19th Century Outdoor Gatherings

A series of vintage scenes depicting picnics and social gatherings outdoors, featuring figures, trees, animals, and classic coach transportation.

Weissenbruch, Jan, Netherlands, Isaac, Abolition of strong drinks in 1838, Drunkard on a wheelbarrow pushed by a group of men on the street, print, prints, height 95 mm, width 115 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1838 - 1912, paper, papier, houtgravure, Work conception, 1822-03-18 - 1880-02-15

Dr Graham's Bathing Establishment, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream, wove support, Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm) and Mount: 12 13/16 x 18 5/8 inches (32.5 x 47.3 cm), bathers, bathing, beams, bonnets, broom, canes, chair, crutches, genre subject, interior, invalids, medicine, men, mud, nudes, obese, room, science, science, shovels, spa, walls, wigs, women

The Picnic, attributed to Sir George Howland Beaumont seventh Baronet, 1753-1827, British, undated, Gray wash on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 10 1/8 inches (16.5 × 25.7 cm), chairs, dog (animal), figures (representations), genre subject, men, picnic, trees, women

Weissenbruch, Jan, Netherlands, Isaac, Abolition of strong drinks in 1838, Drunkard on a wheelbarrow pushed by a group of men on the street, print, prints, height 95 mm, width 115 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1838 - 1912, paper, papier, houtgravure, Work conception, 1822-03-18 - 1880-02-15

Coach Changing Horses 1776-1827 England. Pen and brown ink with brush and watercolor, over graphite, on tan wove paper . Thomas Rowlandson

attributed to Sir George Howland Beaumont seventh Baronet, 1753-1827, British, The Picnic, undated. Gray wash on medium, slightly textured, cream wove paper.

Thomas Rowlandson, 1756-1827, British, Loading Sacks into a Cart, undated. Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige, wove paper.

Dr. Syntax with Kitty Cowslip. Date/Period: 1821. Painting. Watercolor. Height: 132 mm (5.19 in); Width: 214 mm (8.42 in). Author: Thomas Rowlandson.

Thomas Rowlandson, 1756-1827, British, Dr. Syntax Attends the Execution, 1820. Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, blued white, wove paper.

France. Customs of the French bourgeoisie in the 16th century. "Historia Universal" (Universal History), by César Cantú. Volume VII. Published in Barcelona, 1886.

'"Illustration to Nikolai Gogol's Novel 'Taras Bulba' "'. Russia, 1842. Dimensions: 23,2x30,2 cm. Museum: State Hermitage, St. Petersburg. Author: Taras Shevchenko.

Carlo Labruzzi, 1748-1817, Italian, Costumi Fatti a Rocca di Papa, 1793. Pen and brown ink with wash.

Mr. Michell's Picture Gallery, Grove House, Enfield 1817. Date/Period: 1817. Painting. Watercolor. Height: 149 mm (5.86 in); Width: 240 mm (9.44 in). Author: Thomas Rowlandson.

Dr Syntax Meditating on the Tombstones. Date/Period: 1820. Painting. Watercolor. Height: 113 mm (4.44 in); Width: 189 mm (7.44 in). Author: Thomas Rowlandson.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Leiden, Cornet, Jacobus Ludovicus, Street musicians with monkeys, verso - stamped, A street musician walks through the street with two donkeys, monkeys and dogs. He blows a flute and beats a drum. The donkeys are loaded with instruments. A second man walks with them and asks for money from two women who are hanging out of the window with their children., print, engraving, prints, engravings, with Lithographic ink on Tracing paper JLC, recto lower right - handwritten, height 158 mm, width 225 mm, 1815-08-18 - 1882-12-03, print maker, printmaker, 1825 - 1882, tracing paper, lithography (technique)

Haveill Gillbank, 18th-19th centuries, British, The Benevolent Heir or The Tenant Restored to his Family, 1803. Engraving, mixed method.

Rotterdam, Roosing, Pieter, Pastorale taferelen, verso - stamped, Sheet with 5 pastoral scenes, including a dancing shepherd and shepherdess, resting sheep and shepherds playing wind instruments. Numbered lower right: P. 3., print, prent, volksprent, prints, prenten, popular prints, height 341 mm, width 416 mm, Dutch, 1794-04-01 - 1839-05-08, print maker, printmaker, 1814 - 1839, paper, lithography (technique), hand coloring, Publication (Event), Publication, publisher

Drury Lane. The School for Scandal, Thomas Rowlandson, 1756-1827, British, And Henry Wigstead, c.1745-1793, British, undated, Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm), archways, genre subject, hats, head, men, satire, school, stick, tavern, women, Covent Garden, Drury Lane, England, Europe, Greater London, London, United Kingdom

Thomas Rowlandson, 1756-1827, British, Mr. and Mrs. Jolly at their Country House, undated. Watercolor and graphite with pen and gray ink and pen and red brown ink on medium, lightly textured, cream wove paper.

This print is part of a cover with six prints, Two children training a small dog Promenade du petit chien Scenes of everyday life Scenes populaires , print maker: Martin Sylvestre Baptiste, (mentioned on object), Martin Sylvestre Baptiste, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), print maker: Paris, Paris, printer: Paris, publisher: Paris, publisher: London, publisher: New York (city), 1833, paper, h 279 mm × w 364 mm

Loading a Stage-Coach, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm), buildings, chimney (architectural element), cityscape, genre subject, horses (animals), inn, kissing, men, stagecoach, trees, village, windows, women

Regents of the Orphanage in Haarlem, Cornelis Ploos van Amstel, after Jan de Bray, 1777 - 1786 print The regents of the orphanage of Haarlem gather around a table. The messenger is in the background. Amsterdam paper etching board, esp. governors, trustees, etc. (Dutch: 'regenten'). table

Paul Sandby RA, 1731-1809, British, London Cries: Fun upon Fun, 1759. Watercolor, pen and black ink, and graphite on medium, cream, slightly textured laid paper.

The Barber's Shop. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: sheet: 9 3/8 x 13 1/4 in. (23.8 x 33.7 cm). Date: 1785-1805. Museum: Metropolitan Museum of Art, New York, USA.

A drawing by Sebastian Vrancx depicting high society interacting with a fortune teller, executed in brown ink and watercolor, with minor wear and edge damage.

'' The learned women '' after Charles Coypel, Anonymous, After Charles -Antoine Coypel, after François Joullain, in Or after 1726 - 1800 drawing To an illustration for the play by Moliere (company III, scene 2). paper. pencil. chalk communal rooms. (MOLIERE) specific works of literature (with AUTHOR, Title)

Plate 8, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 20, 1790 Thomas Rowlandson. Plate 8, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). June 20, 1790. Hand-colored etching. S. W. Fores (London). Prints

Thomas Rowlandson, 1756-1827, British, Loading a Stage-Coach, undated. Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper.

Jealousy, Rage, Disappointment... Date/Period: 1817. Drawing. Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige, wove paper. Height: 146 mm (5.74 in); Width: 232 mm (9.13 in). Author: Thomas Rowlandson.

Comforts of Bath: The Pump Room. Date/Period: 1798. Genre subject. Watercolor with pen and gray and black ink over graphite, bordered with gray and tan wash lines on medium, slightly textured, cream, wove paper. Height: 143 mm (5.62 in); Width: 213 mm (8.38 in). Author: Thomas Rowlandson.

Figures near Doorway. Sir David Wilkie; Scottish, 1785-1841. Date: 1815-1841. Dimensions: 155 x 216 mm. Watercolor over black chalk, with touches of graphite, on ivory wove paper, laid down on card. Origin: Scotland. Museum: The Chicago Art Institute, Chicago, USA.

A Conversation Piece John Rubens Smith (American, 1770-1849). , ca. 1796. Watercolor on paper, 9 1/4 x 10 1/4 in. American Art ca. 1796

The Post Horse (from The Life of a Racehourse, or The High-Mettled Racer) July 20, 1789 Thomas Rowlandson. The Post Horse (from The Life of a Racehourse, or The High-Mettled Racer). The Life of a Racehorse, or the High Mettled Racer, plate 3. Thomas Rowlandson (British, London 1757-1827 London). July 20, 1789. Hand-colored etching and aquatint. Prints

Two Men at Fisticuffs, James Gillray, 1757-1815, British, undated, Watercolor with pen and black ink on medium, slighlty textured, cream laid paper, Sheet: 7 1/2 × 7 3/8 inches (19.1 × 18.7 cm), boxing, fence, genre subject, men, sporting art

Palmerston Fair - No 2, Francis Wheatley (London, England, 1747 - 1801) 1782

Customs House at Boulogne. Date/Period: 1790s. Cityscape. Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, blued white, laid paper. Height: 203 mm (7.99 in); Width: 294 mm (11.57 in). Author: Thomas Rowlandson.

Playing With Money, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Seven men and boys, similar poses plate 14, loc. cit., are shown against a hilly background., Italy, 1807-08, Drawing, Drawing

Recto Pier At Amsterdam, 1792 Thomas Rowlandson, Recto: Pier at Amsterdam. On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792', Boat, Drawing, Watercolour, Ink, Coast, Harbour, Pen

A Park Scene, Thomas Rowlandson, 1756-1827, British, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, moderately textured, cream laid paper, Sheet: 6 1/8 x 6 15/16 inches (15.6 x 17.6 cm), dog (animal), genre subject, men, park (grounds), trees, women

Samuel Wale RA, 1721-1786, British, An Eclipse in Harvest Time, undated. Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper.

The Creditors, draughtsman: Matthijs Maris, c. 1855 - 1856, paper, pen, brush, h 278 mm × w 179 mm

Boys playing Knucklebones (Babki), Atkinson, John Augustus (1775-1831)

Mock Joust of War with Fixed Shields, c.1512-1515, Freydal, The Book of Jousts and Tournaments of Emperor Maximilian I: Combats on Horseback (Volume I), pen and brown ink with watercolor over black chalk and leadpoint on laid paper, sheet: 33.7 × 26.3 cm (13 1/4 × 10 3/8 in.), German 16th Century (artist)

James Gillray, 1757-1815, British, Two Men at Fisticuffs, undated. Watercolor with pen and black ink on medium, slighlty textured, cream laid paper.

Parisian Street Figures, Thomas Rowlandson, 1756-1827, British, 1786, Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, blued white laid paper, Sheet: 6 1/4 x 9 7/8 inches (15.9 x 25.1 cm), figures, genre subject, instrument, men, musician, street, Europe, France, Paris

Scene from the play, 'The Careless Husband', Isaac Taylor, 1730-1807, British, undated, Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 3 1/4 inches (14 × 8.3 cm), chairs, door, literary theme, man, plays by Colley Cibber (1671-1757), actor, writer, and theatre manager, The Careless Husband, 1704, women

The Rows, Chester, Thomas Webster, 1800-1886, British, 1807, Watercolor, graphite, and gouache with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 17 5/8 inches (27.3 × 44.8 cm)

Customs House at Boulogne, Thomas Rowlandson, 1756-1827, British, 1790s, Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, blued white, laid paper, Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm), customs houses, dog (animal), genre subject, grand tours, hats, horses (animals), luggage, men, square (open space), stagecoach, travellers, women, Boulogne, Europe, France

Pall Mall , Carriages & coaches, Coach drivers, Horses, Passengers, Walking, City & town life. Thomas Rowlandson (1756-1827). Prints and Drawings

Drawing, Vintage in the Mountains Near Rome; Bartolomeo Pinelli (Roman, 1781 - 1835); Italy; pen and gray ink with watercolor and black chalk on off-white wove paper

George Morland, 1763-1804, British, A Hop Kiln, 1795. Watercolor and graphite with pen and black ink on medium, slightly texture, beige wove paper.

Richmond Bridge from the lower terrace , Bridges, Walking, Trees, Benches, Rivers. Thomas Rowlandson (1756-1827). Prints and Drawings

Thomas Rowlandson, 1756-1827, British, Bridewell, The Pass Room, House of Correction, undated. Watercolor with pen and red-brown ink and graphite on medium, moderately textured, blued white, wove paper.

1784, or The Fashions of the Day. Artist: Thomas Rowlandson (British, London 1757-1827 London); After Humphry Repton (British, Bury St. Edmonds, Suffolk 1752-1818 Romford, Essex). Dimensions: Sheet: 9 1/16 × 13 7/16 in. (23 × 34.1 cm)Plate: 8 11/16 × 12 13/16 in. (22 × 32.5 cm). Published in: London. Publisher: E. Bull (British, active ca. 1784). Date: July 24, 1784. Museum: Metropolitan Museum of Art, New York, USA.

Wooded Landscape with Figures Round a Cooking Pot, Thomas Hand, died 1804, British, 1793, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm), child, cooking, figures, fire, genre subject, landscape, man, pot, woman, woods

Rural happiness at Caverac,' 1810 - 1819. Aquatint, colored with a line border, measuring 11.5 x 19.8 cm. Place of issue London Depicts circle dances

Visitors at the shooting gallery. Illustration by Phiz (Hablot Knight Browne) 1815-1882. From the book ""Bleak House"" by Charles Dickens. Published London 1853.

Autumn. Artist: Anonymous, German, 18th century (). Dimensions: 17 1/2 x 22 1/4 in. (44.4 x 56.5 cm). Former Attribution: Formerly attributed to Anonymous, Netherlandish, 17th century. Date: 18th century (). Museum: Metropolitan Museum of Art, New York, USA.

Henry William Bunbury, 1750-1811, British, A Soiree, undated. Watercolor and pen and black ink on medium, slightly textured, cream wove paper.

A Merchant's Office, Thomas Rowlandson, 1756-1827, British, 1789, Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3 cm) and Mount: 15 9/16 x 17 9/16 inches (39.5 x 44.6 cm), chair, desks, genre subject, men, merchant, office, quills, reading, shelves, hanging, spectacles, stools, writing - materials and instruments

świad and three women - "S D Paris"; Grandville, Jean-Jacques (1803-1847); before 1835 (1801-00-00-1900-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, le Charivari (Paris - magazine - 1832-1937), Parys (Mitol.), Paris court (Mitol.), Society of Zachpocztie Sztuki Beautiful (Warsaw - 1860-1940) - collection, trees, caricatures, moral caricatures, women, landscapes, engravings, French drawings, soldiers

Knutson, Johan, work, Workshop interior, drawing, 14 cm x 18.5 cm

Recto. Pier At Amsterdam, 1792. Thomas Rowlandson. Recto: Pier at Amsterdam.. On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792'

Set of eight (1): Cries of London, Thomas Rowlandson, 1756-1827, British, 1799, Etching with aquatint, colored by hand, Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)

Market, Germany 18th Century. Print.

Historia Antigua. Grecia. Labores agrícolas, recolección de mieses. Grabado alemán de 1865.

The Offer, Samuel Wale RA, 1721-1786, British, undated, Gray wash with pen and black ink on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper, Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm), genre subject, marriage, men, offer, ruins, women

Scene outside the Half-Moon Inn, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and brown ink and pen and gray ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/4 x 9 5/16 inches (14.6 x 23.7 cm), bucket (vessel), buildings, carriage, cityscape, dogs (animals), genre subject, inn, men, outside, parasol, pigeons (general term), sign posts, windows, women

Thomas Rowlandson, 1756-1827, British, A Phaeton and Six, undated. Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper.

The best booth in the fair , Fairs, Crowds. Thomas Rowlandson (1756-1827). Prints and Drawings

One of Six Illustrations to Fenelon's 'The Adventures of Telemachus son of Ulysses', Thomas Stothard, 1755-1834, British, ca. 1784, Pen and gray ink, graphite, and gray wash on medium, slightly textured, cream wove paper, Sheet: 4 11/16 x 2 7/8in. (11.9 x 7.3cm) and Sheet: 4 3/4 × 3 inches (12.1 × 7.6 cm), Greek mythology, literary theme, mythology, nymphs, religious and mythological subject, Telemachus and Calypso

Limbourg, Belgium, Thomas Rowlandson, 1756-1827, British, between 1791 and 1792, Watercolor with pen and brown ink and pen and gray ink, over graphite on medium, slightly textured, cream wove paper, Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm), architectural subject, archways, boats, bridge (built work), buildings, carriages, cityscape, horses (animals), men, river, soldiers, steeples, town, wagon, wall, weathervanes, women, Belgium, Europe, Limbourg, Liège, Vesdre, Wallonie

Crawley (An Excursion to Brighthelmstone) June 1, 1790 Drawn and etched by Thomas Rowlandson One of a set of eight aquatints devoted to posting houses on the main road from London to Brighthelmstone (Brighton), together with attractions of the seaside resort, this print shows the George Inn with a horse auction in progress. Related text notes that "Crawley,-31 miles from London, is the first town in Sussex, which we visited; but not meeting anything here particularly worthy of notice, continued our route 'till we arrived at Cuckfield,--40 miles distant from London.". Crawley (An Excursion to Brighthelmstone). An Excursion to Brighthelmstone. Drawn and etched by Thomas Rowlandson (British, London 1757-1827 London). June 1, 1790. Etching and aquatint. G. G. J. & J. Robinson (London). Prints

Robert Hills, 1769-1844, British, A Woodcutter and Other Studies, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Netherlands, Amsterdam, Founder, heirs of widow Cornelis, Sees Tryn and Griet, and hears her crowing;, The one busy turning the star;, While the other walks around with the bowl, And hopes for money from the bystanders, verso - stamped, Sheet with a large representation of two women who walk around singing with a star on Epiphany. Men and children listen and give money. Below the image an eight-line verse in two columns. Numbered top right: No. 45., print, prent, volksprent, prints, prenten, volksprenten, height 320 mm, width 415 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1715 - 1813, paper, papier, houtsnede, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Stage Coach and Riders in the Yard of an Inn, Preparing to Depart 1789-95 Thomas Rowlandson. Stage Coach and Riders in the Yard of an Inn, Preparing to Depart. Thomas Rowlandson (British, London 1757-1827 London). 1789-95. Hand-colored etching and aquatint. Prints

Thomas Rowlandson, 1756-1827, British, A Park Scene, undated. Watercolor and graphite with pen and black ink and pen and brown ink on medium, moderately textured, cream laid paper.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

A holiday at Tyburn , Hangings Executions, Spectators. Thomas Rowlandson (1756-1827). Prints and Drawings

Fox Hunting. 4. The Death, Edward Bell, active 1794-1847, after George Morland, 1763-1804, British, 1800-1801, Mezzotint, printed in color and hand colored, Sheet: 21 3/4 x 26 7/8in. (55.2 x 68.3cm)

Boats and Men on Shore, William Anderson, 1757-1837, British, undated, Watercolor, graphite, and pen and black ink on medium, slighlty textured, cream wove paper, Sheet: 3 3/4 × 9 7/8 inches (9.5 × 25.1 cm), boats, genre subject, marine art, men, shores (landforms), trees

The ghost of Mrs Leckie, 1830, by George Cruikshank. Gift of Dr and Mrs John Hardwick-Smith, 1967.

Verso. Sketch of Dutch fisherfolk, Amsterdam, 1792. Thomas Rowlandson. On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792'. Recto: Pier at Amsterdam.

Plate 33, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." An open cart driving down a country lane at left, filled with a group of men and women, with a picnic basket on the floor. At right, a woman climbs over a fence while others wait their turn behind her.. Plate 33, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

GRABADO-TIPOS DEL TIROL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

George Morland, 1763-1804, British, Set of Five: Studies of Laborers, 1791-1795. Hand colored soft-ground etching.

Parijs, Morret, Jean Baptiste, Swebach, Jacques François Joseph, Caffée des Patriotes, Patriot's Coffée House, Café met patriotten, Paris, verso - stamped, print, engraving, prints, engravings, height 364 mm, width 566 mm, French, print maker, printmaker, 1785 - 1825, paper, aquatint, color printing, 1769-03-19 - 1823-12-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Men and Shoemaker for an inn, William Ward, After George Morland, 1792 print London paper engraving shoe-maker, cobbler. hotel, hostelry, inn. riding a horse, ass, or mule; rider, horseman. hunter

Comforts of Bath: Gouty Persons Fall on Steep HIll. Date/Period: 1798. Painting. Watercolor. Height: 124 mm (4.88 in); Width: 186 mm (7.32 in). Author: Thomas Rowlandson.

Scholars 1548 1572 Lithography: Salb M. (edition) & Jan Matejko

'Apostles Peter and John Healing the Sick'. Netherlands, 1575. Dimensions: 55,5x76 cm. Museum: State Hermitage, St. Petersburg. Author: Pieter Aertsen (Lange Pier).

William Hogarth, 1697-1764, British, Benjamin Read, ca. 1757. Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper.

The Flight, Isaac Cruikshank, 1756-1810, British, undated, Graphite, gray wash, brown wash, pen and black ink on medium, moderately textured, beige wove paper, Sheet: 9 5/16 × 6 7/8 inches (23.7 × 17.5 cm), bar, caricature, drinking, fighting, men, party, pub, riot, saloon, top hat, women

Netherlands, Cartoon of the leaders of the Belgian Revolt, 1830, verso - stamped, Cartoon of the leaders of the Belgian Revolt and the members of the Provisional Government of Belgium in 1830. On the left sits De Potter on the throne with a gallows around his neck, in the center a puppet show performed by soldiers, on the right the bombardment of Antwerp by the Dutch. On the right in the background the French king leading an army. At the bottom the legend AO., print, cartoon, prints, Frederik Muller Historieplaten, height 284 mm, width 443 mm, print maker, printmaker, 1830 - 1830, paper, lithography (technique), hand coloring

EMOILET SEAIL. (IT)

La fleur du village, 1827; Published in London by J. Cross, No. 18 Holborn, opposite Furnivals Inn. This print features dancers from the 19th century and is an aquatint measuring 48 x 38 cm

Jordaens, Jacob (I), Bolswert, Schelte Adamsz., Netherlands, Proverb: As the old people sing, so the young pipe (piepen), verso - stamped, Company at table: two old people, a lady with a child on lap, a little boy and a bagpiper. The old man and woman sing; the children play the flute. 'As the old sang, so the young pipe'. Proverb. In ornamental border, print, prints, engravings, height 287 mm, width 420 mm, print maker, printmaker, 1640 - 1655, paper, engraving, engraving (printing process), hand colouring, Work conception, South Netherlands, 1586 - 1659-12-12, after a design by, 1593-05-19 - 1678-10-18

Rustic Scene, Louis Pierre Henriquel-Dupont (Paris, France, 1797 - 1892)

Napoleons in treatment with foreign doctors, 1814, Anonymous, 1814 print Cartoon on Napoleon's exile to Elba, May 1814. Napoleon is examined by surprised looking doctors from the Allied countries: England, Prussia, Russia, Sweden and Austria. The English doctor looks in the back of Napoleon's pants and notices on 'Egg look! The heart in the pants! ' In the meantime, Napoleon is winning the areas conquered by him, including Holland. Netherlands paper etching / engraving examination, diagnosis; physician speaking with patient. vomiting

A Salt Water Salute, Richard Newton, 1777-1798, British, 1794, Etching, hand-colored, Sheet: 12 1/2 x 9 5/8in. (31.8 x 24.4cm)

of 2