19th Century Satirical Illustrations

Humorous and critical scenes from 19th-century life, featuring figures in domestic settings with elements of social commentary.

Sir, I do not have the honor to know you! ... / 11 (title registered (letter)) | Paris. (Title of all)

H. Brougham; The editor of The Times.. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The most beautiful day of France. (IT)

La buvette. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Ah! Laisse-moi donc voir. Medium: color aquatint. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after Nicolas Lavreince.

Glorvina Tries Her Fascinations on the Major by W M Thackeray Line Illustration from Vanity Fair

Honoré Daumier, Bourgeois se fesant lire, après diner, quelques chapitres, 1847 Bourgeois se fesant lire, après diner, quelques chapitres...

Parisian dialogues. / 52. / - How, after what he made you ... (registered title)

Beauminet, Mame Octave abuse de vot defiance!. Artist: Paul Gavarni, French, 1804-1866

The Queen's Page, 1854-89. Reproductive print, after a design by: Dante Gabriel Rossetti

Lecture du soir. - 'Et pour ce qu'il n'y a aucune proportion, ni aucun ordre, qui soit plus - aisé à comprendre que celui qui consiste en une parfaite égalité, j'ai supposé ici que toutes - les parties de la matière ont au commencement été égales entre elles, tant en grandeur - qu'en mouvement, et n'ai voulu concevoir aucune autre inégalité en l'Univers que - celle qui est en la situation des Étoiles fixes, qui paraît si clairement à ceux qui regardent le - ciel pendant la nuit, qu'il n'est pas possible de la mettre en doute. Au reste...' - (Descartes, des Princ. de la Phil., 4, III) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Ma chère, notre comédie en deux actes vient d'être refusée au Thétre Français!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1852. Prints; lithographs. Lithograph

Prisoner arranges flowers in jail, Paul Gavarni, 1840 print Paris paper prisoner in cell or locked place. arranging flowers. friends Paris

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

God, that I am tired! .. (title registered (letter))

Image reproduction: Julian Fa AT (1853-1929), to Z: "Tygodnik Ilustrowany" 1890, No. 36 (6 September), p. 145 (title page); Husnik & häusler (Praga; Reprographic Zak 1888-1936), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1890 (1883-00-00-1883-00-00);

Vous avez des états où avec rien que de l'intelligence un jeune - homme qui voudra arriver arrivera...Dans l'épicerie, c'est pas ça ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Honoré Daumier, Allongeons le pas voila ceux hommes , 19th century Allongeons le pas ... voila ceux hommes ...

Ma femme, t'as tort de me blamer ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Print (France)

Przerażenie, pl. 44, Namiot II, Op. XIV. Klinger, Max (1857-1920), graphic artist, Amsler & Ruthardt Verlag (Berlin ; wydawnictwo ; 1869-1921), publishing house, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house

Honoré Daumier, Le Jour de l'an, 1844 Le Jour de l'an

St. James's and St. Giles's December 1, 1791 Thomas Rowlandson. St. James's and St. Giles's. After Henry Wigstead (British, 1745-1800 Margate). December 1, 1791. Hand-colored etching. S. W. Fores (London). Prints

Il fait son droit ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The wild fire on our theaters, Actress Felicita von Vestvali actually Anna Marie Stegemann as a Hamlet, various actors in gender -exchanged roles, Lewinsky, Kronau, Grois, Wolter, Sonnenthal, Josef Wagner caricature with text from Side location des flea to No, Karl Klic -, Caricaturist

Dis donc amour! Crois-tu que ce sera un garçon. -Tu sais bien Clothilde que je te l'ai promis . Et j'ai un tact . Qui ne me trompe jamais!. Dated: June 16, 1839. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Our trangiers with us / N ° 3

Tenez, Clara, JeSuis…. Artist: Paul Gavarni, French, 1804-1866

. In an interior - decorated with paintings, a room screen and a sculpture - sits an elegantly dressed lady in front of a painting. On the shot of the lady is a girl (possibly her daughter).

In Cichy Ustroń according to the picture of Carl Schweninger. A clip from a German magazine. Jericke, R. (N.N.), Schweninger, Carl (1818 1887)

C'est singulier comme ce miroir m'aplatit.... Honoré Daumier (1808-1879). Lithographs

Two Men Arguing. Dimensions: overall (approximate): 28.7 x 22.5 cm (11 5/16 x 8 7/8 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: PAUL GAVARNI.

Je suis jeune, il est vrai, mais aux ames bien neés...(Le Cid). Honoré Daumier (France, Marseilles, 1808-1879). France, 1841. Prints; lithographs. Lithograph

Le Jeu De Dominos. 1. - Jeboude.. Artist: Paul Gavarni, French, 1804-1866

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), babbling (title given by the author), 1904. Black Pierre on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), he looks like the man cut off from Flore de la rue des Martyrs; Its the same head as on the little Parisian of yesterday. (Title given by the author), 1906. Black Pierre and blue watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Two Romavrouwen in a departure with a harp, Willem Linnig (II), 1871 print paper etching wandering communities: Romani or Roma. harp. tambourine. playing-cards

Un article louangeur. Honoré Daumier (1808-1879). Lithographs

Old acquaintance according to the drawing of E. Fontana. A clip from a German magazine. unknown, Fontana, E. (n.n.)

Fariboles 2 Plate 54 (registered title)

Two ladies talking in a garden. She says, You were the prettiest woman at the ball. She thinks, After me. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce qu'on dit et ce qu'on pense, Gihaut Freres, Paris, 1829.

Illustraton for Hamlet. Polonius and Hamlet (II,2), Eugène Delacroix, French, 1798 - 1863, Lithograph on paper, Polonius and Hamlet (II,2), France, 1835, Print, Print

How Not to Play the Game, 1865. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

Honoré Daumier, Parole d'honneur Mme Frenouillet, 1841 Parole d'honneur Mme. Frenouillet...

Les-Parents-Terribles series: Don't you think, father... Paul Gavarni; French, 1804-1866. Date: 1853. Dimensions: 193 × 161 mm (image); 358 × 270 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Un émule de Mr Hume. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Duchess of Devonshire and the Countess of Bessborough, Thomas Rowlandson, 1756-1827, British, 1790, Watercolor with pen and black and gray ink over graphite on laid paper, mounted on, moderately thick, moderately textured, cream, wove paper, Sheet: 19 11/16 x 16 3/4 inches (50 x 42.5 cm) and Mount: 22 7/8 x 20 inches (58.1 x 50.8 cm), aristocracy, couch, dresses, evening, guitar, man, music, portrait, sheet music, sisters, sitting, women

J'ai été bien calomniée, mon cher, mais on a fini par me - rendre la justice... - Qu'on devait à ton mari ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Je pars plus amoureux que...jamais. Honoré Daumier (1808-1879). Lithographs

Fariboles 2 Planche 47 (registered title (letter))

Au revoir, Ophélia!... ne manquez pas... Dated: 1844. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), you know that I see it, you give him an eye-oh, as you go badly, I do not Him only to the foot (registered title (letter)), 1905. Pierre Noire. Black ink and watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Miserable Eponine

MARCHANDE DE MODES.. Artist: Paul Gavarni, French, 1804-1866

Gortschakoff in embarrassment,

This 1900 color print by Charles Léandre depicts a decorative panel featuring a Biedermeier couple, emphasizing figures, attire, and panel design.

Mon aimée, qu'as tu tu as l'air rêveur! - Un petit peu la colique, petit ,. Paul Gavarni (1804-1866). Lithographs and Other Works

La fortune fait oublier les amies , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Hand -made between Baron van Tilbury and Galjart, Willem de Famars Testas, 1888 drawing Hand -made between two young men (Baron van Tilbury and Galjart). paper. pencil brush

Gil Blas Illustré: Une Curiosité, par Alexandre Hepp, 1897. Théophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph; sheet: 35.6 x 25 cm (14 x 9 13/16 in.).

Man and Two Women Conversing. Dominique-Vivant Denon; French, 1747-1825. Date: 1817. Dimensions: 210 × 257 mm (image); 260 × 310 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Manuel Robbe (French, 1872 - 1936). Menuet d'Automne, 1898. Collotype on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

Childhood.

Characters in High Life. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: Plate: 13 7/8 x 9 13/16 in. (35.2 x 25 cm)Sheet: 15 1/16 x 10 15/16 in. (38.2 x 27.8 cm). Publisher: Hannah Humphrey (London). Date: June 20, 1795. Museum: Metropolitan Museum of Art, New York, USA.

Étude du matin ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Story of the boy Jantje, no. 4. Story of the boy Jantje, no. 4, with inscription: get up early for a moment.

La Loge DuBal.. Artist: Paul Gavarni, French, 1804-1866

Miss Neville and Miss Hardcastle, illustration for Oliver Goldsmiths She Stoops to Conquer. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The heart is an advantage according to the picture Charlotte Hampel. Knesing, Theodor (1840 1927), Hampel, Charlotte (1863 1945)

Baroness X. / Féerie / In camera

Beatrice and Benedict, Act I: Nocturne, from Hector Berlioz's Opera "Beatrice and Benedict (1862)". Henri Fantin-Latour; French, 1836-1904. Date: 1883-1893. Dimensions: 226 × 157 mm (image); 308 × 220 mm (sheet). Lithograph in black on off-white China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), chattering women (dummy title), 1902. Black Pierre and blue pencil on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Goetz Von Berlichingen Before The Imperial Magistrate, Richard Parkes Bonington, 1802-1828, British, ca. 1826, Pen and brown ink and brown wash with graphite on medium, cream, slightly textured wove paper, Sheet: 4 3/4 x 4 inches (12.1 x 10.2 cm), historical subject, magistrate, men

Le Senateur et laGondoliere. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier, Le Jour ou il faut se montrer galant, 1845 Le Jour ou il faut se montrer galant

GUIMAUVE mallow (malva silvestris) Date: 1847

François Séraphin Delpech (Publisher); Louis Léopold Boilly (Drafstman) / 'The reward (La Récompense)'. 1824. Crayon lithography, Scraper, Illuminated on wove paper. Museum: Museo del Prado, Madrid, España. Author: LOUIS LEOPOLD BOILLY. FRANCOIS SERAPHIN DELPECH.

THE LETTER OF RECOMMENDATION From the Picture by M. Leroux in the Paris Salon 1876 FRANCE

Gabriele d'Annunzio (1863-1938) reading ""La figlia di Iorio"" (Jorio's daughter).

Another Monopoly, Charles Dana Gibson

Pencil and watercolor design by Josef Danhauser, 1834-1838, depicting a scene illustrating poetical love with figures arranged in a composed layout.

unknown artist, ( W. Hawkins ), Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200, 1803. Engraving.

Arabian nights.. Westall, Richard, 1765-1836. Illustrations. 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Fairy Tales, Folklore

Contemporary portraits Maria Pus Owska and Józef Ciecho Schübeler, Julian (fl. Ca 1865-1890), Zinc, Florian Stanis AW (1838-1912), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Octobre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

'Two Spheres of Life', 1872.Artist: C Burt

Paris, Denon, Dominique Vivant (baron), Self-portrait of the artist with two young women as models, verso - stamped, print, prints, height 291 mm, width 222 mm, French, 1747-01-04 - 1825-04-28, print maker, printmaker, 1817 - 1817, paper, papier, lithografie (technique)

Watchful Eye of Caution, Charles Dana Gibson

On na plus ni plaisirs ni peines (sic)…. Artist: Paul Gavarni, French, 1804-1866

Visitor to a deathbed, in or before 1898 drawing A sick or wounded man is on his deathbed. At the bed is a man in a jacket with a hat. He holds the man's hand. paper. India ink (ink). pencil. deck paint pen / brush deathbed

All is Vanity, Gilbert, Charles Allan (1873-1929)

Charmant... trainant tous les coeurs après soi... Dated: 1839. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Study of women in foot, skirt rolled up. Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Study of women in foot, skirt rolled up. Feather, brown ink wash.

Je fini en mouillant de mes larmes la - main et la plume qui ont tracé ces caractère - qui sont pour ainsi dire dicté par lamour voyez - si vous voulez me laisser en desespere ou si vous - voulez me faire l'honneur et le plaisir de partager - votre vie avec la mienne - Je suis pour la vie - Votre fidel et sincère aimable amie - Joséphine ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Gustave Doré (1832-1883), designer and the Laly brothers (19th century), engraver. "Chat." Illustration for Honoré de Balzac, "Les Contes Dranitiques", Paris: Société Générale de Librairie, 1855 ". Paris, Maison de Balzac. 101791-29 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

King George IV holding a levee in Holyrood Palace, Edinburgh, 1822 (c1890). Creator: Unknown.

Contemporary portraits Maria Pus Owska and Józef Ciecho Schübeler, Julian (fl. Ca 1865-1890), Zinc, Florian Stanis AW (1838-1912), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13), John Raphael Smith, 1752-1812, British, ca. 1780, Graphite, black chalk, white chalk, red chalk, and gray ground on thick, textured, gray laid paper, Sheet: 14 1/8 x 10 1/4in. (35.9 x 26cm) and Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)

Savez-vous, mon che Beauminet, que M'ame Beauminet a ce soir une bien - jolie toilette! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Very Proper Persons (Gens comme il faut) from the series Images pour les demoiselles. Dimensions: 41.6 cm x 31.7 cm, 32.8 cm x 24.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: HERMANN PAUL.

La Fiancée dAbydos (The Bride of Abydos). Artist: Théodore Géricault, French, 1791-1824 Artist In collaboration with: Eugene Lami, French, 1800-1890

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