19th Century Social Commentary

Humorous and critical illustrations of societal norms and family life, characterized by vibrant colors and detailed scenes from the early 1800s.

Frontispiece to Reflections on the French revolution, engraving 1790, Edmund Burke on bended knee as though proposing to a vision which appears before him of Marie Antoinette, while a cherub touches his head with a firebrand emitting the sparks of romance.

Farmer Giles and His Wife Showing Off Their Daughter Betty to Their Neighbours on her Return from School January 1, 1809 James Gillray British. Farmer Giles and His Wife Showing Off Their Daughter Betty to Their Neighbours on her Return from School. James Gillray (British, London 1756-1815 London). January 1, 1809. Hand-colored etching. Hannah Humphrey (London). Prints

A Curious Junto of Slandering Elves. George Cruikshank (English, 1792-1878); published by Hannah Humphrey (English, c. 1745-1818). Date: 1817. Dimensions: 240 × 345 mm (image); 248 × 352 mm (plate); 255 × 356 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The dance of death: the honeymoon. Coloured aquatint by T. Rowlandson, 1816.

French Liberty, British Slavery. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1792. Dimensions: 235 × 342 mm (image); 249 × 354 mm (plate); 277 × 396 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A man of feeling , Scholars, Seduction, Fireplaces. Thomas Rowlandson (1756-1827). Prints and Drawings

Isaac Cruikshank, 1756-1810, British, My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, 1794. Etching, hand-colored.

Isaac Cruikshank, 1756-1810, British, A Spy!!! or the Blessings of a Convention Bill, 1795. Etching, hand-colored.

A shrewed guess : Or the farmers definition of parliamentary debates , Conversation, Dogs, Debates, Legislative bodies. Thomas Rowlandson (1756-1827). Prints and Drawings

Frontispiece to Reflections on the French revolution, engraving 1790, Edmund Burke on bended knee as though proposing to a vision which appears before him of Marie Antoinette, while a cherub touches his head with a firebrand emitting the sparks of romance.

Domestic Shaving. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 7/8 × 8 11/16 in. (27.6 × 22 cm). Publisher: John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Date: August 21, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Miseries of Human Life: While Deep in Study and Lost in Thought in the Complicated Profession of a Taylor and All on a Sudden Disturbed by the Shrieks of a Woman Crying Cucumbers. Artist: Nicolaus Heideloff (British, 1761-1837); After Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 5/8 × 9 1/8 in. (32 × 23.2 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Miseries of Human Life. Date: October 1807. Museum: Metropolitan Museum of Art, New York, USA.

Hand-coloured etching depicts an elderly man who has slipped and fallen on the sidewalk outside Humphrey's printing establishment at No. 27 St. James's Street, London. He is holding a thermometer which he manages keep upright, behind him are five individuals looking at caricatures printed by Humphrey that are on display in the shop windows. Created by James Gillray (1756-1815) British caricaturist and printmaker famous for his etched political and social satires. Dated 1808

A nincompoop : Or hen peck'd husband , Walking, Spouses, Lifting & carrying. Thomas Rowlandson (1756-1827). Prints and Drawings

Commanders Engaged at Sea 1785, reissued July 1, 1802 Thomas Rowlandson Two officers gamble in a ship cabin, while another man pours them tea at right.. Commanders Engaged at Sea. Thomas Rowlandson (British, London 1757-1827 London). 1785, reissued July 1, 1802. Hand-colored etching. S. W. Fores (London). Prints

Directions to Footmen November 10, 1807 Thomas Rowlandson An untidy footman stands by the dinner table and lets a tureen slide on to the table so that its contents pour out. He holds a dish containing a leg of mutton in his left hand, held so that joint and gravy fall to the floor, while a dog waits expectantly at right. The two women at the table look at him, mouths agape.. Directions to Footmen. Thomas Rowlandson (British, London 1757-1827 London). November 10, 1807. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

London Outrider, or Brother Saddlebag September 10, 1799 Thomas Rowlandson. London Outrider, or Brother Saddlebag. Country Characters. Thomas Rowlandson (British, London 1757-1827 London). September 10, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Germans Eating Sour-Krout. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1803. Dimensions: 253 × 360 mm (image); 260 × 365 mm (plate); 285 × 412 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A Blow-up at Breakfast, Richard Newton, 1777-1798, British, 1792, Etching, hand-colored, Sheet: 16 1/4 x 10 7/8in. (41.3 x 27.6cm), dinner, food, meal

The man In position , Sitting, Distress. Thomas Rowlandson (1756-1827). Prints and Drawings

Hatred or Jealousy January 21, 1800 Thomas Rowlandson British. Hatred or Jealousy 687412

Hrorororoo! (English exclamation) 1817 France. Color lithograph in black with hand-coloring on tan wove paper . Godissart de Cari

National conveniences by Gillray, James (1757-1815)/ Private Collection/ 1769/ England/ Etching, watercolour/ Caricature/ Genre

Miseries domestic. Waking in the middle of the night, in a state of raging thirst... , Thirst, Beds, Sleeping. Thomas Rowlandson (1756-1827). Prints and Drawings

James Gillray, 1757-1815, British, The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe, 1792. Etching, hand-colored.

Twelfth night , Caricatures. Thomas Rowlandson (1756-1827). Prints and Drawings

James Gillray, 1757-1815, British, Leaving off Powder, - or - a Frugal Family Saving the Guinea, 1795. Etching, hand-colored.

The Art of Ingeniously Tormenting 1808 Thomas Rowlandson. The Art of Ingeniously Tormenting. After George Murgatroyd Woodward (British, 1765-1809 London). 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Comforts of Bath: The Music Master, Thomas Rowlandson, 1756-1827, British, 1798, Watercolor with pen and black ink on medium, slightly textured, cream laid paper, Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm) and Sheet: 4 3/4 x 7 7/16 inches (12.1 x 18.9 cm), bottles, candles, candlesticks, fireplace, genre subject, instructors, kissing, man, piano, sleeping, woman, Bath, Bath and Northeast Somerset, England, Europe, Somerset, United Kingdom

O Tempora, O Mores! December 1799 Samuel Alken Three men have fallen asleep at the table in a drunken stupor, while empty bottles of wine are strewn about on the floor. Two men open a door at right and stare at them in shock.. O Tempora, O Mores!. Samuel Alken (British, London 1756-1815 London). December 1799. Hand-colored etching. Prints

Humors of Houndsditch, or Mrs. Shevi in a Longing Condition September 20, 1813 Thomas Rowlandson Mrs. Shevi leans over the windowsill down to kiss a sucking pig, which her husband holds out to her as he puts his arm around her. A sow at lower right looks up at the pig. A bill is posted on a wall at right, which reads: "Lost supposed to have been Stolen a Sow and Seven Pigs Whoever gives Information Five Pound Reward.". Humors of Houndsditch, or Mrs. Shevi in a Longing Condition. Thomas Rowlandson (British, London 1757-1827 London). September 20, 1813. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Inscribing a tombstone , Sepulchral monuments industry, Tombs & sepulchral monuments. Thomas Rowlandson (1756-1827). Prints and Drawings

Politeness , Adultery, Etiquette, Beds. Thomas Rowlandson (1756-1827). Prints and Drawings

Groep mensen rond tafel. Een horreur van een gemeen kind maar ze vonden haar allemaal adorabel! (...) (title on object). Draughtsman: Pieter van Loon. Dating: 1870. Measurements: h 126 mm × w 132 mm. Museum: Rijksmuseum, Amsterdam.

At Home and Abroad, Abroad and At Home. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 7/8 × 8 5/16 in. (30.1 × 21.1 cm). Date: February 28, 1807. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Rowlandson (British, 1756 1827 ), La Belle Limonaudiere au Cafe des Mille Colonnes, Palais Royal, Paris, 1814, hand colored etching

Steward September 10, 1799 Thomas Rowlandson. Steward. Country Characters. Thomas Rowlandson (British, London 1757-1827 London). September 10, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

A peep at Christies' ;orTally-ho, & his Nimeney-pimmeney taking the Morning Lounge SUMMARY: Miss Elizabeth Farren and Lord Derby walk together inspecting pictures. She, very thin and tall, looks over his head through a glass at a picture in the second row of Zenocrates & Phryne. He looks at the picture immediately below, The Death, a huntsman holding up a fox to the hounds. Lord Derby, much caricatured, very short and obese, wears riding-dress with spurred boots and holds a whip. Miss Farren wears no hat, a dress hanging from the shoulders and trailing her, short sleeves and gloves. Both ho

Bergami Pears, or Choice Fruit. Artist: Anonymous, British, 19th century. Dimensions: plate: 13 11/16 x 9 3/4 in. (34.7 x 24.7 cm)sheet: 14 5/8 x 10 7/16 in. (37.2 x 26.5 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: October 1820.Caricature referring to Queen Caroline and Bertolommeo Bergami, her courier. The queen sits at a table on which are dishes of fruit, and holds a scroll labeled "Defence". She says: "I do love these Pears! but I hate the Windsor Pears". Museum: Metropolitan Museum of Art, New York, USA.

A Militia Meeting May 21, 1803 Thomas Rowlandson Based on a drawing by Bunbury etched and published by J. Bretherton in 1773. Three men stand while two more sit at a table; on the walls a map and portrait. Two dogs interact at right.. A Militia Meeting. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). May 21, 1803. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Launching a Frigate February 1, 1809 Thomas Rowlandson A young prostitute, elaborately dressed, walks from the door of a Portsmouth brothel. Behind her is a plump woman, with her hands on her hips. On the wall of the house is the inscription "Portsmouth Dock" and three bills: "From the Country an Assortment of Fresh Ware," "A Tragedy in Rehearsal," and "Leakes Genuine Pills." In the background, a woman leans from the window of a house with outstretched arms, while flames and smoke erupt from the chimney.. Launching a Frigate. Thomas Rowlandson (British, London 1757-1827 London). February 1, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Temperance Enjoying a Frugal Meal. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: sheet: 14 3/4 x 12 3/16 in. (37.5 x 30.9 cm). Publisher: Hannah Humphrey (London). Date: July 28, 1792. Museum: Metropolitan Museum of Art, New York, USA.

A Game of Cribbage or Boney's Last Shuffle. Artist: George Cruikshank (British, London 1792-1878 London); After George Humphrey (British, 1773-1831). Dimensions: plate: 8 3/8 x 10 13/16 in. (21.2 x 27.4 cm)sheet: 9 1/4 x 12 1/2 in. (23.5 x 31.7 cm). Publisher: Hannah Humphrey (London). Date: June 6, 1814. Museum: Metropolitan Museum of Art, New York, USA.

A prostitute leading an old man into the bedroom and taking money from him; implying that her services will act like a tonic and preserve his state of health. Coloured etching, 18--, after T. Rowlandson, 1811.

Lady and old gentleman in a parlor, 19th century. She says, But how can you live on 6,000 francs She thinks, It's enough, you old miser! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce qu'on dit et ce qu'on pense, Gihaut Freres, Paris, 1829.

Vices overlook'd in the New Proclamation, James Gillray, 1757-1815, British, 1792, Etching, hand-colored, Sheet: 8 3/4 x 13 3/8in. (22.2 x 34cm)

Desire February 21, 1800 Thomas Rowlandson British. Desire 376335

Wide-awake , Waking, Cats, Screaming, Fear. James Gillray (1756-1815). Prints and Drawings

Germans Eating Sour-Krout May 7, 1803 James Gillray British. Germans Eating Sour-Krout. James Gillray (British, London 1756-1815 London). May 7, 1803. Hand-colored etching. Hannah Humphrey (London). Prints

Crimping a Quaker , Seduction, Taverns Inns. Thomas Rowlandson (1756-1827). Prints and Drawings

English dandy with his hairdresser and tailor. Dick Wildfire preparing for a Dash a la Francoise. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

The head of the family in good humour , Quarreling, John Bull Symbolic character, Napoleon I, Emperor of the French, 1769-1821, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835. Thomas Rowlandson (1756-1827). Prints and Drawings

An Old Catch, Newly Revived July 18, 1809 Thomas Rowlandson. An Old Catch, Newly Revived. Thomas Rowlandson (British, London 1757-1827 London). July 18, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The Dutch toll, 1814; The Dutch Toy. Cartoon at Willem Frederik George Louis, Prince of Orange-Nassau (later King Willem II), proposed as a small figure sitting on top of a toll beaten by the English princess Charlotte with a whip. A figure coming through the door on the right reaches the princess a branch forest to join. Room interior with links a piano and above a painting by Cupid that is upside down on top of the globe. Charlotte broke her engagement with the Prince of Orange in May 1814.

Conversazione / A Country Club. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Image: 5 7/8 × 9 7/16 in. (15 × 24 cm)Image: 6 9/16 × 9 7/16 in. (16.7 × 24 cm)Sheet (trimmed within plate): 13 9/16 × 9 5/8 in. (34.5 × 24.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Date: 1806-11 (). Museum: Metropolitan Museum of Art, New York, USA.

News / What will they constitute, great gods!

Thomas Rowlandson, 1756-1827, British, The Doctor Overcame, undated. Watercolor with pen and black ink on moderately thick, moderately textured, blued white laid paper.

Miss Endeavouring to Excite a Glow with Her Dutch Play Thing. Isaac R. Cruikshank (English, 1789-1856); published by S.W. Fores (English, 1761-1838). Date: 1814. Dimensions: 220 × 337 mm (image); 248 × 355 mm (plate); 255 × 360 mm (sheet). Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA. Author: Isaac Robert Cruikshank.

Hatred or jealousy , Beds, Couples, Investigation, Candles, Hugging. Thomas Rowlandson (1756-1827). Prints and Drawings

The gradual abolition off the slave trade or leaving of sugar by degrees. British Cartoon Prints Collection , Exhibited: "Revolution! The Atlantic World Reborn" at the New York Historical Society, New York, N.Y, 2011-2012. Elizabeth,Princess of England,1770-1840. , Schwellenbergen, Juliana Elizabeth,-1797. , George,III,King of Great Britain,1738-1820,Family. , Charlotte,Queen, consort of George III, King of Great Britain,1744-1818,Staff. , Eating & drinking,1790-1800. , Slave trade,1790-1800. , Sugar,1790-1800. , Temperance,1790-1800.

The Finishing Touch, James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 9 3/4 x 6 3/4in. (24.8 x 17.1cm)

Vicar. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 7/16 × 8 7/16 in. (26.5 × 21.5 cm)Plate: 9 9/16 × 7 7/8 in. (24.3 × 20 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Country Characters. Date: September 10, 1799. Museum: Metropolitan Museum of Art, New York, USA.

Fair in a dreed one; Scholtz, Julius (1825-1893); around 1858 (1853-00-00-1863-00-00);Dresden (Germany), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (fl. Ca 1912) - gift, children, fairs, German drawings, holidays (customs)

Hiring a servant , Servants, Cats, Anger. Thomas Rowlandson (1756-1827). Prints and Drawings

Metallic Tractors 1803 After James Gillray British This small copy of a Gillray satire of November 11, 1801 appeared in the periodical "London and Paris" in 1803. We are shown Dr. Elisha Perkins (1741-1799), the American inventor of a pair of electrified metallic tractors said to cure various diseases. Elisha's son Benjamin advertised the device from the house of John Hunter, 18 Leicester Square in London between 1798 and 1802 and Dr. Perkins here applies them to boils on the nose of a citizen possibly intended to represent John Bull.. Metallic Tractors. After James Gillray (British, London 1756-1815 London). 1803. Hand-colored etching. Dr. Elisha Perkins (American, 1741-1799). Prints

Thomas Rowlandson, 1756-1827, British, Dr. Syntax and his Counterpart, 1820. Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper.

DALI Salvador(1904-1989) Why hide them Capricho-30 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar, James Gillray, 1757-1815, British, 1792, Etching, hand-colored, Sheet: 12 3/8 x 15 5/8in. (31.4 x 39.7cm)

Lady Godina's Rout; --or--Peeping Tom Spying Out Pope Joan. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1796. Dimensions: 242 × 357 mm (image); 260 × 361 mm (plate); 282 × 400 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Fais bien attention! , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Isaac Cruikshank, 1756-1810, British, The Present State of Europe, Or - John Bull on his Last Legs, 1795. Etching, hand-colored.

A Sailor's Will May 25, 1805 Thomas Rowlandson. A Sailor's Will. Thomas Rowlandson (British, London 1757-1827 London). May 25, 1805. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Miseries of human life. Introductory dialogue , Diseases, Children, Dogs, Beds, Fireplaces, Laundry. Thomas Rowlandson (1756-1827). Prints and Drawings

A cab driver disputes the fare with a passenger Date: 1819

Brigand de tailleur...encore un habit...rétréci!. Honoré Daumier (1808-1879). Lithographs

A Kick Up At A Hazard Table. Thomas Rowlandson (1756-1827). Coloured etching with aquatint, 416 x 557mm. Published 1787.

A lump of innocence ,. Thomas Rowlandson (1756-1827). Prints and Drawings

Richard Newton, 1777-1798, British, Drink to me only with thine Eyes, 1797. Etching, hand-colored.

Richard Newton, 1777-1798, British, A Salt Water Salute, 1794. Etching, hand-colored.

Mr. Lambkin in an old bachelors' club, completely recovered from his illness and contemplating the errors of his ways. Lithograph by G. Cruikshank.

Phrenology, 1820 (1886). Artist: Frank Dadd

John Bull at the Italian Opera October 2, 1811 Thomas Rowlandson British. John Bull at the Italian Opera 388770

English and Russian Couples. Artist: Utagawa Yoshitora (Japanese, active ca. 1850-80). Culture: Japan. Dimensions: Image: 10 1/16 x 14 7/16 in. (25.6 x 36.7 cm). Date: 1st month, 1861. Museum: Metropolitan Museum of Art, New York, USA.

The customs inspector , Customs inspections, Customs employees. Thomas Rowlandson (1756-1827). Prints and Drawings

Thou Art Weighed in the Balances, and Art Found Wanting, John Kirby Baldrey, active 1750-1821, 1788, Etching, hand-colored, Sheet: 9 1/2 x 11 1/8in. (24.1 x 28.3cm)

Dumourier dining in State at St. James's on the 15 May, 1793 , Military officers, Politicians, Government officials, Clergy, Authors, Eating & drinking, Cooks, Military deserters, Dumouriez, Charles François Du Périer, 1739-1823, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Priestley, Joseph, 1733-1804, Sheridan, Richard Brinsley, 1751-1816. James Gillray (1756-1815). Prints and Drawings

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Dido in despair!. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). 1801-02-06. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Four Seasons of Love. Thomas Rowlandson (English, 1756-1827); published by Thomas Tegg (English, 1776-1845). Date: 1814. Dimensions: 225 × 330 mm (image); 243 × 340 mm (sheet, trimmed to platemark). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Boney the Second or the little babboon created to devour French monkies , Rulers, Priests, Infants, Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832. Thomas Rowlandson (1756-1827). Prints and Drawings

A foolish man kissing a ribbon and surrounded by sentimental keepsakes; representing the Duke of Cumberland's love for Mrs. Powell. Coloured etching by I. Cruikshank, 1804.

DALI Salvador(1904-1989) There was no help Capricho-24 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Man in conversation with a French writer; What the one says and the other thinks; CE qu'on this et ce qu'on pense. For the bookcase, busts of the writers are Madame de Sévigné and Sophie Ristaud Cottin.

The Cholic. George Cruikshank (English, 1792-1878); after Captain Frederick Marryat (English, 1792-1848). Date: 1819. Dimensions: 208 x 257 mm (image); 208 x 257 mm (plate); 213 x 263 mm (sheet). Etching with hand-coloring on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Public house politicians , Organizations, Bars. Thomas Rowlandson (1756-1827). Prints and Drawings

An undertaker's visit. Etching by Richard Newton, 17--.

() Isaac Cruikshank, 1756-1810, British, A Brace of Blessings, 1796. Etching, hand-colored.

An obese gouty man in trouble, while his attendants cavort. Coloured lithograph by T. Rowlandson.

A Theatrical Candidate 1797 Thomas Rowlandson. A Theatrical Candidate. Thomas Rowlandson (British, London 1757-1827 London). 1797. Hand-colored etching and aquatint. Prints

The Secret History of Crim Con, Fig 1 August 18, 1808 Thomas Rowlandson. The Secret History of Crim Con, Fig 1. Thomas Rowlandson (British, London 1757-1827 London). August 18, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

That she is pretty (IT)

of 2