19th Century Illustrative Caricatures

Humorous and satirical lithographs depicting engaging dialogues and scenarios from the 19th-century, highlighting social and cultural themes.

You! Subscribe to an opposition newspaper / It is so full of communications that it is almost a government newspaper. (Registered title) | News. (Title of the whole)

Honoré Daumier, En v'là un petit pochard!, 19th century En v'là un petit pochard!

Drame en cinq actes, a domicile, avec prologue et épilogue. - ...(la Comtesse) Jamais! (le Comte) Madame! (Pépita) Ma mère! (Carlos) Ma sœur! - (la Comtesst) O jamais! (Pépita) Ah! ma mère! (le Comte) Mais, Madame!...(Carlos) - Quoi! ma sœur... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Administrator and manufacturer caricature on Friedrich Christoph Dahlmann, Carl Vogt and Archduke Johann, Carl Knatz, printer

François, qui est-ce qui a bu mon vin ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

You! Subscribe to an opposition newspaper / It is so full of communications that it is almost a government newspaper. (Registered title) | News. (Title of the whole)

Mais, monsieur, je vous assure que c'est du... veau!... Dated: 1852. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

An episode in Dombey and son by Charles Dickens: the interior of "The wooden midshipman", a shop in the City of London for navigational instruments; a boy ("Rob the Grinder") is conversing with a pugilist known as "The Game Chicken". Etching by Phiz (Hablot K. Browne).

À L'Odéon, from Actualités, published in Le Charivari, November 17, 1857. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 9 7/8 × 13 9/16 in. (25.1 × 34.5 cm)Image: 8 in. × 9 7/16 in. (20.3 × 23.9 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Actualitès. Date: November 17, 1857. Museum: Metropolitan Museum of Art, New York, USA.

Lithograph by Honoré Daumier depicting an exchange of money after a scholarship, showing figures, gestures, and interaction, created in 1837.

- We really look like Papa, don't we.. little Cherub!,” plate 14 from Les Papas 1847 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

As we dinner in Paris./27./The broth flow. (Registered title (letter)) | As we dine in Paris. (Title of all)

Let's leave Madame... these nudes are revolting... (aside) I'll come back later., from 'At the Salon,' published in Le Charivari, May 5, 1866 May 5, 1866 Honoré Daumier. Let's leave Madame... these nudes are revolting... (aside) I'll come back later., from 'At the Salon,' published in Le Charivari, May 5, 1866. 'At the Salon' (Au Salon). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). May 5, 1866. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Eh! Bien, allons-nous continuer.... Honoré Daumier (1808-1879). Lithographs

C'est son pauvr' chat qu'est mort.... Honoré Daumier (1808-1879). Lithographs

Plate 47: Stockbroker at the close of the day, from 'Caricaturana,' published in Les Robert Macaires 1838 Honoré Daumier Note down: Bought 10'000 Fr. worth of government bonds at 5% for Mr. Tripot, at 106 Fr. 90 Cts... Oh, well, he's a good lad, put down 80 centimes... Bought 15'000 Fr. worth at 5% for Mr. Moutonnet, at... He's a beast who's always complaining, put down 95 centimes, that'll teach him to doubt my integrity!. Plate 47: Stockbroker at the close of the day, from 'Caricaturana,' published in Les Robert Macaires. 'Caricaturana'. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 1838. Lithograph on wove paper; third state of three (Delteil). Aubert et Cie. Prints

Le conseil de révision. Honoré Daumier (1808-1879). Lithographs

Man bends at Ministry, Honoré Daumier, 1849 in an apparently influential person Paris paper caricatures (human types). official; civil servant; functionary (in general)

L'Épée de Damoclès. Honoré Daumier (1808-1879). Lithographs

In a room there is a man with a wheelbarrow on which a tub. .

Premières impressions. - Stupéfaction.... Honoré Daumier (1808-1879). Lithographs

This is What Nowadays is Called a Light Work. "- My God, what's this!.... an encyclopaedia "- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.," plate 13 from Revue Caricaturale. Honoré Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 245 × 200 mm (image); 340 × 262 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Honoré Daumier, A travers les ateliers, 1862 A travers les ateliers

Honoré Daumier, Ainsi donc, mon ami, a vingt deux ans, 1844 Ainsi donc, mon ami, a vingt-deux ans...

Ma femme reste bien long-temps à ce banquet.... Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Un Homme sauvé malgré lui, 1843 Un Homme sauvé malgré lui

Honoré Daumier, La figure de ce monsieur ne me revient guère , 19th century La figure de ce monsieur ne me revient guère ...

Ronde-Major.. Artist: Paul Gavarni, French, 1804-1866

Oh! mon ami..., quel beau turco!.... quel beau turco!!...., from Au Camp de Saint-Maur, published in Le Charivari, August 15, 1859 August 15, 1859 Honoré Daumier. Oh! mon ami..., quel beau turco!.... quel beau turco!!...., from Au Camp de Saint-Maur, published in Le Charivari, August 15, 1859. Au Camp de Saint-Maur. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). August 15, 1859. Lithograph on newsprint; second state of four (Delteil). Aaron Martinet (French, 1762-1841). Prints

Monsieur! Monsieur! M'offrir 500 francs... , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Position réputée la plus commode pour un portrait au daguerréotype. Dated: July 24, 1847. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Fidèles aux vieux usages.... Honoré Daumier (1808-1879). Lithographs

Charles Maurand after Honoré Daumier, Un Bureau d'attente d'omnibus, 1862 Un Bureau d'attente d'omnibus

(Mr UN TEL.). Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier, Comment on passe ses soirées en chine, 19th century Comment on passe ses soirées en chine

Honoré Daumier, Les Suites d'une insurrection, 1849 Les Suites d'une insurrection

published in le Charivari (1 September 1839): Parisian Emotions, plate 3: I Have Three Sous!, 1839. Honoré Daumier (French, 1808-1879). Lithograph; image: 25 x 17.5 cm (9 13/16 x 6 7/8 in.).

Un Peintre Fantaisistes Honoré Daumier (French, 1808-1879). , May 11, 1865. Lithograph on newsprint, Sheet: 11 11/16 x 10 1/2 in. (29.7 x 26.7 cm). European Art May 11, 1865

Je lance ma grande affaire.... Honoré Daumier (1808-1879). Lithographs

"Mon Dieu! M'ame Bombec, qué que vous avez donc attrapé..." Honoré Daumier (French, 1808-1879). June 11, 1842. Lithograph on newsprint, Sheet: 9 15/16 x 15 1/16 in. (25.2 x 38.3 cm). European Art June 11, 1842

Illustrations from Mr. Lambkin, plate 12, Print made by George Cruikshank, 1792-1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

The First Dance Lession, from Les Papas. Honoré Victorin Daumier; French, 1808-1879. Date: 1848. Dimensions: 250 × 193 mm (image); 357 × 273 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Dis donc, ravignard, si nos femmes nous voyaient! ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

"- Hard to imagine that one day I might have to trade my crown against a simple hat," plate 249 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1855. Dimensions: 242 × 203 mm (image); 298 × 241 mm (sheet). Lithograph in black on white wove paper, with letterpress recto verso. Origin: France. Museum: The Chicago Art Institute, USA.

Messieurs, voici les comptes de noire société.... Honoré Daumier (1808-1879). Lithographs

Ainsi donc, mon ami à vingt-deux ans vous aviez déjà tué trois hommes.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Honoré Daumier, Un récit de chasse, 19th century Un récit de chasse

Deceiver steals a watch from a man, Honoré Daumier, 1841 Paris paper letterpress printing caricatures (human types). pickpocket Paris

Cabriolet là M'sieu, là M'sieu... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Dire que je vais être... exposé... Dated: 1859. Dimensions: image: 21 x 24 cm (8 1/4 x 9 7/16 in.) sheet: 26.9 x 32.6 cm (10 9/16 x 12 13/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

News / 262 / Trade. - When, therefore, gentlemen, will you finish playing this game there ... (IT)

Désolé ... Je suis de la société des philantropes du nord ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Ou peut on être mieux ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

# 25 / Say-so Guizot, let me the pleasure of pinching me, do you want (TI)

Des chargés d'affaires. Dated: 1848. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Print made by George Cruikshank, 1792-1878, British, Oliver Escapes being Bound Apprentice to the Sweep, 1837. Line engraving on medium, slightly textured, cream wove paper.

Toujours les Hippophages. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Une journée de pluie, 19th century Une journée de pluie

The Old Bachelor's Valentine (valentine). Unknown Artist; English, 19th century. Date: 1860-1870. Dimensions: 173 × 127 mm (sheet, sight). Wood engraving on ivory paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print, Another Year by the Old Clock; After Winslow Homer (American, 1836-1910); Published by Harper's Bazaar; USA; wood engraving in black ink on paper; 30.3 × 26.2 cm (11 15/16 × 10 5/16 in.)

Another Year by the Old Clock, 1870. Winslow Homer (American, 1836-1910). Wood engraving;

Toujours les hippophages. Honoré Daumier (1808-1879). Lithographs

Le regulateur. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Cartoon, 1877 print Cartoon. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 41, 1877. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper

Honoré Daumier, Comment, c'est dans cette cave que , 19th century Comment, c'est dans cette cave que ...

Bliżej Kultury PECQ, Adolf (CA 1820 Post 1874), Kostrzewski, Franciszek (1826 1911)

"- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...," plate 20 from Les Bons Bourgeois. Honoré Victorin Daumier; French, 1808-1879. Date: 1846. Dimensions: 238 × 210 mm (image); 341 × 261 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Honoré Daumier, Le Jour ou il s'agit de faire une conquête, 1847 Le Jour ou il s'agit de faire une conquête

To the sake of God, A so -so for an old blind king that his guide brought into the , misfortune, Caricature on the escape of the French king Louis-Philip I, Franz Schmutz, Lithograph

The Chinese of Paris Pl.2. The first drink. - The sixth glass Honoré Daumier (1808-1879). The Chinese of Paris Pl.2. The first drink. - The sixth glass.

Well, if you look very closely, you might end up finding some quality! The color seems to be good, from 'Sketches from the Salon,' published in Le Charivari, June 16, 1865 June 16, 1865 Honoré Daumier. Well, if you look very closely, you might end up finding some quality! The color seems to be good, from 'Sketches from the Salon,' published in Le Charivari, June 16, 1865. 'Sketches from the Salon' (Croquis pris au Salon). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). June 16, 1865. Lithograph and pen and brown ink on newsprint; first state of two (proof). Aaron Martinet (French, 1762-1841). Prints

Coelebs in Search of a Mulready Envelope, 1865. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

Old Womens' Remedies (plate 6) 1843 France. Lithograph in black on ivory wove paper . Charles Émile Jacque

Gladstone over the two emperors, Johan Braakensiek, 1897 Amsterdam paper historical persons. emperor. pulling the ears (of naughty children). political caricatures and satires

Partial renewal. / 680

Dites donc, Ravignard, si nos femmes nous voyaient!.... Honoré Daumier (1808-1879). Lithographs

Sir, so far there are only five people here..., from 'Theater sketches,' published in Le Charivari, April 3, 1864. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/8 × 7 15/16 in. (23.2 × 20.2 cm)Sheet: 11 3/4 × 11 1/8 in. (29.8 × 28.2 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'Theater sketches' (Croquis pris au théatre). Date: April 3, 1864. Museum: Metropolitan Museum of Art, New York, USA.

Honoré Daumier, Comme quoi, au village, la vertu la plus grêlée, 1845 Comme quoi, au village, la vertu la plus grêlée...

News / 184 / An unfortunate ... wrestler (IT)

After the seat / 293

Le parterre de l'Odéon. L'Auteur!.... Honoré Daumier (1808-1879). Lithographs

Ah! prenez pitié de l'etat cruel où me laisse mon attachement - pour vous! Emile! Emile! un mot, un seul mot que - j'attends en comptant les minutes et dans une anxiété - qui (sic) me serait impossible de vous peindre. Je me - meurs d'inquiétude ,. Paul Gavarni (1804-1866). Lithographs and Other Works

AN ALLIANCE MADE ELIGIBLE BY THE MAINE ELECTION, WHO WILL WIN HER

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), at the restaurant (title given by the author), 1904. Pierre Noire. Blue pencil. Black ink and blue watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Honoré Daumier, Une nuit au poste, 19th century Une nuit au poste

-They're talking about new elections. -Before I vote for a candidate, I want him to be examined by a doctor to make sure he is not declared invalid again, from 'News of the day,' published in Le Charivari, September 27, 1869 September 27, 1869 Honoré Daumier French. -They're talking about new elections. -Before I vote for a candidate, I want him to be examined by a doctor to make sure he is not declared invalid again, from 'News of the day,' published in Le Charivari, September 27, 1869. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 27, 1869. Lithograph on newsprint; third state of three (Delteil). Arnaud de Vresse. Prints

Honoré Daumier, Une Maitresse a l'Opéra, 1845 Une Maitresse a l'Opéra

Frances daughter free to Uhland, Léon Gambetta, Mac-Mahon, France on the death bed, Frances daughter free to Uhland, Title of Time of Humorist Studies , Karl Klic -, Caricaturist, Angerer , Göschl, realization

Mais mon cher Gogo, vous plaisantez.... Honoré Daumier (1808-1879). Lithographs

Man looks at a painting or print with a magnifying glass. Draughtsman: anonymous. Draughtsman: Honoré Daumier (manner of). Dating: c. 1800 - c. 1899. Measurements: h 246 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

The Adventure of the Yellow Face'. A visitor to Holmes springing up in alarm that the detective should know his name. 'If you wish to preserve your incognito,' said Holmes, smiling, 'I should suggest that you cease to write your name in the lining of your hat ...'. From 'The Adventures of Sherlock Holmes' by Conan Doyle from 'The Strand Magazine' (London, 1893). Illustration by Sidney E Paget, the first artist to draw Sherlock Holmes. Engraving.

J'ai demandé au sortir de Vépres, j'ai rien eu. - Moi, où on danse, j'ai pas mal eu ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Three gentlemen who are snuffy; Grandville, Jean-Jacques (1803-1847); before 1834 (1801-00-00-1900-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902)-collections, Grandville, Jean Jacques (1803-1847)-legacy, Grandville, Jean, Jacques (1803-1847). Les Types Modernes, Observations Critiques - Le Dedans de l'omme expliqué pair Dehors, Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, caricatures, moral caricatures, men, projects, illustration projects, French drawings, genre scenes, tabka , drugs

Den Haag, Nijhoff, Martinus, Krauss, J., Nederland, Schmidt Crans, Johan Michaël, Grondwetsherziening. Motie Keuchenius, Cartoon about the constitutional revision, 1886, The Hague, Netherlands, 1886. Heemskerk as Hamlet. Plate published in the weekly De Nederlandsche Spectator, no. 11, 1886., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1886 - 1886, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

L'Élection. Dated: 1843. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Memories of Ste Pelagie.

Non Bis InIdem!…. Artist: Paul Gavarni, French, 1804-1866

Tiens, mon ami, voici M. Chapoulard ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Seressanter at the glove maker No, of the series Little Episodes , From the Great Drama, Vienna in the state of siege , lith, And published by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, printer

Il vend sa vie pour vivre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Le bas-bleu déclamant sa pièce. Honoré Daumier (1808-1879). Lithographs

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