19th Century Prints

A collection of decorative prints featuring imaginative designs, cultural motifs, and scenes from everyday life, embodying the artistic styles of the 19th century.

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1780/85. Galliera, fashion museum of the city of Paris. 79098-11 Embroidery, cardboard, vest, gouache, lead mine, project, 18th century

"The Children of France" from The Songs of Béranger 1829 Alexandre-Gustave-Adolphe Levasseur. "The Children of France" from The Songs of Béranger. Chansons de Béranger. 1829. Intaglio. Fournier & Perrotin (French). Alexandre-Gustave-Adolphe Levasseur (French, Paris, 19th century). Prints

Plate from Varages, France, 18th century, decorated with large fish, plumes and flowers. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Proefplaat for the Stone Pressure of C.W. Mieling in Rotterdam, Anonymous, monogram miss JS (Netherlands), 1839 - 1845 print In the ornament edge birds, putti, flowers and plants. In the middle a performance with a young woman between her lover and chaperonne. Left and bottom right map. In the middle and at the top of representations, possibly book illustrations. Rotterdam paper. flowers ~ ornament. cupids: 'amores', 'amoretti', 'putti'. ornamental birds. lover chased away; to be given the mitten

Wish letter with an eating company in the open air and a shepherd, 1738 - 1749 print Wish letter with unwritten cartouche within a decorative framework with representations of a company at the table, for an inn, and a shepherd who blows the Schalmei, leaning against a tree. publisher: Amsterdamprint maker: Netherlands paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. (family) meal

"The Smugglers" from The Songs of Béranger 1829 Augustin Burdet. "The Smugglers" from The Songs of Béranger. Chansons de Béranger. 1829. Intaglio. Fournier & Perrotin (French). Augustin Burdet (French, born 1798). Prints

Length of upholstery silk 1771-72 Philippe de Lasalle French. Length of upholstery silk. French, Lyons. 1771-72. Silk. Textiles-Woven

Anonymous. Vest embroidery project. Lead mine, gouache on cardboard, around 1780/85. Galliera, fashion museum of the city of Paris. 79098-11 Embroidery, cardboard, vest, gouache, lead mine, project, 18th century

Playing card, Red and black ink, paper, At top: M 6 C; below central image: 4, Europe, ca. 1855, Playing card

Valentine - In this recess my passion here let sway (...)

George Cruikshank, Fairy Connoisseurs Inspecting Mr Frederick Locker's Collection of Drawings, 1867 Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collection of Drawings

Greeting letter with different animals and figures. Call letter with unwritten cartouche within a decorative framework with performances of different animals, figures and children playing. Numbered at the bottom right: No. 21.

Photo production of an engraving of an Italian girl, anonymous, c. 1870 - c. 1875 photograph This photo is part of an album. paper albumen print print, e.g.: engraving, etching, lithograph. adult woman

Design fo the Allegory of the Arts. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 7/16 x 14 3/4 in. (26.5 x 37.4 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Noon Time Meal; France; brush and watercolor, gold on paper; 56.5 × 80.4 cm (22 1/4 × 31 5/8 in.)

The Ecchoing Green. Blake, William, 1757-1827. Illustrations. 1789 - 1790. Henry W. and Albert A. Berg Collection of English and American Literature

Drawing by Julius Victor Berger depicting the month of October as a vignette, executed in pencil and watercolor during spring.

Adulthood; Aetas virilis / la virilitad. Depiction of maturity. A lady with a glass in hand in a garden at a fountain. In addition to her a young man with a tray with a carafe and fruit. A maid behind his back. Title in two languages under the show. The scene is caught in an ornament edge.

The front and back of a banner of the Amsterdam Exercise Footschap to the Nut of Schuttery, 1786, Abraham Jacobsz. Hulk, after Izaak van 't Hoff, 1786 The front and back of a banner of the Amsterdam Exercitians to the Nut of Schuttery, 1786. Left the side with the emblem with freedom and a citizen leaning against a broken column. Hereby the motto: Waak-! Trust. On the right the other side with the emblem with a Roman warrior with wreaths in his hands between a fire and a pit. Hereby the motto: Follow!. Northern Netherlands paper etching / engraving Amsterdam The front and back of a banner of the Amsterdam Exercitians to the Nut of Schuttery, 1786. Left the side with the emblem with freedom and a citizen leaning against a broken column. Hereby the motto: Waak-! Trust. On the right the other side with the emblem with a Roman warrior with wreaths in his hands between a fire and a pit. Hereby the motto: Follow!. Northern Netherlands paper etching / engraving Amsterdam

The Ingenious Love 1788 France. Engraving with roulette on cream laid paper (discolored to tan) . Jacques Guillaume Legrand

"The Hat of the Bride" from The Songs of Béranger 1829 Alfred Johannot. "The Hat of the Bride" from The Songs of Béranger. Chansons de Béranger. 1829. Intaglio. Fournier & Perrotin (French). Jean Marie Leroux (French, Paris 1788-1870 Paris). Prints

Playing Card; red and black ink, paper

A Beggar Playing a Flute early 17th century After Jacques Callot French. A Beggar Playing a Flute 335054

Print, Ornamental Design from "Nouvelle suite de cahiers chinois a l'usage des dessinateurs et des peintres" No.3, Inventes et dessines par Jean Pillement. Graves par Anne Allen.; Designed by Jean-Baptiste Pillement (French, 1728-1808); Etched by Anne Allen (English, active France, ca. 1750-1810); France; etching with colored inks à la poupé on off-white laid paper; 19.2 x 13.9 cm (7 9/16 x 5 1/2 in.) Platemark: 19.2 x 13.9 cm (7 9/16 x 5 1/2 in.) 24.7 cm (9 3/4 in.)

Couple Beneath Tree, Martin Engelbrecht, German, 1684-1756, France, 1684-1756, Print, Print

Netherlands, Letter of greeting with a shepherdess and her sheep, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with representations of a shepherdess and her sheep, two men on pedestals and a man showing two children a map. Numbered lower right: No. 19., print, folk print, letter of greeting, prints, folk prints, height 429 mm, width 340 mm, print maker, printmaker, 1780 - 1899, paper, papier, lithografie (technique), kleuren, Publication (Event), Publicatie, publisher

Dado (France); block-printed on handmade paper; 44 x 48 cm (17 5/16 x 18 7/8 in.)

Drawing, Rum Punch; Designed by Robert Cruikshank; England; brush and gray watercolor, pen and ink, graphite on paper; 19.2 × 21.5 cm (7 9/16 × 8 7/16 in.); Bequest of Erskine Hewitt; 1938-57-159

Photo production of a painted portrait of Maria Alexandrovna, Empress of Russia, Anonymous, After Franz Xaver Winterhalter, c. 1870 - c. 1875 photograph This photo is part of an album. paper albumen print picture, painting. historical persons - BB - woman. queen, empress, etc. (wife of a ruler)

Sidewall; machine-printed paper; L x W: 54.6 × 47 cm (21 1/2 × 18 1/2 in.)

Touch, from 'Senses', Brush and watercolor, gold on paper, A kneeling man kisses the hand of a woman who is seated on rocks in landscape. Ata left, a vase of flowers on a console forms part of the narrow border of flowers, grapes, and rocaille. Bottom: 'TACTUS' 'PALPAR'. The same outer border as 1921-22-268. Printed from two plates., France, 1750-1775, Print, Print

Bishop in the garden (illustration); Gillot, Charles (1853-1903), Boutet de Monvel, Louis Maurice (1851-1913); 1880-1900 (1880-00-00-1900-00-00);

Interior with figures. A large ecake in center. Punch bowl at lower right. Punch and Judy show in background. Date: ca. 1836. Brush and gray watercolor, pen and ink, graphite on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Aubrey Beardsley: Birthday of Madame Sagalle; Frederick H. Evans (British, 1853 - 1943); about 1894; Platinum print; 14.9 x 22.9 cm (5 7,8 x 9 in.)

Valentine 1859-69 Anonymous. Valentine. Anonymous. 1859-69. Cameo-embossed, open-work lace paper, lithography, watercolor

Bloemguirlande to a cutting of a burial monument. Garland to a cutting of a grave monument with a fragment from Psalm 88:49. Johannes van Achelom was probably a young friend of the Schellinger children.

Playing Card; red and black ink, paper

Design for a ceiling painting with charitas and pax.

Almanach - The Nation The law and the king Almanach for this year, the nation the law and the king ". Anonymous engraving, circa 1790. Paris, Carnavalet museum.

Design for Trompe L'Oeil Ceiling for Dining Room, Hôtel de Trévise 1850-1910 Jules-Edmond-Charles Lachaise French. Design for Trompe L'Oeil Ceiling for Dining Room, Hôtel de Trévise. Jules-Edmond-Charles Lachaise (French, died 1897). 1850-1910. Pen and black ink, watercolor. Drawings

Trade cards depicting flowers, bees, doves, acrobats, Asians, a butterfly net and a baby in a wicker briefcase of flowers. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Infants, Acrobats, Butterfly nets

Design for Panel Decoration. Artist: J. Hulme (British, active 1828-40). Dimensions: sheet: 9 1/2 x 14 3/4 in. (24.2 x 37.4 cm). Date: 1828-40. Museum: Metropolitan Museum of Art, New York, USA.

Fragment, Medium: silk Technique: brocaded, Incomplete fragment of ribbed silk with a light beige ground brocaded in shades of caramel, beige, red, green and blue. Design shows pagoda, bridge, large palm in chinoiserie style. Both selvages present., France, mid-18th century, woven textiles, Fragment

A watercolor drawing from circa 1790 depicting an allegory of war illness, showing symbolic figures, composition, and narrative elements.

Bathers Presner, Numa, Cattier (Druk) Goupil Vibert, E. Gambart & Co. (Londyn)

Cartouche with a view of the Buitveld Buitengoed (left leaf), Anonymous, 1600 - 1699 drawing Left sheet of show on two sheets with a face on Bentveld (right sheet has object number RP-T-00-411B). paper. watercolor (paint). ink. chalk pen / brush ornament ~ cartouche. dunes (sea not visible); in the dunes. rural housing, e.g. country-house, villa, cottage Bentveld

Album, Title page, Plate 1 from "Nouvelle suite de cahiers arabesques chinois a l'usage des dessinateurs et des peintres", No.1, Inventes et dessines par Jean Pillement. Graves par Anne Allen.; Designed by Jean-Baptiste Pillement (French, 1728-1808); Etched by Anne Allen (English, active France, ca. 1750-1810); etching with colored inks à la poupé on off-white laid paper; 18.6 x 13 cm (7 5/16 x 5 1/8 in.

Design for Candy Box Cover. Date/Period: Ca. 1880. Drawing. Watercolor on cardboard. Author: UNKNOWN.

Illustration for "Snegurochka" Snegurochka in the forest. Artist: Boris Zvorykin (Russian, Moscow 1872-1942 Paris). Dimensions: Image: 10 3/4 x 8 1/16 in. (27.3 x 20.5 cm)Sheet: 13 9/16 x 10 9/16 in. (34.5 x 26.8 cm). Date: ca. 1925. Museum: Metropolitan Museum of Art, New York, USA. Author: Boris Zvorykin.

Anonymous. Embroidery drawing project. Pencil and gouache on a map, around 1780-1790. Galliera, fashion museum of the city of Paris. Embroidery, fashion drawing, 18th 18th 18th 18th 18th 18th 18 century

Naissance de Priape. Charles Dauvois (French, active 1860s)

Study for Tip a Toe, from Marigold Garden 1885 England. Pen and brown ink and watercolor over traces of graphite, on cream wove paper (discolored to tan) . Kate Greenaway

Vignet met keeshond, 1795.Vignet with a Keeshond that is raised by an angel. At the top of a pink bow. Part of a group of six signed vignettes, possibly for chasinets at a party on the occasion of the Alliance with France in 1795.

A dainty and frivolous scene showing a naked young woman lounging in bed about to receive a love letter from an airborne cherub or Cupid. 1932

Hamlet against the background of the mountains

Progress of the Toilet, The Stays; Toilet: Towing the corset. No 1 from a series of three prints with the different stages of the toilet make. 1810. A woman in undergarments stands in front of her toilet mirror, a hat over the hairstyle. The chambermaid lows her in the corset. On the dressing table, a pincushion, vials and other toiletries. A closed bookcase against the wall. A scale of water and lampet can on the ground. The print is stated that the drawing of an amateur is.

And Can You Think (valentine) 1845-1855 England. Lithograph wth hand-coloring on cut and embossed ivory laid paper . George Kershaw

Louise Abbéma playing piano Louise Abbéma (1858-1927). "Louise Abbéma playing piano". Photography, watercolor. 19th century. Paris, museum of romantic life.

Design for a Porcelain Platter 1777 Leroux French. Design for a Porcelain Platter 362317

Chromolithograph Print, Boy holding bouquet of roses; GERMANY & U.S.A.; ink on paper

Embroidered Picture (England); silk embroidery with paint on silk foundation; Frame H x W: 27.9 x 24.1 cm (11 x 9 1/2 in.)

Decorative panel, Jules Desfossé, French, active 1851 - 1863, Block-printed paper, Statue of an infant, standing on vine-covered pedestal with a burgundy and lavender cameo in base. Putti is facing left, supporting a basket of vining flowers. Printed on white ground., Paris, France, 1856-1857, Wallcoverings, Decorative panel

Print (France)

Hötorget in the winter of 1849 ". Watercolored Drawing by Fritz von Dardel. Nordic

The Kiss Accepted, Brush and watercolor on paper, mounted, A stylishly dressed man embraces a woman whose husband stands are right. Surrounded by trees, rocaille, and a framing of rocaille, shells, fruits, etc., with an escutcheon top center, with: 'LE BAISÉ DONNÉ / Guillot passoit un jour avec sa Marié le Seigneur du village () à la charge dautant très volontiers / elle est bien a votre service / sans d'autres compliments / le galant fit l'Office'. In an escutcheon, bottom center: 'OSCULUM ACCEPTUM / d'um sequitur Galatea sum nova sponsa Menal / cum Villorum princeps… / … / … / Dat Galatea viro'. Below: 'à Paris chez Basset rue st. Jacques au coin de la rue des Mathurins'., France, 1760-1780, Print, Print

Still life with flowers, a head and a bust of a man. Three drawings stuck side by side on a leaf.

Series of delicate vignettes by A. K. Macdonald featuring lithe young ladies in various states of undress, picking or enjoying the fragrance of voluptuous June roses. Date: 1933

Birthday, Easter and Valentine cards depicting flowers, butterflies, birds, the beach, the lake, the alphabet, decorative floral design and portraits of children.. Humphrey, Lizbeth Bullock (b. 1841). Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Children, Flowers

Trade cards depicting thread, children, babies, women, snow, candle, umbrella, butterfly, turtle, birds, music playing, a painting palette, a couple in the woods and a flower personified.. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Children and animals, Thread

Anonymous. Embroidery drawing project. Pencil and gouache on a map, around 1780-1790. Galliera, fashion museum of the city of Paris. Embroidery, map, pencil, drawing, flower, gouache, project

Programa de caramellas infantiles de las parroquias de Martorellas. Año 1950.

People and his profession, The turner, Kamm = button = and peaker etc, Albert Riemensberg von Radmannsdorff -, Drawer, Kühn, Lithographer, Matthias Rudolph Toma -, Printer, publisher

Ex libris Konrad Hoffschulte; Ehringhausen, Willy (1868-1933); 1906 (1910-00-00-1910-00-00);

Valentine - Mechanical - Heart with arrow opens, image of a woman ca. 1875 Anonymous, American, 19th century. Valentine - Mechanical - Heart with arrow opens, image of a woman. Anonymous, American, 19th century. ca. 1875. Heavy card stock, chromolithography, narrow silk ribbon

The massacre of Job's tribe and theft of his camels by the Chaldeans. With an early depiction of the Devil as a monster. One Chaldean cavalryman in a nasal helmet, suit of chainmail armour with buckler, others in tunics armed with sword and lance. Flemish costume, 12th century. From a manuscript Morales de Saint-Gregoire sur Job, Sorbonne MS 267, Biblitheque Imperiale. Massacre des enfants de Job. Flandre, XIIe siecle. Chromolithograph from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Studies for the Royal Palace Garden Promenade Claude-Louis Desray or Desray (1746-1816). Studies for the Royal Palace Garden Promenade. Feather, a hist and light ink lavis enhanced gouache.

Forget Me Not Dear Love (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 100 x 72 mm (folded sheet). Collaged elements on embossed ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

News French and English News Store, July 30, 1788, 3rd year, 26th notebook, pl. Unique.ighteen Medallions with 'Hairstyles' (Hairstyles) we have Black Background. The Print Is Part Of The 26th Cahier, 3rd Year, from The News French and English New Modes Shop Series. The Series consists of 172 Fashion Prints, published by Buisson, Paris, November 20, 1786 - December 21, 1789.

Shepherd Dancing to the Sound of a Flute. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Louis Crépy after Antoine Watteau.

Rohscan

Design for a plate with a garden view. Design for earthenware.

Boudoir from Mrs. Satan with maid and skeleton, Anonymous, 1868 - 1873 tissue stereograph Francepublisher: Paris photographic support. paper. cardboard albumen print / perforating (human) skeleton. devil(s) and demons France

Hermits

Design by Johann Julius Romano von Ringe for a veranda for Landschütz, created in pencil and watercolor with white highlights, 1840-1850.

Embroidery, Germany 19th century.Pillow or carpet pattern with roses and wistaria.

Harry Jennings, Mourning Embroidery, 1935 1942 Mourning Embroidery

Fragment, Medium: cotton Technique: printed in red on plain weave, Fragment shows Milton dictating to his daughters. A caption at the bottom reads 'Milton et ses Filles.' In red on white., France, mid-19th century, printed, dyed & painted textiles, Fragment

Bliżej Kultury Matejko, Jan (1838 1893)

Valentine 1850-1870 Anonymous. Valentine. Anonymous. 1850-1870. Cameo-embossed lace paper, chromolithography

Depicts a scene inspired by a fairy tale representing enthusiasm, created in color by an anonymous artist around 1900.

Christmas and New Year cards depicting winter scenes, a vase of flowers, birds, women and children.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Winter

Through the Looking Glass: The Drums Beganó, Alice in Wonderland

French greeting card with floral elements 1900

Portrait of Emma, Queen Regents of the Netherlands, and Wilhelmina, Queen of the Netherlands, 1887 print Portrait of Emma and Wilhelmina. Emma has a parasol in her right hand and Wilhelmina feeds birds in the Princessentje of Noordeinde Palace in The Hague. In the lower margin a rule of Dutch text. print maker: Netherlandsprinter: Amsterdam paper Noordeinde Palace

Johann Freiherr von Chlumetzky, Chlumeckys dream, Commercial contracts title page of humorous leaves, Karl Klic -, Caricaturist

Forget Me Not! (valentine) 1835-1845 England. Lithograph in brown ink with hand-coloring on cut and embossed cream wove paper (lace) .

In the Zoological Garden ca. 1873 Félix Bracquemond French As the first ambitious attempt in the nineteenth century to create a multicolor print through combining several plates (in this case four), Bracquemonds In the Zoological Garden is a pioneering work in the history of French printmaking. These two impressions, both of the same final state, indicate the variations that could be achieved through the inking process. The artist exhibited the print at the Fourth Impressionist Exhibition in 1879, where his subject of fashionably dressed women enjoying the new bourgeois pleasure grounds of Paris would have resonated with the works of his fellow exhibitors.. In the Zoological Garden 395761

The Gardener, c. 1723-1727. Nicolas Lancret (French, 1690-1743). Oil on canvas; framed: 157 x 43 x 5.5 cm (61 13/16 x 16 15/16 x 2 3/16 in.); unframed: 151 x 36.5 cm (59 7/16 x 14 3/8 in.).

Paris, France displays the national loan of 1920, the loan of peace , (French - Paris , France Affiche de l' emprunt national de 1920 , L' Emprunt de la Paix). Borrowing, banking , finances, poster, breastfeeding, war efforts , war work, drawing, Economic activity, registration , information, First World War, Art, France, Paris, Nal 1920 Borrowing posters loan of peace

Arkadya. Dietrich, Fryderyk Krzysztof (1779-1847), graphic artist

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