19th Century Medical Illustrations

Lithographs depicting medical scenarios, featuring doctors and patients in humorous and dramatic settings, showcasing 19th-century artistic styles.

Oliver escapes being bound apprentice to the Sweep.19th century illustration from Charles Dickens Oliver Twist. Illustration by George Cruishank (1792-1878)

The Unsolicited Expression of Gratitude (plate 22). Charles Émile Jacque; French, 1813-1894. Date: 1843. Dimensions: 250 × 193 mm (image); 352 × 234 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Qu'as-tu donc, Robert ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Drame en cinq actes, a domicile, avec prologue et épilogue. - ...(la Comtesse) Jamais! (le Comte) Madame! (Pépita) Ma mère! (Carlos) Ma sœur! - (la Comtesst) O jamais! (Pépita) Ah! ma mère! (le Comte) Mais, Madame!...(Carlos) - Quoi! ma sœur... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Guizot Magnetizer. (IT)

Comment!...Tout Mes Moutons Sont Morts... Honoré Daumier (French, 1808-1879). , July 6, 1845. Lithograph on newsprint, 12 9/16 x 9 1/16 in. (31.9 x 23 cm). European Art July 6, 1845

Aux trois merlans , Restaurants, Eating & drinking, Smoking. Théophile Alexandre Steinlen (1859-1923). Lithographs

Oliver escapes being bound apprentice to the Sweep.19th century illustration from Charles Dickens Oliver Twist. Illustration by George Cruishank (1792-1878)

Plate 17: We're shareholders in the Institute of Agriculture..., from 'Caricaturana,' published in Les Robert Macaires 1838 Honoré Daumier We're shareholders in the Institute of Agriculture and Goet-ho's puericulture, in Physio-trap, in the deceased sanitary company, in Mors-Lycos, in safe papers for thieves, in 'The Joke,' a very political newspaper and a host of other philanthropic speculations. We have just touched our dividend and we're spending it on our good health... Waiter, five cents worth of cheese!". Plate 17: We're shareholders in the Institute of Agriculture..., from 'Caricaturana,' published in Les Robert Macaires. 'Caricaturana'. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 1838. Lithograph on wove paper; sixth state of six (Delteil). Aubert et Cie. Prints

The Waiting Hall. Honoré Victorin Daumier; French, 1808-1879. Date: 1839. Dimensions: 164 × 128 mm (image); 306 × 230 mm (sheet). Lithograph in black, with decorative border in brown, on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Quand le crime ne donne pas. Honoré Daumier (1808-1879). Lithographs

And you, what do you like best at this year's Salon The beer!, from 'The public at the exhibition,' published in Le Petit Journal pour Rire, June 18, 1864 June 18, 1864 Honoré Daumier. And you, what do you like best at this year's Salon The beer!, from 'The public at the exhibition,' published in Le Petit Journal pour Rire, June 18, 1864. 'The public at the exhibition' (Le public à l'exposition). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). June 18, 1864. Lithograph on newsprint; third state of four (Delteil). Prints

The defendant (whispering to his lawyer): All this seems to bore the president. Why don't you just suggest to simply let me go home, from 'Parisian sketches,' published in Le Charivari, February 17, 1866 February 17, 1866 Honoré Daumier. The defendant (whispering to his lawyer): All this seems to bore the president. Why don't you just suggest to simply let me go home, from 'Parisian sketches,' published in Le Charivari, February 17, 1866. 'Parisian sketches' (Croquis Parisiens). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). February 17, 1866. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer, John James Chalon, 1778-1854, French, active in Britain, undated, Graphite and brown wash on slightly textured, moderately thick, cream wove paper, Sheet: 12 13/16 × 16 1/8 inches (32.5 × 41 cm)

Un neveu qu gagne cruellement une succession. Dated: 19th century. Dimensions: image: 8 11/16 x 7 in. (22.07 x 17.78 cm). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

News. Charled to see each other, the original here ... / 52 (Title Title) | News (title of all)

Lecteur du moniteur. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Gentlemen around a table, Jan Holswilder, 1860 - 1890 print Six gentlemen around a table, on which a burning candle. According to the artist's caption, these are the artists of The Hague from left to right, Marinus van der Maarl, Philip Zilcken, Herman Johannes van der Weele, Adrianus Vrolijk and Otto Eerelman. The Hague paper etching candle. table

Artist: Honoré Daumier, French, 1808-1879, Le premier portrait paye, #15 of Les beaux jours de la vie from Le Charivari, 18 June1844, Lithograph, 36.2 × 25 cm (14 1/4 × 9 13/16in.), French, 19thcentury, Works on Paper -Prints

L'Avocat. - L'affaire marche.... Honoré Daumier (1808-1879). Lithographs

Paris, le 26 octobre 1841. Au premier janvier prochain, je payerai…”. Artist: Paul Gavarni, French, 1804-1866

Un lièvre cidé. Honoré Daumier (1808-1879). Lithographs

View of the right, from 'News of the day,' published in Le Charivari, June 28, 1872 June 28, 1872 Honoré Daumier. View of the right, from 'News of the day,' published in Le Charivari, June 28, 1872. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). June 28, 1872. Lithograph on newsprint. Prints

Another Year by the Old Clock, Winslow Homer, American, 1836-1910, Harper's Bazaar, Wood engraving in black ink on paper, An elderly couple seated near a fireplace, with a grandfather clock at right. The husband has an ear trumpet., USA, January 1, 1870, figures, Print, Print

Rapping Spirits, 1851. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 21.3 x 22.1 cm (8 3/8 x 8 11/16 in.).

Honoré Daumier, L'ancien négociant, 19th century L'ancien négociant

So see, my dear marshal, what is the Louvre. _ My faith is the canaille / who wins ......... .Save who can! (IT)

Print made by George Cruikshank, 1792-1878, British, Illustrations from Mr. Lambkin, plate 14, undated. Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Humours of Oxford, 1729, Thomas Cook, 1744-1818, British, after William Hogarth, 1697-1764, British, 1807, Engraving

The Card Players. Artist: After Richard Caton Woodville (American, Baltimore, Maryland 1825-1855 London); Engraved by Charles Burt (American, Edinburgh ca. 1823-1892 Brooklyn, New York). Dimensions: image: 7 5/16 x 10 in. (18.5 x 25.4 cm)sheet: 14 3/8 x 18 7/16 in. (36.5 x 46.8 cm). Printer: Printed by J. Dalton (American). Publisher: Published by American Art Union (New York, NY). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.

Qué qu'vous êtes...devenu, m'sieu Lebrun.... Honoré Daumier (1808-1879). Lithographs

Mosieu, quelle est la meilleure troupe de Paris, s'il vous plaît - Mossieu, je me suis laissé dire que c'était la troupe de ligne! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Vois-tu Fifine nous lanterne tous les deux…. Artist: Paul Gavarni, French, 1804-1866

- My dear friend, you really don't look very well this morning I am not speaking to you as a doctor, but as a friend I must insist in treating you... better than I would treat myself I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis 1845 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

C’est bien parce que c’est votre ami…”, No. 7 of Les Amis. Artist: Honoré Daumier, French, 1808-1879

From the most beautiful states that's what I have left. (IT)

Blanqui at Lamartine. (IT)

Honoré Daumier, Tiens vous v'la, què que vous avez donc la, 19th century Tiens vous v'la, què que vous avez donc la

Bliżej Kultury Hanfstaengl, Fr.

The Restaurant at the Exhibition. "- No clients at all... aren't these people hungry - I guess that the hungry ones are eating the snacks they were offered," plate 3 from Le Salon De 1857. Honoré Victorin Daumier; French, 1808-1879. Date: 1857. Dimensions: 206 × 259 mm (image); 245 × 300 mm (sheet). Lithograph in black on ivory wove paper, with letterpress verso. Origin: France. Museum: The Chicago Art Institute, USA.

Le passe-port. Honoré Daumier (1808-1879). Lithographs

At the Bailiff's. Dated: c. 1891. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

La salle d'attente.... Honoré Daumier (1808-1879). Lithographs

David Copperfield, -A stranger calls to see me

Chap. X: Quel guignon! (What bad luck!) 1824 Victor Adam. Chap. X: Quel guignon! (What bad luck!) 698504

Mon Cher Ami, Je Viens Sans Cérémonie Honoré Daumier (French, 1808-1879). , April 18, 1838. Lithograph on newsprint, 9 7/16 x 11 3/4 in. (24 x 29.8 cm). European Art April 18, 1838

Honoré Daumier, Emportez donc ça plus loin impossible de travailler, 1844 Emportez donc ça plus loin... impossible de travailler...

Honoré Daumier, Toujours le livre de M Flourens, 19th century Toujours le livre de M. Flourens

Engraving of a Champagne Supper at Epernay. Dated 1870

Voyons, mon cher Gustave, soyez le plusraisonnable…. Artist: Paul Gavarni, French, 1804-1866

Un épisode de l'exposition. Honoré Daumier (1808-1879). Lithographs

Mon cher Leblanc, voyez-vous, vous ne vous mefiez pas assez dePhilibert…. Artist: Paul Gavarni, French, 1804-1866

Four friends, second state , Artists, Bellows, George, 1882-1925, Speicher, Eugene Edward, 1883-1962, Kroll, Leon, 1884-1974, Henri, Robert, 1865-1929. George Bellows (1882-1925). Prints and Drawings

Ignacy Krasicki (1735 Dubiecko 1801 Berlin) of the Rogala coat of arms Warmian bishop in 1767 1795, Archbishop of Gniezno in 1795 1801, poet, prose writer and encyclopedist Schultz, Johan Carl (1801 1873), Imprimerie Lemercier (Pary), Daziaro

Les Actrices: Bonjour mon Colonel!, 1843. Paul Gavarni (French, 1804-1866). Lithograph;

Lolo qu'aimes-tu mieux de ton papa ou de ta maman... Dated: 1838. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Quand le journal est trop intéressant, 1846 Quand le journal est trop intéressant

33 / A morning visit to the Elysee. (IT)

De Vrede van Nijmegen, 1678, 1853 - 1861 print The negotiations for the Peace of Nijmegen concluded between the Republic and France on August 10, 1678. The delegates collected around a table in a room. Numbered at the top right: Liii. Netherlands paper peace negotiations Town hall

The Panamas scandals in Paris : the trial of the directors of the Panama Canal Company, at the Palais de Justice.(TI)

Portrait of the Goyer and Adriaen family of Ostade. Interior with Hendrik de Goyer and his wife Maria Questiers. In the foreground being his sister-in-law Katharina Questiers with a dog. The painter Adriaen van Ostade is in the background. Left under the margin The coat of arms of Abraham Bredius on a sprig with leaves.

Two lawyers put each other hand // Deux Avocats: La Poignée de MAIN.

Honoré Daumier, Girod de l'Ain J Joseph Rousseau Amiral Verhuel, 1835 Girod de l'Ain - J.-Joseph Rousseau - Amiral Verhuel

Three gentlemen taking snuff. Grandville, Jean-Jacques (1803-1847), draughtsman, cartoonist

Drie heren bij een kluis.Three men in a dark room at a safe. A chain is attached to the wall. At the top right: III. Bottom right: bl. 47.

Cartoon with the Dutch Virgin and various ministers, 1861, 1861 print Cartoon with the Dutch Virgin and various ministers. The Dutch Virgin cannot find a suitable candidate among the ministers to dance the Cottilon. The left looks for Thorbecke. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 11, 16 March 1861. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper personifications of countries, nations, states, districts, etc.. group dancing among upper classes

Un bon mari, qui pour distraire son épouse.... Honoré Daumier (1808-1879). Lithographs

Pardon, mon cher monsieur, je suis désolé.... Honoré Daumier (1808-1879). Lithographs

Savants au comble de la joie en contemplant le premier petit crocodile né e France..., from La Société d'Acclimatations, published in Le Charivari, October 23, 1858 October 23, 1858 Honoré Daumier French. Savants au comble de la joie en contemplant le premier petit crocodile né e France..., from La Société d'Acclimatations, published in Le Charivari, October 23, 1858. La Société d'Acclimatation. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). October 23, 1858. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Un portrait charmant. - Charmant tant que tu voudras, mais quelle diable d'idée ta mère a-t-elle eue - là de se faire peindre en pastourelle! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Honoré Daumier (1808-1879). "Yes, sir, for a small subscription to our insurance you will be guaranteed to die ... to die as a man as it should be; to go to a good car, ...". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56114-13 Abonnement, Assurance, Corbillard, Gommee, Lithographie Coloriee, Pompes Funeral Caricature

Georges Clemenceau and the Optomotrist, Mayer, from Au Pied du Sinaï. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1897. Dimensions: 175 × 145 mm (image); 337 × 235 mm (sheet). Lithograph on grayish-ivory wove chine. Origin: France. Museum: The Chicago Art Institute, USA.

Watt, James .

Quae Genus Engaged with Jovial Friends; Or-Who Sings Best, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax" January 1, 1822 Thomas Rowlandson. Quae Genus Engaged with Jovial Friends; Or-Who Sings Best, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". Thomas Rowlandson (British, London 1757-1827 London). January 1, 1822. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1856. Dimensions: 217 × 252 mm (image); 263 × 351 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Dans le gouvernement de mon opignon, tu doi' être minis' des - finances, ou n'importe, aussi bien comme moi, si t'en as les dispositions! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

James David Smillie, A Glass with the Squire, 1886 A Glass with the Squire

L'Abonné et son journal. Honoré Daumier (1808-1879). Lithographs

Les politiques de café. Honoré Daumier (1808-1879). Lithographs

N ° 1 / I lent to the Grande-Week / I lent to the little week. (Title registered (letter))

Paintings of Paris: the magic lantern Marlet. Paintings of Paris - The magic lantern, 1827. Engraving.

Title page for: Tesselschade. Yearbook for 1838., Henricus Wilhelmus Couwenberg, after Nicolaas Pieneman, 1837 print In a departure of the Muiderslot, Tesselschade sits in an armchair and plays on a lute. P.C. Hooft holds a music magazine for her. Anna sits her sister next to Tesselschade. Three other members of the Muiderkring are also present. Amsterdam paper steel engraving one person playing string instrument (plucked)

Monsieur par suite de la fusion. Honoré Daumier (1808-1879). Lithographs

Conclusion EtMorale.. Artist: Paul Gavarni, French, 1804-1866

Comment,...c'est-t'y Dieu possible!..., from Actualités, published in Le Charivari, December 14, 1857 December 14, 1857 Honoré Daumier French. Comment,...c'est-t'y Dieu possible!..., from Actualités, published in Le Charivari, December 14, 1857. Actualités. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 14, 1857. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Une Experience Culinaire: Decidement, le bifftaeck de cheval nest pas aussi bon…, from Actualites, plate 462. Artist: Honoré Daumier, French, 1808-1879

Nicolas Delaunay after Jean Michel Moreau, Sophie remettez vous, 1779 Sophie remettez-vous

- As you can see, Monsieur, I have enforced in my school perfectly good discipline You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards 1846 France. Lithograph on ivory wove paper . Honoré-Victorin Daumier

THE MINISTERIAL CRISIS

Napoleon on Wilhelmshöhe, Napoleon III, At Wilhelmshöhe Castle in Kassel from About Land and Sea, General Illustrirte Zeitung , Xylographic Institution Eduard Hallberger, Xylographer, after, Louis Katzenstein -, artist

"Allow Me to Examine the Young Lady" , 1860. Winslow Homer (American, 1836-1910). Wood engraving;

Image reproduction: Stanis Aw Bagie Z: "Tygodnik Ilustrowany" 1904, No. 44 (29 Pa Obrnik), p. 839; Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1904 (1904-00-00-1904-00-00);

L'engagement the Mr. by Ollefen pour la flute (diary, 5 October). Draughtsman: Christiaan Andriessen. Dating: 1805 - 1808. Measurements: h 180 mm × w 256 mm. Museum: Rijksmuseum, Amsterdam.

Nos comptes sont faciles a établir.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Honoré Daumier, Mon cher ami, je vous présent Monsieur, 19th century Mon cher ami, je vous présent Monsieur...

Camille Desmoulins.

Amateurs du grand monde. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Antonio Piccinni, During Services in Rome, 1879, etching on laid paper.

John Hyde, Life Sketches in the MetropolisWandering African Minstrels..., 1872, wood engraving on paper.

The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice 1846 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Our Next President Published 1868 United States. Wood engraving on paper . Winslow Homer

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