19th Century Literary Illustrations

Engravings and illustrations from the 19th century, capturing scenes from notable literary works, including whimsical and dramatic motifs.

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "At the moment, the heavy step of the gardener whose shoes rail shouted the sand of the aisles, sounds near the greenhouse. ''. Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

illustration by Max Ernst, for 'Misfortunes of the Immortals'. by Paul Éluard. This image illustrates the surrealist poem by Éluard 1922

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël de Valentin caused by a young man from the Circle of Water". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Adolphe Torlet. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël de Valentin in conversation with his friend Emile at Taillefer". Etching. 1838. Paris, Maison de Balzac. Etching, illustration, the skin of sorrow, illustrious work, novel, literary work

Janet-Langge (1815-1872) and Philibert Langlois. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël de Valentin meditating on the antiques presented by the young antique dealer". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Evocation of Pauline". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Illustration, the skin of sorrow, illustrious work, novel, literary work

Two Dancers on Stage. Dimensions: 18.5 cm x 13.5 cm, 18 cm x 12.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Ombraigous horse." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101784-15 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Surprise / Advice to the public

News // who rubs there pique. / (17)

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "At the moment, the heavy step of the gardener whose shoes rail shouted the sand of the aisles, sounds near the greenhouse. ''. Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Janet-Langge (1815-1872). "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "A notary". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "A travel carriage harnessed with four horses and led by two postillons. ''. Engraving on steel. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Gustave Doré (1832-1883), designer and César button (1824-1885), engraver. "The beautiful cousin Mussé." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-30 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Hommage à Molière , Thétre Antoine Paris, France. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

BARBA AZUL - DIBUJO PARA EL CUENTO DE PERRAULT. Author: FRANCOIS EDOUARD ZIER (1856-1924). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Paul Cappatti. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Skull wearing a woman's hat". Photomécanic reproduction on woven parchment paper. Editions de la Nouvelle France, 1943. Paris, Maison de Balzac. Illustration, the skin of sorrow, illustrious work, photomecanic reproduction, novel, literary work

Badinguet's confession

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Angel watching for a dying". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Illustration, the skin of sorrow, illustrious work, novel, literary work

Battle of Aisne 1914. World war One. Illustration, by Andre Helle, pseudonym of Andre Laclotre, French painter and decorative artist, illustrator, 1871 - 1945

All three ... betrayed!

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Postillons relaying the car of Raphaël de Valentin". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Cover for 'La Verbena de Belen o Una Fiesta Pastoril", people having a picnic in a field ca. 1901 José Guadalupe Posada. Cover for 'La Verbena de Belen o Una Fiesta Pastoril", people having a picnic in a field. José Guadalupe Posada (Mexican, 1851-1913). ca. 1901. Photo-relief and letterpress on tan paper. Antonio Vanegas Arroyo (1850-1917, Mexican). Prints

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Maillé's cadet." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101784-7 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Holy Family (after Murillo) / The escape ... at Versailles ...

Les Nouveutés de Paris" vignette; Charaire (Fl. Ca 1890-1900), Trinquier-Trianon, Louis (1853-1922); 1890-1900 (1890-00-00-1900-00-00);

Adolphe Torlet. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël de Valentin contemplating objects in front of a skeleton". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Woman in cape of woven ribbons on a base of Touareg crepe. La visite a lermitage. Cape en ruban. Cette cape est faite tout entiere de larges rubans poses et entrelaces sur un fond de crepe touareg. Handcoloured pochoir lithograph by Pierre Mourgue from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1922.

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Instans d'Yvresse." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101782-19 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Homage to Molière 1897 France. Color lithograph on cream wove paper . Henri de Toulouse-Lautrec

The iron pot and the pot of land. / N ° 1.

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "I followed the convoy of my first friend, my father," steel engraving. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Janet-Langge (1815-1872) and Jean-François Provoyeur. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël de Valentin out of the game house". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Imperial Menagerie Cover

Germans bomb Paris, France; Surviving woman and children, during World war One, 1915. Illustration, by Andre Helle, pseudonym of Andre Laclotre, French painter and decorative artist, illustrator, 1871 - 1945

Janet-Langge (1815-1872) and Berlier. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Mr. Poriquet in front of the Valentin hotel, rue de Varenne". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Gift of Calaveras, Given to the Chickpea Sellers As Proof of True Love, Quarrels of a Water Seller 1872-1913 México. Relief engraving or photo relief etching on wove paper . José Guadalupe Posada

Gustave Doré (1832-1883), designer and François Pierdon (1821-1904), engraver. "Artist's despair." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101788-28 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Racing theater

Poster for Galerie des Artistes modernes. The Society of Lithography Painters Exhibition, 1897, Charles Lucien LÈandre 1862ñ1934, French caricaturist and painter.

Moulin Rouge: La Goulue 1891 Henri de Toulouse-Lautrec (1864-1901 French) Color Lithograph Staatliches Kunstsammlungen, (Kupferstichkabinett) Dresden, Germany

Le Repas du lion. Dated: 1897. Dimensions: image: 21.3 x 11.5 cm (8 3/8 x 4 1/2 in.) sheet: 32 x 24.7 cm (12 5/8 x 9 3/4 in.). Medium: photolithograph in red on wove paper. Museum: National Gallery of Art, Washington DC. Author: after Auguste Rodin.

Cartoon, The gold of the Rhine. Short of money, the German Kaiser and his son, the Crown Prince, look musingly at the golden-coloured River Rhine. Date: 1917

The Good Fire - Remember those who are cold 1911-1919 France. Lithograph on cream wove paper . Jean Louis Forain

Abel Truchet, La Fumée, puis la flamme, 1895 La Fumée, puis la flamme

Auguste Deltre, Portfolio: Douze Eaux-Fortes et Pointes Seches: Cover, small farm scene, 1877, drypoint on paper.

Pipehead / Family Robert-Macaire / (6 figures to see) (IT)

French satirical Illustration, depicting French Prime Minister Clemenceau 1908

An old female vendor talking to a group of gentlemen, illustration for 'Los Cendarmes,' edited by Antonio Vanegas Arroyo ca. 1880-1910 José Guadalupe Posada. An old female vendor talking to a group of gentlemen, illustration for 'Los Cendarmes,' edited by Antonio Vanegas Arroyo. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Affiche pour la "Galerie des Artistes modernes".. Léandre, Charles, 1862-1934. text. Prints, Posters. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Front cover design for La Baionnette, an issue focusing on those benefiting financially from the war. Showing a flock of vultures, the one in the foreground sitting on top of a military cap. Date: 1916

Cover for 'La Aurora del Nuevo Dia en los Campos de Belen', villagers holding shepherd's hooks and walking in the countryside. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1890-1910. Museum: Metropolitan Museum of Art, New York, USA.

N3 December 5th 1914 cover of the French humor magazine, satirical journal Le Rire Rouge showing the Belgian Manneken Pis

Moulin Rouge, La Goulue. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1891. Dimensions: 1,890 × 1,157 (image); 1,910 × 1,170 mm (sheet, sight). Color lithograph on tan wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Pretty Girls 1906-1913 México. Relief print on paper . José Guadalupe Posada

Flags. (IT)

Cover for 'La Aurora del Nuevo Dia en los Campos de Belen', villagers holding shepherd's hooks and walking in the countryside ca. 1890-1910 José Guadalupe Posada. Cover for 'La Aurora del Nuevo Dia en los Campos de Belen', villagers holding shepherd's hooks and walking in the countryside. José Guadalupe Posada (Mexican, 1851-1913). ca. 1890-1910. Photo-relief and letterpress in red and black ink on tan paper. Antonio Vanegas Arroyo (1850-1917, Mexican). Prints

Russian foreign policy: France, in the guise of her mascots Chanticleer and Madeleine, making advances to Nicholas II (1868-1919) Tsar of Russia from 1894. Cartoon from 'Led Rire', Paris, 28 August 1897.

The Amazons of the Seine. / Review Board

Jan I van Bourbon injured in the Battle of Azincourt, Benoit Louis Prevost, after Jean Michel Moreau, 1772 print Paris paper etching / engraving / letterpress printing nobility and patriciate; chivalry, knighthood. carrying the sick, wounded and dead off the battle-field

L'Assomption de Hannele Mattern; En l'attendant. Dated: 1894. Dimensions: sheet: 31.6 x 23.6 cm (12 7/16 x 9 5/16 in.). Medium: 5-color lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Paul Serusier.

An outline of a face expressing acute pain (left); a face showing anger. Etching by B. Picart, 1713, after C. Le Brun.

Standing on his column, Napoleon contemplates ... SEM (Georges Goursat, said, 1863-1934). Standing on his column, Napoleon contemplates .... Color photomechanical process.

Aquí están las calaveras de Don Folias y el Negrito (Here Are the Calaveras of Don Folias and El Negrito) 1872-1913 México. Photo-relief etching with engraving on tan wove paper . José Guadalupe Posada

Portret van Louis Héctor Leroux, Adolphe Braun & Cie., c. 1878 - in or before 1883 photomechanical print paper historical persons

Illustration for a program of free theater. (1893-1894) (dummy title)

Pierre Eugène Vibert, Le Joug, 1899 Le Joug

L'Aste Au Beurre, Theme number dedicated to the auction house, Anonymous, Emmanuel Barcet, 1905 print. magazine Episode 216 of the French magazine L'Assiette Au Beurre, published on May 20, 1905. It is a theme number dedicated to the auction house (L'Omante des Ventes') with satirical illustrations designed by Emmanuel Barcet. On the front a portrait of auctioneer Paul Chevallier with the hammer lifted in his right hand. In the foreground, a painting is shown with a lying female nude in a landscape with the text 'Vrai Troyon', a reference to the painter Constant Troyon. paper art sale, auction. picture, painting. caricatures (human types). political caricatures and satires

Illustration from a 1942 edition of L'Histoire du chevalier des Grieux, By Abbe Prevost. Manon Lescaut (L'Histoire du chevalier des Grieux et de Manon Lescaut) is a novel by French author Abbé Prévost. Published in 1731, it is the seventh and final volume of Mémoires et aventures d'un homme de qualité (Memoirs and Adventures of a Man of Quality). It was controversial in its time and was banned in France upon publication. Set in France and Louisiana in the early 18th century, the story follows the hero, the Chevalier des Grieux, and his lover, Manon Lescaut. Des Grieux comes from a noble and landed family, but forfeits his hereditary wealth and incurs the disappointment of his father by running away with Manon.

Paris, France displays the national loan of 1920, private banking , (French - Paris , France Affiche de l' emprunt national de 1920 , Banque privée). Loan, bank , finances, poster, war effort , war work, drawing, Economic activity, registration , information, First World War, Art, France, Paris, Nal 1920 private banking posters

Etching by Charles Meryon from 1852 showing the title leaf for a series of views of Paris, with decorative elements and lettering.

Symphony in major white.

Roche, Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Les Fêtes de la mort (main title), 1910. Petit Palais, Museum of Fine Arts of The city of Paris.

Titre : Eaux-fortes par L. Marvy et Ch. Jacque.. 1843. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Huguenots. The refusal..

Cover for the oeuvres choisions of Adolphe Léon Willette, Anonymous, After Adolphe Léon Willette, 1901 print In a chair is a man with a red head for a print standard with prints from 'Le Courrier Français'. With his right hand he throws a few prints in the fire. Next to him is a half -naked maid who hangs prints on a washing line. On the fireplace is a bust of Minerva and there is an owl on the back of the chair. On the back of the cover advertising for 'Le Courrier Français', a half -naked woman in bed with two putti. paper printing art collector (+ graphic arts). damaging or destroying a work of art. chimney. specific aspects, allegorical aspects of Minerva; Minerva as patroness. maid ~ house personnel. woman (showing herself) undressed, quasi-nude

The Wolf', c1900-1933. Artist: Jehan Rictus. Jehan Rictus (1867-1933) was a French poet. He found success in 1895 with poems that he interpreted in Parisian cabarets.

The reaction terminal.

The dolls of the infanta

Personified map, c. 1880, France, depicted with a Bourbon woman, Historical, digitally restored reproduction from a 19th century original, Europe

Color print by Alfred Choubrac depicting the secret loves of Napoleon III, created around 1890. The image illustrates historical figures and intimate scenes from 19th-century France.

Journal de Musique. Félicien Victor Joseph Rops (after) (Belgium, Namur, 1833-1898). Belgium, 1873. Prints; engravings. Wood engraving

Séeberger, Jules (n.1872-D.1932), Old Montmartre / rue Saint-Vincent / February 7, 1904 (registered title (letter)), 1904-02-07. Gelatino-silver-bromide draw. Pink turn .. Carnavalet Museum, History of Paris.

Band design for: Henriette Dietz and Katharina Leopold, storybook, c. 1915-1934, c. 1915 - c. 1934 drawing In an interior a woman sits on a chair. She holds her hand up and leans forward, where four children sit in a semicircle on the floor and look at the woman. There is a cuddle dog at the foot of the chair. paper. India ink (ink). pencil pen interior of the house. story teller; listening to story teller. table. child

The Victorian Sardou formerly / The Victorian Sardou of today

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "The Lord of Candé, man of war." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-17 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Front cover design for La Baionnette, an issue focusing on the so-called German Peace, showing Kaiser Wilhelm as a stage villain, hiding behind the mask of a dove holding an olive branch in its beak. Date: 1917

Gustave Doré (1832-1883), designer and Léopold deghouy (1821-1861), engraver. "The chair with carriers." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101600-19 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

La Campana de Gracia. República Federal. Museum: Institut Municipal d'Història Barcelona.

Caricature illustration depicting Father Time speaking with God. 'Le Rire' magazine 1902.

The Hairdresse Program Le Theater Libre / Fryzjer Program Teatru Libre Na Sezon 1893/1894, 1893, Druk. Eugène Verneau Toulouse Lautrec, Henri de (1864 1901), Verneau, Eugène (18 .. 19 ..)

Cover for the book Paris qui rit by Georges Duval. Dimensions: 24.6 cm x 30.3 cm, 20 cm x 29.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: JULES CHERET.

Gustave Doré (1832-1883), designer and Gérard (19th century), engraver. "Salomon at Rastchild, who, maulgré the infamy of his person, his iudaism, ha esté ouy." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101787-22 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

We will know how to deprive ourselves Buet, Camille. We will know how to deprive ourselves. Color lithography. 1918.

'La Prise de Paris', May 1871. Artist: Anon

unknown, Paris, Gras, Henry le, Bella, Stefano della, Jeu des reynes renommées, Card game with renowned queens, Euadné, Euadne, Playing card with a representation of Euadne, the wife of Capaneus, by a fire. Text in bottom margin., print, playing card, prints, height 90 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, uitgever van privilege

Émile Bernard (French, 1868 - 1941). Herodias, or the Beheading of John the Baptist (Hérodiade, ou la decollation de St. Jean-Baptiste), ca. 1894-1895. Lithograph with hand coloring on tan wove paper. Sheet: 373 mm x 540 mm (14.69 in. x 21.26 in.).

Julia Caesis Maior; Julie; Card game with renowned rulers; Jeu des Reynes Renommées.Playing Card with a Representation of Julia Caesis Maior, The Daughter of the Roman Emperor Augustus. Text in undermarge. Numbered Top Left: 6.

Poster for "L'Estampe et l'affiche". Pierre Bonnard; French, 1867-1947. Date: 1897. Dimensions: 800 × 600 mm (image); 830 × 615 mm (sheet). Lithograph in dark brown, blue and green on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A color print by Pierre Puvis de Chavannes from 1905 depicting a retrospective exhibition of 19th-century painters from the Lyonnaise region, showing displayed artworks.

Vanitatilleben: Death does not scare the way, leaf 67

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