19th Century Lithographs

Lithographs capturing scenes of society with humor and critique, featuring elegantly dressed figures and dynamic interactions reflective of the period's culture.

Mr.Cabassol, comment pouvez-vous encore prendre les armes.... Honoré Daumier (1808-1879). Lithographs

Vous êtes un jeune homme bien né!... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The baron. Mr Bailli, by charity, make at least hang Mr de Maraudin! ... (title registered (letter)) | History of the Count de Boursoufle. (Registered title (letter))

Un Retour de jeunesse. Dated: 1846. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Je crois vous avoir prouvé que mon client , 19th century Je crois vous avoir ... prouvé que mon client ...

Ah! prenez pitié de l'etat cruel où me laisse mon attachement - pour vous! Emile! Emile! un mot, un seul mot que - j'attends en comptant les minutes et dans une anxiété - qui (sic) me serait impossible de vous peindre. Je me - meurs d'inquiétude ,. Paul Gavarni (1804-1866). Lithographs and Other Works

William Smellie, printer and translator, and Andrew Bell, engraver of Smellie's edition of Buffon. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

Deux mendiants idiots aGrenade. Artist: Alexandre Falguière, French, 1831-1900

Un astronome satisfait. Honoré Daumier (1808-1879). Lithographs

Paris, Aubert & Cie., Beaumont, Edouard de, L'Opéra au XIXe siècle, Parisian Opera in the nineteenth century, Je te meublerai tout en palissandre, Gentleman courts a masked lady at the Opéra de Paris, verso - stamped, The gentleman promises the lady furniture made of rosewood for her house. He pretends to be a German baron, but she does not trust him, because he has told a friend that he is a Swiss prince., print, engraving, prints, engravings, height, 353 mm, width mm, French, 1812 - 1888-01-12, print maker, printmaker, 1844 - 1846, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, Frans, publisher

Reacteurs, French Revolution

The New Fashion Which is the man, which is the woman .. make your guess if you can and choose if you dare, plate 270 from Actualités 1856 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Ohé, Ohé, foreigners ohè; When there are no better than underli, v'a that we do! (IT)

Visit publishers. / N ° 11. (registered title) | The life of a journalist (title of all)

888 from Modes de Paris, Journal des Tailleurs. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 1/16 x 7 in. (25.5 x 17.8 cm). Date: 1848. Museum: Metropolitan Museum of Art, New York, USA.

Two men playing checkers at a table, Bourbon Restoration. One holds a checker, the other raises his fist, a woman is consoled by a gentleman. La Dame Soufflee. Jeu de Dames. From Aaron Martinet's Caricatures Parisiennes or Gout du Jour. Lithograph from Henry Rene dAllemagnes Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906.

The Trinkwalls of the Scholarship. (Registered Title) | News. (Title of the whole)

Demi Volte sur les Coups Forcés au Dehors des Armes, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm) and Sheet: 9 7/16 × 15 1/16 inches (24 × 38.3 cm)

Lord John Russell addresses Sir Robert Peel on the subject of his "friend" the Marquess of Normanby. Coloured lithograph by H.B. (John Doyle), 1839.

Quand on est venu à bout d'un troupier comme toi, cher ami!...Je crois qu'on peut se battre l'oeuil des autres!!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1860 (). Prints; lithographs. Lithograph on Mince Papier

Georges Clemenceau and the Optomotrist, Mayer, from Au Pied du Sinaï Made 1897 France. Lithograph on grayish-ivory wove chine . Henri de Toulouse-Lautrec

Honoré Daumier, Tenue de canicule, 19th century Tenue de canicule

Je lui dois mille écus, c'est vrai, mais enfin supposons que tu sois électeur, est-ce que tu - donnerais ta voix à un homme qui parle du nez ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Actionnaires Californiens. Honoré Daumier (France, Marseilles, 1808-1879). France, 1850. Prints; lithographs. Hand-colored lithograph

Janet-Langge (1815-1872) and Monin. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël de Valentin surrounded by his friends". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

(Guide) Sire, should we give reforms [... (IT)

The Last of the Barons, 1855. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

Civil Rehabilitation and Military Execution. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1897. Dimensions: 370 × 268 mm (image); 548 × 435 mm (sheet). Lithograph in black, with scraping on stone and blue pencil additions, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Study of Two Figures. Paul Rajon (French, 1842/43-1888). Etching;

Honoré Daumier, Le Jour n'est pas plus pur, 1841 Le Jour n'est pas plus pur...

Comment à Chaillot!. Honoré Daumier (France, Marseilles, 1808-1879). France, 1839. Prints; lithographs. Lithograph

A slightly strained relationship, from 'At the court of justice,' published in Le Petit Journal pour Rire, March 3, 1866. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 5 3/8 × 9 3/16 in. (13.7 × 23.4 cm)Sheet: 8 13/16 × 12 3/16 in. (22.4 × 31 cm). Series/Portfolio: 'At the court of justice' (Au palais). Date: March 3, 1866. Museum: Metropolitan Museum of Art, New York, USA.

Mr Joliv...., plate 346 from Célébrités de la Caricature 1833 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Épicier citoyen, guerrier pur et sans tache... Dated: 1841. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Possible design for a print, Two men in conversation Journalists / Le Director (...), draughtsman: Théophile Alexandre Steinlen, (mentioned on object), 1869 - 1923, paper, brush, h 437 mm × w 350 mm

'He Burst Into Convulsive Sobbing', 1892. Artist: Sidney E Paget.

Portrait of Jacob van der Ulft, held by a boy. Draughtsman: Jan Stolker (mentioned on object). After Ludolf de Jongh (mentioned on object). Dating: 1734 - 1785. Measurements: h 338 mm × w 234 mm. Museum: Rijksmuseum, Amsterdam.

Print made by John Doyle ('H.B.'), 1797-1868, Irish, An Old Coast Guard, Looking Out... A Strange Sail on the Horizon, 1848. Lithograph in tan and black ink on moderately thick, smooth, beige wove paper.

Reproduction of drawing: Juliusz Kossak (1824-1899), Be bold, boy!; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, unknown, woodcutter

A Family Likeness, George Moutard Woodward, ca. 1760-1809, British, undated, Watercolor and gouache with pen, brown ink and graphite on medium, slightly texured, cream wove paper, Sheet: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm), caricature, dog (animal), family, man, top hat, whip

Faut de la prudence père Balivot, vot petite a seize ans... Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Caricature of two men who compliment the father of a singer, Honoré Daumier, 1852 Paris paper caricatures (human types). female singer. pianoforte. father-love

ESCENA DE CARNAVAL - GRABADO SIGLO XIX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Honoré Daumier, Je suis le plus grand ennemi des factions, 19th century Je suis le plus grand ennemi des factions

Honoré Daumier (French, 1808 - 1879), Le Jour n'est pas plus pur, 1841, lithograph on newsprint

Un Parisien resté fidèle.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1852. Prints; lithographs. Lithograph

Self-portrait standing with portfolio, twice. Draughtsman: Cornelis Pronk. Dating: 1701 - 1759. Measurements: h 72 mm × w 62 mm. Museum: Rijksmuseum, Amsterdam.

Mon ami, tu ne sais pas, eh! Bien, jai envie de manger...du cheval.... Honoré Daumier (1808-1879). Lithographs

Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1757-1815, British, 1794, Etching, hand-colored, Sheet: 10 1/8 x 7 1/8in. (25.7 x 18.1cm)

A cartoon depicting a man suffering from a toothache. Illustrated by George du Maurier (1834-1896) a Franco-British cartoonist and author. Dated 19th century

Salute them! 1899 France. Photorelief in black with mechanical dot pattern on ivory wove paper . Théophile-Alexandre Pierre Steinlen

Illustration of titled an 'interesting group'. The group includes Lord Lincoln, Sir Robert Peel, Mr. Goulbourne, Mr. Disraeli, Lord George Bentinck, and Mr O'Brien. Lord George Bentinck's plan of relief works for Ireland. Which mainly took the form of railway extension, was at first opposed by the Government, but afterwards adopted by them, thus bringing this 'interesting group' of men into line. Dated 1847

Sais-tu, Paul, que tu joues la gros jeu dans tonmenage…. Artist: Paul Gavarni, French, 1804-1866

Charles Maurand after Honoré Daumier (French, active 1863-1881), Photographes et photographies, 1862, wood engraving

Moment of Rest in the Salon Carré. Honoré Daumier (French, 1808-1879). Wood engraving;

Cartoon at Minister Rochussen and the new ministry, 1860; A look at the new ministry of colonies. Cartoon at Minister J.J. Rochussen who looks down at the new Ministry of Colonies, just like Moses that looks down on the Nebo mountain on the confidential country that he should not enter. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 44, November 3, 1860.

'Quel gaillard! Qu'en dis-tu ma femme - he! he! he!', c1822. Creator: Pierre Langlumé.

THE MARTHA WASHINGTON RECEPTION AND CENTENNIAL TEA-PARTY AT THE ACADEMY OF MUSIC, IRVING AND NILSSON HALLS, NEW YORK, IN AID OF THE FLOATING HOSPITAL OF ST. JOHN'S GUILD, SERVING TEA AND SELLING CUPS AND SAUCERS, ENGRAVING 1876, US, USA, America, United States

A neglected grant. (Titre inscrit) | fans. (Titter of the ensemble)

Wenceslaus Hollar, 1607-1677, Bohemian, Lucas et Cornelius de Wael, 1646. Stipple engraving, line engraging and etching on medium, slightly textured, browned white, laid ppaer, mounted on, moderately thick, slightly textured, cream, laid paper.

Edward IV meets Louis XI on a bridge over the Somme

Honoré Daumier, La renommée des glaces, 1836 La renommée des glaces

Honoré Daumier (French, 1808 - 1879), La renommée des glaces, 1836, hand-colored lithograph

Coloquio de Buenas Calaveras Jose Guadelupe Posada (Mexican, 1852-1913).. Relief engraving on wove paper, 3 7/8 × 2 7/8 in. (9.8 × 7.3 cm). José Guadalupe Posadas prints depicting calaveras (skeletons) are similar to ones that Kahlo and Rivera collected. Posadas satirical images lampooned President Porfirio Díaz and those around him, and influenced many post-Revolutionary artists. Los grabados de calaveras de José Guadalupe Posada son similares a los que Kahlo y Rivera coleccionaban. Las imágenes satíricas de Posada parodiaban al presidente Porfirio Díaz y sus allegados, e influyeron sobre muchos artistas posrevolucionarios. Arts of the Americas

Mac-Mahon and Jules Simon,

In Tangiers. "- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets," plate 115 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1859. Dimensions: 211 × 266 mm (image); 263 × 352 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Cartoon - The Easter Egg Arthur George Racey (1870-1941)

We Know Nothing about the Stolen Vouchers. Thomas Nast; American, 1840-1902. Date: 1871. Dimensions: 278 x 238 mm (plate); 377 x 260 mm (sheet). Lithograph in black on newsprint. Origin: United States. Museum: The Chicago Art Institute, USA.

Charming Well Again, James Gillray, 1757-1815, British, after Rev. John Sneyd, active 1804, 1804, Etching

Caricature of three furious men, Louis-Léopold Boilly, 1824 print Paris paper Rage, Anger

A cartoon depicting a chimney sweep's house, with a chimney brush over the door as an advertisement. Dated 19th century

L'Habitué de la boutique de Félix. Honoré Daumier (1808-1879). Lithographs

The Frenchman, Caricature on Ernst Moritz Arndt, MP of the National Assembly in Frankfurt , Samuel Stern, publisher

Honoré Daumier (French, 1808 - 1879), Le bon morceau, 1836, hand-colored lithograph

Illustration for the short story 'The Lady with the Dog' by A. Chekhov by Kukryniksy (Art Group) (20th century)/ Russian State Library, Moscow/ 1945-1946/ Russia/ Lithograph/ Book design/ Mythology, Allegory and Literature

Five people, each exercising one of the five senses. Coloured lithograph after L.-L. Boilly.

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