doorway of a winery. On the signboard: Vry Wyn. First episode of four plates, appeared in 1803. Part of a bound edition of the series of twenty records of Dutch market forces in the Batavian Republic at the beginning of the nineteenth century by Maaskamp, ca. 1807.

Finette Aschenbrödel by August Schreiber Gallerie Drolliger Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

A Lecture! 1835-1882 England. Black crayon, with watercolor and gouache, over touches of graphite, on grayish-green wove paper . Hablot Knight Browne

Tapestries. A poor devil. (Title registered (letter)) | Recreations. (Title of all)

The forced kiss. (IT)

Dropsy Courting Consumption October 25, 1810 Thomas Rowlandson British Rowlandson here contrasts fatness and thinness to weave a broad social parody. Two courting couples, embodying four extremes of age and body type, demonstrate the maxim that opposites attract. In the foreground a short obese man has fallen to his knees to declare his devotion to a tall, ematicated woman. The title hints that the two also suffer from opposing ailments, since consumption (tuberculosis) is a wasting disease and dropsy (edema) causes swelling. In the garden behind, the equation is reversed, with an elderly thin man in an old-fashioned suit escorting a plump young girl. The foreground mausoleum, with its heavy rotunda surrounded by slender columns, contributes to the visual game. Finally, a distant statue of Hercules on a pedestal represents the classical ideal that all those present spectacularly fail to attain.. Dropsy Courting Consumption 392773

Maria van Hasselt-Barth and Mr, Reichart in The Part of the Teufel by Auber costume image No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Anton Elfinger -, artist

Partheywuth by F, Ziegler Gallerie Droller Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

La Belle Assemblee. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). 1787-05-12. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Tooth-Ache, or, Torment & Torture August 1, 1823 Thomas Rowlandson A woman, who has called upon a village practitioner for a toothache, sits in a chair at center, while he places his finger in her mouth. His assistant brings him a pair of horse pliers at left. Another woman waits in the background at left, clenching her mouth in agony.. The Tooth-Ache, or, Torment & Torture. Thomas Rowlandson (British, London 1757-1827 London). August 1, 1823. Hand-colored etching; reprint. John Fairburn (British, active 1789-1840). Prints

Thomas Rowlandson, 1756-1827, British, Cat Like Courtship, undated. Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper.

Doctor Fausts coat, Magic game by Bäuerle Gallerie Droller Scenene for the Theaterzeitung, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Theatrical Pleasures, Plate 5: Feasting in the Saloon. Artist: Theodore Lane (British, Isleworth ca. 1800-1828 London). Dimensions: plate: 10 13/16 x 8 7/8 in. (27.5 x 22.5 cm)sheet: 12 1/16 x 9 5/8 in. (30.7 x 24.5 cm). Publisher: Thomas McLean (British, active London 1788-1885). Date: ca. 1835. Museum: Metropolitan Museum of Art, New York, USA.

Travestissements (sic) Originaux pour les bals de 1834 - Nos 2 et 3 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Elizabeth Chudleigh, Duchess of Kingston, attending her trial for bigamy. Etching by John Hamilton Mortimer, 1776.

Un Mari Pour Rire n.d. Paul-Emile-Anthony Morlon French. Un Mari Pour Rire 362017

Patience Margot I will soon have 3 times 8. (IT)

The masks in goguette

Love laughs at locksmiths , Porters, Locks Hardware, Military officers, Couples, Seduction. Thomas Rowlandson (1756-1827). Prints and Drawings

New Entertainment at the Parisian Evening Parties The spirit of Mr Hume shaving the beard of Monsieur de St Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens 1857 France. Lithograph in black on ivory wove paper, with letterpress verso . Honoré-Victorin Daumier

A View on the Banks of the Thames. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 5/16 × 9 1/2 in. (31.3 × 24.1 cm)Plate: 11 1/8 × 8 7/16 in. (28.2 × 21.5 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: June 18, 1807. Museum: Metropolitan Museum of Art, New York, USA.

Partie. Artist: Paul Gavarni, French, 1804-1866

An Exquisite. Artist: George Cruikshank (British, London 1792-1878 London). Dimensions: 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm) trimmed to plate line on left. Publisher: Thomas Tegg (British, 1776-1846). Date: ca. 1817. Museum: Metropolitan Museum of Art, New York, USA.

(Le Villageois) Qu'aime-tu mieux de la jambe d'Irma ou - de celle d'Anna - (Le Pirate) J'aime mieux celle de Paméla... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Fashionable people playing the memory game of the Gentle Knight. Players who make errors reciting a long sentence have to wear paper horns in their hair. Les Chevaliers Gentiles (Jeu de societe). From Pierre de la Mesangere's Le Bon Genre, 1817. Handcoloured lithograph after Gatine from Henry Rene dAllemagnes Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906.

Moisasurs magic curse, Tragic-comic magic game by Raimund Gallerie Drollerie Scenen for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Cabal and Love by Bäuerle Gallerie Droller Scenen to the theater newspaper, nd vol, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Chap. VII: C'est à qui m'aura (Who will claim me) 1824 Victor Adam. Chap. VII: C'est à qui m'aura (Who will claim me) 698500

The Stays, plate one from Progress of the Toilet Published 1810 England. Hand-colored etching on cream wove paper . James Gillray

Adieu ami, ademain…. Artist: Paul Gavarni, French, 1804-1866

Le rues de Paris dans les premiers jours de Septembre ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Jammering street workers, 1824. Eight street workers standing in a row of the low New Year's fog they have received, January 1, 1824. The professions include: Lantern plug, Rattleswacht, Bedggeraar and Askarrenman. According to the caption it would be about the abolition of the 5½ and 6 s. Pieces in the year 1823.

Music Has Charms to Soothe the Savage Breast. Artist: After Thomas Rowlandson (British, London 1757-1827 London). Artist and publisher: T. Smith (British, active London 1785-1800). Dimensions: Sheet: 7 7/8 × 9 3/4 in. (20 × 24.8 cm)Plate: 6 1/8 × 8 9/16 in. (15.5 × 21.7 cm). Date: November 20, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Noël et Noël et Dauty, Langlumé, Pierre, Arago, Jacques Etienne Victor, Qui refuse muse, Lady rejects a marriage proposal, verso - handwritten, The French expression 'Qui refuse, muse' means that a missed opportunity is unlikely to occur again. Girls who have missed certain parties and are of a certain age are unlikely to marry again if they refuse a proposal., print, engraving, prints, engravings, verso - stamped, J. Ducrot, 3, Rue de Tournon, 28 Dec 1964. NF 8, -, 82, height 331 mm, width 250 mm, 1790 - 1855, print maker, engraving maker, 1820 - 1840, paper, papier, lithografie (technique), handkleuring, French, 1790 - 1830, printer, drukker, Publication (Event), Publicatie, publisher

GRABADO-ESCENA DE CARNAVAL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Sir Budget.(TI)

At Home and Abroad, Abroad and At Home February 28, 1807 Thomas Rowlandson. At Home and Abroad, Abroad and At Home. February 28, 1807. Hand-colored etching. Prints

Nôtre Dame de Paris, from La vie de chteau, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Two women on a yellow couch, left, and three men, right, listen to a young man reading at a table, center. Title, artists' names, and date below., Paris, France, ca. 1830, Print, Print

Who's mistress now , Clothing & dress, Eavesdropping, Cats. Thomas Rowlandson (1756-1827). Prints and Drawings

La Comparaison. Dated: 1786. Dimensions: image: 36.3 x 28.6 cm (14 5/16 x 11 1/4 in.) plate: 48.4 x 36 cm (19 1/16 x 14 3/16 in.). Medium: etching and wash manner, printed in blue, red, carmine, yellow, and black inks. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after Nicolas Lavreince.

A Sailor Miss-taken!!. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet (trimmed): 9 15/16 × 7 11/16 in. (25.2 × 19.5 cm). Date: September 12, 1801. Museum: Metropolitan Museum of Art, New York, USA.

The virgin sniffing (longing of a young girl) Felon, Joseph (1818 1896), Payne, Albert Henry (1812 1902)

Let Sordid Mortals Search for Wealth (valentine). Unknown Artist (English, 19th century); published by A. Park (English, 19th century). Date: 1837-1847. Dimensions: 253 × 205 mm (folded sheet). Lithograph with hand-coloring on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the fiacre economy (registered title (letter)). Balzac house.

The city of Paris raised too quickly in its clothes. (Registered Title) | News. (Title of the whole)

The Basket Seller 1776-1827 England. Pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, tipped onto ivory wove paper . Thomas Rowlandson

Push-pin , Nobility, Games, Queensberry, William Douglas, Duke of, 1725-1810. John D. Merriam Collection

Mr, Walter as Chevalier Dumont and Madame Schmidt as an old woman costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Lieut. Bowling pleading the cause of young Rory to his grandfather : Plate 1st. Vide Roderick Random, Vol. I, Chap. III. , Military officers, People with disabilities, Wheelchairs. Thomas Rowlandson (1756-1827). Prints and Drawings

Richard Newton, 1777-1798, British, French Discernment; or, a Bumling Discovery!, 1791. Etching, hand-colored.

Mr, Walter as Chevalier Dumont and Madame Schmidt as an old woman costume picture No, for the theater newspaper, After, Johann Christian Schoeller -, Artist, Andreas Geiger -, Copper Engraver

Shepherd, Shepherdess and Dog, Michel Vincent Brandoin, 1733-1807, Swiss, undated, Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper, Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm), basket, crooks (object genres), dog (animal), figures (representations), handkerchief, man, shepherd, shepherdess, woman

Presentation of Bacqueles / St Father (IT)

Scene picture from Rococo by Adolf Bäuerle costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Anton Elfinger -, artist

Mr, Spielberger Röder and Werle as Jobst Gottschalk Volkner and young Schlippenbach in Gaugraf Philipp called the wild costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

España. Catalunya. La "Sota de copas" de la serie de dibujos "Las cuatro sotas", publicados en Barcelona, año 1881. Author: Eusebi Planas Franquesa.

James Gillray, 1757-1815, British, The Finishing Touch, 1791. Etching, hand-colored.

Print (France)

Sandwich-Carrots!-Dainty Sandwich-Carrots. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1796. Dimensions: 353 × 247 mm (image); 357 × 257 mm (plate); 394 × 293 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The woman in the simple dress looks at the richly decorated dress of the woman walking by. The man on the stone bench warns her: renowned beauty is better than a gold belt. We would say: a golden cage. Two couples in going-out clothes Bonne renomm, print maker: Sébastien Coeuré, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), Paris, 1814 - 1830, paper, h 292 mm × w 430 mm

Neuville, Alphonse Marie de (N.1835-05-31-D.1885-05-19), 3. Fantine at the feet of Javert (dummy title), 1865. Gouache and pencil on paper. Houses of Victor Hugo Paris - Guernsey.

Caricature: The English family at Museum in Paris.

Mad, Rettish as Elisabeth Claypole and Mr, Carl Laroche as Olivier Cromwell in Cromwells end costume picture No, for the theater newspaper, Leopold Zechmayer -, Copper Engraver, after, Johann Christian Schoeller -, artist

Georgian gentlemen and lady reading the popular book Tour of Dr. Syntax in a parlor. Doctor Syntax and his wife reading his tour. Handcoloured copperplate engraving drawn and engraved by Charles Williams from Doctor Syntax in Paris; or a Tour in Search of the Grotesque, W. Wright, London, 1820.

News / Come on .... Stop the Republic, your do not know the freedom

De Hollandse Tol, 1814, Charles Williams, 1814 print Cartoon on Willem Frederik George Lodewijk, Prince of Oranje-Nassau (later King Willem II), presented as a small figure sitting on top of a toll by the English princess Charlotte with a whip. A figure coming through the door on the right, the princess provides a branch forest to hit. Room interior with a piano on the left and above it a painting by Cupido that is upside down on top of the globe. Charlotte broke her engagement with the Prince of Orange in May 1814. See Pendant. London paper etching whipping a top. unsuccessful love affair; seduction. political caricatures and satires

Ah! If I had what you miss! (IT)

TRAVESTISSEMENS (sic) ORIGINAUX pour les bals de 1834. Nos. 3 et4.. Artist: Paul Gavarni, French, 1804-1866

The disagreement of the hoods or kiss impossible. / 13.

Richard Newton, 1777-1798, British, Prelude to Crim Con and The Finale, 1793. Etching, hand-colored.

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Une rencontre de joyeux augures. Honoré Daumier (1808-1879). Lithographs

Devrient, Emil .

Jadis c'etait different.... Honoré Daumier (1808-1879). Lithographs

The Hague, Weygand, François Joseph, Langendijk Dzn, Jan Anthonie, Rotterdam, Bemme, Joannes, Uniforms and costumes, Soldier of the Dutch Infantry of Ligne, and a lobster seller, Standing soldier with lobster seller, verso middle - stamped, print, prints, height 280 mm, width 203 mm, Northern Netherlands, 1775-09-05 - 1841-09-15, print maker, printmaker, 1800 - 1841, first quarter 19th century, second quarter 19th century, paper, etching, etchings, hand coloring, Dutch, 1780 - 1818-04-10, intermediary draughtsman, after drawing from, Publication (Event), Publication, publisher

English gentleman in nightgown and cap receiving a letter from his family. Servant and maid tending the fireplace. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.

La fortune fait oublier les amies , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Parys court; Lemercier, Benard et Cie (Paris; Litographic Plant; Fl. 1837-Ca 1880); 1837-1854 (1837-00-00-1854-00-00);

A fashionable dentist's practice where teeth are being extracted from poor children in order to create dentures for wealthy people. Reproduction of an aquatint after T. Rowlandson, 1787.

The Throne in Danger, Print made by William Heath, 1795-1840, British, Published by Thomas McLean, 1788-1875, British, ca. 1828, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm), Plate: 10 × 14 inches (25.4 × 35.6 cm), and Image: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), I am a menetrier (registered title (letter)), 1828. Maison de Balzac.

Captain Cork Rump, Print made by James Hook, ca. 1772-1828, British, 1786, Etching with hand coloring in watercolor, Sheet: 8 1/4 x 7in. (21 x 17.8cm)

Two Strings to Your Bow. Dated: 1800. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Doctor Convex and Lady Concave November 20, 1802 Thomas Rowlandson British. Doctor Convex and Lady Concave. Thomas Rowlandson (British, London 1757-1827 London). November 20, 1802. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

London, Humphrey, George, England, Cruikshank, La Gloire des Honnetes Gens!!, Cartoon on Princess Caroline, 1820, verso - stamped, Cartoon on Princess Caroline of Brunswick. The 'virtues' of the princess are illustrated in four scenes: modesty, dignity, chastity and patriotism. The princess is depicted in her Turkish costume with enormous cleavage, usually in the company of her lover Bartolommeo Bergami., print, cartoon, prints, cartoons, English cartoons, height 272 mm, width 403 mm, English, 1792-08-27 - 1878-02-01, print maker, printmaker, 1820-06-15 - 1820-06-15, paper, etching, etchings, hand colouring, Publication (Event), Publication, 1773 - 1831, publisher

Il carnevale di Roma, Mörner, Hjalmar, 1794-1837, ca. 1820

Speaker, Ludwig Gottlieb Portman, after Jacques Kuyper, after Jan Willem Pieneman, 1803 A speaker (STEMENGER) communicates the death of someone to a housewife in the doorway of a winery. On the sign: Vry Wyn. First episode of four records, published in 1803. Part of a bound edition of the series of twenty records of Dutch traditional costumes in the Batavian Republic at the beginning of the nineteenth century by Maashamp, ca. 1807. print maker: Netherlandspublisher: Amsterdampublisher: London paper etching A speaker (STEMENGER) communicates the death of someone to a housewife in the doorway of a winery. On the sign: Vry Wyn. First episode of four records, published in 1803. Part of a bound edition of the series of twenty records of Dutch traditional costumes in the Batavian Republic at the beginning of the nineteenth century by Maashamp, ca. 1807. print maker: Netherlandspublisher: Amsterdampublisher: London paper etching

Ah what crisis! Support me because I staggers (IT)

Ah! That the tems is hard Ah! That time is hard . Paris, Carnavalet museum.

Curiosity / discretion / Curiosity and discretion. unknown, Bergeret

Plebean Spirit. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English, active 1785-1825). Date: 1814. Dimensions: 223 × 332 mm (image); 250 × 352 mm (plate); 255 × 358 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

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