19th Century Social Satire

Lithographs depicting social interactions and humorous commentary on relationships, adorned with intricate details and expressive figures.

The boulevards / -lache on January 14! .. No luck! .. ...

Quand donc qu'on va lui faire l'opération de la triangulation à c'te pauv'e ville de Paris M'en parlez pas ma chère...j'veux quitter Paris ce jour là, j'ai jamais eu le courage de voir faire des opérations!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1860. Prints; lithographs. Lithograph

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), nothing to fear. All these ladies are married and these gentlemen are from the League (title given by the author), 1906. Black Pierre and blue watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Honoré Daumier, Comment! encore une caricature sur nous, 1844 Comment! encore une caricature sur nous...

Et On Appelle, Ça Descendre le Fleuve de la Vie... Honoré Daumier (French, 1808-1879). , June 28, 1842. Lithograph on newsprint, Sheet: 14 7/16 x 9 3/8 in. (36.7 x 23.8 cm). European Art June 28, 1842

Elsie, Emma and Marjorie, first stone , Spouses, Sitting, Artists, Speicher, Elsie, -1959, Bellows, George, 1882-1925, Henri, Robert, 1865-1929. George Bellows (1882-1925). Prints and Drawings

Finally my dear ... / n 19 (title registered) | The Bigarures of the Human Spirit. (Title of the whole)

Dancer and Headwaiter. Dated: 1908. Medium: soft-ground etching, drypoint, and aquatint. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

First breakfast, reproduction of the image of Jacek Malczewski Krieger, Amalia (1846 1928)

Three witches or Fates spinning, with bodies of babies tied up behind them. Etching by F. Goya, 1796/1798.

Illustration for the School of Olders of Delavigne. (Title Title)

'...dussent-ils me maudire...'. Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Print made by John Raphael Smith, 1752-1812, British, The Clavering Children, 1779. Mezzotint on medium, sligtly textured, cream laid paper.

Lady and Lord in a garden, Simon Fokke, 1722 - 1784 print A wealthy lady and gentleman have a conversation in a garden. The Lord has taken his hat for the lady who makes a defend gesture to him. In the background are three figures and a gate in classicist style. Amsterdam paper etching garden. conversation, dialogue; conversation piece

Fashionable lady in front of a covered passage or galerie, Paris, 1833. Eagle scuplture at entrance, posters for piano lessons, printers and engravers, framers, colourists, cleaners. Lecons de Piano, Relieur, Mllles Royer Coloristes, Dumas-Vorzet Imprimeur Taille-Douce. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.

Eh bien! tu verras, ma fille, comme tu le seras, toi, dans tous lesetats…. Artist: Paul Gavarni, French, 1804-1866

Company in a park. Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 93 mm × w 151 mm. Museum: Rijksmuseum, Amsterdam.

Faite et Gestes du Propriétaire. Paul Gavarni (French, 1804-1866). Lithograph;

"I Cannot! It Would Be a Sin! A Fearful Sin!", 1868. Winslow Homer (American, 1836-1910). Wood engraving;

Fariboles 2 board 146 (registered title)

Toilette de Campagne ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Thomas Rowlandson, 1756-1827, British, The Ballad Singers, undated. Watercolor and graphite with pen and black ink on moderately thick, moderately textured, cream laid paper.

Published by Charles Turner, 1774-1857, British, The Ladies Charlotte and Anne Spencer: 'The Mask', 1823. Mezzotint on moderately thick, moderately textured, beige, wove paper.

A Cleric Accompanying a Lady on Her Morning Walk, 1778/80, red chalk and graphite on beige laid paper, laid down, overall: 28.5 x 21.1 cm (11 1/4 x 8 5/16 in.), Pierre Thomas Le Clerc (artist) French, born c. 1740

Design for a Scene in de Laujon's "L'Amoureux de quinze ans, ou la Double-Fête..." ca. 1771 Hubert François Gravelot French. Design for a Scene in de Laujon's "L'Amoureux de quinze ans, ou la Double-Fête..." 335467

Henry Walton, The Fruit Barrow (Walton Family), 1780, mezzotint on paper.

'THE LETTER,' BY H.P. RIVIERE, IN THE EXHIBITION OF THE SOCIETY OF PAINTERS IN WATER COLOURS, 1869

As it is endearing when he removes it! / 46 (title registered (letter)) | Grisettes (title of all)

Den Haag, Nijhoff, Martinus, Nederland, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Cartoon with the Amsterdam city virgin and the Dutch Virgin, 1883, The Hague, Netherlands, 1883. In the background the University of Amsterdam. Plate published with the weekly De Nederlandsche Spectator, no. 13, 1883., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1883 - 1883, paper, papier, lithografie (techniek), printer, Publication (Event), Publication, 1826-12-26 - 1894-09-24, publisher

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), where there is no pleasure (title given by the author), 1904. Pierre Noire and Blue pencil on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

A soldier takes his hat off to a lady at her table but finds that she preferred "les Lanciers". Lithograph by Villain, 1826, after H. Bellangé.

Eugène Delacroix, The Murder of Polonius (Act III, Scene IV), 1834 1843 The Murder of Polonius (Act III, Scene IV)

Les Medaillons a laMode. Artist: Paul Gavarni, French, 1804-1866

Forbidden Fruit, Photogravure Print from the Original 1865 Painting by Auguste Toulmouche, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Séguin, F., rue Galande, Le Petit Salon du Château Rouge (dummy title), 1898. Pierre Noire. Carnavalet museum, history of Paris.

SAISON DHIVER. Artist: Paul Gavarni, French, 1804-1866

La Belle Moissonneuse. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching mounted on China paper

After Winslow Homer, Any Thing for Me, If You Please Post Office of the Brooklyn Fair in Aid of the Sanitary Commission, published 1864 Any Thing for Me, If You Please - Post Office of the Brooklyn Fair in Aid of the Sanitary Commission

Interior with standing woman by a column, Johannes Bosboom, 1856 drawing paper. pencil brush

DINNER held by (MONSIEUR HAGERMANN) at "HOTEL DE FRANCE,ST.PETERSBURG" (HOTEL;). Buttolph, Frank, 1850-1924. text. Menus. 1900. Rare Book Division

Bernard Lepicie after Jean Siméon Chardin, La Gouvernante, 1739 La Gouvernante

Confidence in the Garden, 1894. James McNeill Whistler (American, 1834-1903). Lithograph;

Even Thus He Cannot Make Her Out (Ni asi la distingue) Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching, aquatint, and drypoint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

The Red Shoes, one of Hans Christian Andersen's Fairy stories Karen being given her first pair of red shoes by the shoemaker's wife on the day her mother is buried. Dalziel chromolithograph c1879.

Bliżej Kultury Hanfstaengl, Franz (1804 1877), Hanfstaengl, Fr.

Bitte, bitte. Unknown

Otello: a Tale of the Opera, 1845. Illustration to a serialised short story. From "Illustrated London News", 1845, Vol VII.

Pen and brown ink over graphite; with touches of white gouache; on ivory wove paper.

A voluminous woman crossing a bush in a circle of foliage to get to a latrine; perhaps representing Garnerin's London balloon flights of the time. Etching by J. Gillray, 1802.

'The Toilet of Helen', 1890s, (1935). Creator: Aubrey Beardsley.

Crinolinomaniaie./10./Teux too wide skirts in a too narrow alley. (Registered title (letter)) | Crinolinomania. (Title of all)

Spain. Asturian people. Engraving, 19th century. Cronica General de Espa-a, Historia Ilustrada y Descriptiva de sus Provincias. Asturias and Leon, 1867.

Honoré Daumier, A la buvette, 1847 A la buvette

WAITING FOR THE GONDOLIER.

Numa Fils, Paris, Bénard, Bibis de 1832, center bottom - printed, Two women in dresses with very short skirts. A man looks at the statue behind the two ladies with a monocle. He rests his other hand on a walking stick or trunk with tassels., cartoon, fashion print, prints, height 267 mm, width 198 mm, lithographer, 1832 - 1832, second quarter 19th century, paper, lithography (technique), Work conception

Il défend l'orphelin et la veuve, a moins... Dated: 1846. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Adieu, mon bonange…. Artist: Paul Gavarni, French, 1804-1866

Wohlhabende Frau mit Schlittschuhen unterwegs im Winter, schiebt einen Schlitten mit ihrer Tochter, die mit einem Eisbärfell zugedeckt ist, 1880, Historisch, authentisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4904003

London Cries: "Black Heart Cherries...". Date/Period: Ca. 1759. Genre subject. Watercolor and graphite on medium, cream, slightly textured laid paper. Height: 178 mm (7 in); Width: 143 mm (5.62 in). Author: Paul Sandby.

Winter American. Winter, ca. 1800. Hand-colored etching on white wove paper, image: 10 1/2 x 9 in. (26.7 x 22.9 cm). American Art ca. 1800

LA BONNE AVENTURE. - THE FORTUNE PELLER(sic).. Artist: Paul Gavarni, French, 1804-1866

'Queen Hermione', 1865 Artist: John Tenniel

Rurban et bonnetpaysanne…. Artist: Paul Gavarni, French, 1804-1866

Study for an Engraving of "Songs in the Opera of Flora" ca. 1737 Hubert François Gravelot French. Study for an Engraving of "Songs in the Opera of Flora" 335505

France, 19th century. Gallantry at the Hotel. Engraving by F. Masse, painted by Pierre Vidal, from Octave Uzanne (1851-1931), La Femme a Paris: nos contemporaines, 1894.

Pea Shellers 1737 Anne Claude Philippe de Tubières, comte de Caylus French. Pea Shellers 398845

Print, A Reproach (Un Rimprovero); Italy; etching in dark brown ink on white paper; 20.8 × 24.2 cm (8 3/16 × 9 1/2 in.); Bequest of George Campbell Cooper; 1896-3-387

Frontispiece for the short story 'The Wife of His Youth,' featuring the text 'This is the woman, and I am the man.' Created in 1899 and published by Houghton, Mifflin and Company in Boston. The image is in black and white, measuring 19 x 12 cm. The original print has a tear in the upper right-hand corner. Themes include African Americans, race identity, class consciousness, and racially mixed people in the United States

Louis Marin Bonnet after Pierre Antoine Baudouin, Le Rendez vous, 1771 Le Rendez-vous

Au nouvel an, visite obligée à la tante Rabourdin. Honoré Daumier (France, Marseilles, 1808-1879). France, 1847. Prints; lithographs. Hand-colored lithograph

Dire que nous v'la Parisiens!. Honoré Daumier (1808-1879). Lithographs

Fotoreproductie van Die Toilette for Endlegung, Anonymous, After François -Louis Lanfant de Metz, 1870 - 1890 Photograph. visit card This photo is part of an album. cardboard. photographic support albumen print painting, drawing and the graphic arts. dressing oneself, getting dressed

Modes and manners of the day in Paris at the end of the 18th century and at the beginning of the nineteenth "he will appease him Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. He will appease him (dress with Canezou with col). Engraving (color-water). 1806.

Polish envoys before the Khan, illustration to Song IX of Juliusz Słowackis poem “Beniowski". Pawliszak, Wacław (1866-1905), draughtsman, cartoonist

Man and Woman in a Landscape (Faust and Marguerite) ca. 1826-27 Richard Parkes Bonington British Rich brown ink is used here to describe a hilly landscape with a gallant figure in late medieval dress reading to a demure young woman. They likely represent Faust and Marguerite from Goethe's dramatic poem "Faust" (1808). The latter tells how a young nobleman becomes fascinated with magic, sells his soul to the devil and seduces and destroys the innocent Marguerite. Dramatic literary subjects of this kind appealed to the British-born Bonington, and to French artists he knew in Paris. His close friend Delacroix once owned this drawing and, in 1828, would create a series of seventeen lithographs inspired by Faust.. Man and Woman in a Landscape (Faust and Marguerite) 343205

The Hero Returned fromBoston. Etcher: Unknown Publisher: Thomas Hart, London

The quarter of the world. Planche # 13 (registered title (letter))

Orgien de los arpones of the banda /the origins of the art of stabbiing with harpons or banderlillas; Board No. 7 from: La Tauromaquia Bulfurfolding, ed. III, Goya, Francisco de (1746 1828)

Print (France)

A Maiden Aunt Smelling Fire, Thomas Rowlandson, 1756-1827, British, 1804, Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige, wove paper, mounted on, thick, moderately textured, beige, wove paper, Mount: 14 5/16 x 11 1/2 inches (36.4 x 29.2 cm) and Sheet: 11 3/8 x 8 9/16 inches (28.9 x 21.7 cm), candle, cat (domestic cat), doorway, fire, genre subject, interior, lovers, maid, man, nude, shoes, smell, staircase, window

This 1778 copper engraving by Daniel Nikolaus Chodowiecki depicts the first episode of 'Natural and Affectated Actions of Life', showing figures engaged in conversation indoors.

Country Lovers ca. 1798 Attributed to George Murgatroyd Woodward. Country Lovers. Attributed to George Murgatroyd Woodward (British, 1765-1809 London). ca. 1798. Graphite. Drawings

An engraving depicting Becky Sharp's maid, who has just brought a jug of hot water to the bedroom, sees the note on the pincushion. Illustrated by William Makepeace Thackeray (1811-1863) a British novelist and author. Dated 19th Century

Fariboles 2 Planche 33 (title registered (letter))

household maidservant ""The Broken Chinese Vase"" wood engraving after engraving by Joliet after drawing by Feyen 19th century,

Honoré Daumier, Carotte du restaurant, 1844 Carotte du restaurant

Print (France)

Elizabeth Lyska, a giantess, aged eleven. Wood engraving.

Greek Lovers 1825 Asher Brown Durand American. Greek Lovers 394450

The teneure, vintage engraved illustration. Magasin Pittoresque 1841.

Leap Year April 20, 1790 Etched and published by T. Smith. Leap Year. After Thomas Rowlandson (British, London 1757-1827 London). April 20, 1790. Colored stippled etching and aquatint. Prints

Print (France)

Art and nature according to Henryk Pillati. Cleastle from the weekly Ilustrowany 1867 (2) 28 Maria K., Unknown, Pillati, Henryk (1832 1894)

Essay on Stone with Brush and Scraper: Woman Reading at the Fireside, 1851. Adolph von Menzel (German, 1815-1905). Lithograph;

Illustrated proverbs not everything gold is shining according to Henryk Pillati. Cleastle from Tygodnik Ilustrowany 1862 (1) 208 Monogram H.K., Pillati, Henryk (1832 1894)

Proofs before 1864 John Leech British. Proofs. John Leech (British, London 1817-1864 London). before 1864. Illustrations: wood engraving. Books

Auguste Lepère, Departure for Greenwich (Depart pour Greenwich), 1891 Departure for Greenwich (Depart pour Greenwich)

J'veux aussi qu'on me fasse.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1851. Prints; lithographs. Lithograph

Paysanne, 1845 - 1846, Women, Etching and roulette; state noted with standard reference number

'Le Marche aux Lapins', 1870-1871. Artist: Anon

Artist: Henri-Charles-Antoine Baron, French, 1816-1885, TwoWomen, Watercolor, sheet: 14 × 16.5 cm (5 1/2 × 6 1/2in.), Made in France, French, 19thcentury, Works on Paper - Drawings andWatercolors

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