19th Century Landscape Prints

A collection of photomechanical prints and etchings depicting landscapes and figures in various artistic styles from the 19th century.

Lying woman in a rocky landscape, c. 1889 - in or before 1899 photomechanical print FranceGermanyprinter: Berlinpublisher: Berlin paper lying figure - AA - female human figure. woman (showing herself) undressed, quasi-nude. rocks

Saint. Tomasz, from the series: Twelve Apostles, Saint. Mateusz, from the series: Twelve Apostles, Saint. Jakub, from the series: Twelve Apostles, Juda Tadeusz, from the series: Twelve Apostles, Saint. Szymon, from the series: Twelve Apostles; Beham, Sebald (1500-1550); 16th century (1500-00-00-1600-00-00), 1546 (1st edition) (1546-00-00-1550-00-00);

Wall paintings in a room on the upper floor of the royal castle in Merano, Italy, Otto Schmidt, c. 1886 - in or before 1891 photomechanical print This print is part of a cover with thirty prints and three text magazines. Meranoviennapublisher: vienna paper castle - AA - civic architecture: inside. picture, painting Merano

Front view of the grave monument, 1812 print Pyramid -shaped monument with a funeral procession. On the right a genius and a lion. This print is part of an album. paper etching grave, tomb Vienna

Aard stars, Jan Veth, 1886 drawing paper. chalk mushrooms. mushrooms

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "The man prepares the materials intended for his home; the woman spins her clothes". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-31

Untitled Made 1875-1899 Illinois. Albumen print, stereo . C.H. Wareham

A man sitting at the desk; Rembowski, Jan (1879-1923); 1909 (1909-00-00-1909-00-00);Young Poland (Style), Partage Plus, Tchorek, Karol (1904-1985), Tchorek, Karol (1904-1985)-collection, Polish graphics, Poland (culture), sitting characters, symbolic scenes, symbolism (style), interior, interior, Purchase (provenance)

Disparate general.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Proverbs

Bobabilicon.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Proverbs

Photo production of a print by B. Desnoyers of the Madona de Casa Tempi by Rafaël. .

Statue of Venus displayed in the hall of the Murat Mansion, Paris, France. This photograph, taken on January 24th, 1919, is number 63,147 in the Signal Corps collection. The image captures the stunning beauty of the statue and its placement within the mansion's hall.

Figures with body parts of insects, James Ensor, 1888 print paper etching / drypoint insects. man and animal

Barry, Jean. Fragment of the enclosure of Philippe Auguste Update in the work / derivation of the Bièvre Boulevard St Germain. "Fragment of the enclosure of Philippe Auguste Update in the work of the derivation of the Bièvre, boulevard Saint-Germain, 6th arrondissement, Paris". Gelatino-silver-bromide draw. in 1905-08-1905-08. Paris, Carnavalet museum. 144174-20

Tuscany Siena Poggibonsi S. Lucchese40. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

G. Terrassathree musketeers, engraving, Majorca, Spain Majorca, Spain, Europe

Natuurrubber products on the Great Exhibition of the Works of Industry of All Nations from 1851 in London, Anonymous, 1851 photograph London photographic support salted paper print London

Mantellier de Montrachy.. 1885 - 1889. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Mantellier, Philippe, 1810-1884

Hoffmann Ludwig (1852-1932), Märchenbrunnen in Berlin-Friedrichshain (1914): (from: Max Osborn, the fairytale fountain am Friedrichshain zu Berlin, Tafel 39). Pressure on paper, 41.4 x 33 cm (including scan edges)

Plate 18 from the 'Disparates':Birds of a feather flock together. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 10 5/8 × 14 3/4 in. (27 × 37.5 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (private printing ca.1854).From the private printing c. 1854 before the plates were cleaned. Museum: Metropolitan Museum of Art, New York, USA.

Umbria Perugia Gubbio (environs) Church of Caprignone0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Queen Victoria and Group John Henry Ellsworth Whitney (American, 1840-1891).. Wood engraving, image: 4 1/4 x 5 1/16 in. (10.8 x 12.9 cm). American Art

The Horrors of War: The Same Elsewhere. Francisco de Goya (Spanish, 1746-1828). Etching;

Italian faience. Pyrame and Thisb� Italian faience. Pyrame and Thisb�. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Launching dory , Dories Boats, Bodies of water. Frank W. Benson (1862-1951). Prints and Drawings

Easter cards depicting girl decorating her home with flowers, woman on rocking chair, flowers.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Flowers, Rocking chairs

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (05.04.1887): Rome: Colossal ram head in the garden of the Villa Medici and others (perspective view, views). Pencil on paper, 42.7 x 31.3 cm (including scan edges)

Disparate ridiculo.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Proverbs

An engraving by Charles Townley depicting a young daughter skiing, created in 1788.

The child claimed.

A pencil drawing by Martin von Molitor titled 'Give the Lute', created between 1780 and 1812.

Etching and aquatint by Jean Guillaume Moitte showing various scenes, executed in point manner during the mid-18th to early 19th century.

Etching by Captain William Baillie showing portraits of Jan Uytenbogaert, known as the gold brager, created between 1740 and 1810.

An etching and aquatint from 1882 by Max Klinger titled 'Apollo and Daphne II' (Opus II, sheet 11), printed on rolled French China paper, depicting mythological figures and narrative composition.

Woven portrait, Michel-Marie Carquillat, (French, 1803-1884), Medium: silk Technique: jacquard woven: warp-faced plain weave (white) with supplementary weft patterning (black) Label: jacquard-woven silk, Small piece of silk with two woven pictures: on top, a portrait of Joseph-Marie Jacquard (1752-1834) after a portrait by Jean-Claude Bonnefond (1796-1860). Below, a picture of a loom with the Jacquard punch-card mechanism. Woven on a loom equipped with a Jacquard mechanism by Carquillat (died 1884)., France, mid-19th century, woven textiles, Woven portrait

st, Beethovenplatz, general - Beethoven monument - detail, Michael Frankenstein , Comp, Photo Studio

GIPS models for sculptures on the Palais du Louvre: left "d'Aguesseau" by Louis Caillouet and on the right "Mansart" by Jean-Joseph Perraud, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Medea, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Medea with her two dead children is pulled by two dragons. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving Medea kills her two children; she flees from Corinth in a chariot drawn by winged dragons

Christmas card depicting winter scenes; Santa Claus with reindeer and sleigh; botanical ornamentation.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Snow, Reindeer, Santa Claus

La rixe, d'après Meissonier.. Meissonier, Jean Louis Ernest (1815-1891). 1885. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fighting

Woodburytype by Victor Angerer showing a still life with Ambras collection items and a model of the Danube female by Hans Gasser, produced in 1882.

Les Fleurs. Tony Boussenot (French, active 1870s )

Touble tools used in the construction of the tomb of Caecilia Metella in Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Touble tools used in the construction of the Tomb of Caecilia Metella on the Via Appia Antica just outside Rome. Text and explanatory letters in Submarga. Numbered above: Tom. III. / Liv. Rome paper etching tools and machines ~ building Tombe van Cecilia Metella. Rome

Farnese cup, Giorgio Sommer, 1874 - in OR BEFORE 1879 photograph This photo is part of an album. Naples photographic support albumen print bowl

Copper engraving and etching by Félix Massard, created between 1803 and 1818, showing musicians gathered at a table playing instruments.

Franklin.. Irving, Washington (1783-1859). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Illustrationen Aus "Breslau" (fifth illustration); Müller-Bernburg, Ernst (1874-1941); around 1900 (1874-00-00-1935-00-00);

Finis, Willem Bastiaan Tholen, 1870 - 1914 print Mast of a sunken ship protrudes above the water. paper etching sinking (movement in water). sailing-ship, sailing-boat

Hoffmann Ludwig (1852-1932), fairy tale fountain in Berlin-Friedrichshain (1914): (from: Max Osborn, the fairytale fountain on Friedrichshain zu Berlin, Tafel 41). Pressure on paper, 41.5 x 33.1 cm (including scan edges)

Selmas. Vue d'un bas-relief près Selmas; District de Selmas. (Plan topographique.). Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Sculptures of Minerva Protecting a Warrior, Una and the Lion, Children with a Pony and a Hound, and Child Play. Artist: Attributed to Philip Henry Delamotte (British, 1821-1889). Dimensions: 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each. Date: ca. 1859. Museum: Metropolitan Museum of Art, New York, USA.

Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw 1916 Auguste Rodin French. Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw. Auguste Rodin (French, Paris 1840-1917 Meudon). 1916. Drypoint, first state of two. Prints

Sandbank in a forest. Schouppé, Alfred (1812-1899), draughtsman, cartoonist

Heliogravure print by Victor Angerer showing a still life of Ambras collection pieces and a model of the Danube female by Hans Gasser, created in 1882.

Port of New York. Walker Evans (American, 1903 - 1975)

World exhibition , Kunsthalle, German Reich No, Michael Frankenstein , Comp, Photo Studio, Viennese Photographer Association, Publishing House

Jeffery Hudson, a dwarf, aged twenty five. Line engraving.

Copy Daguerreotype of a Gravure of the Painting by Papety entitled "A Dream of Joy" or "Dream of Happiness".. Baron Jean Baptiste Louis Gros (French, 1793 - 1870)

Pyramides de Memphis. Vues de la galerie haute de la Grande Pyramide, prise du palier supérieur et du palier inférieur., 1809 - 1828., Paris. Publisher, Impr. impériale., 70 x 50 cm. Features include interiors of the Great Pyramid, torches, and references to Egypt

Krieg, Bl. 6, Vom Tode, zweiter Teil, Op. XIII. Klinger, Max (1857-1920), graphic artist, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house

Collection Dutuitus. Flemish paintings. Jordaens, the martyrdom of Saint Apolline Jacob Jordaens (1593-1678). The martyrdom of Saint Apolline. Photograph of Jacques-Ernest Bulloz (1858-1942). Eugene legacy and Augustus Dutuit. Flemish paintings. Projection plate. 1900-1930.

Persépolis. Portique no. 1. Coupe.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Three postcards with paintings Dębicki, Stanisław (1866-1924). unknown, publisher

Pianta del tempio di Philæ.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Temples , Egypt , Philae

Cabaub shop, Cabul. 1843. Hart, Lockyer Willis. Prints, Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing & dress , South Asia, Food vendors , Afghanistan , Kâbol, Skewer cookery

Sculpture by John Bell, presenting an eagle hunter, exhibited at the Great Exhibition of the Works of Industry of All Nations from 1851 in London, C.M. Ferrier & F. von Martens (attributed to), 1851 photograph London photographic support salted paper print piece of sculpture, reproduction of a piece of sculpture London

Chess player , Karl Wiener -, artist

Folio 4, from Ajournement. Marcel Fiorini (Algerian, b. 1922); after drawings by Jacques Gaston Duchamp Villon (French, 1875-1963); poetry by Du Douchet, André (French, b. 1914/1924); designed by Iliazd (French, 1894-1975, b. Russia); published by Iliazd (French, 1894-1975, b. Russia). Date: 1960. Dimensions: 410 x 523 mm (sheet, folded). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Copy of a decorated window of the Sidi Saiyyed Ni Jaali Mosque in Ahmedabad; Copy of One of the Bhudder Windows at Ahmedabad ..

Dulwich Museum, 1900-1926, England, by Samuel Hurst Seager. Gift of S. Hurst Seager, 1926.

Les Legs de l'Opéra - Actresses - Mosaîque Politique ". Photography by André Adolphe Eugène Disdéri (1819-1889). Paris, Carnavalet Museum. Actor, business card, dancer, dancer, politician, Jembe, political mosaic, opera, second empire

Grave monument for a priest; Coenotaphiorum; Tombs and grave monuments. Grave monument with the image of a horizontal priest in his kazufel (a gisant), placed against a wall with windows. On the corners of the sarcophagus a kneeling angel with coat of arms and a goal. The pedestal with roller and fitting work. Four lines of text in the undergarment, in two columns in Latin. The print is part of an album.

In the gallery of Sigiri..

The Nile. Unknown

GIPS models for sculptures on the Palais du Louvre: left "Houdon" by François Rude and on the right "Dupérac" by Charles Cordier, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Design for in Holland stands a house: silhouette of a cradle, Nelly Bodenheim, 1884 - 1917 drawing Design for a print. paper. pencil brush .

Lithograph by Tiziano Vecellio from the 19th century depicting a faun and a nymph, showing their figures, gestures, and surrounding environment.

Masaccio. The birth of Christ

Copper engraving and etching by Sebald Beham from the early 16th-17th century depicting the 12 Apostles and three stone medallions, showing figures, poses, and religious symbolism.

The Horrors of War: Bury Them and Keep Quiet. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Bas-relief, Renaissance Homemade, 25 rue du Jour, 1st arrondissement, Paris BAS-RELIEF, Renaissance Vintage House, 25 rue du Jour, Paris (IER ARR.). Fragments of Sculptures Still, August 1901. Photograph of Emmanuel Pottier (1864-1921).

Lazio Roma Rome S. Balbina1. Hutzel, Max 1960-1990 Medieval: Architectural plans, architecture, cosmati tiling, sculpture, fresco painting, sculptural fragments. Post-medieval: Sculptural relief, architectural sculpture, architecture, painting, fresco painting, sculpture. On viale Baccelli. General Notes: Hutzel accounts for 65 prints; however, #9, #10, #39, #59, #61 and #62 are not included in the group of photos. (Perhaps they are with wall painting or mosaics). There is also a note (from Emily) that unmatched negatives are in mylar sleeves at the front of the group - but these are also not located. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

Fireflies from Album of Illustrations for the Tale of Genji, 1600s. Japan, Edo period (1615-1868). Accordion album; ink, light color, and gold on paper; each leaf: 26.3 x 22 cm (10 3/8 x 8 11/16 in.); painting only: 17 x 20.6 cm (6 11/16 x 8 1/8 in.). This album contains illustrations for the classic literary work the Tale of Genji, authored in the 1000s by Murasaki Shikibu, an aristocrat of the Heian period (794-1185) court. The scenes are painted in the white drawing” (hakuby?) mode, in which a fine ink line is used to depict figures and spaces with great subtlety, punctuated only occasionally by traces of red pigment for a character’s lips, a detail of a garment, or a decorative element. These two scenes illustrate episodes from the chapters Thin Veil of Cloud” (Usugumo) and Barrier Gate” (Sekiya).

Photography on glass for SkiopTikon / Later Magica. "Wine, Love and Song".

Gypsum Models for Sculptures at the Louvre Palace: Links "The Maritime Discoveries" by Louis Merley and on the right "The sea" by Ernest Christophe. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.

Various weapons and armor, at the exhibition Rétrospective of 1877 in Lyon, France, Jacques Garcin, 1877 - 1878 photomechanical print This print is part of a cover with 79 prints on 54 sheets and 65 text magazines. Lyonprinter: Paris paper weapons. armour Lyon

Post-mortem portrait of a small child by Albin Mutterer, using daguerreotype around 1850, positioned in front of a painted river landscape with steamer.

Emaux. Tryptique EMAUX. Tryptic. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Childhood of Jesus 18th century possibly French. Childhood of Jesus. possibly French. 18th century. Wax, silk, satin, glass, paper, gold thread. Sculpture-Miniature

Hoffmann Ludwig (1852-1932), Märchenbrunnen in Berlin-Friedrichshain (1914): (from: Max Osborn, The Märchenbrunnen am Friedrichshain zu Berlin, Tafel 35). Pressure on paper, 41.3 x 32.8 cm (including scan edges)

COURBET. Wheat screens Gustave Courbet (1819-1877). Wheat screenings. Projection plate. 1900-1930. Anonymous.Museum of the fine arts of the city of Paris, small palace.

The Fishermen 1850-55 Henri-Charles-Antoine Baron. The Fishermen. Les Artistes Anciens et Modernes. Henri-Charles-Antoine Baron (French, Besançon 1816-1885 Geneva). 1850-55. Lithograph. Prints

Self-Portrait. Thomas Hart Benton; American, 1889-1975. Date: 1907-1908. Dimensions: 119 x 93 mm. Pen and black ink, on cream wove paper, laid down on black wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Vue du grand Sphinx et de la grande pyramide de Menkazeh (Mycerinus) December 1849 Maxime Du Camp French Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for t

Reproduction of a drawing of small thumb that scatters breadcrumbs, Anonymous, 1905 - 1906 photomechanical print This print is part of an album. paper collotype tales and fairy tales: Little Thumbling

Portrait girl, W. Savery, c. 1855 - c. 1870.

The photograph depicts Grant's Memorial Statuary in Washington, D.C. The image was taken by the Signal Corps in 1920. The statue symbolizes an aspect of Ulysses S. Grant's legacy. The image is numbered 69609 and was issued in 1920. There are additional notes for reference mentioning the number 68609.

Beit-Oualli Beit el-Wali. Même spéos, grand tableau de gauche. Suite de la planche précédente. Les nègres en fuite se dirigent vers des marécages ou des forêts. A la gauche, un nègre est soutenu par deux autres, .... Champollion, Jean-François, 1790-1832. Prints, Illustrations. 1835 - 1845. General Research Division. Egypt , Antiquities

Relief. Praetorian guard

Henri de Toulouse Lautrec, Yvette Guilbert, 1894 Yvette Guilbert

Monticelli grave monument in the cemetery of Staglieno in Genoa; Genova. Camposanto. Mon. Monticelli (Bozza (...). Part of travel album with pictures of sights in Italy and southern France.

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