19th Century Female Portraits

Stylized lithographs showcasing women in fashion from the 19th century, capturing domestic life, elegance, and playful moments.

The new taste: varied patterns taken according to nature. Madame on the side Achille Deveraia (1800-1857) and Rose Joseph Lemercier (1803-1887). The new taste: varied patterns taken according to nature. Madame on the side. Lithography. 1831.

The new taste: varied patterns taken according to nature. Madame on the side Achille Deveraia (1800-1857) and Rose Joseph Lemercier (1803-1887). The new taste: varied patterns taken according to nature. Madame on the side. Lithography. 1831.

Le Patissier aumannequin. Artist: Paul Gavarni, French, 1804-1866

Adieu, mon cher, je vais chez mes éditeurs!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Achille Devéria (1800-1857), French and pink engraver Joseph Lemercier (1803-1887), French printer-lithographer. My toy. My toy .. Lithography on paper, 1832. Paris, Carnavalet museum. 77637-14 Sitting, bench, sofa, cushion, drawing, child, woman, game, toy, toy, lithography, living room

François Lucas after Etienne Jeaurat, L'example des Meres L'example des Meres

Young woman reads a letter, Louis Bernard Coclers, 1780 print A young woman is sitting at a table and reads a letter. In addition to her, a maid keeps a jewelry box open. There is a mandolin and a book with sheet music on the table. There are two portraits in oval lists on the wall. On the right, behind a curtain, a corridor suffers to the front door. Two women are talking in the hallway. Leiden paper etching / drypoint lover with love-letter. maid ~ house personnel

The Discovery, Print made by E. J. Dumée, active 1790, British, after George Morland, 1763-1804, British, Published by John Raphael Smith, 1752-1812, British, 1788, Stipple engraving and etching on moderately thick, slightly textured, cream wove paper, Sheet: 15 3/8 x 11 3/16 inches (39 x 28.4 cm) and Image: 12 9/16 x 10 1/16 inches (31.9 x 25.6 cm), book, carpet, chair, costume, desk, earrings, feathers, fichu, flounces, genre subject, gown, grief, hat, interior, jewelry, key, letters (correspondence), lock, love, melancholy, muslin, oval, papers (document genres), woman

Surprise according to the image of Josef Watter. A clip from a German magazine. Monogramista E.H. , Which, Joseph (1838 1913)

Falstaff in the Buck Basket (Shakespeare, Merry Wives of Windsor, Act 3, Scene 3) first published 1793; reissued 1852 Peter Simon Peters's image centers on a misadventure of Sir John Falstaff suffered as he attempts to seduce two knowing Windsor housewives. The image was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805-his print sales plummeted when Napoleon blocaded European ports. This impression comes from an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon and art scholar who acquired Boydell's heavily worn plates and had them reworked. His New York edition was printed on thick cream paper with smal

5. / Ah! ... Mademoiselle XX put his neophyte dress! ... (registered title) | or devil the Spirit will be nestled? (title of all)

Paul Gavarni, Amours No. 10: Le Petit Interprête, 1814-1866, lithograph on paper.

Varied alphabet: Letter A - Miss Herminie Dubois. Achille Deveria (1800-1857) and Antoine Adolphe Catherine Fondge. Varied alphabet: Letter A - Miss Herminie Dubois. Lithography.

DES REPROCHES. Comment! cest avec moi, une amie intime… que tu agis ainsi!… Comment!…. Artist: Paul Gavarni, French, 1804-1866

Young woman reading a letter, Louis Bernard Coclers, 1780

The Governess 1739 Bernard Lepicié This impression is from one of at least two states with letters; this is the later one, with shading over the boy's eye and additional work in several places.. The Governess. Bernard Lepicié (French, Paris 1698-1755 Paris). 1739. Engraving. Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). Prints

Louisa Hammond writing under a tree, Francesco Bartolozzi, After Angelica Kauffmann, 1781 print Character from 'Emma Corbett, or the Miseries of Civil War' by Samuel Jackson Pratt. With caption in English and French. London paper etching female literary characters. writing boards. handwriting, writing as activity. dog. owls. trees

Louisa Hammond Schijvend under a tree, Francesco Bartolozzi, After Angelica Kauffmann, 1781 print Louisa Hammond Schijvend under a tree. There is a dog at her feet. There is an owl in the tree. London paper etching writing boards. handwriting, writing as activity

Elias Martin, 1739-1818, Swedish, Louisa, 1778.

Des reproches ,. Paul Gavarni (1804-1866). Lithographs and Other Works

David in Prayer, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

GOYA Y LUCIENTES, Francisco de (1746-1828). Two of a kind. 1799. Plate 5 of 'Los Caprichos', etching, aquatint and drypoint. The couple is identifies as Queen Maria Luisa Teresa of Parma and Manuel de Godoy, the Prime Minister of Spain. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Currier in apron shaving hair from an animal hide with a knife in a tannery. Behind him, leather hides hang drying on the wall, and other animal skins are piled up on a table. Curried leather is used for shoes, boots, saddles, bookbindings. Woodblock engraving from The Book of English Trades, or Library of Useful Arts, F.C.& J. Rivington, London, 1821.

Mon amu je mempresse de te faire savoir que je suis change de maison…. Artist: Paul Gavarni, French, 1804-1866

Portrait of a sitting girl, Eugène Michel Joseph Abot, after Joshua Reynolds, 1846 - 1894 print print maker: Franceafter painting by: Englandprinter: Paris paper etching / engraving sitting figure - AA - female human figure. adolescent, young woman, maiden

Maria Stuart, Queen of Scotland.

Dream. Drawing from the image of the kiesel. Łoskoczyński, Józef (1857 1928)

Gaston Fay, Byron, The Forbidden, 1869, wood engraving on paper.

Gilles Demarteau the Elder after Antoine Watteau, Head of a Young Woman Wearing a Hat, 1773 Head of a Young Woman Wearing a Hat

A Wife - Une Femme Mariee, John Raphael Smith, 1752-1812, British, after John Raphael Smith, 1752-1812, British, 1791, Colored stipple engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm), Plate: 17 13/16 × 13 1/8 inches (45.2 × 33.3 cm), and Image: 14 3/4 × 11 inches (37.5 × 27.9 cm)

Mother at the child of the child; Scholtz, Julius (1825-1893); 1861 (1844-00-00-1844-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - Dar, Biedermeier (style), children, women, women with children, motherhood, German drawings

Wife spins wool at a cradle, Albrecht de Vriendt, 1853 - 1900 print paper etching cradle, crib. spinning (manufacture of yarn). mother and baby or young child. interior of the house

Sitting woman, overlooking a veil, Taco Scheltema (I), 1770 - 1837 drawing paper. chalk veil

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Georgiana, Duchess of Devonshire, 1778. Etching and stipple engraving, printed in brown ink on medium, slightly textured, cream laid paper.

Woman Seated on a Tabouret Artist's working dates 1849-1898 England. Black pastel, heightened with white gouache, on blue laid paper . Henry Stacy Marks

Calmine, quel objet vient Effrayer ma vue. Dimensions: overall (approximate): 28.5 x 20.2 cm (11 1/4 x 7 15/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert François Gravelot.

Woman with fan, Hermanus Fock, After Abraham Bloemaert, 1781 - 1822 print A woman with a big hat and a fan in her left hand. She makes a gesture with her right index finger. print maker: Amsterdamafter drawing by: Netherlands paper etching fan

Actualités: ---Mais je suis donc un personnage bien considerable, 1841. Clémente Pruche (French, 1831-1870). Lithograph;

Seated beggares with two cats at a boiler with hot coats; Les Gueux / Les Mendiants / Les Baroni / Les Barons; Beggars. Woman, dressed in rags, seen on the left, sitting on a stool at a boiler with hot coals, a cat on shot and a cat at her feet. This print is part of a series of 25 prints with beggars and wanderers, such as Callot who has probably seen in Italy.

Louise-Elisabeth Vigée-Lebrun, (Mlle Lebrun) after, and in reverse to, the self-portrait of 1790 in theUffizzi. Artist: Dominique Vivant Denon, French, 1747-1825

Jean-Baptiste Greuze, The Motherly Reprimand, c. 1760, pen and brush and gray ink and gray wash and touches of light brown wash on squared paper.

Philibert Louis Debucourt, Pauvre Annette, 1795 Pauvre Annette

I took you my little Jules you promised me not to do any difficulties to get back to your pension! (Registered Title) | News. (Title of the whole)

La ratisseuse. Dated: 1742. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Bernard Lepicie after Jean Siméon Chardin.

Anne Ward Morland. Dated: c. 1786. Dimensions: sheet: 22.2 x 18.8 cm (8 3/4 x 7 3/8 in.). Medium: graphite with black and red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: George Morland.

THE FIRST TIME OF ASKING

Miserable Mademoiselle Gillenormand

The new taste: varied patterns taken according to nature. Mrs. Achilles DeDeria Achille Deveraia (1800-1857). The new taste: varied patterns taken according to nature. Mrs. Achille Deréria. Aquarel lithography and gummed. 1831.

A Mother Showing Her Weeping Son His Shoe of Switches; Cornelis Troost (Dutch, 1696 - 1750); Netherlands; mid-18th century; Black chalk and gray wash, heightened with white on gray-brown paper; 39.2 x 23.6 cm (15 7,16 x 9 5,16 in.)

Woman in his toilet dressing. Achille Deveraia (1800-1857). Woman in his toilet dressing. Lithograph in color and gummed.

Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), Young Woman in Contemplation, 24, I/II, c. 1770. Etching.

Laveu difficile (The Difficult Confession). Artist: Jean-François Janinet, French, 1752-1814 After: Niclas Lafrensen, the younger, Swedish, 1737-1807

Thomas Bardwell, 1704-1767, British, Album Drawing, ca. 1730. Gray wash with pen and gray ink, over graphite on laid paper.

Women's Journal: Painting. Achille Deveraia (1800-1857) and Rose Joseph Lemercier (1803-1887). Women's Journal: Painting. Color lithography, gummed.

A sleeping Turkish women's room after bathing

As You Like It. Act II. Scene VII. The Seven Ages of Man, First Age. From The Boydell Shakespeare Gallery published late 19th century. After a painting by Robert Smirke.

Philibert-Louis Debucourt, L'oiseau ranimé, 1787, color aquatint on paper.

Madame Greuze Asleep, 1776. Jean-Michel the Younger Moreau (French, 1741-1814). Etching and engraving;

Plate 11 from The Deserter by Sedaine

Reproduction of a painting: Władysław Czachórski (1850-1911), Jack of Hearts ; from: "Kłosy" 1886(II)48. unknown, graphic artist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

Ophelia: And of all Christian souls! I pray God. God be wi’ you!” - Elsinore, A Room in the Castle - Act IV, Scene V, Hamlet. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

A woman behind a piano and a man playing a violin in an interior. Four figures are listening. On the piano is a lamp, Chamber orchestra with piano and violin, print maker: Philippus Velijn, (mentioned on object), intermediary draughtsman: A. Elink Sterk jr., (mentioned on object), Netherlands, 1797 - 1836, paper, etching, engraving, h 229 mm × w 149 mm

Müller, A., London, Bruckmann, Friedrich, Happiness, Photographic reproduction of a drawing of a scene from Das Lied von der Glocke by Friedrich Schiller, by A. Müller, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Registered., height 289 mm, width 227 mm, German, 1814 - 1898, photographer, 1870 - 1875, photographic paper, photo paper, albumen print, albumine print, intermediary draughtsman

Suivez bien mon raisonnement, Eudoxie.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

The Optical Viewer, c. 1794. Fréderic Cazenave (French), after Louis Léopold Boilly (French, 1761-1845). Etching and engraving hand colored with watercolor; overall: 65 x 47.2 cm (25 9/16 x 18 9/16 in.).

La sultane asseki, ou sultane reine' by Jean-Baptiste Vanmour, created in 1714 in Paris, published by L. Cars. The engraving features clothing and dress from Turkey, focusing on women. The dimensions of the artwork are 34 x 24.5 cm

Print made by Charles Turner, 1774-1857, British, Lord Henry and Lady Charlotte Spencer : 'The Fortune Teller', 1823. Mezzotint (first state) on moderately thick, moderately textured, beige, wove paper.

Petite servante - deviendra maîtresse ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Holmberg, Werner, work, Sketch book, drawing, 22.5 cm x 29 cm, Holmberg, Werner

The Welcome Home, Print made by unknown artist, eighteenth century, Published by Robert Sayer, 1725-1794, British, 1790, Mezzotint on medium, slightly textured, cream wove paper, Sheet: 16 3/8 × 11 inches (41.6 × 27.9 cm), Plate: 13 3/4 × 9 7/8 inches (34.9 × 25.1 cm), and Image: 12 3/4 × 9 7/8 inches (32.4 × 25.1 cm)

A pencil drawing by Hans Canon depicting Gretchen kneeling before a crucifix, with white highlights on gray paper.

A Sketch from Nature. Artist: After Thomas Rowlandson (British, London 1757-1827 London); William Paulet Carey (Irish, Dublin 1759-1839 Birmingham). Dimensions: Sheet: 12 1/8 in. × 16 in. (30.8 × 40.6 cm). Publisher: John Raphael Smith (British, baptized Derby 1751-1812 Doncaster) , London. Date: January 24, 1784. Museum: Metropolitan Museum of Art, New York, USA.

Petite servante - deviendra maîtresse ,. Paul Gavarni (1804-1866). Lithographs and Other Works

William Ward after John Hoppner, The Daughters of Sir Thomas Frankland The Daughters of Sir Thomas Frankland

Visite Chez la Nourrice (Visit to the Wetnurse) (from Journal l'Artiste). Artist: Victor Adam (French, 1801-1866). Dimensions: Sheet: 7 9/16 x 10 3/8 in. (19.2 x 26.3 cm). Printer: Lemercier (Paris). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

A young woman, seated outdoors, with an armillary sphere or similar instrument, looking pensive. Colour etching by E. Jeaurat.

Ainsi donc il me trompe!Il ne sait peut-etre pas, l’insense!. Artist: Paul Gavarni, French, 1804-1866

Study for the Portrait of Princess Louisa and Queen Caroline Matilda of Denmark, Francis Cotes RA, 1726-1770, British, ca. 1767, Graphite, gray wash, and pen and gray ink on medium, slightly textured, blued white laid paper, Sheet: 9 1/4 x 7 1/2in. (23.5 x 19.1cm), double portraits, dresses, music stands, portrait, royalty, sheet music, women

The gentleman next door declares his passion for Mrs. Nickleby,' by Hablot Knight Browne, 1838. This illustration is related to the characters from Charles Dickens' 'Nicholas Nickleby.'

A long letter lies open on the table and a girl is being advised by an older woman. Mezzotint.

Recueil des modes de la cour de France, 'Femme de qualité en robe de chambre d'hyuer'. Jean Dieu de Saint-Jean (France, flourished 1675-1695). France, Paris, 1685. Prints. Hand-colored engraving on paper

Woman in a painter's studio, Willem Steelink (I), After Johann Velten, 1871 print A woman stands with an open folder with prints or drawings and looks at a paper sheet. Behind her is a painting on a donkey. Amsterdam paper steel engraving / etching easel. workshop-interior

Engraving depicting a wicker garden chair

If the Youth Growth Stadler, F.X., Rauh B.J., Guérard, Paterno, Antony

Muscipula, Print made by John Jones, ca. 1745-1797, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1786, Stipple, etching and Engraving (first state) on moderately thick, moderately textured, cream, wove paper, Sheet: 18 1/8 × 15 3/4 inches (46 × 40 cm), Plate: 14 15/16 × 10 7/8 inches (37.9 × 27.6 cm), and Image: 10 9/16 × 8 13/16 inches (26.8 × 22.4 cm)

Mary Antoinettes farewell to her daughter. Szumacher, I. (Petersburg ; zakład graficzny ; ca 1860-1870), printing house, Daugull, August (1830-1899), graphic artist

'Cries of London' Plate 6: 'Knives Scissors and Razors to Grind', Giovanni Vendramini, 1769-1839, Italian, after Francis Wheatley, 1747-1801, British, 1795, Colored engraving with stipple, DON'T USE: 16 x 12in. (40.6 x 30.5cm)

Giovanni Vendramini after Francis Wheatley, Knives, Scissors and Razors to Grind, published 1795 Knives, Scissors and Razors to Grind

Schinz, Anna .

Voila pour unsou!…. Artist: Paul Gavarni, French, 1804-1866

Cinderella. Character in the tale written by Charles Perrault. Engraving by Jonnard. The Evening, 1894.

() PRELUDE.. Artist: Paul Gavarni, French, 1804-1866

The Doll House. Dimensions: plate: 14.5 x 18.5 cm (5 11/16 x 7 5/16 in.) sheet: 26 x 36.5 cm (10 1/4 x 14 3/8 in.). Medium: etching on chine applique. Museum: National Gallery of Art, Washington DC. Author: JOHN EVERETT MILLAIS.

Woman Seated Holding a Cat on Her Knees Artist's working dates 1744-1780 France. Black chalk and graphite, with pen and black ink, brush and brown wash and touches of grey wash, on grayish-ivory laid paper . Gabriel Jacques de Saint-Aubin

The Sailor's Return, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper, Sheet: 8 11/16 x 6 15/16 inches (22.1 x 17.6 cm), coins, doorway, genre subject, sailors, stools, woman

LA POLKA - LITOGRAFIA - SIGLO XVIII/XIX. Location: MUSEO DE LA OPERA. France.

The Parting Look (without Man and Box) Published 1858 England. Steel engraving colored with wooden blocks, on paper . George Baxter

Photo production of (presumably) a drawing entitled 'Faust and Gretchen in the dungeon'; Faust und Gretchen (Im dungeon) .. Part of album with 30 photo productions of drawings of the faust story of J.W. Von Goethe.

The Hague, Royal Dutch Lithography of CW Mieling, Netherlands, Bisschop, Christoffel, Writing woman at the window, The woman holds a quill in her hand. On the table in front of her are a carafe, a small box and writing utensils. In the vaulted space behind her are a small cabinet, a mirror with an extinguished candle in front of it, a chair and a lute. By the window is a pot with ivy. The woman wears a cap with a train and a fur-trimmed cloak., print, prints, height 540 mm, width 365 mm, 1828 - 1904-10-05, print maker, printmaker, 1838 - 1904, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

Portrait of a woman sitting by window, finger to lips, print maker: Louis Bernard Coclers, , unknown, 1756 - 1817, paper, etching, drypoint, h 140 mm × w 110 mm

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