19th Century Portraits and Abstracts

A variety of paintings featuring portraits from the 19th century alongside abstract representations, showcasing different styles and techniques.

Lovers at the Bridge by Marc Chagall, 1948, 1887-1985, Private Collection

The little marquise. Date/Period: 1870. Painting. Oil on paper on panel. Gilded plaster frame. Height: 427 mm (16.81 in); Width: 316 mm (12.44 in). Author: JACOB MARIS.

BrooklynBridge. Artist: Abraham Walkowitz, American, born Russia, 1878-1965

Chagall, Marc (1887-1985) Private Collection 1976 65x54 Oil on canvas Modern Russia

CICLISTA 1991 - TECNICA MIXTA SOBRE LIENZO- 200 X 200 CM. Author: MIQUEL BARCELO.

Meeting of the pious women, Stations of the Cross, 1901, by Gaetano Previati (1852-1920), oil on canvas, 56.5 x47 cm.

Lovers at the Bridge by Marc Chagall, 1948, 1887-1985, Private Collection

Hofer, Carl (1878-1955) State M. Ciurlionis Art Museum, Kaunas 99x74 Oil on canvas Expressionism Germany

Dreams by William Blake, Black chalk, watercolor on paper, between 1816 and 1820, 1757-1827, Usa, New York, The Morgan Library & Museum,

Design for window in the Dutch Pavilion at the Arts Décoratifs exhibition in Paris, 1925, 1925 drawing cardboard. chalk brush

Coal and colored pencil drawing by Franz Wiegele depicting a glass window design for the Church of Vorkloster in Bregenz, showing decorative and structural elements, before 1937.

The Witches' Sabbath (recto); Sketches of Centaurs (verso) 1878-1888 France. Gouache, with pen and black ink, over graphite (recto), and graphite (verso), on tan wove paper . Auguste Rodin

GRAN BARROCO - 1959. Author: MODEST CUIXART (1925-2007). Location: MUSEO DE ARTE ABSTRACTO. BASIN. CUENCA. SPAIN.

View of a small town in the mountains (Le Puy). Makowski, Tadeusz (1882-1932), painter

Woman Bathing in a Shallow Tub, Edgar Degas, 1885, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

MUJERES EN UN BOSQUE - 1907 -Mulheres em um bosque 27,3 x 37,9 cm. Author: PIET MONDRIAN (1872-1944) PIET MONDRIAAN. Location: MUSEO. SAINT-GERMAIN-EN-LAYE. France.

PUEBLO-PINTURA. Author: ALVARO DELGADO RAMOS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Design for window in the Noordertransept in the Dom in Utrecht, c. 1934 drawing cardboard. chalk brush

Bather. Attributed to Odilon Redon; French, 1840-1916. Date: 1904. Dimensions: 134 × 63 mm (image); 145 × 78 mm (plate); 265 × 200 mm (sheet). Etching and drypoint in red-brown on cream Japanese wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Central aedicule with picture depicting three female figures, by Unknown artist, 25,1st Century, mural. Italy: Lazio: Rome: Palazzo Massimo alle Terme: Cubicolo D parete di fondo dell'alcova. Detail. Aedicule columns red women mock architecture

Yermilova-Platova, Yefrosinya Fedoseevna (1895-1974) State Tretyakov Gallery, Moscow Painting Genre Harvest

Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso) 1771-1981 England. Dido, Queen of Carthage, was deserted by her lover Aeneas, a prince of Troy and a hero of the Trojan War. Devastated, she built a pyre to burn his possessions. Upon ascending the pyre and lamenting her cruel fate, Dido took her life with the sword she had given to Aeneas.In this preparatory sketch for a painting, Fuseli hews closely to the story as recounted in the ancient Roman poet Virgilís epic poem about Romeís founding, the Aeneid. Didoís sister Anna weeps at the dead queenís feet, while Iris, sent by Juno, cuts a lock of her hair to free her soul from her body.. Oil paint over charcoal (recto), and black chalk (verso), on ivory laid paper . Henry Fuseli

The album, by Tranquillo Cremona (1837-1878), watercolor.

MUJER TOCANDO UNA FLAUTA JUNTO A UNA FIGURA MASCULINA - ALBANEGA NORESTE DE LA NAVE CENTRAL DEL GRAN SALON DEL CASTILLO - SIGLO VIII - OMEYA. Location: CASTILLO. QUSEIR AMRA.

JARDINES-HORNACINA CON FLORERO. Location: FUNDACION RODRIGUEZ ACOSTA. GRANADA. SPANIEN.

Saul. Dating: 1899. Measurements: h 60 cm × w 80 cm × t 3 cm. Museum: Rijksmuseum, Amsterdam. Author: Jozef Israëls (mentioned on object).

Anemonies. Theodore Roussel; French, worked in England, 1847-1926. Date: 1897. Dimensions: 113 × 75 mm (image); 120 × 82 mm (plate); 150 × 114 mm (sheet). Color etching and aquatint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Angel Seated on the Stone of the Tomb (L'ange assis sur la pierre du tombeau) James Tissot (French, 1836-1902). The Angel Seated on the Stone of the Tomb (L'ange assis sur la pierre du tombeau), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 1/8 x 5 3/8 in. (23.2 x 13.7 cm). European Art 1886-1894

Farm boy, 1870 - 1923 copper (metal)

Listen - Ecoutez 1998 Ashton Hinrichs (20th C.American)

Design for window in the Noordertransept in the Dom in Utrecht, c. 1934 drawing cardboard. chalk brush

Egon Schiele 1911 pencil and watercolor drawing with deck white on brown wrapping paper depicting the artist's sleeping mother, showing posture and facial details.

KOKOSCHKA, OSKAR. PINTOR Y ESCRITOR AUSTRIACO. 1886-1980. " LA ANUNCIACION", AÑO 1911. GALERIA AUSTRIACA DE VIENA VIRGEN MARIA. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Breton Girl Spinning, Paul Gauguin, 1889,

CARRINGTON, Leonora (1917). Illeias. 1965. Surrealism. Oil on canvas. Private Collection.

We are enemies of war and we only aspire to world peace. Spanish Civil war, anti-republican propaganda illustration by Carlos Sáenz de Tejada

Ophelia 1906 France. Pastel on blue-gray wove paper . Odilon Redon

Castillo de Alcañiz, siglo XIV, pintura mural gótica (pinturas del interior antes de la restauración). Teruel, España.

Painting by Alfred Roller depicting Leopold Stolba as a Doge, using cover colors, gold paint, and white cover color, showing figure, attire, and pose.

'Cuentos de medianoche'. Author: FRANCISCO MATEOS (1894-1976). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Maria met kind en vrouw met gevouwen handen; Ik groet U, Maria; Ia Orana Maria.Maria as black woman stands with a big child on her shoulder in a landscape on tahiti. In the background a woman stands with folded hands. With this unique print, the artist applied the monotype technique in which he indicated the contours of the show in a glass or metal plate in brush with blue watercolor and color a few surfaces with light red and light green. Before the paint was dried, he makes a print and possibly he also brought some color accents with the brush on the print. This looks like the red on the dress and the black plane on the floor next to Mary.

Manuel Millares/ Pictografía, 1954. Óleo sobre arpillera, 106 x 68 cm. Pintura. Museum: CENTRO DE ARTE REINA SOFIA / MADRID / ESPAÑA.

Still Life with Two Sacks and a Bottle, Van Gogh, Vincent Willem, 1884.

Cherubin, by Amedeo Modigliani, oil on paper, (1884-1920), England, London, Christie's Images

'Study', 1906, Oil on canvas, 61 x 50 cm. Author: ISIDRO NONELL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Infanta, no.41 from 'Las Meninas' - 1957 - 61x50 cm - oil on canvas. Author: PICASSO, PABLO. Location: PICASSO MUSEUM, BARCELONA, SPAIN. Also known as: MENINA.

S MATIAS. Author: FRANCISCO DE ZURBARAN. Location: CONVENTO DE SAN FRANCISCO DE JESUS. Lima. PERU. SAN MATEO APOSTOL Y EVANGELISTA.

Wedding Procession (The Bride), 1917-1918, by Gustav Klimt (1862-1918).

Gypsy by Jean Dubuffet, oil on canvas, 1954, 1901-1985

Symbolic Head, c. 1890. Odilon Redon (French, 1840-1916). Oil on paper mounted on canvas; framed: 69 x 54.5 x 7.5 cm (27 3/16 x 21 7/16 x 2 15/16 in.); unframed: 53.3 x 38 cm (21 x 14 15/16 in.).

Death as a centaur with arrow and arch, 1881 - 1934 copper (metal) etching

(TAUROMAQUIA) - FOTO AÑOS 00. Author: JUAN BARJOLA GALEA (1919-2004). Location: GALERIA ANTONIO MACHON. MADRID. SPAIN.

The maja of the Pagoda. 1913, oil on canvas, Hermen Anglada-Camarasa, (Grand Hotel 1901-1903). "la Caixa" Foundation, Palma, Mallorca, Spain.

Chagall, Marc (1887-1985) © Museum of Modern Art, New York Painting 26,6x17,8 Genre Maternity

PINTURA. Author: LUCIO MUÑOZ (1929-1998). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Fat Thursday (Mardi Gras). Makowski, Tadeusz (1882-1932), painter

The Scare; L'Effraye. Jean Dubuffet (1901-1985). Oil and mixed media on canvas. Painted February 1951. 91.5 x 73cm.

fine arts, Toulouse-Lautrec, Henri de (1864 - 1901), painting ""La Loge au Mascaron Dore"", Museum Albi,

The Jolly Vagabond Felix Issachar Ryback (1897 Russian) Christie's Images, London, England

Thursdays Thursday (Mardi Gras); Makowski, Tadeusz (1882-1932); around 1930 (1930-00-00-1930-00-00);The interwar period, children, contemporary painting, double portraits, religious scenes, purchase (provenance), École de Paris (style)

Dream Vision 1875-1885 France. Etching and drypoint on buff wove paper . Odilon Redon

Trial proof of The Bath (Le bain) from the album L'Album des peintres-graveurs. Dimensions: 57.3 cm x 43.5 cm, 57.3 cm x 43.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: James Pitcairn-Knowles.

Drawing - The Traitor Kenneth Ross MacPherson (1861-1916)

Sketch, Figures with Equestrian Monuments. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

The Return of Persephone ca. 1890-91 Frederic, Lord Leighton Leighton made this study in preparation for a monumental painting depicting the myth of Persephone (Leeds Art Gallery). At the right, Persephones pale body rises out of the underworld, where she is condemned to spend part of each year among the dead. Head flung back, arms extended beseechingly, she is supported by Hermes, the messenger of the gods, who wears a blue cloak and red-winged hat. On the left, Demeter, goddess of the harvest and agriculture, greets her daughter with open arms. The reunion of Demeter and Persephone was associated with renewal and the changing of the seasons, evoked here by the warm blue sky and the sprig of almond blossom at Demeters feet.. The Return of Persephone. Frederic, Lord Leighton (British, Scarborough 1830-1896 London). ca. 1890-91. Oil on canvas. Paintings

PINTURA - 1982. Author: LUCIO MUÑOZ (1929-1998). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Portrait of Hein books, c. 1891 Amsterdam zinc

Allegory: the work Georges Jules Victor Ligin (1843-1919). Allegory: the work. Graphite pencil, oil on paper layered on paper.

MCJ (Marie) Jordan (1866-1948), wife of the painter, George Hendrik Breitner, c. 1888 - c. 1923

CUENCA EN OTOÑO 1927. Author: LEZCANO CARLOS. Location: MUSEO REINA SOFIA-PINTURA, MADRID, SPAIN.

'Dog Half-submerged', 1821-1823, Mixed media on mural, 131 x 79 cm, P00767. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Andante. Date/Period: 1889. Painting. Oil on wood panel. Height: 26 mm (1.02 in); Width: 13.10 mm (0.51 in). Author: TOM ROBERTS.

TAMAYO, Rufino (1899-1991). Figures. 1970. Surrealism. Oil on canvas. Private Collection.

Queen. Leslie Hurry (1909-1978). Oil and tempera on gesso prepared panel. Painted circa 1945. 76 x 61cm

Wall painting fragment from the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale ca. 50-40 B.C. Roman Wall painting fragment of two female figures, one with lance and shield. From the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale.The Villa of P. Fannius Synistor at Boscoreale: A Virtual Tour. Wall painting fragment from the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale 247013

Polychrome limestone reliefs depicting offerings to the gods. Papyrus flowers (a symbol of Lower Egypt). Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Egypt.

Still-life with Bananas by Dufy, Raoul (1877-1953) Thyssen-Bornemisza Collections 1909 Oil on canvas 81,3x64,8 France Fauvism Still Life Painting

Le Christ au ciel bleu, (Christ in blue sky), 1949/1950, Marc Chagall, (1887-1985/Russian), Gouache, Private Collection, Switzerland

Painted Cloth Dedicated to Hathor. Dimensions: Textile: W. 25.4 × H. 14 cm (10 × 5 1/2 in.); Frame: H. 22.5 × W. 31 × D. 2.5 cm (8 7/8 × 12 3/16 × 1 in.). Dynasty: Dynasty 18. Reign: Joint reign of Hatshepsut and Thutmose III. Date: ca. 1479-1458 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Redon, Odilon (1840-1916) © Museum of Modern Art, New York Painting 71,1x52,7 Genre,Mythology, Allegory and Literature Despair

Edouard Vuillard, A Gallery in the Gymnasium (Une galerie au gymnase), published 1900 A Gallery in the Gymnasium (Une galerie au gymnase)

Seated Peasant; Paysanne Assise. Camille Pissarro (1831-1903). Thick gouache on linen laid down on canvas. Painted circa 1880. 19 x 15cm.

FIGURA DE ESPECTRO - SIGLO XIX. Author: PAUL GAUGUIN. Location: LOUVRE MUSEUM-PAINTINGS. France.

Przeszo Przyszoci Briosco, Andrea (1470 1532)

The Spring (Le Printemps) Marc Chagall (1887-1985/Russian) Oil on Canvas

Design For A Panel Of Stained Glass, 1833-1911. Frederick James Shields

Saint Barbara. Czerski, Stanisław (1777-1833), graphic artist

GUITARRISTA SENTADO - SIGLO XX. Author: GREGORIO PRIETO (1897-1992). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Roman fresco depicting a door frame with a monstrous head. Villa of the Papyri. Herculaneum. National Archaeological Museum. Naples. Italy.

Henri-Edmond Cross (1856-1910). The Clearing, 1906-1907. French painter. Wallraf-Richartz Museum. Cologne. Germany.

Allegory. Paul Herrmann (French, 1864-1940). Lithograph;

Woman with a Child and a Cat. Dated: 1919. Dimensions: image: 42 x 35.5 cm (16 9/16 x 14 in.) sheet: 55 x 45 cm (21 5/8 x 17 11/16 in.). Medium: color woodcut printed in two shades of blue, yellow, and red on japan paper. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

State Art collections (Warsaw - 1922-1939) - collections, message (provenance)

Borisov-Musatov, Viktor Elpidiforovich (1870-1905) State Museum of History and Art, Serpukhov 1903 54x44 Watercolour and pastel on paper Symbolism Russia

The Adoration of the Shepherds. Ludovico Carracci; Italian, 1555-1619. Date: 1611-1612. Dimensions: 276 × 274 mm. Pen and brown ink, with white heightening, on ivory laid paper prepared with rust-brown wash, partially incised for transfer. Origin: Bologna. Museum: The Chicago Art Institute, Chicago, USA. Author: LODOVICO CARRACCI.

El mag Barrok (2002), Modest Cuixart i Tàpies, Carmen Thyssen Andorra Museum, Escaldes-Engordany,. Principality of Andorra.

PSA study (raspberry); Makowski, Tadeusz (1882-1932); around 1918 (1918-00-00-1918-00-00);The interwar period, contemporary painting, dogs, purchase (provenance)

Study of Two Dancers Arthur B. Davies (American, 1862-1928). Study of Two Dancers, ca. 1915-1920. Pastel on two sheets of vertically joined blue-gray laid paper, 14 7/16 x 16 5/16 in. (36.7 x 41.4 cm). Study of Two Dancers represents a later phase in the artists work, in which highly simplified outlines have replaced heavily worked forms and densely built-up surfaces. During the teens Davies was almost completely absorbed with the theme of dancers in movement, creating endless variations such as this one. American Art ca. 1915-1920

Irises in a Vase. David Bomberg (1890-1957). Oil on canvas. Signed and dated 1943. 42 x 31 1/2in

BAUTISMO DE CRISTO-DET. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: HOSPITAL TAVERA-HOSPITAL DE SAN JUAN BAUTISTA. Toledo. SPAIN.

Fragments of a painted plaster relief of a richly dressed female figure, part of the wall decoration of a building on the island of Psira (ca. 1450 BC), Archaeological Museum with most important finds of the Minoan culture, Heraklion, Crete, Heraklion, Crete, Greece, Europe

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