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19th Century Satirical Illustrations

A collection of vintage satirical engravings featuring theatrical scenes, social commentary, and humorous depictions of societal figures in a historical context.

Marshalsea Prison , Prisons, Prisoners, Marshalsea Prison Southwark, London, England. Thomas Rowlandson (1756-1827). Prints and Drawings
Marshalsea Prison , Prisons, Prisoners, Marshalsea Prison Southwark, London, England. Thomas Rowlandson (1756-1827). Prints and Drawings
124 assets in this story
4443-20313486
Panorama of the times, 1821?, a man, the celebrated juggler, standing on a stage greeting the audience, sitting at his sides are two hurdy-gurdy players, one on a box labeled Money Box and the other on a box labeled Quack Medicine. The stage projects from the back or side of a carriage with two panels that open to the right and left, each with two scenes, on the left, shooting dint at yo inocent (King George IV spraying Caroline) and a bit of fun or a scene at Manchester!!! (cavalry using swor
4443-19618755
Country Inn Yard, after William Hogarth, 1697-1764, British, Published by The London Printing and Publishing Company, 1833, Etching and line engraving on medium, slightly textured, cream wove paper
4430-10809
people allegory cource of life from birth to death engraving by Jean Paris circa 1790 private collection,
4409-20933894
Roller coaster at the Barriere du Roule (Place de Ternes, Paris). Fashionable women in bonnets and shawls riding cars down the rollercoaster. Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
6145-59587459
Library of the Royal Institution in London, Thomas Rowlandson, after August Charles Pugin, 1809 print Interior of the library with reading and conversing men. Numbered at the top right: Plate 68. paper etching public library. lectern ~ reading London
6145-51837437
Unknown, The Water, 1700-1899, color lithograph on paper.
6145-29238050
The Half-Way House published 1787 (a later reissue) Thomas Rowlandson. The Half-Way House. Thomas Rowlandson (British, London 1757-1827 London). published 1787 (a later reissue). Hand-colored etching and aquatint; a reissue. Prints
4443-19604043
The First Shot at Wimbledom, Andrew Maclure, active 1857-1881, British, after Andrew Maclure, active 1857-1881, British, 1860, Hand colored lithograph
4443-19598099
Pass-Room Bridewell, John Hill, 1770-1850, British, after Augustus Charles Pugin, 1762-1832, French, after Thomas Rowlandson, 1756-1827, British, Published by Rudolf Ackermann, 1764-1834, British, 1808, Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm), Plate: 9 1/4 x 11 1/8 inches (23.4 x 28.3 cm), and Image: 7 13/16 x 10 3/16 inches (19.8 x 25.9 cm), beds, children, correctional institution, embracing, genre subject, hay, holding, jail, nude, prison, sadness, sleeping, straw, women, Bridewell Prison, City of London, England, Europe, Greater London, London, United Kingdom
4409-17551422
Paris Diligence. Thomas Rowlandson (English, 1756-1827); published by Thomas Tegg (English, 1776-1845). Date: 1810. Dimensions: 238 × 355 mm (image); 258 × 375 mm (plate); 260 × 392 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.
6145-30307818
Master Martin, the Küfner and his journeyman by Holbein Gallerie Drollerie Droller Scenen for the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist
6145-30333176
Charles Hunt, 1803-1877, British, Steeple-chasing set of six: St. Albans Grand Steeple Chase. / 8 March 1832. Plate 1. Preparing to Start .., 1832. Aquatint printed in colors, except for hand colored sky.
6145-51820957
View in South Market Street, Boston Winslow Homer (American, 1836-1910). View in South Market Street, Boston, 1857. Wood engraving, Image: 6 1/2 x 9 1/2 in. (16.5 x 24.1 cm). American Art 1857
6145-30338198
Daniel Thomas Egerton, c.1800-1842, British, Fashionable Bores, or Coolers in High Life, 1824. Aquatint, colored by hand.
6145-30346630
Joseph Nash, 1808-1878, British, The Long Gallery, Haddon Hall, Derbyshire, 1839. Watercolor, gouache, pen and brown ink, graphite, and scratching out on thick, moderately textured, cream wove paper.
6145-30210913
Aerostat's Experience Named Mr Mr Pilatre du Rozier in Versailles on 23 June1784 ... (IT)
6145-59247776
Collection of the Prince of Orange, 1787, Anonymous, After Mathias de Sallieth, after Maria Margaretha La Fargue, 1787 - 1790 print Including the Prince of Orange by the bourgeoisie in The Hague, September 20, 1787. The Open Carriage with Stadholder Willem V is pulled by men and women over the road along the Nassau-Weilburg palace. Augsburg paper etching public festivities at other royal events, not meant or mentioned above. human being(s) drawing or pushing a vehicle not usually propelled by manpower The Hague
4409-48148589
Two Georgian rectors in a churchyard in Oxford. Doctor Broadbase checks his watch against the sundial. Symptoms of a Dinner. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.
6145-30345653
George Morland, 1763-1804, British, Set of Four: Boys Skating, 1790. Hand colored stipple engraving.
463-5081
Farmer as a Millionaire, Scene From Play, Johann Christian Schoeller, watercolour painting, 1826
6145-30216399
Bicitre: the departure Gabriel Cloquemin. Bic�tre: the departure (number 4). Drawing, around 1834.
4409-9074
GRABADO-GLOBO AERONAUTICO. Location: PRIVATE COLLECTION. MADRID. SPAIN.
1746-19629173
London terminus of the North Western Railway, showing busy scene with people and a Hansom cab in front of Euston Arch. Hand-coloured lithograph from a railway boardgame c1860.
4443-73240995
Netherlands, Cramer and Co, Anton, The Whale Leader. Charade. Will the Rebels Survive the Trial, Cartoon on Kessels, 1830, verso - stamped, Cartoon on General Herman Kessels, seated on a whale on wheels, 1830. Together with a Prussian (P), a Russian Cossack (R), an Austrian (O), an Englishman (E) and a Frenchman (F) on the quay while in the background the population is starving and the city of Antwerp is set on fire by Dutch ships (27 October 1830). See also the pendant., print, picture, cartoon, prints, pictures, Frederik Muller History Plates, height 297 mm, width 320 mm, print maker, printmaker, 1830 - 1831, paper, etching, etchings, hand coloring, Publication (Event), Publication, Dutch, publisher