19th Century Satirical Illustrations

Humorous and critical scenes from 19th-century life, featuring figures in domestic settings with elements of social commentary.

Sir, I do not have the honor to know you! ... / 11 (title registered (letter)) | Paris. (Title of all)

Pair leaves offended a departure; We have not come here to undergo fabrications (...) ....

Man views painted wallpaper, 18th century, Frans Molenaar (1821-1886), after Johan Conrad Greive, 1864 print Scene from the eighteenth century: a man sitting in a chair looks at a painted wallpaper for him stopped by the painter and his assistant. Part of a series of six performances of moments from Dutch history proposed in Tableaux Vivants by members of Arti et Amicitiae in Amsterdam on December 2, 1864. Amsterdam paper etching textile fabric, cloth. firearms: rifle. interior of the house

Merci, Colombe, vous etes bien agreable engeneral…. Artist: Paul Gavarni, French, 1804-1866

If you knew how nice it is! ... / 14 (title registered (letter)) | The French crocked by themselves. (Title of all)

Man sitting on Divan, Willem Steelink (I), After Charles Rochussen, 1836 - 1906 print Interior with a man who sits with his legs crossed on a couch. In the doorway is a man who looks at him. In the middle of numbered: V. Amsterdam paper. etching / engraving couch, sofa, settee. lighting; lamps

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), you are all monsters (registered title (letter)). Colored lithography, woven paper. Balzac house.

Jozef is familiar with his brothers, Anne Claude Philippe Caylus, After Rembrandt van Rijn, 1702 - c. 1753 print France paper etching story of Joseph (part I). Joseph reveals his identity and in tears forgives his brothers' past misdeed

Wattier, Émile Charles (n.1800-11-17-D.1868-11-22), 6th ascending step. The contract (registered title (letter)), 1824. Lithography colored on woven paper. Balzac house.

Tu seras merraime... - Comment! encore un...quelle enceinte continue! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Comme tu viens tard! - Et les affaires! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Voyez-vous, mère Marengo, les affaires en grand c'es usé...les dindons, - à l'heure qu'il est, sont devenus plus sauvages que les millions, on a trop - canardé les paroissiens, les paroissiens n'ont plus de besoins, connu la - philantropie (sic)! parlez-moi, mère Marengo, d'un léger commerce qui ne compte - que sur le soleil et qu'avec les moutards ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Sorry ... my colonel! ... / It's he falls from the water / and it linger me ... / N � 5 (title registered) | Sixth lithographic album 1826 (IFF 40) (title of all)

Voyons! trente et quinze quarante-cinq, (dix) et dix trois livrescinq…. Artist: Paul Gavarni, French, 1804-1866

The Wedding Present ca. 1815 After Louis Léopold Boilly French. The Wedding Present. After Louis Léopold Boilly (French, La Bassée 1761-1845 Paris). ca. 1815. Etching with stippling and engraving. Prints

Reproduction of drawing: Juliusz Kossak (1824-1899), Jewish Ladies of Podolia; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, T.B. (rytownik ; fl. 1863), woodcutter

Je vous garde un coupon pour Chantereine jeudi, mon petit Charles, je joue 'La Fille d'honneur'... - Ça sera drôle! - ...Tous mes amis viennent. - Ça sera plein! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

...La petite Moniquet...encore un qu'a mal tourné! - Sa mère pourtant était une bien brave femme! - Et son pére aussi ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Eh! Qu'est-ce qu'il y a de nouveau.... Honoré Daumier (1808-1879). Lithographs

Paris, Dupin, Lemercier & Cie, Benard, Daumier, Honoré, Cours d'histoire naturelle, All kinds of creatures, Le Narcisse, Young man looks at himself in the mirror, verso - stamped, cartoon, prints, height 335 mm, width 243 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1837 - 1837, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

Élimination à huis-clos ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Quand des femmes savent avoir.... Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Un engagement d'artiste, 19th century Un engagement d'artiste

Mon poisson rouge qui estmort!…. Artist: Paul Gavarni, French, 1804-1866

Gaston Fay, Preparing for Conquest, 1870, wood engraving on paper.

Henry Monnier (1805-1877). "Code Civil Henry Monnier (1805-1877). "Civil Code Illustered, Article 213 - The woman must obedience her husband". Engraving.

A drawing by Cecil van Haanen depicting a woman kneeling in armor before a man, rendered in pencil and black-gray brushwork.

Faust and Gretchen in a garden at a chapel, Jean Baptiste Pierre Michiels, After Victor Lemye, 1831 - 1890 print paper. etching Faust. (scenes from) specific works of literature: Goethe, Faust

published in le Charivari (21 November 1848): The Banqueters, plate 5: Rifolard opens the ball, 1848. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.8 x 25.6 cm (14 1/8 x 10 1/16 in.); image: 26 x 20.8 cm (10 1/4 x 8 3/16 in.).

LA LECON AU MARI. Charles! Charles!! ne lorgnez donc pas ainsi toutes les femmes! c’est indecent!. Artist: Paul Gavarni, French, 1804-1866

Mon homme et le tien, vois-tu, Phemie... - Deux brigands! - Et nous n'aurions pas la chance d'en voir seulement - un des deux pendu - Pour avoir tué l'aut'e ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Swallow it, dog, plate 58 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Tu seras merraime... - Comment! encore un...quelle enceinte continue! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Krijgsman is seated with a woman under a gallows, Guillaume Joseph Vertommen, 1842 print paper etching the soldier; the soldier's life. instruments of torture, execution or punishment: gallows. adult woman. adult man

Madame sings ... / Sir will go out. / 265. (Registered Title) | News. (Title of the whole)

Les femmes de Bruges , Alphonse Legros (1837-1911)

Man and wife talk to each other on a bank, Paul Gavarni, 1834 print Paris paper conversation, dialogue; conversation piece. couch, sofa, settee. dandy, beau. fashionable woman, 'belle'

Sitting lady and gentleman.

Drawing reproduction: Juliusz Kossak (1824-1899), a woman and a virgin with a flower. Former clothing and weapons. (13th century); after 1862 (1850-00-00-1875-00-00);

Moi, les hommes!...ça ne m'a jamais tenue bien fort ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Pauvre Nini, tu as mange du chien!', by Auguste Bry, Siege of Paris, 1871. A man commiserating with a woman that due to the lack of meat she has had to eat dog. After the disastrous defeat of the French at Sedan and the capture of Napoleon III, the Prussians surrounded Paris on 9 September 1870. The city held out despite famine, disease and cold until a bombardment with heavy siege guns led to its surrender on 28 January 1871. From a private collection.

Lithograph by Hippolyte Bellangé, circa 1835, depicting a scene where a father remarks that his daughter never dances, focusing on figures and gesture.

Ah vous trouvez que mon dernier roman n'est pas tout a fait... Dated: 1844. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Lesson of the Professor, plate five from Les Comédiens de Société. Honoré Victorin Daumier; French, 1808-1879. Date: 1858. Dimensions: 206 × 256 mm (image); 273 × 360 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A la Varenne-Saint-Maur. Honoré Daumier (1808-1879). Lithographs

LA RECHERCHE DE LINCONNU.. Artist: Paul Gavarni, French, 1804-1866

Vois-tu, Finette, ce machin-la, quon appelle un fort…. Artist: Paul Gavarni, French, 1804-1866

La peinture ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Phèdre au Thétre-Français. Début de M. Paul de Trois-Étoiles - dans le rôle d'Hippolyte ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Hendrik van Arkel says Betje Vaarwel, Reinier Vinkeles (I), 1804 - 1805 print Night face at a church. Hendrik van Arkel says goodbye to Betje. Illustration with the story Hendrik van Arkel. Amsterdam paper etching / engraving night. church (exterior). reaching for something

Countess Andrassy, Graf Schweinitz, From the Soirée near Andrássy title page of Die Bomb, László frecskay -, Artist, Carl Angerer -, realization

Wedding , Weddings, Brides, Grooms Weddings. George Bellows (1882-1925). Prints and Drawings

Les Étudiants de Paris, 1842. Paul Gavarni (French, 1804-1866). Lithograph;

Sketch of summer. Planche N5 (registered title) | 4th suite of 1861. (Title Title)

Honoré Daumier, La femme Je viens de découvrir une mèche, 19th century La femme. Je viens de découvrir une mèche...

Two gossips. Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), printing house, Bibljoteka Domu Polskiego (Warszawa ; nakładca ; 1903-1930), merchant employer, Rapacki, Józef (1871-1929), draughtsman, cartoonist

Ce Journal trouve mon ouvrage pitoyable... Dated: 1844. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Falling in Love, Hendrik Jacobus Scholten, 1800 - 1900 drawing paper. pencil public gardens, park. conversation, dialogue; conversation piece. bench

Party in a Victorian Home - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

New Year. Illustration for `volatile sketches from popular life 'by a.f.j. Heron. Design for a print.

Forgiving Lovers March 15, 1798 Thomas Rowlandson. Forgiving Lovers. After George Murgatroyd Woodward (British, 1765-1809 London). March 15, 1798. Etching. Henry Wigstead (British, 1745-1800 Margate). Prints

Les maîtres chanteurs de Nuremberg. Acte Ire. Rencontre de Walther et d'Eva , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Honoré Daumier, Ma femme, t'as tort de me blamer , 19th century Ma femme, t'as tort de me blamer ...

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), Self! Yum ! You are the most beautiful of men! There may be so beautiful, but there are not many today! (Title given by the author). Black stone on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

It makes me one, I can not stay without. / 39 (title registered (letter)) | Grisettes (title of all)

La Broderie à l'aiguille ca. 1855 () Félix Bracquemond French This early work is somewhat unusual in both subject and style for Bracquemond, now better known for his enigmatic bird studies. The etching depicts a couple on a terrace: a gentleman languidly rests on his elbow while a lavishly dressed woman sits embroidering nearby. The composition seems at first to echo contemporary genre paintings popular at the Salons, yet the relationship between the figures and the meaning of the work remain elusive. "La Broderie" reveals Bracquemond’s continued interest in developing complex, ambiguous scenes and his sheer command of printmaking. In carefully controlling the lines and hatching, Bracquemond deftly mirrored the very act of embroidering with a needle, translating and constructing an image with thread-like lines - his very subject.. La Broderie à l'aiguille 395803

Le masque a beau mentir: Diogenefemelle…. Artist: Paul Gavarni, French, 1804-1866

C'te profession de foi-là, voyez-vous, Polyte, à mon point de vue, c'est - dégoûtant! - Qué que chose de propre que ton point de vue! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Un Rat Dans UnFromage. Artist: Paul Gavarni, French, 1804-1866

UnPlenipotentiaire. Artist: Paul Gavarni, French, 1804-1866

Mr and Mrs Atherton Curtis Made 1906 Sweden. Etching on ivory laid paper . Anders Zorn

MISS TABITHA MONCKTON, 1880

A lithograph by Moritz von Schwind from 1824 titled 'Laying No.12', depicting figures addressing theater and censorship, showing gestures, scene interaction, and narrative elements.

- Did you lach your rider [... / - We are going to supper [.... / - Forgiveness, sir, but it seems to me [.... / - Madam, I have a rival [.... (title registered) | Fat days (title of all)

The Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

Fariboles 2 Board 132 (registered title)

Je t'ai défendu déja de m'appeler maitre.... Honoré Daumier (1808-1879). Lithographs

'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback, copy in reverse of Goya's Plate 14 from 'Los Caprichos'. Artist: After Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 11 5/8 × 8 7/16 in. (29.5 × 21.5 cm)Plate: 6 1/4 × 4 5/8 in. (15.9 × 11.8 cm). Date: after 1816.The donor Susan Schulman purchased this print with a number of other impressions of the same print, some with a legal seal dated 1822 and others on modern paper. This indicates that they were printed on a batch of mixed papers not necessarily around 1816-1822 and probably later. For an example of this sort of paper dated 1812 used for an inventory of Goya's property, see Juliet Wilson-Bareau, 'Goya and the X Numbers: The 1812 Inventory and Early Acquisitions of "Goya" Pictures', Metropolitan Museum Journal, no. 31, 1996, fig.1b, p.160. Museum: Metropolitan Museum of Art, New York, USA.

Parisian sketch. Plate N1 bis (registered title) | 5th Suite of 1859. (Title Title)

What a misfortune ... it has been in this country of Italy! ..... He neglects me now for works of art ..., as he calls it ........ (title registered) | News. (Title of the whole)

AS SOLID AND DEFIANT AS EVER., 1880, 19th century engraving, USA, America

Unknown, Flirtation, 1869, wood engraving on paper.

WINTER SCENES, INDOORS

Sortez! (Bajazet) , Philosophers, Historians, Guizot, François, 1787-1874. Honoré Daumier (1808-1879). Lithographs

SOIREE TRAVESTIE.. Artist: Paul Gavarni, French, 1804-1866

Plate 58 from 'Los Caprichos': Swallow it, dog (Tragala perro.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 58 from 'Los Caprichos': Swallow it, dog (Tragala perro.) 380705 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 58 from 'Los Caprichos': Swallow it, dog (Tragala perro.), 1799, Etching, burnished aquatint and drypoint , Plate: 8 7/16 5 15/16 in. (21.5 15.1 cm) Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(58))

Il vous épousera...Comptez là-dessus ma petite! et prenez du caoutchouc - des Arabes ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Donation entre vifs ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Explotation de l'amour , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

C'est singulier il ne me vient plus d'idées...que.... Honoré Daumier (1808-1879). Lithographs

Et quand j'en aurais un, d'sentiment, après Après...et manger! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Farewell Les Ameourettes !! ... / (Lithographic Apologue) / N ° 12. (Registered title (letter)) | Souvenir of simpingers. (Title of all)

Museum of Rennes, School Watteau, vintage engraving. Museum of Rennes, School Watteau, vintage engraved illustration. Magasin Pittoresque 1844. Copyright: xZoonar.com/PatrickxGuenettex 10660688

Modes de l'abeille impèriale ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Tastzin, Bernard Picart, 1683 - 1710 print Landscape with an elegant dressed pair. They hold each other's hands. In the margin a four -line poem in French. Paris paper etching / engraving feeling (one of the five senses)

Afternoon tea , Eating & drinking. James McNeill Whistler (1834-1903). Lithographs

Ce que cest pourtant que nos sentimens (sic)!…. Artist: Paul Gavarni, French, 1804-1866

Illustration from Les amours d'un Jesuit : histoire vraie (The loves of a Jesuit: a true story) by Gustave Graux. (1837-1899).

The Engagement of an Artist. "- So you want an engagement in my theatre..... very well Mademoiselle...... since you are so pretty, it will be 1200 Francs.... that's of course what you will be paying me each year! - I accept... under the condition that I will not get a raise!," plate 72 from Les Beaux Jours De La Vie. Honoré Victorin Daumier; French, 1808-1879. Date: 1845. Dimensions: 245 × 232 mm (image); 349 × 265 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Le bas bleu déclamant sa pièce Acte sixième, premier tableau…le thétre représente un tigre endormi dans le désert…Rosalba s’avance en se traînant avec peine et en traînant avec plus de peine encore ses cinq enfans et son vieux père; Rosalba tombe au pied d’un dattier couvert de noix de cocos et s’écrie avec désespoir: O ciel quand finiront nos tourmens!…Tous les auditeurs (A voix basse) et les nôtres quand donc finiront-ils, o ciel! (The bluestocking reciting her play Act six, scene one…the scene represents a tiger asleep in the desert… Rosalba drags herself forward with difficulty and drags with even more difficulty her five children and her old father. Rosalba falls at the foot of a palm tree covered with coconuts and exclaims in despair!…O Heaven, when will our torments be finished!…The whole audience. Artist: Honoré Daumier, French, 1808-1879 Publisher: Aubert et Cie, Paris, founded 1829

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