19th Century Political Satire

Humorous prints portraying political satire, caricatures of historical figures, and commentary on contemporary events using vivid details.

London, Ackermann, Rudolph, England, Rowlandson, Thomas, Mock auction or Boney selling stolen goods, Napoleon sells stolen goods, 1813, verso - stamped, Cartoon on the fall of Napoleon after the lost battle of Leipzig in 1813. Napoleon as an auctioneer selling the stolen crowns of European countries. In the center, the French general Berthier holds up the Spanish crown for sale. On the right, representatives of European countries. In the foreground, a British sailor and a fat Dutchman. Behind them, the King of Württemberg, a Russian Cossack and a Prussian hussar. A standing Spaniard reaches for the crown. On the ground, a pile of crowns and documents that are yet to be offered for sale. Behind Napoleon stands his wife Marie Louise with their son Napoleon II, the king of Rome, with a monkey's head., print, cartoon, prints, Frederik Muller Historieplaten, height 235 mm, width 347 mm, English, 1756-07-14 - 1827-04-22, print maker, printmaker, 1813-12-25 - 1813-12-25, paper, papier, etchin

London, Ackermann, Rudolph, England, Rowlandson, Thomas, Mock auction or Boney selling stolen goods, Napoleon sells stolen goods, 1813, verso - stamped, Cartoon on the fall of Napoleon after the lost battle of Leipzig in 1813. Napoleon as an auctioneer selling the stolen crowns of European countries. In the center, the French general Berthier holds up the Spanish crown for sale. On the right, representatives of European countries. In the foreground, a British sailor and a fat Dutchman. Behind them, the King of Württemberg, a Russian Cossack and a Prussian hussar. A standing Spaniard reaches for the crown. On the ground, a pile of crowns and documents that are yet to be offered for sale. Behind Napoleon stands his wife Marie Louise with their son Napoleon II, the king of Rome, with a monkey's head., print, cartoon, prints, Frederik Muller Historieplaten, height 235 mm, width 347 mm, English, 1756-07-14 - 1827-04-22, print maker, printmaker, 1813-12-25 - 1813-12-25, paper, papier, etchin

Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq) ca. 1810 Attributed to Thomas Rowlandson British A crowd has gathered outside "Martinet Librairie," a popular printshop at no. 124 rue du Coq-Saint-Honoré in Paris, trying to view both the images in the window and one another. Attributed to Rowlandson, the etching is based on a pen lithograph by the French artist Bergeret that Aaron Martinet published in 1805 (see 1984.1026.1). The underlying humor contrasts English tourists with more sophisticated Parisians, and would have appealed to Rowlandson, who visited France often and been raised by an aunt of Hugenot descent. The English origins of this print are affirmed by the insertion of the name of Thomas Tegg, a London publisher, on a poster at upper left.. Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq). After Pierre Nolasque Bergeret (French, Bordeaux 1782-1863 Paris). ca. 1810. Hand-colored etching. () Thomas Tegg (British, 1776-1846). Prints

Napoleon in Poland

Charity Covereth a Multitude of Sins November 27, 1781 Thomas Rowlandson British. Charity Covereth a Multitude of Sins. Thomas Rowlandson (British, London 1757-1827 London). November 27, 1781. Hand-colored etching. Hannah Humphrey (London). Prints

The Hopes of the Party, prior to July 14th. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Prints, Cartoons (Commentary). 1791-07-19. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Prophecy Explained September 17, 1808 Thomas Rowlandson. Prophecy Explained. Thomas Rowlandson (British, London 1757-1827 London). September 17, 1808. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Wonderful effects of straps.

Vaccine on a trip Kunstler. Vaccine on a trip. Print.

() Henry Kingsbury, active 1750-1780, British, Dead, Positively Dead, 1788. Etching, hand-colored.

The Wiener Congress

unknown artist, ( H. W.), An English Hobby Horse; or, Who Pays the Piper, 1791. Etching, hand-colored.

The Affectionate Farewell, or Kick for Kick April 17, 1814 Thomas Rowlandson British Napoleon stands next to a gibbet that reads: "The Isle of Elba." He says "Votre tres humbler Serviteur Monsieur Tally." Next to him Tallyrand aims a violent kick and swings his cane, holdings a paper marked: "Abdication of the last dying speech of a murderer who is to be delivered into the hands of the Devil the first fair wind" and saying: "Va t'en Coquin. I'll crack your Crown you pitiful Vagabond." Behind are the victims of the many French campaigns, a line of men on crutches.. The Affectionate Farewell, or Kick for Kick. Thomas Rowlandson (British, London 1757-1827 London). April 17, 1814. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

A Perry-Lous Situation; or, the Doctor and his Friends keeping the Numbrusher and her Myrmidous at Bay, Published: William Holland, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 11 3/8 x 15 3/4in. (28.9 x 40cm)

Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, James Gillray, 1757-1815, British, 1799, Etching, hand-colored, Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)

Doctor Drainbarrel Conveyed Home in order to Take His Trial for Neglect of Family Duty November 30, 1810 Thomas Rowlandson A plump doctor is pushed down a hill in a wheelbarrow by a countryman. His wife walks beside the wheelbarrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. At left in the background is an inn with villagers seated outside.. Doctor Drainbarrel Conveyed Home in order to Take His Trial for Neglect of Family Duty. Thomas Rowlandson (British, London 1757-1827 London). November 30, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Corsican Munchausen - Humming the Lads of Paris December 4, 1813 Thomas Rowlandson Napoleon addresses a crowd below at left. Napoleon II stands beside him to his right, looking down at the audience in an officer's uniform. Napoleons words radiate around him in clouds.. The Corsican Munchausen - Humming the Lads of Paris. Thomas Rowlandson (British, London 1757-1827 London). December 4, 1813. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Preliminaries of Peace, Charles Williams, active 1796-1830, British, 1801, Etching, hand-colored, Sheet: 8 5/8 x 12 3/4in. (21.9 x 32.4cm)

In a fort, a fat Dutchman with pockets filled with gold coins is robbed of his money by an English sailor and spit in the face. Another Englishman threatens a Frenchman dressed in rags. On the left, a tree of liberty with two monkeys. Cartoon on the surrender of the Batavian fleet of nine ships to the English in Saldanha Bay on the Western Cape of South Africa on August 17, 1796. Cartoon on the capitulation of the Batavian fleet in Saldanha Bay, 1796 A Peep into Saldanha Bay or Dutch Perfidy Rewarded , print maker: Isaac Cruikshank, (mentioned on object), publisher: Samuel W. Fores, (mentioned on object), London, 1796, paper, etching, h 250 mm × w 350 mm

False Courage November 22, 1788 Thomas Rowlandson A dueling subject. The man at right kneels and fires a pistol, while his opponent drops his weapon. At left, the duelist's second looks through an eye-glass in alarm, while the second crosses his arms and smiles. In the background, a doctor opens his mouth and spreads his arms in alarm, as his assistant fumbles with a bag holding medical implements. There is a carriage in the background with an open door, and two horses, with two grooms seated on their backs. The scene is set in a park or on a heath.. False Courage. Thomas Rowlandson (British, London 1757-1827 London). November 22, 1788. Hand-colored etching. S. W. Fores (London). Prints

Napoleon's return disturbs the Vienna Congress

Rural sports, or how to show off a well-shaped leg , Swings, Seduction, Recreation. Thomas Rowlandson (1756-1827). Prints and Drawings

A whimsical will!! , Wills. Thomas Rowlandson (1756-1827). Prints and Drawings

A Mad Dog in a Coffee House, Print made by Thomas Rowlandson, 1756-1827, British, 1809, Etching and watercolor on medium, brown, moderately textured wove paper, Sheet: 13 1/4 x 19 9/16 in. (33.7 x 49.7 cm), coffee, coffeehouse, food, genre subject, leisure, tankards

School for Honour May 10, 1802 Thomas Rowlandson In this sixth print of a group of eight, a young dandy duels in the countryside, looking through his monocle to see whether he hit his target. At left, a older man falls backward after being shot, near a doctor who shelters below a bank with implements at the ready. Rowlandson etched this set after drawings by Willyams, a university-educated lieutenant-colonel from Cornwall who also supplied supporting satirical text under the pseudonym Joel McCringer. Rowlandson's characteristic elegance does not disguise the dark human impulses being satirized. Modern education, it is suggested, does little to teach self-control, wisdom or empathy.. School for Honour. A Compendious Treatise on Modern Education: Title and 8 plates. After James Brydges Willyams (British, Cornwall 1772-1820 Truro, Cornwall). May 10, 1802. Hand-colored etching. Thomas Rowlandson (British, London 1757-1827 London). Prints

John Law in a hoping chair for the Lazarus house, 1720; The large scene of foolishness (extra pieces). John Law seated in a hoping chair for the Lazarus house gets from jogged bombario food and drink. In the foreground a monkey shares shares, right children with a mill, left a desperate windmill. In the background a crazy promotionist is taken to the madhouse. Design drawing for a not executed print in a series about the rise and fall of Quincampoix (John Law). The drawing includes an explanation. Belongs to the group of drawings added to the scene of scene of foolishness with cartring prints at the 1820 wind trade.

Isaac Cruikshank, 1756-1810, British, A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, 1794. Etching, hand-colored.

The Defeat of the High & Mighty Bailissimo Corbettino... March 7, 1785 Thomas Rowlandson. The Defeat of the High & Mighty Bailissimo Corbettino.... Thomas Rowlandson (British, London 1757-1827 London). March 7, 1785. Hand-colored etching. William Humphrey (British, 1742-in or before 1814). Prints

A Delicate Finish to a French Usurper April 20, 1814 Thomas Rowlandson British Napoleon sits on a chair of state with skulls for arm rests. He has just vomited the "Throne of France". Above him flies Time about to place an extinguisher on Napoleon's head, and holding an hour glass. Next to the emperor stands Blucher at the head of a line of Allied generals and sovereigns. At the far end of the line is Wellington, then the Tsar, then the Emperor of Austria. At Napoleon's feet lies a crown marked tyrant, and strips of paper representing the countries he has disgorged. Behind him young girls dance holding up a shield adorned with the Bourbon fleur-de-lis. Represents the consequences of Leipzig.. A Delicate Finish to a French Usurper. Thomas Rowlandson (British, London 1757-1827 London). April 20, 1814. Hand-colored etching. Published London by James Asperne (British, 1757-1820). Prints

London, King, E., England, Phillips, John, The Amorous Tyrolese; or, Royal Virtue in danger, De Amoreuze Tyroolse, Cartoon on the incident in which a singer from a Tyrolean singing group threw her arms around the neck and kissed the British king George IV after the performance. On the left the other male singers, in the background the mistress of the king, Lady Conyngham, angry., cartoon, English cartoons, height 250 mm, width 352 mm, British, print maker, printmaker, 1827-09-02 - 1827-09-02, paper, papier, etching, etchings, hand colouring, Publication (Event), Publication, publisher

Isaac Cruikshank, 1756-1810, British, John Bull in a Rage, forcing nic Frog to Fight against his Will, 1793. Etching, hand-colored.

The Defeat of the High & Mighty Bailissimo Corbettino... Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 3/8 × 14 1/16 in. (26.3 × 35.7 cm)Plate: 9 13/16 × 13 7/8 in. (25 × 35.3 cm). Publisher: William Humphrey (British, 1742-before 1814). Date: March 7, 1785. Museum: Metropolitan Museum of Art, New York, USA.

Mrs. Clark's levee ; The Ambassador of Morocco on a special embassy , Mistresses, Military officers, Messengers, Dogs, John Bull Symbolic character, Clarke, Mary Anne, 1776-1852. Holt Collection

unknown artist, nineteenth century, A Peep in the City - or Spoil'd Children, 1802. Etching, hand-colored.

Deliberation has English. (IT)

The Magnanimous Minister, Chastising Prussian Perfidy.-vide-Morning Chronicle April 28th. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: sheet (trimmed to plate line): 9 5/8 x 13 3/4 in. (24.4 x 34.9 cm). Publisher: Hannah Humphrey (London). Date: May 2, 1806. Museum: Metropolitan Museum of Art, New York, USA.

An episode in Tristram Shandy: Obadiah, riding a coach horse, knocks Dr. Slop off his pony, a sign points to Shandy Hall. Coloured etching after H.W. Bunbury after L. Sterne.

We Fly By Night, Or The Free Booters Intercepted August 27, 1808 Thomas Rowlandson. We Fly By Night, Or The Free Booters Intercepted. Thomas Rowlandson (British, London 1757-1827 London). August 27, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Thomas Rowlandson, 1756-1827, British, The Departure, 1784. Etching, hand-colored.

Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast, Charles Williams, active 1796-1830, British, 1801, Etching, hand-colored, Sheet: 8 5/8 x 13in. (21.9 x 33cm)

Probity. / 7. (IT)

Mr, Joseph and Ms, Baberl, Posse von Gleich Gallerie Drollerie Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Legerdemain. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet: 6 3/8 × 9 1/2 in. (16.2 × 24.1 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Date: 1799 (). Museum: Metropolitan Museum of Art, New York, USA.

A wife of blistering for having spit on the portrait of Mr. Necker A woman with whipped condition for spitting on the portrait of Mr. Necker ". Estampe.

The national ointment: the chief The National Ointment: the past, present and future chef ". Print.

Flying Breakfast, or the Contents of a Night Coach, Thomas Rowlandson, 1756-1827, British, 1792, Etching, hand-colored, Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm), dinner, food, meal

Napoleons lifestrap, 1814; Napoleons - Stuffenjehre. Napoleon's life stap. Starting to the bottom left as a Corsican boy, he works up to General, Consul and finally at the top of his highlight to emperor. Then it goes downstream with defeats in Spain, Moscow and Germany (Leipzig) in 1813. At the bottom can be seen by an arc Napoleon banished on the island of Elba, 1814.

John Bull in a Rage, forcing nic Frog to Fight against his Will, Isaac Cruikshank, 1756-1810, British, 1793, Etching, hand-colored, Sheet: 8 x 13 3/8in. (20.3 x 34cm)

Begging no Robbery; i.e. Voluntary Contribution, or John Bull Escaping a Forced Loan. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1796. Dimensions: 240 × 356 mm (image); 254 × 357 mm (plate); 284 × 396 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

More Humbugs, - or - Another Attack on John Bulls Purse, Charles Williams, active 1796-1830, British, 1818, Etching, hand-colored, Sheet: 9 7/16 x 12 3/4in. (24 x 32.4cm)

A Hail Storm. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: sheet: 11 x 14 3/8 in. (28 x 36.5 cm). Date: 1800-1820.Three men on foot are variously affected by a squall on a road, another on horseback behind holds his nose, and a man squatting behind a bush looses his hat. This is a later copy of a print etched and published by John Raphael Smith after Bunbury in 1782. Museum: Metropolitan Museum of Art, New York, USA.

Doctor syntax in a Romakamp, Thomas Rowlandson, 1820 print paper etching wandering communities: Romani or Roma. tent-camp

A Messenger From the Nile - Agreeable News for The Directory - or - The Runaway Admirals Unexpected Arrival, Attributed to Charles Ansell, ca.1752-active 1790, British, 1798, Etching, hand-colored, Sheet: 10 x 16 1/2in. (25.4 x 41.9cm)

Returning from the Races. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/2 × 13 7/8 in. (26.7 × 35.3 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: December 1, 1791. Museum: Metropolitan Museum of Art, New York, USA.

Friends and Foes-Up He Goes-Sending the Corsican Munchausen to St. Cloud's December 12, 1813 Thomas Rowlandson British The powers of Europe toss Napoleon in a blanket. He loses his sword, crown and sceptre and exclaims: "O Misericorde".. Friends and Foes-Up He Goes-Sending the Corsican Munchausen to St. Cloud's. Thomas Rowlandson (British, London 1757-1827 London). December 12, 1813. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Connoisseurs-or Portrait Collectors !!! 1807 Thomas Rowlandson Two collectors look through offerings in a shop. The dealer at right, bald except for a queue praises the portrait held by a tall thin man wearing a long coat and spectacles. The other customer, near the window looks at works in a second stand. Prints hung against the window panes are backlit. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-5) and title page 59.533.1022(1).. Connoisseurs-or Portrait Collectors !!!. The Pleasures of Human Life. Thomas Rowlandson (British, London 1757-1827 London). 1807. Hand-colored etching. Longman, Hurst, Rees and Orme (London). Prints

The Rogues March April 12, 1814 Thomas Rowlandson Napoleon is being exiled from France. His right wrist is tied to the left wrist of Joseph Bonaparte, and they are led forward by Blücher, who holds a rope attached to the noose tied around Napoleon's neck. Napoleon has donkey ears and wears a fool's cap inscribed "Transported for Life." Joseph's hat is inscribed "Coward and Thief." The sovereigns of Europe gleefully dance in a ring, holding hands, in the background at left.. The Rogues March. Thomas Rowlandson (British, London 1757-1827 London). April 12, 1814. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Print made by Henry William Bunbury, 1750-1811, British, The Battle of the Cataplasm, between 1773 and 1817. Hand-colored etching on moderately thick, slightly textured, cream wove paper.

The thief at the thief at the assassin / or the silver acaparers. (IT)

The Rabbit Merchant 1810 Thomas Rowlandson A man sells rabbits at the front door of a home at right. An old woman sniffs one of the rabbits, and says, "Sweet indeed why it smells Quite Strong." The merchant answers: "Yes Ma'am and so would you were you held in the same position." A dog bites at the rabbits behind the man's back at left.. The Rabbit Merchant. Thomas Rowlandson (British, London 1757-1827 London). 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846) . Prints

The Fainting Fit, George Cruikshank, 1792-1878, British, undated, Watercolor, brown ink and graphite on medium, lightly textured, cream wove paper, mounted to medium, moderately textured, cream wove paper, Sheet: 3 3/4 x 7 11/16in. (9.5 x 19.5cm), caricature, chairs, crowd, fainting, men, women

unknown artist, nineteenth century, The King's Lever, 1821. Hand colored engraving.

Print, Pierre Maleuvre, French, 1740 - 1803, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Street scene. A monkey on the back of a beggar pulls at the wig of a passer-by, who is about to be greeted by a friend. Title below, and engraver's and publisher's names. At top: 'Musée Grotesque, No. 42'., France, Print

La famille des Cochons ramenée dans l'étable (The family of pigs pulled to the stable). Artist: Anonymous, French, 18th century. Dimensions: sheet: 6 1/8 x 8 7/8 in. (15.5 x 22.5 cm). Date: June 25, 1791. Museum: Metropolitan Museum of Art, New York, USA.

White Horse Cellar, Piccadilly (From: '36 scenes from real life') by Cruikshank, Isaac Robert (1789-1856) / Private Collection / 1821 / Great Britain / Etching, watercolour / Genre / Caricature

Drunken scene at a wedding party in an English Regency parlour. The groom's drunk father carried out by two liveried servants. Admiral Bowsprit and rescued odalisk Ellen celebrate their marriage with their drunken fathers and amputee Captain Bomb. Handcoloured copperplate engraving by Charles Williams from The Post Captain, or Adventures of a True British Tar by a Naval Officer, J. Johnston, London, 1817. Attributed to Alfred Thornton or John Mitford.

Merry making on the regents birth day, 1812 by Cruikshank, George (1792-1878) / Private Collection / 1812 / Great Britain / Etching, watercolour / Genre / 24,3x35,1 / Caricature

The Afterpiece to the Tragedy of Waterloo. George Cruikshank (English, 1792-1878); published by Willam Hone (English, 1780 - 1842). Date: 1815. Dimensions: 244 × 345 mm (image); 250 × 355 mm (plate); 255 × 357 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Volunteer corps to Jtalien , on April , Anton Elfinger -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

The political carnival: burial of freedom (IFF 38). (dummy title) | Caricature boards 1831. (title of all)

unknown artist, eighteenth century, Boxers of Bangor of Messengers of Peace, 1796. Etching, hand-colored.

Boney bringing home the truth from Spain. British Cartoon Prints Collection . Napoleon,I,Emperor of the French,1769-1821. , Peninsular War, 1807-1814. , Animals in human situations,1800-1810.

Charles Ansell, ca.1752-active 1790, British, The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure, 1798. Etching, hand-colored.

Bank-notes - paper-money - French-alarmists, o the devil, the devil! ah! poor John-Bull!!! , Politicians, Prime ministers, Nobility, Authors, Bank notes, John Bull Symbolic character, Stanhope, Charles Stanhope, Earl, 1753-1816, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816. James Gillray (1756-1815). Prints and Drawings

Great assault of weapons Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Great assault of arms". Board published in "caricature" of February 141833. Lithography. Paris, House of Balzac.

Fox-Hunting set of six: 5. The Return, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1788, Aquatint, hand-colored, Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)

Parisian caricature. (IT)

The Republican Oath, 1792 Jean-Baptiste Lesueur (1749-1826). The Republican Oath, 1792. Gouache on cut carton glued on a sheet of washed blue paper.

James Gillray, 1757-1815, British, Sans-Culottes, Feeding Europe with the Bread of Liberty, 1793. Etching, hand-colored.

George Dance RA, 1741-1825, British, A Fist Fight, With the Prince Regent Among the Spectators, undated. Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, slightly textured, cream, wove paper.

(The) A Grand Battle between the Famous English Cock and Russian Hen!, Attributed to Thomas Rowlandson, 1756-1827, British, 1791, Etching, hand-colored, Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)

Le départ pour la promenade, from La vie de chteau, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Three men and a woman to depart on horseback, right. Three inhabitants of the chateau and two dogs, left, by the gate. Title and artists' names below., Paris, France, 1832, Print, Print

Set of twelve Scenes in the Life of Master George, Henry Thomas Alken, 1785-1851, British, 1823, Hand colored soft-ground etching, Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)

Cartoon on the journey from Prince Leopold to Belgium, 1831; The new king seasick. Cartoon on the prince Leopold's segree to Belgium, July 17, 1831. The upcoming king sails seasick on a chair, a hosteling keeps him a bowl. Through the door, the chimney is visible from the steamship with which the prince feed from England to Belgium.

Napoleon is extinguished, 1813-1814, Anonymous, After George Cuikshank, 1814 - 1815 print Cartoon on Napoleon, 1813-1814. A small raging figure of Napoleon is about to be extinguished from the clouds with a fire cloak or damper in one hand. On the left (Wellington and Frans II) and on the right (Bernadotte and Alexander) are the enemies of Napoleon with guns aimed at him. On the front right a smiling thick Dutchman sitting on a mortar with which Orange apples are shot on the emperor. With title and inscriptions in French. England paper etching extinguishing a fire

Female Intrepidity. George Cruikshank (English, 1792-1878); published by J. Sidebotham (English, active 1802-1820). Date: 1816. Dimensions: 242 × 347 mm (image); 250 × 357 mm (plate); 255 × 360 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Isaac Cruikshank, 1756-1810, British, A Whig Toast - A Tory Sentement (sic), 1798. Etching, hand-colored.

Early early early / beat hot / early early early / good luck / you have to have heart at work (IT)

Print made by Henry William Bunbury, 1750-1811, British, Overthrow of Dr. Slop, between 1773 and 1817. Hand-colored etching on moderately thick, slightly textured, cream wove paper.

Progress of Gallantry or Stolen Kisses Sweetest February 14, 1814 Thomas Rowlandson On a fortified sea front, a hefty man looks through a telecope at right. Beside him at left, a young woman and a young military officer embrace and kiss. Behind them to left, an elderly man stands shivering in the win with his hat tied to his head. Below at right, a young man and woman hold hands by the seaside.. Progress of Gallantry or Stolen Kisses Sweetest. Thomas Rowlandson (British, London 1757-1827 London). February 14, 1814. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Gisperl and Fisperl , Johann Christian Schoeller -, artist

Henry Addington as a medical practitioner bleeding the exhausted John Bull, assisted by other politicians; representing Britain's strength being sapped by nepotism in politics and by war with Napoleon. Coloured etching by J. Gillray, 1803.

London, Humphrey, Hannah, England, Gillray, James, The High German method of destroying Vermin at Ratstadt, Austrian treatment of the French Ambassadors, 1799, verso - stamped, Cartoon on the murder of the French ambassadors who had traveled to the Second Congress of Rastatt by Austrian hussars. Bonnier d'Argo and Roberjot have already been beheaded, De Bry is fleeing in the background., print, engraving, prints, engravings, English cartoons, height 257 mm, width 260 mm, English, 1756-08-13 - 1815-06-01, print maker, printmaker, 1799-05-22 - 1799-05-22, paper, papier, etching, etchings, hand colouring, Publication (Event), Publication, 1745 - 1818, publisher

() William Dent, active 1784-1793, Industry, The best way to Secure Liberty and preserve Order, 1792. Etching with watercolor on laid paper.

All countries dance to the pipes of France, 1795, Anonymous, 1795 drawing A French soldier blows on a pan flute while for him representatives of European countries dance. To the right of France is the Dutch Virgin. Netherlands paper pen / brush personifications of countries, nations, states, districts, etc.. group of men (folk dancing). transverse flute - CC - out of doors Netherlands

A Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 × 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, FLORENCIA, USA.

Soldiers, dandies and beggars in a brawl in a basement bar, 1822. Dick and his Valet shewing Fight in a Caveau or Low Life in Paris. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

Loyalty - Against - Levelling - 'Nought can Make us Rue if England to itself do Rest but True' (from: Caricature, vol. 5), James Sayer, 1748-1823, British, 1792, Etching, hand-colored, Sheet: 9 7/8 x 7 5/8in. (25.1 x 19.4cm)

James Gillray, 1757-1815, British, Loyal Souls; - or - A Peep into the Mess-Room, at St. James's, 1797. Etching and aquatint, hand-colored.

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