19th Century Landscape Prints

A collection of photomechanical prints and etchings depicting landscapes and figures in various artistic styles from the 19th century.

Lying woman in a rocky landscape, c. 1889 - in or before 1899 photomechanical print FranceGermanyprinter: Berlinpublisher: Berlin paper lying figure - AA - female human figure. woman (showing herself) undressed, quasi-nude. rocks

Lying woman in a rocky landscape, c. 1889 - in or before 1899 photomechanical print FranceGermanyprinter: Berlinpublisher: Berlin paper lying figure - AA - female human figure. woman (showing herself) undressed, quasi-nude. rocks

A park statue of Amor; remarque: a police officer illuminating the flying cupid with a torch. Willette, Adolphe Léon (1857-1926), graphic artist, Société d'Edition et de Publications (Paryż ; wydawnictwo ; 1899-1919 ; 1990- ), publishing house, Juven, Félix (1862-1947), publishing house

Aquatint and etching by Frederick Christian Lewis from 1837-1840 showing a landscape after Claude Lorrain with natural scenery, rivers, hills, trees, and architecture.

Landscape, Pl.4, verein für Original-Radierung in München, VI, 1897; Keitel, Otto (1862-1902), Verein für Original-Radierung (Munich; Association; Fl. 1850-), F. Bruckmann AG (Munich; Publisher; Ca 1850-1937), Bruckmann, Friedrich (Munich; Publisher; 1815- 1898); 1897 (1897-00-00-1897-00-00);Parage Plus, Silesian Museum of Fine Arts (Wrocław - 1880-1945) - Kolekcja, Association for Original Rading in Munich (Monachium - Stowarzyscene - 1850-), Modernizm (Styl), Pejzaże Wiejskie

Etching by Jan Pieter de Frey depicting a hermit in solitude, created in 1796, showing a solitary figure, landscape background, and late eighteenth-century Dutch etching style.

Photo production of a drawing, representing rulers on a throne with their consequences; 1460..

Etching by Daniel Nikolaus Chodowiecki from 1794 illustrating the 1796 paperback edition by Becker, showing detailed figures, scenes, and text elements in the book illustration.

Etching and aquatint by Johann Georg Wagner depicting a rocky cave with a shepherd and donkey, and women and men resting by the water, highlighting figures and natural scenery.

Photo production of a print of a scene from Egmont, representing Crachchen who encourages the residents of Brussels ..

Etching by Lorenz Strauch showing a view of Nuremberg, created in 1599, depicting city streets, towers, and surrounding buildings.

Copper engraving and etching by Jean Michel Moreau, circa 1800, showing illustrations for works by Denis Diderot, Salomon Gessner, and Ludwig Ferdinand Huber with detailed artistic rendering.

Painter is sleeping with his palette in the hand behind his easel, unknown, c. 1895 - in or before 1900 photomechanical print This print is part of 8 covers with 22 texts and 89 prints on individual magazines in and between the covers. paper collotype portrait, self-portrait of painter (+ in workshop or studio). sleeping in chair

Sculpture of the Palais du Louvre: "Lannes" by Vital Dubray, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Man with landing net in storm. Man with landing net over the shoulder walks through landscape with pollard willows, against storm air. In the foreground a trick on a stick along a ditch. One of 16 etchings in double folder.

An etching from 1739 by Jean Moyreau titled 'The Holand Ecurie', showing a stable scene in Holland with horses, attendants, and architectural details, executed in copper engraving.

Etching illustrating three smokers, a mother with two children, and three men seated at a table with a jug, capturing social interaction and domestic rural life in 17th-century Netherlands.

Photo production from a print to a painting by Jan Gossaert and his child by G. Stever, Anonymous, After G. Stever, c. 1864 - in or before 1874 photomechanical print London paper picture, painting. portrait, self-portrait of painter

Copper engraving by Jan van der Bruggen depicting three farmers smoking around an oven, produced between 1655 and 1730, showing a European rural domestic scene.

Photo production of a painting of the death of Queen Elisabeth I of England by Paul Delaroche, Robert Jefferson Bingham, after Paul Delaroche, c. 1853 - in or before 1858 photograph Paris paper. albumen print / engraving deathbed. queen

Photo productions from prints to frescoes with performances of Jacobs Droom and Jacobs encounter with Rachel by Rafaël for the loggias in the Vatican, Gustav Schauer, After Anonymous, After Rafaël, c. 1851 - In or Before 1861 photograph Berlin photographic support albumen print the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. Jacob sees Rachel coming to the well to water Laban's sheep

Etchings by Daniel Nikolaus Chodowiecki from 1779-1795 including title pages for Campes Robinson, Kindling German, and a leaf for White Correspondence, showing detailed design and illustrative composition.

Two images of a nude girl and a naked boy, Fritz Becker, c. 1898 - in or before c. 1903 photomechanical print Leipzig Publisher: Berlin paper collotype toddler (male). toddler (female)

Photo production of a painting of the Bartholomeünacht by Paul Delaroche, Robert Jefferson Bingham, after Paul Delaroche, c. 1853 - in or before 1858 photograph Paris paper. albumen print / engraving saving an endangered fellow man. putting a finger to the lips, 'Silentium'; 'Silentio' (Ripa). night

Go and Boelie Kessler in the Kuhstall in Saxony, Johan Herman Kessler (January) (attributed to), c. 1910 photograph This photo is part of an album. Saxony baryta paper gelatin silver print cave, grotto Kuhstall

Etching by Jean-Baptiste-Michel Dupréel depicting a landscape with hay transport, created between 1792 and 1807, showing people, carts, and rural terrain.

Etching by Daniel Nikolaus Chodowiecki illustrating a book for women, depicting a bride, a wife, and a matron in 1799, showing clothing, posture, and domestic setting.

Etching and engraving depicting various figures, showing gestures, clothing, and interaction within interior and exterior settings. Produced between 1670 and 1693, emphasizing human activity and composition.

W Ty Sebastian, pl. 3., Verein für Original-Ryrung in München, 1893; Dasio, Maximilian (1865-1954), Wetteroth, Heinrich (Munich; Graphic Zak 1860-1925), Stahl, E. (Munich; Publish . 1850-); 1893 (1893-00-00-1893-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebastian (Saint - -A 280), Verein für Original -Radierung in München (Munich - Association - 1850-), antique, temple, buildings , modernism (style), symbolic landscapes, temples

Vilnius. "Cathedral - tapestry."; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Schildersatelier, William Unger, After Adriaen van Ostade, 1847 - 1889 print print maker: Germanypublisher: Amsterdam paper. etching painter at work with assistants or pupils. tools, implements of painter. painter at work, in his studio

Two women make a flower arrangement, anonymous, c. 1895 - in or before c. 1900 photomechanical print JapaneseTOKYO paper collotype adult woman (+ two persons). flowers Japan

Records of the house of Victor Hugo, 1900-1930: inkwell bearing the names of Victor Hugo, Lamartine, Alexandre Dumas and Georges Sand ". Anonymous photography. Draw with gelatino-bromure of silver. 1920-1940. Paris, house of Victor Hugo. 123628-17

Anonymous. "Album Asplet", folio 12. "Photography of a family of proscribed". Paper. 1854-1856. Paris, house of Victor Hugo. 100739-5 Prohibited, republican, French republic, resistance, 19th XIXth 19th 19th 19th 19th century

Copper engraving and etching by Richard Saint-Non showing detailed views and notable landmarks of Naples and Sicily, created in 1781.

A copper engraving by Georg Pencz from the first half of the 16th century depicting scenes from the Old Testament, showing figures, gestures, and attire.

Etching by Jan van der Bruggen depicting Sleeping Venus observed by satyrs, showing mythological figures, reclining pose, and surrounding landscape.

Ruin of the gymnasion and the stadium of Laodicea to the Lycus. .

Etching by Daniel Nikolaus Chodowiecki, 1795, depicting a scene from Richardson's novel 'Clarissa' as a book illustration.

Landscape with ruins and other antique remains, 1767 - 1770 print Landscape with ruins and other antique remains. Central a sitting man. In a later state numbered: 16. Part of group prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 magazines. paper etching landscape with ruins. vase ~ ornament

Photo reproduction of a print to a self-portrait with violin by Gerard Dou ..

Copper engraving and etching by Pierre François Basan from 1723-1797 depicting a drinking farmer with his wife in a peasant genre scene, showing figures, gestures, and rural activity.

A 16th-century copper engraving by Heinrich Aldegrever depicting Adam and Eve and the biblical story of Lot and his daughters.

Portrait of a naked, unknown woman with a veil; Weibliche study. .

Lying naked boy, Fritz Becker, c. 1898 - in or before c. 1903 photomechanical print Leipzig Publisher: Berlin paper collotype toddler (male). lying on one side, with uplifted upper part of the body and leaning on the arm

Etching by Jacques-Philippe Le Bas, 1779-1785, showing historical figures of France with detailed clothing, gestures, and compositional arrangement for a book illustration.

Autograph manuscript of Victor Hugo (1802-1885). Illustrated travel story in the Chenay album. Folio 23, engraving of a drawing by Victor Hugo (1802-1885) "La Rivière". Engraving by Paul Chenay (1818-1906). 1861. Paris, house of Victor Hugo. 100199-31 Chenay album, album, drawing, drawing book, traveling trip, engraving

Etching by Karl Rahl the Older from 1794-1843 illustrating indefinite works by Goethe for books, showing figures, scenes, and early 19th-century European print technique.

View of a fresco in Casa di Marco Lucrezio in Pompeii, Anonymous, c. 1862 - in or before 1867 photograph Pompeii cardboard albumen print painting, drawing and the graphic arts House of Marco Lucrezio

The Blind Fiddle.

Etching by Daniel Nikolaus Chodowiecki from 1779 depicting Lessing's fables and stories for book illustrations, showing detailed characters and narrative scenes.

Virtue overcomes the war, Hendrick Goltzius (School of), 1580 - 1596 print Allegory of a virtue with star wreath sitting on a personification of war or violence. In the left hand, virtue holds a pyramid -shaped object. With Latin spell vicit vim virtus. Reconstructed from two fragments. Northern Netherlands paper engraving Figures Representing to Virtue VS. to deputy. Vehemence, Violence, Fierceness; 'Sforza with deception', 'Violence' (Ripa)

Etching by Daniel Nikolaus Chodowiecki for the 1786 Göttingen pocket calendar, illustrating Shakespeare's play 'King Henry the Fourth', showing characters, costumes, gestures, and stage setting, created in 1785.

A Court for Owls. Unknown

Photo production of an engraving of the parisal judgment by Marcantonio Raimondi, Benjamin Delessert, after Marcantonio Raimondi, After Rafaël, c. 1848 - in or before 1853 photograph photographic support salted paper print the Judgement of Paris (Mercury present)

Zinkography by Paul Gauguin from 1889 showing Breton figures at a barrier, printed on yellow paper, highlighting posture and social interaction.

Emigrants Obernweg, Samuel Gränicher, after Daniel Nikolaus Chodowiecki, 1768 - 1813 print paper etching 'en route', traveller under way. emigration

Photo production from a print to a painting, representing the Last Supper, Negretti & Zambra, After Leonardo da Vinci, After Anonymous, c. 1853 - In or Before 1863 photograph photographic support albumen print the episode of the Last Supper

Photo productions of four etchings for a Spanish book by Rembrandt van Rijn, Bisson Frères, After Rembrandt van Rijn, c. 1848 - in or before 1853 photograph Paris photographic support salted paper print angels. griffin (lion/eagle); 'Griffo' (Ripa)

Etching by Daniel Nikolaus Chodowiecki from 1780 depicting the Hobby Horse Wing in the Lauenburg Genealogical Calendar of 1781, showing a decorative horse motif and figures.

Two men at work (with ship lantern), Willem de Zwart, 1924 print paper etching / drypoint working class, labourers

Print (France)

Christian Wilhelm Ernst Dietrich's etching from 1730-1774 depicts mythological scenes, illustrating classical figures, gods, and narrative actions in a detailed composition.

Josef Axmann's 1860 steel engraving and etching depict Abbé Mislin. The portraits focus on facial features, clerical attire, and 19th-century German engraving techniques.

Sculpture of an angel and a Frisian above a door of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print These prints are part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. architectural detail Basilica of San Marco

Gypsum Models for Sculptures at the Louvre Palace: Links "Abundance" by Julien Charles Dubois and on the right "Music" by Henri Joseph Daniel. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Copper engraving by Theodor Galle depicting a winter landscape, created between 1591 and 1633.

Four faces on the parade of Landjuweel in honor of the fiftieth anniversary of the Academie d'Archéology de Belgique in 1892 in Antwerp, Frères Dero, 1892 photomechanical print Antwerp paper collotype public festivities (+ parade, pageant, cavalcade ~ festive activities) Antwerp

Bound Print, Ornamental Vignette; Italy; etching and engraving on paper

Anonymous, Empire style fountain, decorative pump at the end of 18th century, 59 rue de Provence, 9th arrondissement, Paris. (Dummy title). Silver gelatin-bromide draw. Carnavalet museum, history of Paris. Fontaine Style Empire, decorative pump at the end of 18th century, 59 rue de Provence, 9th arrondissement, Paris. (Dummy title)

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Philosophy, human knowledge". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-25

Virtue overcomes the war, Hendrick Goltzius (School of), 1580 - 1596 print Allegory of a virtue with star wreath sitting on a personification of war or violence. In the left hand, virtue holds a pyramid -shaped object. With Latin spell vicit vim virtus. Reconstructed from two fragments. Northern Netherlands paper engraving Figures Representing to Virtue VS. to deputy. Vehemence, Violence, Fierceness; 'Sforza with deception', 'Violence' (Ripa)

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva just takes the apple from the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the undermaster a two-key Latin text. Copy in mirror image to engraving from Hendrick Goltzius from 1585. Reconstructed from two fragments.

Etching by Daniel Nikolaus Chodowiecki from 1779 illustrating scenes from Le Sage's Gil Blas, showing characters, actions, and narrative settings.

An etching by Joseph Franz von Göz from 1780 to 1815 showing various caricatures, highlighting stylistic exaggeration of figures for satirical or illustrative purposes.

A steel engraving by Tommaso Benedetti from 1844 depicting the roof room of the Wiener Kunstverein, showing interior architectural elements and spatial arrangement.

Photo production of a fresco in Pompeii, Anonymous, 1860 - 1900 photograph This photo is part of an album. photographic support albumen print painting, drawing and the graphic arts. lying figure - AA - female human figure Pompeii

Fragments of a print of a lion, Jacques de Gheyn (II), 1580 - c. 1596 print Three fragments of an oval representation of a lion, lying by a skull. To the show a Latin edge. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Photo production of a drawing of a shipwreck by Paul Delaroche, Robert Jefferson Bingham, after Paul Delaroche, c. 1853 - in or before 1858 photograph Paris paper. albumen print / engraving shipwreck. storm at sea

Nereide. Vatican. Probably James Anderson (British, 1813 - 1877)

Sky; Aer; Four elements. Presentation of the element. Air in the shape of a naked man with wings on the head, seated on clouds. In the background a number of falconers with their dogs busy hunting. In the undermaster a two-key Latin text. Reconstructed from two fragments.

Etching by Hans Holbein the Younger depicting a country attorney and his clients, showing figures, gestures, attire, and interior composition, created in 1664.

Ruins of Semua. Roberts, David (1796-1864). Croly, George (1780-1860). Prints, Illustrations. 1842 - 1849. Dorot Jewish Division. Middle East , Description and travel

Persépolis. Palais no. 3 Salle no. 3. (Bas-relief) Takht-i-Djemchid Takht-i Jamshîd. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Gypsum models for sculptures at the Palais du Louvre: Links "Les Combats" by Jean-François Soitoux and right "La Force" by Armand Toussaint.Part of Réunion des Tuileries au Louvre 1852-1857, album 2.

1754 / Daniel Raap buried on a sledge, Johan Huizinga, 1893 - 1895 drawing Volksmigte at the funeral of the merchant and orangist Daniël Raap, Amsterdam January 15, 1754. Traap was the spokesperson for the goalists who opposed corrupt administrators and argued for the elevation of William IV to stadholder. Part of the folder with 18 drawings reproduced in Johan Huizinga's 'Keur van Memberswijke scenes from the Vaderlandsche Historiën' from 1950. Netherlands paper. pencil. ink pen funerary ceremonial. street-fights, riots Amsterdam

Ilissus sculpture by Phidias, Stephen Thompson, c. 1873 - In or Before 1878 photomechanical print paper sculpture. river-gods British Museum

Depicts 'Hard is the Step!' from Goyas 'The Disasters of War', created with etching and aquatint around 1810, showing figures struggling, emphasizing the physical and psychological impact of conflict.

La Danse de LOurs (The Dance of the Bear), after Abbe de Saint-Non, after Frangonard. Etcher: Charles-Nicolas Varin, French, 1741-1812 After: Jean-Honoré Fragonard, French, 1732-1806

Photo production of ten sculptures, paintings, prints and photos, Johannes Jaeger, after Johan Georg Otto Graf von Rosen, c. 1872 - c. 1882 photomechanical print Stockholm paper collotype picture, painting. sculpture. photograph. print, e.g.: engraving, etching, lithograph

The covenant of nobles, 1565. A group of nobles led by Hendrik van Brederode closes the compromise or covenant of nobles, at the beginning of December 1565. Part of the Steel engraved group to the paintings of the historic gallery of the Society Arti et Amicitiae.

Saint. Piotr, from the series: Twelve Apostles, Saint. Andrzej, from the series: Twelve Apostles, Saint. Jakub, from the series: Twelve Apostles, Saint. Jan, from the series: Twelve Apostles, Saint. Filip, from the series: Twelve Apostles, Saint. Bartłomiej, from the series: Twelve Apostles; Beham, Sebald (1500-1550); 1545 (1st edition) (1545-00-00-1550-00-00), 16th century (1500-00-00-1600-00-00);

Rue d'Aboukir. Carved relief, house of 36 rue Neuve-Saint-Eustache, 2nd arrondissement, paris Relief carved, rue d'Aboukir. The house once wore the n ° 36 Rue Neuve-Saint-Eustache, Paris (ie Arr.). Anonymous photography. Draw with gelatin-chloride silver.

Etching by Hugo Steiner-Prag illustrating three bibliomaniacs from stories by Nodier, Flaubert, and Aselineau.

Etching by Wenzel Hollar from 1627-1677 showing Carrara city with surrounding mountains. The artwork depicts streets, buildings, and natural landscape features with detailed engraving techniques.

Reliefs of the Borobudur, C. Dietrich (photographer), After Anonymous, 1875 - 1890 photograph This photo is part of an album. Java paper. cardboard albumen print sculpture (+ relief ~ sculpture) Borobudur

Fa�enies Italian. Mucius share devant porsenza Italian faience. Mucius Scevola in front of Porsenna. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Un Soir from Eaux-fortes pour "Alcools". Artist: Louis Marcoussis (French (born Poland), Warsaw 1883-1941 Cusset). Dimensions: Plate: 5 7/8 × 3 7/8 in. (15 × 9.8 cm)Sheet: 17 13/16 × 12 5/8 in. (45.3 × 32 cm). Date: 1934. Museum: Metropolitan Museum of Art, New York, USA.

Caroline Eakins. Thomas Eakins, photographer (American, 1844 - 1916) 1882

Sculptures of Abraham Duquesne; an Ancient Briton; David with his Slingshot; a Hunter ca. 1859 Attributed to Philip Henry Delamotte British. Sculptures of Abraham Duquesne; an Ancient Briton; David with his Slingshot; a Hunter 285799

Terracotta sculpture of the head of Medusa with wings and a terracotta vase with the face of Medusa, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). container of stone: stone vase. Medusa (one of the Gorgons)

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