19th Century Satirical Lithographs

A series of humorous and critical lithographs by Honoré Daumier and others, illustrating social situations and character studies in monochrome.

Dis donc, Macaire, que que c'est que c'thé... , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Two farmers by a fireplace, Anonymous, After Frans van den Wijngaerde, after David Teniers, 1636 - 1729 print Two farmers by a fireplace in an inn. One of them pees the wall. Antwerp paper etching farmers. urination

Not' maître n'est plus marquis...hi! hi!! hi!!!. Honoré Daumier (France, Marseilles, 1808-1879). France, 1858. Prints; lithographs. Lithograph

! ! small !!!! (IT)

Bambochades: Vois-tu que mon baromêtre est au beau!...c'est un riche temps pour les biens de la terre!!!, 1841. Clémente Pruche (French, 1831-1870). Lithograph;

Barometer political (registered title) | News. (Title of the set)

A woman playing a Tangram or Chinese puzzle game, 1818. A husband berates a wife addicted to the gamt, ignoring the baby crying in its cot. The game sparked a craze in the early 19th century. Le casse-tete Chinois. Lithograph from Henry Rene dAllemagnes Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906.

Ein Zahnarzt im 18. Jahrhundert

The credibles, assets of the palace below Royal Salvadore Tresca (1750-1815). The credibles, assets of the palace below Royal. Dotted water. 1797.

Allegory of breaking by the English of the Tractaat van Marine from 1670, ca. 1780-1781, Reinier Vinkeles (I), After Jacobus Buys, 1781 print Allegory of breaking by the English of the Tractaat van Marine from 1670, ca. 1780-1781. The English king George III lies his sword on the scales with the tract. With a grieving Dutchman with this. Violence and envy in the air. In the caption a two -way verse. Northern Netherlands paper etching / engraving scales. Fourth Anglo-Dutch War

Netherlands, Weissenbruch, Isaac, Twist in a hat shop, print, prints, height 108 mm, width 127 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, wood engraving

Three heads under the same cap (IT)

Itinerant seller of Staffordshire earthenware pottery. A man in top hat and yokel's smock with large wicker baskets of plates, jugs, and other pottery. The traders came by water to Paddington. Copperplate engraving drawn from life and engraved by John Thomas Smith from his own The Cries of London, or Vagabondiana 2, edited by Francis Douce, John Bowyer Nichols, London, 1839.

'Judge Jeffreys', 1897. Creator: John Leech.

A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. Engraving after W. Hogarth, 1736.

Print made by James Caldwall, 1739-1819, British, Now Sir, You're a Complete Macaroni, 1772. Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper.

LEONARDO DA VINCI (1452-1519). 'Teatrise on Painting'. Edition printed in Naples by Francesco Ricciardo and Vincenzo and Nicola Rispoli (1733). Study on the position of the human body. Renaissance art. Etching. SPAIN. CATALONIA. Barcelona. Barcelona University Library.

The evolution of a shuttlecock and bats into a sheep into a timid young man, and his hat into a baby into his umbrella; representing Darwin's theories. Wood engraving after C. Bennett, 1863.

Honoré Daumier (French, 1808 - 1879). Le système et la diplomatie paralytique, 1834. Wood engraving on newsprint paper. Image: 139 mm x 202 mm (5.47 in. x 7.95 in.).

The patriotick barber of New York, or the Captain in the suds, plate III. , Patriotism, Barbers, Barbershops, Shaving, United States, History, Revolution, 1775-1783

'The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François', 1803, (1921). Citizen François (representing France): 'Madame, permittez me, to pay my profound esteem to your engaging person! & to seal on your divine Lips my everlasting attachment!!!'. Britannia replies: 'Monsieur, you are truly a well-bred Gentleman! - & tho' you make me blush, yet, you Kiss so delicately, that I cannot refuse you; tho' I was sure you would Deceive me again!!!' Above them are portraits of George III and Napoleon, facing each other. After an engraving by James Gillray

The Tooth Puller (plate 15) 1843 France. Lithograph in black on ivory wove paper . Charles Émile Jacque

Une Récompense artistique. Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Manière ingénieuse de décharger les toites ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

George Moutard Woodward, ca. 1760-1809, British, Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate, ca. 1808.

Caricature of Mentor and Telemachus, Honoré Daumier, 1842 Paris paper caricatures (human types). Telemachus starts out with Mentor, in search of his father

Cest le papa de mosieu Arthur qui est un mosieu embatant! Cre chien!. Artist: Paul Gavarni, French, 1804-1866

Illustration from Les amours d'un Jesuit : histoire vraie (The loves of a Jesuit: a true story) by Gustave Graux. (1837-1899).

Allegory of Lithuania, Poland and Ruthenia - drawing (figure) Of the unknown author; around 1863 (1858-00-00-1868-00-00);Lithuania (allegory), Poland (allegory), Pruszyńska, Karolina - collection, Rus (allegory), carte de visite, eagles, January Uprising (1863-1864), purchase (provenance)

John Law (1671-1729). Scottish economist. Controller General of Finances of France under King Louis XV. The Regent, Duke of Orleans, saving Law. Engraving.

Animals wearing human clothes play sounds and sing from a score open on a table, while others attending dance; represesenting musical soirées held by Teresa Cornelys. Mezzotint after E. van Heemskerck.

Noordelijke Nederlanden, Koning, Theodoor, The patriot on his deathbed, 1786, Northern Netherlands, verso - stamped, A dying man admonishes his son on his deathbed never to tolerate the chain of slavery but to defend your acquired privileges and freedoms. Depiction within an ornamental frame with law books, sheaves of arrows, broken yoke and spear and oak leaves. With four-line caption., print, picture, prints, pictures, Frederik Muller Historieplaten, height 214 mm, width 141 mm, 1748-02-03 - 1829-01-31, draughtsman, draftsman, 1786 - 1786, paper, papier, etching, engraving, engraving (printing process), hand colouring

Amsterdam, King, Wilhelmus, Northern Netherlands, Sassen, Joost van, Bombario Actionist and the Spirit of Aesop, Satirien de Bain-Paillard et Susanne d'Amour Constant, Badboevius Luimlegger and Millionia of-niet, Miriplacia Ebenrecht Forlifacius Dappinsmusz, Two Dwarfs for the Month of August, 1720, Two Dwarfs for the Month of August (Harvest Month). A joker at a sleeping woman. In the caption verses in German, French and Dutch. Part of part III (a series of the twelve months) in the second Dutch bound edition from 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel., print, picture, books, Frederik Muller Historieplaten, height 165 mm, width 110 mm, height 227 mm, width 170 mm, 1755, print maker, printmaker, 1718 - 1720, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, - 1732, publisher

Les mendians. Honoré Daumier (1808-1879). Lithographs

Systême proposé...pour les mieux isoler , Artists, Politicians, Journalists, Daumier, Honoré, 1808-1879, Rochefort, Henri, 1831-1913. Honoré Daumier (1808-1879). Lithographs

Sir John Everett Millais, 1829-1896, British, Sister Anna's Probation, 1862. Wood engraving.

Chatting (Picturesque Beauties of Boswell, Part the First) May 30, 1786 Thomas Rowlandson. Chatting (Picturesque Beauties of Boswell, Part the First). Picturesque Beauties of Boswell. Thomas Rowlandson (British, London 1757-1827 London). May 30, 1786. Etching. Elizabeth Jackson (British, active 1785-87). Prints

Title Print from Heinrich Stiliings hiking Chodowiecki, Daniel Nikolaus (1726 1801)

Man receives his wife at home with beating, Caspar Luyken, 1704 print Nuremberg paper etching / letterpress printing bad wife. partner deceived

Man bleaching cotton by pouring a bucket of chlorine on fabric on a bleachfield. A worker brings rolls of cloth in a wheelbarrow. Woodblock engraving from The Book of English Trades, or Library of Useful Arts, F.C.& J. Rivington, London, 1821.

FIRST PERSON SINGULAR, DRAWN BY ARTHUR HOPKINS

The Taking of Major André by the Incorruptible Paulding, Williams and Vanvert. Dimensions: Sheet: 13 3/16 × 9 3/4 in. (33.5 × 24.7 cm). Publisher: T. W. Freeman (American, active 1812). Date: July 4, 1812. Museum: Metropolitan Museum of Art, New York, USA.

No invitation for Oranje-Vrijstaat and the Z.-Afr. Republic of Peace Conference, Johan Braakensiek, 1899 Amsterdam paper political caricatures and satires. historical persons Transvaal. Orange Free State

Seniors, 1857. Winslow Homer (American, 1836-1910). Wood engraving;

Eh! B(i)en M'sieu, Ça Tourne T'y... Honoré Daumier (French, 1808-1879). , May 16-17, 1853. Lithograph on newsprint, Sheet: 9 9/16 x 14 in. (24.3 x 35.6 cm). European Art May 16-17, 1853

Chair matters in a barn at work. Draughtsman: Gerardus Laurentius Keultjes. Dating: 1811. Measurements: h 248 mm × w 214 mm. Museum: Rijksmuseum, Amsterdam.

New Parisian butcher's shop, from 'Sketches of the day,' published in Le Charivari, April 22, 1865. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/8 × 8 1/16 in. (23.1 × 20.5 cm)Sheet: 11 9/16 × 11 3/8 in. (29.3 × 28.9 cm). Series/Portfolio: 'Sketches of the day' (Croquis du jour). Date: April 22, 1865.Horse feet at the Ménehould Co. created by the Hippophagian Society. Museum: Metropolitan Museum of Art, New York, USA.

The Laughing Audience. Dated: 1733. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

Rousseau, Jean Jacques.

Come on, good! The gas that comes back to stop business! / 341

Dichter Biedert Een Boekhandelaar Zijn Manuscript Aan; The world man and the poet or how a scholar offered his manuscripts to the bookseller.Het Manuscript is Getiteld: 'The Horned Siegfried Popular Poem for All Times'.

Le Constitutionnel et L'Union' by Moloch, 1871. Cartoon from a series titled Les Silhouettes de 1871 published at the time of the Paris Commune. From a private collection.

John Collington, executed 1750. Notorious wife beater, child abuser and arsonist. Depicted in his prison cell with leg and arm shackles. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

The king - depertiffel my seat bath is burning ... (IT)

Dire pourtant que j'avais planté des pommes de terre ... Dated: 19th century. Dimensions: image: 10 1/16 x 8 3/4 in. (25.56 x 22.23 cm). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Chatting (Picturesque Beauties of Boswell, Part the First). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 3/16 × 12 1/16 in. (25.9 × 30.7 cm)Plate: 9 7/8 × 10 15/16 in. (25.1 × 27.8 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: May 30, 1786. Museum: Metropolitan Museum of Art, New York, USA.

The plot in the bar-parlour, 1892

Ah, Théophile, what ghastly things I am reading about you, from 'These good Parisians,' published in Le Charivari, January 30, 1860 January 30, 1860 Honoré Daumier - Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage! - Oh, well. Ah, Théophile, what ghastly things I am reading about you, from 'These good Parisians,' published in Le Charivari, January 30, 1860. 'These good Parisians' (Ces Bons Parisiens). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 30, 1860. Lithograph on newsprint; second state of three (Delteil). Aaron Martinet (French, 1762-1841). Prints

Oh!... absolument comme si on y était; la grande... Dated: 1840. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Fonctionnaires ... veillant au salut de l'empire! ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Bliżej Kultury Debucourt, Philibert Louis (1755 1832), Norblin, Jan Piotr (1745 1830)

Iffland's Jager. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1786. Prints; etchings. Etching

Sir William Turner. Etching by W. Hole, 1884.

Cartoon about the abolition of the death penalty, 1867, 1867 print Cartoon about the abolition of the death penalty. Member of Parliament Van den Berch van Heemstede (), Fighter of the bill to abolish, gets a visit of death in his study. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 10, 9 March 1867. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper death penalty, execution. Death as skeleton (+ Death with scythe)

Visscher, Corn., inventor: Adrian Brouwer, work, Singing and playing peasants in the kapaka, (1000 - 2000), copper engraving, graphics, 27 cm x 19.8 cm

Le pain de sucre effrayé.... Honoré Daumier (1808-1879). Lithographs

Will the devil still be at our door. (IT)

Print made by John Simon, 1675-1755, French, Winter, 1758. Mezzotint on moderately thick, moderately textured, blued white, laid paper.

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

Isabey, Jean Baptiste.

Four smoking and drinking men at a table, Four smoking and drinking men at a table. In lower margin Dutch verse in four lines about the volatility of life, pipe, tobacco (taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.), stimulating drinks (taking (particular) foodstuffs: eating, Abraham Delfos (mentioned on object), Leiden, 1754, paper, etching, h 164 mm × w 110 mm

Caricature of French censors; Censeurs; Parisiens pictoresques. Eight French censors consider a table with prints with caricatures. Text on verso.

ROME

Both running to the telegraph office to announce the same victory, from 'News of the day,' published in Le Charivari, February 14, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/2 × 8 7/16 in. (24.1 × 21.4 cm)Sheet: 11 7/16 × 11 1/4 in. (29.1 × 28.6 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: February 14, 1867. Museum: Metropolitan Museum of Art, New York, USA.

The skeleton of Death, Freund Hans, crushing a userer in his money chest, 18th century. The miser drops bags of gold coins on the floor, while his servants watch in horror. The loan shark or usurer. Der Wucherer. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.

Admiration with astonishment no. 4 , Card tricks. Thomas Rowlandson (1756-1827). Prints and Drawings

Que Diable Monsieur Ne Bougez donc pas... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

What are you doing here a brother brother I sanction. (IT)

Unknown, Skating Suits, 1876, wood engraving on paper.

Robert Macaire professeur de Français , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

A man in a bath. Wood engraving.

An Essay on the Sublime & Beautiful April 10, 1792 Thomas Rowlandson. An Essay on the Sublime & Beautiful. Thomas Rowlandson (British, London 1757-1827 London). April 10, 1792. Hand-colored etching. Prints

Bathroom in the gifted town of Pompeii outside Naples. Visitors view the remains of the Pompeii city under the lava burst people.

The Chorus From the original picture by Hogarth from The Works of Hogarth published London 1833

News / N ° 2

A man in a wig is holding a book aloft as a devil on the ground holds a chain attached to his ankle; a stork has alighted on a basket and a hand places a bag of money on a tombstone. Aquatint by L.R. after O.P.

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

Shoemaker at work. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 434 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Honoré Daumier, Comment c'est t'y dieu possible! , 19th century Comment ... c'est-t'y dieu possible! ...

Antoine Fran�ois derues case, the poisoner (TF)

The Laughing Audience. 1733. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848), give the Gierne! A girl by a poorbesse, (1843)

Mr Macklin in the character of Shylock in William Shakespeare's The Merchant of Venice, Drury Lane, Feb 14, 1741. In long dark coat with knife and scales in his hands. Macklin played the role as "natural, menacing," instead of comically. Charles Macklin, Irish actor and dramatist, 1699-1797. Copperplate engraving by Charles Grignion after a portrait by Thomas Parkinson from John Bell's Edition of Shakespeare, London, Nov. 20, 1775.

We are disturbed in our cookery. Illustration from the Charles Dickens novel David Copperfield by H.K. Browne known as Phiz

Pity the Sorrows of a Poor Old Man 1822 Théodore Gericault French. Pity the Sorrows of a Poor Old Man. Théodore Gericault (French, Rouen 1791-1824 Paris). 1822. Lithograph. Prints

Robert Macaire professeur d'Industrie , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Great music and singing of 'famous musities / Grande Musique et Chant des Principaux musicians. Leaf with 16 performances of musicians. Under each image a caption in Dutch and in French. Numbered in the middle above: (N. 126).

Playing card, Red and black ink, paper, At top: O 2 T; below central image: 4, Europe, ca. 1855, Playing card

The cord please (IT)

of 3