19th Century Fashion Illustrations

Elegant fashion plates depicting women in sophisticated dresses, hairstyles, and accessories, reflecting the styles of the 19th century in fine lithography.

Standing woman with headscarf, Anton Mauve, 1855, paper, chalk, h 331 mm × w 208 mm

Anonymous (Engraver); S. & J. Fuller / 'Modes de Paris'. 1845. Etching, Hand coloured print on wove paper. Museum: Museo del Prado, Madrid, España.

Paul Gavarni, L'Abeille impériale, no. II: Bonnet et chapeau de Mad. Perrot-Victrich, 1814-1866, lithograph on paper.

Mrs. ThompsonSeton. Artist: Anders Zorn, Swedish, 1860-1920

Howard, Harriet Elizabeth Georgiana Lady .

We do the iMable on Tuesday Carpenter, A., Guérard, Zakład Litograficzny: Jacomme et Cie Goupil

Young woman with a bunch of flowers; Le printemps / spring; The four Seasons. A young woman is holding a bunch of flowers in her hand, from her other hand falls a flower garland. Next to her is a boy. Print from a series of four prints that depict the four seasons. Under each print a verse of two rules at Willem III of Oranjes heroic deeds.

Honoré Daumier, Madame Gargantua, 1866 Madame Gargantua

Doll: "Eugenia". Dated: c. 1938. Dimensions: overall: 51 x 38.3 cm (20 1/16 x 15 1/16 in.) Original IAD Object: 24" high; 6" wide across shoulders. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Eugene Croe.

Young woman with a harp, Willem Frederik Wehmeyer, after Herman Frederik Carel ten Kate, 1837 - 1854 print A young woman in bridal clothing holds a harp and looks at a butterfly. In front of her is a sword on a book next to a crown. Behind her a snake and a monster are displayed. Amsterdam (possibly) paper etching / engraving adolescent, young woman, maiden. bride (in wedding-dress). insects: butterfly. book. hacking and thrusting weapons: sword. crown of thorns ~ instruments of the Passion. snakes. harp. mis-shapen animals; monsters

Two Women and a Child, John Flaxman, 1755-1826, British, undated, Gray ink, graphite, and gray wash on medium, slightly textured, cream laid paper, Sheet: 8 1/4 x 7 1/8 inches (21 x 18.1 cm), children, Classical, dresses, gesture, horse (animal), sculpture, women

Two Studies of a Dancer, Raising Her Skirt in Her Two Hands. Jean Antoine Watteau; French, 1684-1721. Date: 1712-1713. Dimensions: 176 × 133 mm. Red chalk on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Mrs. Papendiek and Her Son 1789 Sir Thomas Lawrence British This delightful early Lawrence portrait drawing came to the Museum from trustee George Dupont Pratt. In 1789, the twenty-year-old artist was working at Windsor Castle on a full-length oil of Queen Charlotte when the opportunity arose to make this more informal image of the queens dresser, Charlotte Papiendiek. Deputized by the queen to model apparel represented in the oil, Mrs. Papiendiek wears a pearl bracelet centered on a miniature that George III gave to his wife at their wedding. It was Mrs. Papiendieks own fashionable hat, however, that caught Lawrences attention on this occasion—a beribboned confection adorned with lace that falls around her face. The inclusion of the sitters two-year-old son Frederick leaning against her knee increases the sense of intimacy.. Mrs. Papendiek and Her Son 355382

CHEZ SOI.. Artist: Paul Gavarni, French, 1804-1866

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Adolph Menzel, Woman before a Fire, 1851 Woman before a Fire

Jean H. Fragonard, "Der Kuss". Erwin Hanfstaengel, photographer (German, 1837 - 1905) about 1860-1870 Photograph of Jean H. Fragonard's painting, "The Stolen Kiss." The scene depicts a man leaning through a doorway to kiss the cheek of a woman in an elegant dress.

Women Carrying Water, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 × 5 7/8 inches (20.3 × 14.9 cm)

Corday d´Armont, Charlotte de .

Marie Amalie, Princess of Naples Sicily.

His royal highness Albert Edward prince of wales in 1843, interior; hat; child fashion; flowers; vase; feathers; curtain; manor; infant; little angel; bambino; innocent; position; place; rose; black cushion;

Aranyvári, Emilia.

Print

MUJER CON SOMBRERO DEL SIGLO XVIII - GRABADO SIGLO XX. Author: SIDNEY Z LUCAS.

Decent lender Charles Philipon (1806-1862). "Decent Lingere". Engraving.

Tea flower fairy, Camellia sinensis, pouring a cup of tea from a teapot. Handcoloured lithograph by Louis Lassalle from Louise Leneveux' Les Fleurs Parlantes (The Talking Flowers), Louis Janet, Paris, 1848.

Greek dancing girl, 1827, after A. Colin. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' "Modes et Costumes Etrangers Anciens et Modernes" (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

VICTORY / MAINS OF PELLETIER AND MARAT (TI)

VICTORY / MAINS OF PELLETIER AND MARAT (TI)

Excursion in Albania. Albanian countryside, vintage engraving. Excursion in Albania. Albanian countryside, vintage engraved illustration. Journal des Voyages, Travel Journal, 1879-80. Copyright: xZoonar.com/PatrickxGuenettex 10656739

Italian Woman With a Jar. (Pablo Picasso; 1881 - 1973; 1919; Pencil auf Papier)

Serena, Print made by John Raphael Smith, 1752-1812, British, after George Romney, 1734-1802, British, 1782, Mezzotint with hand coloring on moderately thick, moderately textured, cream, laid paper, Sheet: 21 3/16 × 15 3/16 inches (53.8 × 38.6 cm), Plate: 19 7/8 × 13 7/8 inches (50.5 × 35.2 cm), and Image: 18 3/4 × 13 13/16 inches (47.6 × 35.1 cm)

Shakspeare. Troilus & Cressida, act II, scene II : Scene, Troy : Cassandra raving , Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Troilus and Cressida. Thomas Pennant Barton Collection

Auguste-Xavier Leprince, Woman Sketching, 1809-1826, watercolor on wove paper.

Peinzende Girl at Spinnewiel, Wilhelmus Cornelis Chimaer van Oudendorp, 1832 - 1873 print The girl looks to the right and has her left hand by her face. She has a letter in her other hand. There is a spinning wheel in front of her and a clock hangs on the wall. There are three older women in the room behind her. print maker: Netherlandsafter own design by: Netherlandsprinter: The Hague paper spinning-wheel. letter, envelope. Thinking, Thought, Reflection; 'Pensiero' (Ripa). looking upwards

New Letter-Box, at Paris, 1850. 'The reduction of the rate of postage in France has suggested the adoption of a new form of Letter-box from Belgium, a specimen of which has been erected in the Rue de la Paix, at Paris. It consists of a bronzed columnar design raised upon a granite socle; the opening for the receipt of the letters being in the upper portion of the column, and having a projection to keep out the rain; a door for the removal of the letters being provided towards the base'. From "Illustrated London News", 1850.

Philibert-Louis Debucourt, Modes et Manières No. 27: Il va fleurir (Cheveux et Fichu. Robe de gaze.), 1800, hand-colored etching on paper.

Rose flower fairy, Rosa centifolia, with rosebud crown and sceptre, seated on a throne with beetles in attendance. Handcoloured steel engraving by C. Geoffrois after an illustration by Jean Ignace Isidore Grandville from "Les Fleurs Animees," Paris, Gabriel de Gonet, 1847.

Leonore, Arabella and Rosa, Queen Victoria (Kensington Palace, London, England, 1819 - 1901) 1841

Élisabeth of France (Élisabeth Philippine Marie Hélène de France; 1764 10 May 1794, known as Madame Élisabeth, was a French princess and the youngest sibling of King Louis XVI. During the French Revolution, she remained beside the king and his family and was executed at Place de la Révolution in Paris during the Terror

Portrait in oils of a Countess of Erbach (left) and a noblewoman of Wurzburg from the later 17th century. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithograph by Joh. Klipphan, and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.

Duchess of Cleveland, from a painting by Sir Peter Lely. Barbara Palmer (1640-1709) was mistress of Charles II. She is shown in a blue dress decorated with white lace cuffs, and a crimson cape. Handcolored engraving from "Civil Costume of England from the Conquest to the Present Period" drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854).

painting in Gouache depicting an Italian peasant in traditional costume. Circa 1850

Snow White. Siedlecki, Franciszek (1867-1934), painter

Album Amicorum of a German Soldier. Italy, 1595. Drawings. Gouache on paper

Robert Mabon, died 1798, British, Women Carrying Water, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Soulak bachi, ou capitaine des gardes du grand seigneur. Vanmour, Jean-Baptiste, 1671-1737. 1714. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , Turkey

Light and the Shades ca. 1870 Henry George Hine British Probably a design for a print or book illustration, this symbolic image centers on a white-robed female whose forehead is illuminated by a bright light. She stands on a rocky ledge and causes fearsome creatures to flee into the darkness.. Light and the Shades 363811

Mademoiselle Parisot. Devis, Arthur William, 1762-1822. Prints. 1797-03-11. Jerome Robbins Dance Division. Parisot, Mlle, fl. 1795-1806, Ballet , England , 18th century

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, A Lady, costume sketch for Henry Irvings Planned Production of King Richard II, Watercolor, charcoal, with fabric, White wove, 36 × 26.7 cm (14 3/16 × 10 1/2 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Sitting woman with a ball in her hand, Michel Aubert, After Jean Antoine Watteau, 1729 - 1755 print print maker: Franceafter painting by: Francepublisher: Parispublisher: Paris paper etching / engraving sitting figure - AA - female human figure. trees Poland

Eating woman in interior, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, pen, brush, h 205 mm × w 159 mm

Bound Print (France)

Alfred Diston, active 1818-1829, Charcoal seller, Tenerife, 1825. Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper.

Richard Westall, 1765-1836, British, A Landscape with a Portrait of a Lady, Full Length, Holding a Hat, undated. Watercolor and gouache on moderately thick, slightly textured, cream wove paper.

Studies of a Woman Praying. Artist: Ludwig Emil Grimm (German, Hanau 1790-1863 Kassel). Dimensions: sheet: 7 1/4 x 8 7/8 in. (18.4 x 22.6 cm). Date: early to mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

La Hausse (In Luck) by Linder, Philippe Jacques (1835-1914)/ Private Collection/ End of 19th cen./ France/ Lithograph, watercolour/ Art Nouveau/ 29,8x22/ Genre

La cracovienne, pas dansé dans La gypsy' by Fanny Elssler, arranged for piano by L. Gomion, 1840 - 1849. Additional, Cracovienne. The image features lithographs of dancers

Julie Benatti title page of Der Floh, Karl Klic -, Artist, Johann Tomassich, realization

Dancer Annette Kobler, dancing the pas-de-shawl, Bartholomeus Ziesenis, 1812

'Portrait of a Woman'. Album "The Gold Book of Lorraine". France, 1893. Dimensions: 36,5x26,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jules Seltz.

The Pardon. Artist: After Pascal-Adolphe-Jean Dagnan-Bouveret (French, Paris 1852-1929 Quincey). Dimensions: Sheet: 12 1/2 × 8 7/8 in. (31.8 × 22.5 cm)Plate: 6 3/4 × 11 in. (17.1 × 27.9 cm). Etcher: Eugène Gaujean (French, Pau 1850-1900 Andrésy). Date: 1889. Museum: Metropolitan Museum of Art, New York, USA.

The heads of five women with their hair braided and dressed with feathers, flowers and scarfs. Coloured lithograph, 1864, by Michelet after P.R.

Sly-boots. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 11/16 × 10 5/8 in. (32.3 × 27 cm)Plate: 11 13/16 × 9 15/16 in. (30 × 25.3 cm). Publisher: John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Date: June 5, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Ma chere, machere!…. Artist: Paul Gavarni, French, 1804-1866

music musicians organ player coloured woodcut by Tobias Stimmer circa 1575 private collection,

Princess and ladies in waiting, 1470 (1882-1884).Artist: Gautier

Traditional stove from a peasant house in Sondernach, Alsace, Haut-Rhin. France, Europe. Across Alsace and Lorraine by Charles Grad 1884. Old 19th century engraving from Le Tour du Monde 1906

Unknown Sitters. Artist: Pierre-Louis Pierson (French, 1822-1913) , et al; Painted and retouched by Marck. Dimensions: Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each). Date: before 1865. Museum: Metropolitan Museum of Art, New York, USA.

L'Italienne as danced by Madame Julie Vincent, arranged expressly for her by F. C. Marshall of Liverpool. Lithograph by P. S. Duval, 1842. Additional, Italienne., 1842., Philadelphia. Publisher, George Willig. Choreographic work Italienne (Vincent). Prints (Graphic arts), Ballet, 19th century., 16.8 x 17.5 cm

Flittner, Friederike Auguste Conradine.

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