19th Century Satirical Lithographs

A series of humorous and critical lithographs by Honoré Daumier and others, illustrating social situations and character studies in monochrome.

Dis donc, Macaire, que que c'est que c'thé... , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Vue d'un atelier , 19th century Vue d'un atelier ...

Le premier-né. Honoré Daumier (1808-1879). Lithographs

Je n'aurais jamais cru qu'a mon age.... Honoré Daumier (1808-1879). Lithographs

Voyons, Achille, un nom pour la petite, un nom en a. - Pamela... - Amanda... Amélia, Maria... - Théodora...y a Emma. - Emma ou Théréza. - Et Indiana. - Ah! Indiana! voilà! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Print made by George Cruikshank, 1792-1878, British, Turning the Tables, undated. Etching and stipple engraving on moderatley thick, slightly textured, beige laid paper.

Print made by George Cruikshank, 1792-1878, British, The Evidence Destroyed, 1838. Etching on medium, slightly textured, cream wove paper.

Frontispiece to "Tristram Shandy," Volume 1. Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates Laurence Sterne (British, 1713-1768). Dimensions: image: 5 1/4 x 3 1/8 in. (13.4 x 7.9 cm)sheet: 6 15/16 x 9 3/8 in. (17.7 x 23.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Honoré Daumier (1808-1879). Press caricature. "Chimera of imagination". Plate published in "La Caricature" of February 7, 1833. Lithography. Paris, Balzac house. Press caricature, drawing, humorous, humor, illustration, lithography, portrait-load, 19th 19th 19th 19th 19th 19th century, caricature

Dis donc, Macaire, que que c'est que c'thé... , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Devant le tableau de M G Moreau, 19th century Devant le tableau de M. G. Moreau

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Méphistophélés visits Faust, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

A literary argument on the second tier, from 'Theater sketches,' published in Le Charivari, February 27, 1864. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 11/16 in. (23.9 × 22.1 cm)Sheet: 11 11/16 × 10 7/16 in. (29.7 × 26.5 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'Theater sketches' (Croquis pris au théatre). Date: February 27, 1864. Museum: Metropolitan Museum of Art, New York, USA.

Vue d'un atelier...avant l'exposition. Honoré Daumier (1808-1879). Lithographs

Rigging out a smuggler , Smuggling, Sailors. Thomas Rowlandson (1756-1827). Prints and Drawings

Mon amoureux à moi il est au Méxique. -Mais il est trop vieux alors! -Et comment donc ça -Dam! Le voilà sur le retour.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1866. Prints; lithographs. Lithograph

Go schekizel a few times the rifle, anti -Semitic cartoon for the revolution , Heinrich Gerhart, Lithograph

Honoré Daumier (French, 1808-1879), Bien vexés de ne pas trouver la couronne, 1871, gillotype on newsprint

Honoré Daumier, Locataires noctambules, 19th century Locataires noctambules

I don't want to go into such a deep water..... there are surely big fish in there!,” plate 1 from Enfantillages 1859 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Honoré Daumier, Allons Bon! J'avais oublié de décharger mon fusil!, 19th century Allons Bon! J'avais oublié de décharger mon fusil!

Les Hommes de vingt-cinq ans... Dated: 1855. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Beck, Heinrich.

Locataires noctambules. Honoré Daumier (France, Marseilles, 1808-1879). France, 1847. Prints; lithographs. Lithograph

The dance of death: the healer. Etching by R. Dagley, 182-.

Salut! Terre de l'hospitalité...salut!... , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

A Kettledrum in Mayfair, 1862. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

Visite aux Tentes des Turcos...., from Au Camp de Saint-Maur, published in Le Charivari, August 13, 1859. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/8 × 9 1/16 in. (25.1 × 23 cm)Sheet: 11 3/4 × 11 7/16 in. (29.8 × 29.1 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Au Camp de Saint-Maur. Date: August 13, 1859. Museum: Metropolitan Museum of Art, New York, USA.

Canoestones and Canoese Planche N9 (Registered Title) | 2nd suite of 1862-1863 (dummy title)

My little darling I love myself with pleasure that we accuse ourselves at the sight of this master. (Title registered) | News. (Title of the whole)

The Distressed Poet, after William Hogarth, 1697-1764, British, Published by Jones & Co., active 1822-1850, British, 1833, Line engraving and etching on medium, slightly textured, cream wove paper

Le député ventrigoulu. Honoré Daumier (1808-1879). Lithographs

Écrivez, monsieur le notaire: Je lègue.... Honoré Daumier (1808-1879). Lithographs

Souvenirs d'Artistes: Through the Studios, 1862. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 44.2 x 31.9 cm (17 3/8 x 12 9/16 in.); image: 25.2 x 21 cm (9 15/16 x 8 1/4 in.).

My son ... ..., although I vigorously brushed it in my time! ... (Registered Title) | News. (Title of the whole)

Honoré Daumier, Dialogue des morts, 1867 Dialogue des morts

Je crois pouvoir dire, sans me flatter ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

"Ne laissez donc pas vôtre ami dans cet état-là!..," plate 4 from the series Vulgarités, published in Le Charivari Honoré Daumier French Publisher Aubert et Cie French June 1, 1841

Turgot - Eh bien mon pauvre condé... , Princes, Generals, Diplomats, Condé, Louis, prince de, 1621-1686, Turgot, Anne-Robert-Jacques, baron de l'Aulne, 1727-1781. Honoré Daumier (1808-1879). Lithographs

Une nuit au poste. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Je crois pouvoir dire, sans me flatter , 19th century Je crois pouvoir dire, sans me flatter ...

Marcer (Draper). Dated: published 1753. Dimensions: plate: 26.9 x 18.5 cm (10 9/16 x 7 5/16 in.). Medium: engraving and etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gaetano Zompini.

Le beau sexe a l'école de natation. Honoré Daumier (1808-1879). Lithographs

Cries of London, No. 2: Buy my Goose, my fat Goose. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: Sheet: 14 1/8 × 11 7/16 in. (35.8 × 29 cm). Publisher: R. Ackermann (active 1794-1829). Series/Portfolio: Cries of London. Date: January 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

The Old Bachelor's Valentine (valentine) 1860-1870 England. Wood engraving on ivory paper .

Failed game around Schenckhans, 1635-1636, Anonymous, 1635 - 1636 print Cartoon on the battle for Schenckenshans in the years 1635-1636. Frederik Hendrik and the Cardinal Infant Ferdinand Dice at a table around the fort. The stadholder wants to flee but is stopped by Cardinal Richelieu and the King of France who offers him a bag of money. The King of Spain and the Emperor are also present on the Governor Ferdinand. Under the table De Duivel and the Dutch municipality. In the background English ships with silver. The print includes a sheet with 4 columns of text in Dutch. Spanish side on the print described under FMH 1747. Southern Netherlands paper etching political caricatures and satires. dice-games Schenkhans

Woman's lover flees from the window when Van der Snuyf comes home unexpectedly. Part of a series of about 24 cartoons from 1828 on the imbalances within the Belgian militia due to social inequality within the corps, following the reorganization introduced on April 11, 1827. Fourth Trial, 1828 4th Tribulation. Sauve-toi Polite c'est van der Snuyf Cartoons on the imbalances within the Belgian militia, 1828 , print maker: Jean-Louis Van Hemelryck, (mentioned on object), Southern Netherlands, 1828, paper, h 270 mm × w 225 mm

The widow of the soldier (IT)

N ° 14 / Take my bear / MR from Chambord: - Do you want Do you want Do you want to accept my arm / And France did not answer!

John Calcott Horsley, 1817-1903, British, Man at a Door, 1856. Etching.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Take my bear / n ° 14

A generic scene in the office according to the image of Benjamin Vautier. A clip from a German magazine Walla, Józef (1844 Ca 1907), Vautier, Benjamin (1829 1896)

Why Hide Them, plate 30 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 185 x 125 mm (image); 215 x 152 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Inconvénient de visiter sans précaution un entresol... Dated: 1847. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

- Two coupons for .... / - Charenton

. Spot card in which the envious king George III disrupts the quiet Dutchman. With two-legged caption. Part of a series of six small representations about the tensions between England and the Netherlands, ca. 1780-1783.

Excellence. / Eh! Well Monsieur Mahieu, what to say, / you are already back from your expedition ...! / No. 22. (registered title)

Illustrations from Mr. Lambkin, plate 17, Print made by George Cruikshank, 1792-1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

We want a chamber Only one! Huh! It will be good! The men may be necessary to be at least two chambers! ”. Lithograph by Fritz von Dardel Nordic

En v'la une bonne chasse! ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Honoré Daumier, Allons bon! voila les grafignons, 1845 Allons bon!... voila les grafignons...

Beggar. (dummy title)

Savoyians with a magic lantern, Giovanni Volpato, After Francesco Maggiotto, 1750 - 1803 print A man wears a magic lantern on the back and turns a music box. Behind him a young man with a box in which is a rodent. Title in the end margin. print maker: Italyafter design by: Italypublisher: Venice paper engraving / etching magic lantern. musical box - CC - out of doors. 'cris de Paris', cries of London, etc.

Honoré Daumier, Vous allez bien aujourd'hui, M'sieu Chapoulard , 19th century Vous allez bien aujourd'hui, M'sieu Chapoulard ...

Impressions de voyage d'un grand poete. Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Et ces deux laids débris se désolaient entre eux. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Le maraudeur. Honoré Daumier (1808-1879). Lithographs

Companion at Schouw. .

Judgment at Matejk; Care, Ignacy (1865-1941), Matejko, Jan (1838-1893), Society of Zach 1901-1902 (1901-00-00-1902-00-00);Kraków (Lesser Poland Voivodeship), Matejko, Jan (1838-1893)-iconography, Smolikowski, Seweryn (1850-1920), Smolikowski, Seweryn (1850-1920)-collection, reading, gift (provenance), Polish graphics, Poland (Poland ( Culture), bonuses of the Society of Encouragement of Fine Arts, satire

Seigneur de Bougiral, il me faut tout votre sang pour laver cette injure!... - (Le seigneur de Bougiral, haut) Seigneur de Beautricourt!...(bas) On vous dit zut ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Faust, Méphistophélès et le barbet (Faust, Mephistopheles and the WaterSpaniel). Artist: Eugène Delacroix, French, 1798-1863

Man shows a leaf with the symbols of the signs of the zodiac to another figure, Daniël Vulawaard (I), After Jacob Smies, 1833 print In an interior, a man sitting at a table shows a leaf with the symbols of the signs of the zodiac to another figure, which stands next to him with his hat in his hand. Amsterdam paper etching / engraving caricatures (human types). scholar in his study. astrological signs and symbols

Une envie de femme grosse. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Netherlands, French Brotherhood, said Equality, Cartoon on the French Brotherhood, 1793, verso - stamped, 1793. A Frenchman and a Dutchman embrace each other while the Frenchman takes the purse of the Dutchman steals. Probably in response to the first French invasion in 1793. The caption contains a conversation between the two., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 230 mm, width 130 mm, print maker, printmaker, 1793 - 1793, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, letterpress

Honoré Daumier, Dis donc amour! Crois tu que ce sera un garçon Tu sais bien Clothilde que je te l'ai promis Et j'ai un tact Qui ne me trompe jamais!, June 16, 1839 Dis donc amour! Crois-tu que ce sera un garçon. -Tu sais bien Clothilde que je te l'ai promis . . . Et j'ai un tact . . . Qui ne me trompe jamais!

Lord and Devil in a landscape, G.M. Heaton, After A. Elink Sterk, c. 1827 - 1836 print A newly dressed gentleman with walking stick is grabbed by a second man with a stitch on the head and bokke legs. Bottom right: bl. 157. Amsterdam (possibly) paper etching human-shaped devil. walking-stick, staff

Honoré Daumier, Vous ne prenez rien, 19th century Vous ne prenez rien

Contemptuous of the Insults. Francisco José de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 - 1828)

- Adelaide, Adelaide. I think I can see the comet coming!!.. - Oh my God.. this is the end of the world... how annoying They promised it wouldn't come until June 13!,” plate 31 from Croquis Parisiens 1857 France. After the Comet of Charles V failed to reappear in the 1840s, as astronomers predicted, a Belgian almanac writer announced that it would arrive on June 13, 1857, when it would collide with the earth and end all life. The prediction spread across Europe, but its effect was particularly pronounced in Paris, where terrified families began to prepare for the end. The situation was ripe for mockery, and it also enabled Daumier to compose a variety of night scenes, which he particularly enjoyed drawing. In this print, he devotes particular care to depicting how the candle illuminates his panicked Parisians.. Lithograph in black on ivory wove paper . Honoré-Victorin Daumier

Malesherbes at the king's feet.

Richard three times over. Election eve, November, 1883. , Political elections, Barrels, Ghosts, Butler, Benjamin F. Benjamin Franklin, 1818-1893, Richard III, King of England, 1452-1485

Dire qu'il y a des gens qui boivent de l'absinthe ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

If fait sondroit….. Artist: Paul Gavarni, French, 1804-1866

Quarrelsome Lovers. Artist: After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 11/16 × 7 5/8 in. (27.2 × 19.3 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: Henry Wigstead (British, 1745-1800 Margate). Date: January 2, 1797. Museum: Metropolitan Museum of Art, New York, USA.

Paul Gavarni (aka Hippolyte-Guillaume-Sulpice Chevalier, French, 1804 - 1866). Le Jeu des Dominos, 19th century. From Oeuvres Nouvelles de Gavarni. Lithograph.

A young woman sits pensive in a room. She looks at a folding screen depicting three choices for her life: independence, marriage, or life in a convent. Print from a series of four prints depicting the stages of a woman's life, Young Woman Virgo The Four Ages of a Woman , print maker: Pieter van den Berge, (possibly), Pieter van den Berge, (possibly), publisher: Pieter Schenk (I), (mentioned on object), Amsterdam, 1694 - 1737, paper, etching, engraving, h 265 mm × w 186 mm

Vous allez voir!... ça va arrêter le sang... Dated: 1838. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

First appearance of Mr.Samuel Weller. Illustration from the Charles Dickens novel The Pickwick Papers by H.K. Browne known as Phiz

Je ne loue pas aux gens qui ont des enfants!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1847. Prints; lithographs. Lithograph

A man sits at a table lighting his pipe. Etching by D. Deuchar () after A. van Ostade ().

Nederlandse leeuw wijst de wetten van de jezuïet af, 1828; Je n'en mange pas.The Dutch lion rejects the laws that a Jesuit offers him, 1828. The Jesuit has entered the southern Netherlands across the border with France, behind him at a border post with three French lilies. Cartoon on the reactionary legislation that entails the arrival of Jesuits.

Une soirée d'allégresse a Clichy. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Fonctionnaires...veillant au salut de l'empire!. Honoré Daumier (1808-1879). Lithographs

Money Lenders. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 1/8 × 17 3/8 in. (30.8 × 44.2 cm)Plate: 10 1/8 × 13 7/8 in. (25.7 × 35.3 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: George Prince of Wales (British, London 1762-1830 Windsor). Date: November 8, 1784. Museum: Metropolitan Museum of Art, New York, USA.

Ventre affamé n'a pas d'oreilles. Honoré Daumier (France, Marseilles, 1808-1879). France, 1840. Prints; lithographs. Lithograph

Quelle horrible chose ... si nous avons le guerre! ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Hi! Hi! Il ma léché le beurre de ma tartine!. Honoré Daumier (1808-1879). Lithographs

Wilde on Us. Something To "Live Up" To in America (published in "Harper's Bazar," June 10, 1882) originally published 1882 Thomas Nast This is a proof of a wood engraving published in Harper's Bazar. Oscar Wilde dressed in a velvet suit with knee breeches, points to work boots and a straw hat lettered "The Picturesque Miners in the Rocky Mountains." His pockets are stuffed with moneybags, and sunflowers grow from a column capital behind. More sunflowers and a lily grows from another pair of boots. A hat resting on a cudgel is labeled "For Sun & Rain." Graffiti on the wall behind depicts men fighting, a bottle of liquor, and roosters, with buildings labeled "Mudville." Nast depicts Wilde is in his familiar lecturing garb surrounded by lilies and sunflowers and with money bulging from his pockets. During a lecture tour of America, Wilde visited Leadville, Colorado on April 13, 1882 and there spoke to silver miners.. Wilde on Us. Something To "Live Up" To in America (published in "Harper'

Honoré Daumier, Poète classique composant une églogue, 1840 Poète classique composant une églogue...

March; Martius; The twelve months of the year, "Les XII Mois de l'Année". Village view in a snow shower in which men and women throw snowballs. Right front a sled with tub and fishing net. The print is part of a series of twelve prints with the twelve months of the year.

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