19th Century Lithographs

Lithographic artworks capturing scenes from Parisian life, depicting interactions between men and women in various settings.

You have a charming toilet there. ... / 213. (Registered Title) | News. (Title of the whole)

Modes de1842. Artist: Paul Gavarni, French, 1804-1866

'Il faut souffrir pour etre belle' - one must suffer to be beautiful Date: circa 1830

Husband's cigar ruined by his wife who has stubbed it out as a wartime economy when he wa called to the telephone. Cartoon from ''Punch'', London, 1915.

Freedom from Labor 1894 France. Lithograph in black on cream wove paper . Théophile-Alexandre Pierre Steinlen

Reproduction of a painting: Władysław Czachórski (1850-1911), The affairs of the heart ; from: "Tygodnik Ilustrowany", 1888(I)13. G. Heuer & Kirmse X. A. (Berlin ; zakład graficzny ; fl. ca 1880-ca 1900), printing house, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

MOUTH PROVISIONS. / 1.

John Quincy Adams Ward, Johnson Mundy, Sculptor, 1857 Johnson Mundy, Sculptor

Dis donc amour! Crois tu que ce sera un garçon. Honoré Daumier (1808-1879). Lithographs

Allons! va au marché, m'man!..., et n'me carotte pas ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Photo production of (presumably) a drawing entitled 'Walk of Mephisto and Martha', 1879 photograph Part of album with 30 photo productions of drawings of the Faust story by J.W. von Goethe. München paper. photographic support. cardboard albumen print Faust. Mephistopheles, name of the demonic tempter in the literary versions of the Faust legends. widow. walking

Secretary of the Executive Board.

Êcoutez, Juliette! Bourdin m'a tout conté... - Hein - Tout! - Quoi - Tout! - Eh bien! voilà du propre!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Steel engraving and etching by Moritz von Schwind for Carl Spindler's 'Fearless and Faithful II', 1833, depicting narrative scenes and character interactions.

Do you want to scare them ... Show their teeth. (IT)

J. Bettannier, Aah! Ce gros Francais...il ennuyait beaucoup mo, 1840-1905, chromolithograph on paper.

GRABADO-ESCENA DE CARNAVAL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Print

A Visit to the Boarding-School.

Feminine routes. Planche N1 (registered title (letter))

Une attention délicate. Honoré Daumier (1808-1879). Lithographs

Mon ami - je m'empress de te faire savoir - que je suis changé de maison - je reste maintenant chez - Madame de Ste Léon reu Peltier - no 27. je te prirait de paseés par - le bolvard de Gand se soir ou - le pasage d'idalie entre 9 à 10 heur ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Or 'The Richest Commoner in England'; 'A lee-tle contre- temps - Jack Rogers & the glove'. Date: First published: 1858

Speaker; Make confesses that died is / your vous annonce la Mort de. A Speaker (cancellation) shares someone's death to a maid in the doorway of a winery. On the signboard: Vry Wyn.

Music lesson, Jacob Ernst Marcus, after Jan Havicksz. Steen, 1804 print An old man points to the game of a young woman to a harpsichord. Amsterdam paper etching musical instruments; group of musical instruments (+ artist training pupil(s))

Sleeping. Artist: Louis Monzies, French, 1849-after 1889 After: Ernest-Ange Duez, French, 1843-1896

(TOILETTE DE BAL.). Artist: Paul Gavarni, French, 1804-1866

The wolf in sheep's clothing , Clergy. Thomas Rowlandson (1756-1827). Prints and Drawings

Le narcisse. Honoré Daumier (1808-1879). Lithographs

A Regency Pair, James Hook, ca. 1772-1828, British, 1802, Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper, Sheet: 11 3/8 × 10 1/4 inches (28.9 × 26 cm), dress, man, Regency, umbrella, woman

Honoré Daumier, Quand on a un père farceur, 1848 Quand on a un père farceur

Victor Masson (1849-1917). Illustration of "Odes et Ballades", Ode XXIV, "Summer rain". Black feather and ink, blur, brown and gray wash, gum arabic. CA 1868. Paris, house of Victor Hugo. 74625-13 Love, lover, drawing, forest, illustration, literary work, poesia, mixed technique, 19th 19th 19th 19th 19th 19th 19th century, wood, couple, promenade

Paul Gavarni, L'Abeille impériale, no. VII: Toilette de visite, 1814-1866, lithograph on paper.

Sortez!... (Bajazet). Dated: 1841. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Janvier. Les Éntrennes. - Tiens, Virginie, voilà du sucre pour tes étrennes. - Et moi, mon bon Henri, je t'ai acheté un joli chapeau pour moi ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Interior with standing woman by a column, draughtsman: Johannes Bosboom, 1856, paper, brush, h 143 mm × w 100 mm

Honoré Daumier (1808-1879). "Devil! Let's respect the conveniences! Mr Durand, a crazy man, an upstart whose fortune comes we do not know where ...". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56111-8 Servant, gommee, lithography colored, reached, character, respect convenience, rich, dog

You will not be nasty ... / 7 (title registered (letter)) | Grisettes (title of all)

Je pars plus amoureux que...jamais. Honoré Daumier (1808-1879). Lithographs

Crying woman looks through a crack of the curtain, Willem Steelink (I), after Diederik Franciscus Jamin, 1865 print A crying woman, with handkerchief in her hand, looks outside along the curtain. On the wall the portrait of a man and below a chair. print maker: Amsterdampublisher: Haarlem paper steel engraving / etching weeping. view through a window from the inside

THIRLBY HALL, DRAWN BY WILLIAM SMALL, 1883; She went on playing without noticing me.

Est-ce que cest vrai, monsieur le marquis…. Artist: Paul Gavarni, French, 1804-1866

Brown ink and black brush drawing by Constantin Guys depicting an evening society scene, showing figures, gestures, and composition with laved technique.

Zaandam, Bakker Hbzn., Maaskamp, Evert, Senus, Willem van, Two children of North Holland, Two girls with a doll, verso - stamped, print, picture, book illustration, prints, pictures, height 177 mm, width 132 mm, Dutch, 1773-08 - 1851-01-15, print maker, printmaker, 1824 - 1824, paper, papier, etching, etchings, stippelets, Noord-Nederlands, 1769-09-27 - 1834-01-31, supervision, printer

Haie!!!!!. Artist: Paul Gavarni, French, 1804-1866

The Two Gossips (Les Deux Commères). Artist: Henry-Bonaventure Monnier (French, Paris 1799-1877 Paris). Dimensions: 5 1/16 x 4 1/2 in. (12.8 x 11.5 cm). Date: 1832. Museum: Metropolitan Museum of Art, New York, USA.

1893 Art Work - Groves of Blarney - George Du Maurier.

Pauline Bonaparte (Maria Paoletta Buonaparte) (1780-1825), also known as Paulina Borghese. French princess, sister of Napoleon Bonaparte. Portrait. Drawing by A. Sandoz. Engraving by Pannier. ""Histoire du Consulat et de l'Empire"" (History of the Consulate and the Empire of France under Napoleon), by A. Thiers. Volume VI. Published in Paris, 1847.

...dix-sept vrancs. - Non!...cent sous. - Quinze vrancs (barceque c'est fous!) - Cent sous. - Foyons! douze vrancs - Cent sous. - Foulez-fous me tonner huite vrancs et demie (sic) - Cent! sous - ...tonnez-moi zent sous! - Père Salomon, faudra les venir chercher dans quinze jours - O pien! alors, çà sera les fingte vrancs. - Allons! six francs. - Non bas! - Voulez-vous dix francs - Fingte vrancs! - Douze francs - Non! - Quinze francs - Les fingte francs. - Eh! bien, vingt francs, vieux chien! - Foui, afec les zen - sous de gommission ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Octobre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Comte and Mrs. Countess Despourdons Louis Carrogis, said Carmontelle (1717-1806). "Count and Mrs. Countess Despourdons". Blood, pencil, watercolor. 1766.

He knew a good many of the people in this slow-moving assemblage., "THE NEW PRINCE FORTUNATUS", BY WILLIAM BLACK, DRAWN BY W. SMALL, 1889.

Weary and Dissatisfied with Everything, from The Galaxy, November1869. Artist: Winslow Homer, American, 1836-1910

Lithograph by Honoré Daumier, 1838, showing figures in social interaction with expressive gestures, in colored print form.

Le Jour ou il faut se montrer galant. Dated: 1845. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Framley Parsonage - 'Mark', she said 'The men are here', 1861. Artist: John Everett Millais.. This work is related to the wood-engraving by the Dalziel Brothers which was published in The Cornhill Magazine to accompany Framley Parsonage by Anthony Trollope. The scene depicts Fanny Roberts telling her husband that the bailiffs are at the door, intent on reclaiming Framley Parsonage... As the work is highly finished, however, it is likely to be a version made for sale rather than preparatory to the wood-engraving.

Achille Devéria, La leçon de piano, 1810-1857, hand-colored lithograph on wove paper.

Study magazine with portraits of Louis Bernard Coclers and his family. Portrait bust of Louis Bernard Coclers with black hat, to the right. Portrait bust of his son, top left, and his niece, bottom left. At the bottom right of a portrait of his sister with a plum hat. At the top right an image of a print with a poulter shop.

A woman turning to walk away from a man ca. 1880-1910 José Guadalupe Posada. A woman turning to walk away from a man. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Henry Bonaventure Monnier (French, 1799/1805 - 1877). Un Boudoir (Jadis), 1829. From The 18th Century and Today (Jadis et Aujourd'hui). Pen lithograph with hand coloring.

Bel ange, vos cigares sont bons, mais je les trouvedurs…. Artist: Paul Gavarni, French, 1804-1866

Honour is saved ..., caricature of the bourgeoisie by Albert Guillaume. But you, Madame, you have no one at the front Oh! Excuse me, I have my chauffeur .... From Le Flambeau, Paris, September 1915. World War i.

(PIERRE A LA VIERGE.). Artist: Paul Gavarni, French, 1804-1866

Satisfaction, 4, Plate. Scheffer, Jean Gabriel, 1797-1876. Prints. 1800 - 1899. Jerome Robbins Dance Division. Dance , France, Caricatures and cartoons, Prints , 19th century

Come back soon, painting by Gonzalo Bilbao Martínez (Seville 1860 - 1938) Spanish costumbrista painter of the Sevillian school, Spain. Europe. Old XIX century engraved illustration from La Ilustracion Española y Americana 1894

En carnaval. Honoré Daumier (1808-1879). Lithographs

The toilette, illustration by Wilhelm Gause (1853-1916), woodcut from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1892-1893, Year VII, No 3, Berlin.

The Piccolomini in the trilogy of plays Wallenstein by Friedrich Schiller, Woman playing a lute, Historical, digitally restored reproduction of a 19th century original

Passion Encouraged, Charles Dana Gibson

Les-Parents-Terribles series A lovely play, always the same Made 1853 France. Lithograph in black on cream wove paper . Paul Gavarni

Honoré Daumier, Croyant l'apercevoir , 19th century Croyant l'apercevoir ...

The Prodigal Son Returned to his Father Amos Doolittle (American, 1754-1832). The Prodigal Son Returned to his Father, December 1, 1814. Etching, hand colored on wove paper, Sheet: 14 1/2 x 10 15/16 in. (36.8 x 27.8 cm). American Art December 1, 1814

Les EnfantsTerribles. Artist: Paul Gavarni, French, 1804-1866

'The Morning after the Ball', late 19th century.Artist: Champollion

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), a protector (registered title (letter)), 1827. Coloriated lithograph on wove paper. Balzac house.

The Terrace of the Villa Brancas, 1876. Félix Bracquemond (French, 1833-1914). Etching; sheet: 29.8 x 42.3 cm (11 3/4 x 16 5/8 in.); platemark: 25.4 x 35.4 cm (10 x 13 15/16 in.).

Queen Victoria (1819-1900) crowned 28 June 1838. Shown here with Prince Albert as a youthful married couple both wearing the blue ribbon of the Order of the Garter. Coloured lithograph.

Thomas Rowlandson, La Belle Limonaudiere au Cafe des Mille Colonnes, Palais Royal, Paris, 1814 La Belle Limonaudiere au Cafe des Mille Colonnes, Palais Royal, Paris

Bliżej Kultury Piechaczek, Ludwik (Ca 1824 1878), Dzwonkowski, Adam

A fashionable woman at the dinner table feeds her pampered spaniel Azor with a chicken wing, the chambermaid eats a herring from a plate on her knees. Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.

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