19th Century Social Satire

Lithographs depicting social interactions and humorous commentary on relationships, adorned with intricate details and expressive figures.

The boulevards / -lache on January 14! .. No luck! .. ...

Les Lorettes, 1842. Paul Gavarni (French, 1804-1866). Lithograph;

Honoré Daumier, Comment tu as encore acheté un chapeau , 19th century Comment ... tu as encore acheté un ... chapeau ...

Honoré Daumier, Eh! Ben, v'la du propre! on dit , 19th century Eh! Ben, v'la du propre! ... on dit ...

Permettez-moi de vous faire observer, mamselle de Fallacieux, que tout ca nexplique pas votre conduite a Rome.. Artist: Paul Gavarni, French, 1804-1866

Ryder, Thomas .

The boulevards / -lache on January 14! .. No luck! .. ...

Honoré Daumier, Ayant une discussion a propos de leur beauté, 19th century Ayant une discussion a propos de leur beauté

Francisco de Goya y Lucientes / 'Dream 20. She is ashamed that her Mother speaks to her in public, and she says, God forgive you'. 1796 - 1797. Indian ink wash, Pencil, Iron gall ink on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Le MariCommissaire-Priseur. Artist: Paul Gavarni, French, 1804-1866

Falstaff in the Buck Basket (Shakespeare, Merry Wives of Windsor, Act 3, Scene 3) Various artists/makers first published 1793; reissued 1852 Peters's image centers on a misadventure of Sir John Falstaff suffered as he attempts to seduce two knowing Windsor housewives. The image was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805-his print sales plummeted when Napoleon blocaded European ports. This impression comes from an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon and art scholar who acquired Boydell's heavily worn plates and had them reworked. His New York edition was printed on thick cream pape

Woman with bag and woman with crooked mural; Folk types. A woman walks with a bag in her arms. Next to her a woman with curve back. Five other figures in the background.

Madame!madame!..un billet de bal, pour un baiser de vous. Artist: Paul Gavarni, French, 1804-1866

L'Uniforme obligatoire -Ciel! si elle allait me reconnaitre en collégien! Moi qui m'étais fait passer pour un attaché d'ambassade!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1872. Prints; lithographs. Lithograph

MARGUERITE DECOSSE ET ALAIN CHARTIER. 1405.. Artist: Paul Gavarni, French, 1804-1866

Prestre de la Loy, plate nine from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 197 × 132 mm (image); 204 × 135 mm (plate); 264 × 207 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

La Lecture (The Reading). Dated: 1864. Dimensions: plate: 29.6 × 24.3 cm (11 5/8 × 9 9/16 in.) sheet: 50.7 × 36 cm (19 15/16 × 14 3/16 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: after Jean-Honoré Fragonard Jules de Goncourt.

Canoestones and Canoese Planche N1 (title registered (letter)) | 3rd suite of 1864. (dummy title)

Mr Frederic voit arriver un bon matin la femme adoree quun epoux lui renvoie…. Artist: Paul Gavarni, French, 1804-1866

Woman supports her arm on the shoulder of a man with guitar, Jules van Keirsbilck, 1874 print Brussels paper. etching musician - CC - out of doors. cithern, mandolin, guitar, balalaika. adult woman

Le sommeil del’innocence.. Artist: Paul Gavarni, French, 1804-1866

Mon petit homme, faut etreraisonnable…. Artist: Paul Gavarni, French, 1804-1866

Fariboles 2 Planche 79 (registered title (letter))

Madame de Saint-Aiglemont, Madame, sil vous plait?…. Artist: Paul Gavarni, French, 1804-1866

Sac aPapier!…. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier, Comment Madame Prudhomme En vivandière , 19th century Comment Madame Prudhomme ... En vivandière ...

Achille Devéria, On n'entre pas! (Nobody Enters!), 1810-1857, lithograph on wove paper.

Ah! cest avec Julia quHenry ma trompee!…. Artist: Paul Gavarni, French, 1804-1866

Le Bal Montesquieu. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching mounted on China paper

I don't rent to people with children,” plate 14 from Locataires Et Propriétaires 1847 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Mr. Bumble and Mrs. Corney Taking Tea, Print made by George Cruikshank, 1792-1878, British, 1838, Etching on medium, slightly textured, cream wove paper

Paris, Aubert & Cie., Daumier, Honoré, Actualités, Actualities, How trouves-tu mon châle, Woman shows her husband a newly purchased scarf, verso - stamped, cartoon, prints, height 343 mm, width 239 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1846 - 1846, paper, papier, lithografie (techniek), Frans, printer, drukker, Publication (Event), Publicatie, publisher

4. / eh! Well, Madeleine, you do not serve the fruits [... (registered title) | or devil the Spirit will be nestled (title of all)

Anonymous (Copy after Goya y Lucientes, Francisco de) / 'Poor little things!'. Mid-XIXcentury. Wash, Pencil, Pencil, Indian ink, Grey ink on laid paper. Museum: Museo del Prado, Madrid, España.

In the Park. Artist: Thomas Dalziel (British, Wooler, Northumberland 1823-1906 Herne Bay, Kent). Dimensions: sheet: 4 3/8 x 7 in. (11.1 x 17.8 cm). Date: ca. 1859. Museum: Metropolitan Museum of Art, New York, USA.

Love Poems (Third Plate), 1893. Henri Fantin-Latour (French, 1836-1904). Lithograph; image: 43.6 x 35.7 cm (17 3/16 x 14 1/16 in.).

Court ladies in departure, Jan Punt, 1740 print Two court ladies are in conversation. A young man kneels for them. A woman brings a glass in the background. Scene from the play La Comtesse d'Escarbagnas (the marriage of Countess of Escarbagnas), van Molière. Amsterdam paper etching / engraving fashionable woman, 'belle'. dress, gown: robe volante (+ women's clothes)

Honoré Daumier, Quand des femmes savent avoir , 19th century Quand des femmes savent avoir ...

My dear friend, all my sympathies are for the Italians. / You say this ! And then you refuse me 60 francs for a lodge when I want to go / applaud them. (title registered) | News. (Title of all)

Humoreska and Rysie in Galicia. Monogramist K.N., W.T., monogramist of the C.R. (XIX century)

The lost son chased the whores, 1580 - 1588 print The lost son is hunted by two women with a bat and a broom from the brothel. From the window a woman empties a jug over his head. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving when all his money is squandered the prodigal son is chased away by the harlots. brothel. signboard

Dame Na de Jacht, Benoît Audran (II), After Jean Antoine Watteau, 1708 - 1729 print print maker: Francepublisher: Paris paper etching hare-hunting, rabbit-hunting. hunting dogs

..Ah! mame Adophe! mame Adophe…. Artist: Paul Gavarni, French, 1804-1866

LesParasols. Artist: Paul Gavarni, French, 1804-1866

Depicts 'The Spanish Gypsy, called Preciosa' by Rembrandt van Rijn, created as an etching around 1642, showing figure and costume detail.

Sketch of summer. Planche N7 bis (registered title) | 3rd suite of 1859-1860. (Title Title)

Francisco Goya (1746-1828). Caprices. Plaque 5. Two of a kind. 18th century. Prado Museum. Madrid.

Card game; Grandville, Jean-Jacques (1803-1847); before 1834 (1825-00-00-1835-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902)-collections, Grandville, Jean, Jacques (1803-1847). Les Types Modernes, Observations Critiques - LE DEDANS DE L'HOMME Expliqué Par Dehors, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, game cards, caricatures, moral caricatures, women, men, French drawings, genre scenes

If we could get a car

Honoré Daumier, Et dire que Proudhon ne veut pas , 19th century Et dire que Proudhon ne veut pas ...

It is better to be lazy, Francisco de Goya, 1797 - 1799 print A couple and an old woman. The man, sitting on a bag, holds the wool in front of the old woman. Seventy -three print from the Los Caprichos series. Spain paper etching unequal partners. spinning (manufacture of yarn)

Two gentlemen gossiping about a singer at the entrance of the Op, print maker: Edouard de Beaumont, (mentioned on object), printer: Aubert & Cie., (mentioned on object), publisher: Aubert & Cie., (mentioned on object), Paris, 1844 - 1846, paper, h 278 mm × w 194 mm

. Joost, an old widower and the father of Lucia's loved one, confesses his love to Lucia. Scene from the play De Wanheigbeyke love, from Philippe Quinault.

Francisco de Goya (Spanish, 1746-1828). Que sacrificio! (What a sacrifice!), 1796-1797. From Los Caprichos, no. 14. Etching, burnished aquatint, and drypoint. Plate: 200 mm x 150 mm (7.87 in. x 5.91 in.).

Don't scream, stupid. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

Tiens, ma femme, v'là mon portrait au Daguerreotype.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1846. Prints; lithographs. Lithograph

Elle porta la main au léger - marteau de fer ,. Paul Gavarni (1804-1866). Lithographs and Other Works

At sea baths. Planche # 3 (letter registered (letter)) | 4th Suite at Martinet, 1863 (Title Title)

Il fait les delices du bal., from LesBanqueteurs. Artist: Honoré Daumier, French, 1808-1879

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. ÀQuien Mas Rendido (Who more rendered). Number 27. Aquatint. 1799. Reproduction by M. Segui i Riera.

(1er Bas Bleu) - Profitons de l'occasion... Dated: 1852. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Elief at the seaside according to the image of Vincent Palmarola. Cleastle from Tygodnik Powszechny 1884, No. 30, p. 470 unknown, Palmaroli, Vicente (1834 1896)

Plate 4: Bertoldo stuffed in a sack, from "Bertoldo, Bertoldino, and Cacasenno" 1705-15 Giuseppe Maria Crespi. Plate 4: Bertoldo stuffed in a sack, from "Bertoldo, Bertoldino, and Cacasenno". Giuseppe Maria Crespi (Italian, Bologna 1665-1747 Bologna). 1705-15. Etching. Prints

Prêt un peu ta voleuse, vieux, pour un léger galop!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Gottlob, Fernand-Louis (N.1873-02-23-D.1935-11-10), Supplication (title given by the author), 1906. Black Pierre and Blue Pencil on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Le Jeu De Dominos. 2.Double-six.. Artist: Paul Gavarni, French, 1804-1866

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), and you think I cut it to his artistic banquet, you are going to deceive me, you put a new tie! - Let it be stupid, I want to impress Lebargy, he is dinner (title given by the author), 1907. Black Pierre on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Garden with naughty children Innocent Mischief. (title on object), A girl tries to grab a butterfly, another girl watches. A boy wants to scare the butterfly away, mischief-making play, Christiaan Josi (mentioned on object), London, 1796, paper, engraving, h 459 mm × w 354 mm

Nous Soupons ChezVery…. Artist: Paul Gavarni, French, 1804-1866

Michał Elwiro Andriolli, `Zosia`, for the poem by A. Pług `Pamiątki domowe` Home Memories, 1882; from: 'Kłosy' 1883 no. 931, p. 281. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Honoré Daumier, Tiens, Eudoxie, voila mon bonnet a poil , 19th century Tiens, Eudoxie, voila mon bonnet a poil ...

Knock at the Door, Antique Skeletons of Amsterdam

Prostitute Soliciting a Fat, Ugly Man (recto), 1796-97. Francisco de Goya (Spanish, 1746-1828). Brush and black and gray wash; sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.); image: 18.7 x 12 cm (7 3/8 x 4 3/4 in.).

Fariboles 2 Board 201 (registered title)

Lord Henry and Lady Charlotte Spencer : 'The Fortune Teller', Print made by Charles Turner, 1774-1857, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1823, Mezzotint (first state) on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/4 × 9 11/16 inches (28.6 × 24.6 cm), Plate: 10 5/8 × 9 inches (27 × 22.9 cm), and Image: 8 7/8 × 8 7/8 inches (22.5 × 22.5 cm)

Mr. Lambkin ill with his feet in warm water being nursed by Mrs. Slops. Lithograph by G. Cruikshank.

Ma chère, notre comédie en deux actes vient d'etre refusée.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1852. Prints; lithographs. Lithograph

Un Chateau en Espagne. Dated: 1847. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Luigi Schiavonetti, 1765-1810, Italian, New Mackrel, 1795. Aquatint.

First Idea of Design Artist's working dates 1747-1815 Italy. Etching with touches of drypoint heightened with brush and gray wash, on cream wove paper, tipped onto cream wove paper . Francesco Bartolozzi

Le meurtre de Polonius (Act. III. Sc. IV) (The Murder of Polonius), from Shakespeares Hamlet. Artist: Eugène Delacroix, French, 1798-1863

Please, Ma'am, can we have the peas to shell,1862 John Everett Millais (d.1896) and Dalziel Brothers, 19th Century, Women, Printing, Wood Engraving, Emotion

(Babet à la cantonnade) On y va not' maît', on y va! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

On a souvent besoin dun plus petit que soit.. Artist: Paul Gavarni, French, 1804-1866

Netherlands, Weissenbruch, Isaac, Woman with a baby running away from a house, print, prent, prints, height 166 mm, width 160 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Allons bon!...la v'la qui...vers du cirage dans mon chocolat!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Book Illustration 1773-1828 England. Wood engraving on paper . Thomas Bewick

A Monsieur Monsieur Charme. (presse.)Vieux!…. Artist: Paul Gavarni, French, 1804-1866

Méphistophélès se présente chez Marthe (Mephistopheles Presents Himself in Marthes Home). Artist: Eugène Delacroix, French, 1798-1863

"Grand gueux va! Je voudrais t'y voir..." Honoré Daumier (French, 1808-1879). May 1, 1842. Lithograph on newsprint, laid down on wove paper, Sheet: 13 1/4 x 9 1/16 in. (33.7 x 23 cm). European Art May 1, 1842

What Shall We Do Next (from "Harper's Bazar," Vol. II) July 31, 1869 After Winslow Homer American. What Shall We Do Next (from "Harper's Bazar," Vol. II). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). July 31, 1869. Wood engraving. Harper & Brothers (American, New York). Prints

Group of Three Ladies. Drawing. Watercolor, pen and brown ink, over graphite on laid paper on medium, blued white, moderately textured laid paper. Height: 124 mm (4.88 in); Width: 60 mm (2.36 in). Author: Anthony Highmore.

Sketch of summer. Planche N7 (registered title (letter)) | 3rd suite of 1859-1860. (Title)

Je suis comme ce personnage dHenry Monnier, qui naime pas les epinards…. Artist: Paul Gavarni, French, 1804-1866

ART 18th century. SPAIN. GOYA, Francisco (Fuendetodos, 1746-Bordeaux, 1828). Spanish painter and engraver. A HUNTING OF TEETH. "Etching belonging to the collection of 84 engravings entitled" CAPRICHOS "of satirical-phantasmagoric theme, published in 1799. Reproduction of M. Seguí i Riera.

Opens, Alfred Rerner, 1893 drawing Illustration for 'Vluchtige sketches from folk life' by A.F.J. Heron. Design for a print. paper. ink pen Shop, Store. Head-Gear. (Reiger, A.F.J., Volatile sketches from popular life) Specific Works of Literature (With Author, Title)

The Hurdy-Gurdy Player. Artist: Louis Léopold Boilly (French, La Bassée 1761-1845 Paris). Dimensions: Sheet: 13 5/16 × 9 15/16 in. (33.8 × 25.3 cm)Image: 7 7/8 × 6 5/16 in. (20 × 16 cm). Printer: Delpech. Series/Portfolio: Collection of Lithographic Drawings(Recueils de Dessins lithographiques). Date: 1822. Museum: Metropolitan Museum of Art, New York, USA.

Engravings depicting scenes from Stockholm's swimming and siminrättning, Strömbadet in Riddarfjarden. Dated 19th Century

Temptation. Illustration for `volatile sketches from popular life 'by a.f.j. Heron. Design for a print.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Canoestones and Canoese Planche N11 (Registered Title) | 2nd suite of 1862-1863 (dummy title)

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