19th Century Prints and Etchings

A selection of expressive prints showcasing crowd scenes, social commentaries, and literary illustrations from the 19th century, reflecting cultural themes.

Café, Max Beckmann, 1912 print paper inn, coffee-house, public house, etc.

Print made by George Cruikshank, 1792-1878, British, The Battle of the Nile, undated. Etching on medium, slightly textured, cream wove paper.

Lesémigrants. Artist: Auguste Brouet, French, 1872-1941

The beginning of the debacle.

Charles Maurand after Honoré Daumier, Les Voyageurs du dimanche, 1862 Les Voyageurs du dimanche

Although his work changed throughout his career, early on Gaston de Latouche belonged loosely to the Impressionist circle through his association with Édouard Manet. Latouche explored subjectssuch as that seen heretaken from the lives of working-class Parisians. This print represents a scene from naturalist author Émile Zolas novel LAssommoir, which detailed the rise and fall of a laundress named Gervaise. Latouche is said to have collaborated with the author on the imagery and exhibited the entire series at the public Paris Salon in 1879. L'Assommoir: Untitled, 1879. Gaston de Latouche (French, 1854-1913), published by Cadart. Drypoint on laid paper; platemark: 28.8 x 22.5 cm (11 5/16 x 8 7/8 in.); sheet: 31 x 23.5 cm (12 3/16 x 9 1/4 in.).

Funeral procession leaves a farmhouse. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 273 mm × w 381 mm. Museum: Rijksmuseum, Amsterdam.

Café, Max Beckmann, 1912 print paper inn, coffee-house, public house, etc.

Photo production of (presumably) a drawing entitled 'Valentine's death'; Valentin's Tod. Part of album with 30 photo production of drawings of the faust story of J.W. Von Goethe.

Une Loge a l'opéra ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Café of the New Athens , c. 1876. Jean Louis Forain (French, 1852-1931). Etching; sheet: 25.1 x 18 cm (9 7/8 x 7 1/16 in.); platemark: 15.9 x 11.9 cm (6 1/4 x 4 11/16 in.).

Sunday Afternoon inNantes. Artist: Auguste Lepère, French, 1849-1918

Ombre , Banquets, Alphonse Legros (1837-1911)

To the ramparts and distribution of milk Gustave Golden (1832-1883). "The ramparts and distribution of milk". Pencil. 1871.

Scene in the harem; Pawliszak, Wac AW (1866-1905); around 1905 (1903-00-00-1905-00-00);Fairy tales from a thousand and one nights - illustrations, Witke -Jeżewski, Dominik (1862-1944) - collection, east, genre scenes, fairy tale, illustration, illustration, project, collection stamp, renewal recovery, purchase (provenance)

Eliezer gives gifts to Bethuël, Rebekka and Laban.design for a Painting.

Les moutons de Boisdeffre , Crowds, Daggers & swords, Shouting, Military officers, Boisdeffre, Jean-François Le Mouton de. Théophile Alexandre Steinlen (1859-1923). Lithographs

Queen Caroline, wife of King George IV, is greeted by people from Marylebone. Etching by Th. Hook, 1820.

The Forge, 1861. Artist: James A McNeill Whistler. Printer: Thomas Robert Way

Prince William I, after the failed assassination attempt by Jean Jauregui in 1582, nursed by Charlotte de Bourbon, anonymous, after Nicolaas Pieneman, 1840 - 1899, Prince William I recovering from the attack by Jean de Jauregui, committed on 18 March 1582, at Antwerp. The prince lying in bed cared for by doctors and comforted by his wife Charlotte de Bourbon., draughtsman: anonymous, anonymous, after: Nicolaas Pieneman, (mentioned on object), Netherlands, 1840 - 1899, paper, h 254 mm × w 300 mm

. The regents of the orphanage of Haarlem meet at a table. The messenger stands in the background.

Departure for the Hunt. Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: 6 5/16 x 4 3/8 in. (16 x 11.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Freres, possible! mais pour cousins: pascousins!. Artist: Paul Gavarni, French, 1804-1866

The exaggeration of the motif with a group of conspirators from the painting "The murder of Prince de Guise in Chateau de Blois in 1588"; Czachórski, Władysław (1850-1911), Desclaux, Mathieu Théophile (1808-1884), Delaroche, Paul (1797-1856); 1870 (1870-00-00-1870-00-00);

Returning to Arles - the Ferrade , Arrivals & departures, Spectators, Streets. Joseph Pennell (1857-1926). Prints and Drawings

Markt in Gisors, Camille Jacob Pissarro, 1923 - 1930 print The market in Rue Cappeville in Gisors. Many people walk among the stalls and sellers. France paper etching market Gisors

One o'clock a.m. Supper, Adelaide Claxton, 1858-1905, British, undated, Gray wash and graphite on moderately thick, smooth, cream card, Sheet: 6 7/8 × 6 1/2 inches (17.5 × 16.5 cm), dinner, food, genre subject, meal, men, party, staircase, women

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

To the True Poor: The Wicked Rich (Aux vrais pauvres: Les mauvais riches). Dated: 1894. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: THEOPHILE ALEXANDRE STEINLEN.

Edelfelt, Albert, work, Sketch book, drawing, 15 cm x 23.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

High Street, Brussels , Doors & doorways, Crowds. James McNeill Whistler (1834-1903). Lithographs

Vois comme ils avaient abimè ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Caricature on police officers and censors from a series of the artist to , Alexandre, Drawer

Coronation of Maria Medycejska (according to Peter Paul Rubens) Villiers stud, Antoine Abraham (1784 1814), Rubens, Peter Paul (1577 1640)

The battle of the Nile , Theatrical productions, Sailors. George Cruikshank (1792-1878). Prints and Drawings

Newspaper readers, child with old woman in interior and writing children. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 273 mm × w 382 mm. Museum: Rijksmuseum, Amsterdam.

Peoples assembly outdoors at the time of the Barrkadenage th to th May , Josef Haßlwander Hasslwander -, drawer

It gives me wonder great as my content to see you here before me, O my soul’s joy!,” from Othello. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Edouard Vuillard, Une répétition à L'Oeuvre, Program for L'Oasis, French, 1868-1940, 1903, lithograph in black on wove paper bound in theater program with blue paper cover

Miraculous feeding, anonymous, 1575 - 1624, draughtsman: anonymous, Low Countries, 1575 - 1624, paper, pen, brush, h 153 mm × w 201 mm

GOYA Y LUCIENTES, Francisco de (1746-1828). And they are like wild beasts. 1810-1812. Plate 5 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Company at a table. Charlet, Nicolas-Toussaint (1792-1845), draughtsman, cartoonist

A Visit to the Salon Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra 1847 France. While the annual Salon was open to the public, this print suggests that perhaps not all Salon exhibits were appropriate for everyone. Here a father angrily escorts his two children away from a crowd of men looking at nude sculptures. The scandalized parent makes a lively counterpoint to the voyeuristic male viewers. Daumierís ironic title implies that the artist agrees with his audienceís purported sense of modesty while teasingly drawing on their secretly lustful inclinations.. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Poster from the period of the Miejsil revolution - seven former dignitaries; around 1908 (1903-00-00-1912-00-00);gift (provenance), occasional prints, Islamic art, Turkish art

Nursemaids: Les bonnes du Luxembourg , Gardens. James McNeill Whistler (1834-1903). Lithographs

The decline of the drama in 1866, from 'Parisian habits,' published in Le Charivari, May 2, 1866 May 2, 1866 Honoré Daumier. The decline of the drama in 1866, from 'Parisian habits,' published in Le Charivari, May 2, 1866. 'At the Salon' (Au Salon). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). May 2, 1866. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Cheerful company of ten people in an interior, c. 1655 drawing Cheerful company of ten people in an interior with a pastoral image on the wall. Zwolle paper. chalk

Coin de la Rue Royale, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Merry mill, Willem de Zwart, c. 1897 - c. 1898 print paper etching merry-go-round, roundabout; chair o'plane

Marriage blessing of Gerard Jacob Theodoor Beelaerts van Blokland and Johanna Maria Kneppelhout, Anonymous, 1870 drawing Marriage blessing by Pastor Nicolaas Beets by Gerard Jacob Theodoor Beelaerts van Blokland and Johanna Maria Kneppelhout in the Orangerie on Sterkenburg. paper. ink. pencil pen (civil) marriage ceremonies

Stork In addition to women and children with Ladder, Anonymous, c. 1880 - c. 1910 drawing Four women, a boy and a girl wear a ladder. One of the women has a wicker basket in her free hand. A stork runs next to the company. paper. India ink (ink). deck paint. pencil pen / brush shore-birds and wading-birds: stork. ladder. container made of plant material other than wood: basket

Rijn, Rembrandt van, The Entombment, verso lower left - stamped, print, prints, height 211 mm, width 161 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, Oriental paper, etching, etchings, Work conception, after own design by

MacBeth: Banquet Scene, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 7 3/8 inches (13 x 18.7 cm), banquet, feast, food, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare

Le Maraviglie del Mondo nuovo Stefano della Bella Italian ca. 1630-40 View more. Le Maraviglie del Mondo nuovo. Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1630-40. Pen and brown ink, brush and gray wash, over black chalk. Drawings

Arrival and farewell scenes on the Perron of the Stadtbahn Hütteldorf, Wilhelm Gause -, artist

Line in Front of the Butcher Shop (Queue devant la boucherie). Dated: 1870. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.

Johann Victor Krämer created portrait studies of artists and coffee house guests using pencil, focusing on facial features and expressions.

Charles Maurand after Honoré Daumier, Boulevard du Temple a minuit, 1862 Boulevard du Temple a minuit

The Barricade (La Barricade) Édouard Manet (French, 1832-1883). , 1871. Lithograph with scraping on chine collé paper, Chine: 18 11/16 x 13 7/16 in. (47.5 x 34.1 cm). European Art 1871

Interior scene of public house, men and women Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Interior scene of public house, men and women. Feather, black ink, gray wash.

Jules Chéret, The Dance, c. 1885 - 1895, lithograph in black on paper.

A painting by an anonymous artist showing seven people seated around a table drawing from two plaster casts under artificial light, using paint brushes.

'Behold the Man' by Rembrandt, caltnadel technique, 1655, depicting figure with gestures, line work, and tonal composition on paper.

Preliminaries to the Big Bout, No.8. Artist: George Wesley Bellows, American, 1882-1925

Fair with merry -go -round, Willem de Zwart, c. 1897 - c. 1898 print paper etching / drypoint merry-go-round, roundabout; chair o'plane. pleasure fair and circus

Dancer at the Moulin Rouge. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1899. Dimensions: 292 × 225 mm. Lithograph in black, red, orange, yellow and blue on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Archduke Franz Karl came to the aid of the flooded in Vienna suburb in January , Unknown

Rien des agences from the series Images pour les demoiselles. Dimensions: 41.7 cm x 24.5 cm, 32.7 cm x 24.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: HERMANN PAUL.

Y son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

SATURDAY AFTERNOON AT THE CRYSTAL PALACE, 1870

Home from the War, from Harpers Weekly, June 13, 1863. Artist: Winslow Homer, American, 1836-1910

Thomas Worth, Thanksgiving for the HomelessIn a City Restaurant, 1872, wood engraving on paper.

Summer vacancy, Willem Vaarzon Morel, 1896 Amsterdam paper wood and park (as places of recreation). children's games and plays

The Last Supper, 1889. William Strang (British, 1859-1921). Drypoint;

Hermine David, The Restaurant, 1927, drypoint on paper.

Pencil and black pen drawing by Oskar Laske from 1950 depicting the interior of the Sophiensaal on white deck.

Depiction of a social gathering in a garden by Johann Peter Nepomuk Geiger, executed in pencil and brush with gray and brown wash.

Allons donc... que diable cocher... Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A Tour in the North - More Sentiment, c. 1901

Women Seated, Thérèse Lessore (Southwick, England, 1884 - 1945)

Travel In the country, board 9. From the portfolio "pro memoria. Prusak in Poland (1915-1918) "; Rapacki, Józef (1871-1929), Cotty, Jan (Warsaw; Drukarnia and Litographic Zak 1919 (1918-00-00-1918-00-00);Gromadzka, Zofia - collection, World War I (1914-1918), caricatures, rail (transport), railways, travel, purchase (provenance), Jews, soldiers

Le BalBullier. Artist: Jean-Émile Laboureur, French, 1877-1943

James McNeill Whistler, Shaving and Shampooing, c 1886 1888 Shaving and Shampooing

The waltz, illustration by Wilhelm Gause (1853-1916) for the 3rd Act of Knight Pazman, melodrama by Johann Strauss (1825-1899), woodcut by Meisenbach from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1891-1892, Year VI, No 8, Berlin.

Djokja ..

May , Franz Kollarz Kolář -, Lithographer, Johann Rauh -, printer

Black cat repetition: Salis, Meussy, Sivry

S. G. McCutcheon, On an Immigrant Train, Westward Bound, 1881, wood engraving on paper.

Colored artwork 'Wirtshausszene' by Jean Veber around 1900, depicting a tavern scene with figures and interior details.

Charles Samuel Keene, 1823-1891, British, Interior of a Bus, ca. 1890. Pen and brown ink, white gouache and graphite on medium, slightly textured, cream wove paper.

Figures in seventeenth-century clothing. Left three men and a woman in seventeenth-century clothing. Right skating and sledding figures. Leaf 52 from a sketchbook with 91 sheets.

High Street, Brussels 1887 United States. Etching with foul biting in black ink on ivory laid paper . James McNeill Whistler

THE REJECTED CANDIDATE, DRAWN BY PHIZ, 1852

Playing Card; red and black ink, paper

CASA DE DORMIR - 1932-1933 - AGUAFUERTE SOBRE PAPEL (PLANCHA DE COBRE) - 20,8 x 29,3 cm. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: GALERIA LEANDRO NAVARRO. MADRID. SPAIN.

The Omnipotent Art Critic 19th C. Honore Daumier (1808-1879 French) Lithograph

The set of rings / 1st round: nothing, 2nd round: nothing ..., 3rd round: Attention !!!

Antonio Fontanesi (1818-1882). A street in London from Sketches of London, a preparatory study for heliography, published in London in 1866.

Unknown, Day-Dreams of the Past, 1868, wood engraving on paper.

Belgium, Cartoon on the failure of the celebration of the 450th anniversary of the Miraculous Sacrament, 1820, verso - stamped, Cartoon on the failed celebration of the 450th anniversary of the Miraculous Sacrament in Brussels, 16-30 July 1820. Esop takes leave of Manneken Pis. With ten-line caption., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 367 mm, width 263 mm, print maker, printmaker, 1820 - 1820, paper, papier, lithografie (techniek)

Arthur-Joseph Guéniot (1866-1951). At the Saint-Louis church in La-Roche-sur-Yon. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

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