Abstract and Conceptual Artworks

A range of abstract art pieces featuring muted and vibrant colors, exploring emotional landscapes and conceptual themes.

Flowers of a Hundred Worlds (Momoyogusa): Section of Flower-draped Carts (Hanasashiguruma), 1909. Kamisaka Sekka (Japanese, 1866-1942). Ink and color on paper; Kamisaka Sekka made preparatory drawings for his Flowers of a Hundred Worlds series on tracing paper with ink and color. The freehand sketches are much looser than the finished, printed compositions.

PAISAJES DE LA MENTE - 2003 - OLEO/TELA - 155x122. Author: SEVILLA SOLEDAD 1944-. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

Nymph Crowned with Daisies. Maurice Denis; French, 1870-1943. Date: 1899. Dimensions: 560 × 445 mm. Lithograph in pink, yellow, and blue on off-white wove paper, laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

MALEZA BEST, 2003, CARBONCILLO SOBRE PAPEL, 196x127. Author: SOLEDAD SEVILLA (1944-. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Gate of the Highlands, Mohonk, 1871 (from Sketchbook) ca. 1870 Daniel Huntington American The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntingtons sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawing

Samson and the Lion. Date/Period: Before 1892. Painting. Oil on panel. Height: 317 mm (12.48 in); Width: 1,010 mm (39.76 in). Author: Thomas F. Hodgkins.

LA LINEA ROJA - LA LIGNE ROUGE - 1963 - TECNICA MIXTA SOBRE LIENZO Y MADERA. Author: ANTONI TAPIES (1923-2012). Location: IVAM / INSTITUTO VALENCIANO DE ARTE MODERNO. Valencia. SPAIN.

Fallen Flowers, Playing Fish. Date: 17th century. Origin: China. Period: Ming or Qing dynasty. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Temple of Bacchus, Athens (53. Athenes. 1842. Temple de Bacchus) 1842 Joseph-Philibert Girault de Prangey. Temple of Bacchus, Athens (53. Athenes. 1842. Temple de Bacchus). Joseph-Philibert Girault de Prangey (French, 1804-1892). 1842. Daguerreotype. Photographs

Flowers of a Hundred Worlds (Momoyogusa): Section of Flower-draped Carts (Hanasashiguruma), 1909. Kamisaka Sekka (Japanese, 1866-1942). Ink and color on paper; Kamisaka Sekka made preparatory drawings for his Flowers of a Hundred Worlds series on tracing paper with ink and color. The freehand sketches are much looser than the finished, printed compositions.

Drawing, Textile Design: Daphne; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); Austria; brush and watercolor on paper; 5.1 × 13.7 cm (2 in. × 5 3/8 in.) Mat: 31.4 × 45.1 cm (12 3/8 × 17 3/4 in.)

(SIN IDENTIFICAR) - SIGLO XX. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

MOTOS - 1992 - 195x130 - ACRILICO SOBRE LIENZO. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

'Eclipses', 2006, Wax and oil on wood, 185 x 157 cm. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

PINTURA - 1990. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Birds after Snowfall in Midwinter, c. 1914 Hanging roll painting in wood and paper box. Japan paper. ivory. wood (plant material) damask Hanging roll painting in wood and paper box. Japan paper. ivory. wood (plant material) damask

'Eclipses', 2006, Wax and oil on wood, 185 x 157 cm. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Amit'a Triad Amit'a Triad, 14th century. Ink, color and gold on silk, 51 1/4 x 32 1/4in. (130.2 x 81.9cm). Asian Art 14th century

Wang Huaiqing / "Crane head stick", 2006, Engraving, 30 x 196 cm. Author: WANG HUAIGING.

Watanabe, Seitei N.1851 - D.1918, first month, 1900. Ink and colors on silk. Cernuschi Museum, Asia Museum of Asia in the city of Paris.

Lazio Roma Bracciano S. Maria Novella3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural fragments, architectural sculpture, sculpture, marble intarsia, painting. Specific Location: Corso Umberto General Notes: There were two sets of prints for this monument, now integrated into a single number sequence. See Hutzel guides for further information on re-sequencing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Textile, Medium: silk Technique: printed and painted, Large scale pattern of twining branches, leaves, birds and flowers painted in brilliant pinks, purples, oranges and blues against a background of wide white and peach colored vertical stripes., China, 19th century, printed, dyed & painted textiles, Textile

REACHING WAVES, by Arthur Dove, 1929, American painting, oil and aluminum paint on canvas. Waves, imagined from above, flood onto the shore across vertical bars that evoke the ridges of the ocean floor (BSLOC_2017_7_82)

Textile fragment, embroidery depicting flowers, leaves and the Mitsu-domo-e., anonymous, Japan, 1575 - 1600, silk, height 25 cm × width 16.5 cm

Ceiling panel with scenes of gallantry and dancing. Date/Period: Ca. 1300. Painting. Tempera on wood. Height: 238 mm (9.37 in); Width: 742 mm (29.21 in). Author: UNKNOWN.

Panel late 18th-early 19th century Japan. Panel 68489

Copper plate with a performance of a festive entry, 1917 - 1919 copper (metal) etching

Sutra Cover. China. Date: 1590-1599. Dimensions: 35 × 13.5 cm (13 7/8 × 5 3/8 in.)Repeat: 16.7 × 11.1 cm (6 5/8 × 4 3/8 in.). Silk and gold-leaf-over-lacquered-paper strips, gauze weave with supplementary patterning wefts. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

SERIE SPELL BOUNL V - 1992 - Acuarela - Hilos y Cera - 43 x 28 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Sketch for the wedding hall of Courbevoie City Hall: The Protective Law of Hymenea (Ceiling) Theobald Chartran (1849-1907). Sketch for the wedding room of Courbevoie City Hall: The Protective Law of Hymenea (Ceiling). Oil and pencil black on canvas. 1884. Museum of Fine Arts in the city of Paris, small palace.

The Chapel: Orphans (detail) Fernand Pelez (1848-1913). The chapel: the orphans. Oil on canvas, around 1901.

Edelfelt, Albert, Sketch book, 32 leaves, drawing, 21.5 cm x 29.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

'Rouen Cathedral, Early Morning Light', 1894 Artist: Claude Monet. Monet was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movements philosophy.

(SIN TITULO) - SIGLO XX. Author: MANUEL RIVERA HERNANDEZ (1927-1995). Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN.

Ukifune, from the Tale of Genji. Origin: Japan. Date: 1568-1615. Period: Momoyama period. Color over gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Scroll Made 1601-1700 China. Center panel silk, satin weave; embroidered with silk in Chinese knot, satin, and stem stitchesMount and fragments on lower ends of outer scroll silk, satin damask weaveCords rayon, braided over cotton core .

Putti on either side of a medallion, Dionys van Nijmegen, After Jacob de Wit, 1715 - 1798 drawing paper. chalk

Design for a painting, Vocation of Matthew, draughtsman: Otto van Veen, 1600 - 1610, paper, h 267 mm × w 92 mm

Nine PaintedPanels. Maker: Charles Conder, British, 1868-1909

Edelfelt, Albert, work, Sketch book, drawing, 11 cm x 20 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

BANCOS DE NIEBLA - 1998 - OLEO/LIENZO - POLIPTICO - 250x720 - DET TABLA TERCERA. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Streams and Mountains without End, 1100-1150. China, late Northern Song dynasty (960-1127) - Jin dynasty (1115-1234). Handscroll, ink and slight color on silk; image: 35.1 x 213 cm (13 13/16 x 83 7/8 in.); overall: 35.1 x 1103.8 cm (13 13/16 x 434 9/16 in.). Streams and Mountains without End was a landmark acquisition of 1953, made just a year after Sherman Lee had returned to Cleveland as curator of Oriental art. He acquired it with the intention to provide "a more than adequate foundation for a fine collection of Chinese landscape painting." This impressive work demonstrates the culmination of stylistic developments in Chinese monumental landscape painting following the Northern Song tradition. It represents a journey through a landscape, making it a fitting metaphor for Lees journey of discovery and achievement over a lifetime.

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Untitled Painting, 1964; by Edgar (Erhard) Jene (1904 - 1984); German-French painter, graphic artist and surrealist.

Design for the painted decoration of a ceiling 1830-97 Jules-Edmond-Charles Lachaise French. Design for the painted decoration of a ceiling 384943

Original drawing for the cover of 'Les Maîtres de l'Affiche,' 1896, by Jules Chéret (1836-1932). Published by Imprimerie Chaix in Paris. The piece includes lithographs and features a blind stamp in the bottom right corner of each page, modeled on the first drawing in Volume 1

Piece French 19th century View more. Piece. French. 19th century. Silk. Textiles-Woven

Uncut Robe: Proper Left Front and Back Panel, c. 1890s. China, late 19th century. Embroidered silk, gauze weave; overall: 279.4 x 77.5 cm (110 x 30 1/2 in.).

Listening to the Waterfall, c. 1450, Unknown Zhe school artist, 65 3/4 x 41 3/16 in. (167.01 x 104.62 cm) (image), Ink and color on silk, China, 15th century, In this evocative early Zhe school painting, a scholar-recluse lying at ease near the edge of a cliff listens to the powerful waterfall that roils and boils above his resting place and crashes into the crevasse below. He has set aside his guchin (zither) and book, preferring the entertainment of untamed nature.

Klomp Johannes Franziskus (1865-1946), unaffected altars, church furnishings, sculptures and ornaments (0-0): Heiligen figure. Blueprint on paper, 35.3 x 13.1 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

APOSTOLES MENORES 12, 2006/2007, O/L, TABLA INFERIOR DIPTICO 105x86. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Witold Pruszkowski (1846-1896). Polish painter. Dusk, ca.1881. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

SIN TITULO - 1988 - 200X160 CM. Author: ALBERT OEHLEN. Location: GALERIA JUANA DE AIZPURU. MADRID. SPAIN.

Four Statues at Versailles. Louis-Rémy Robert (French, 1811 - 1882)

Spring Play in a Tang Garden 18th century Unidentified artist. Spring Play in a Tang Garden. Unidentified artist. China. 18th century. Handscroll; ink and color on silk. Qing dynasty (1644-1911). Paintings

Study, George Hendrik Breitner, 1886 - c. 1890 Page 54 from a sketchbook with 32 sheets. Amsterdam (possibly) paper. pencil

Frame, for Book Illustration, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, Scroll work, with leaves above and below. Face and helmet, above, center., USA, ca. 1910, graphic design, Drawing, Drawing

Three sketches of a kneeling female figure, draughtsman: Louis Moritz, 1783 - 1850, paper, h 219 mm × w 152 mm

Teyler, Johan, Netherlands, Nude woman with a laurel wreath at a monument, A nude woman, perhaps a bacchante, crowns herself with a laurel wreath. She is leaning against a monument with a relief, on which satyrs are depicted. Next to her is a pot with plants and fruits. On the left in the foreground a mask on the ground. In the background trees. This print is part of an album., print, prent, albumblad, prints, prenten, height 200 mm, width 274 mm, print maker, printmaker, 1688 - 1698, paper, papier, etching, etchings, à la poupée, colour printing, hand colouring, Northern Netherlands, 1648 - 1712, supervision

and the gnomon in the antique broken wall

PINTURA. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Towel Fragment, 19th century, 58 x 18 in. (147.32 x 45.72 cm), Linen; embroidery, Greece, 19th century

Pencil sketch by Giuseppe Bossi depicting a quick, spontaneous study of a figure or scene, focusing on movement and form in a short period.

Fan Dancer, first half 17th century, Attributed to Iwasa Matabei, Japanese, 1578 - 1650, 37 3/8 x 10 1/4 in. (95 x 26 cm) (image)72 1/16 x 15 3/8 in. (183 x 39 cm) (mount) 34 cm w w/rollers, Ink, color, and gold on paper, Japan, Nikuhitsu ukiyo-e

Print made by unknown artist, Dobbs & Company Manufacturers. Dobbs & Company, Soho Square, London, undated. Embossed print on medium, gray, slightly textured wove paper.

Eighteen Luohans. Origin: China. Period: Ming dynasty. Date: 16th century. Gold on blue paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

sin titulo, Rafel Amengual, 1976, tecnica mixta sobre papel, Mallorca, balearic islands, Spain.

Gibbons in a Landscape ca. 1570 Sesson Shkei Japanese Japanese Zen monks treasured pictures of gibbons painted by the Chinese monk-painter Muqi (active ca. 1250-80), which Muqi’s colleagues first carried to Japan in the late thirteenth century. By the late fifteenth century, images of the animals in the manner of Muqi had become a favored subject for large-scale painting programs.In this pair of screens, showing a uniquely Japanese interpretation of Muqi’s style, a chain of gibbons tries to grasp the reflection of the moon in the water below—a futile effort that in Zen signifies the delusions of the unawakened mind. Sesson, a learned and prolific Zen monk-artist, studied a wide array of earlier Chinese ink styles and played a major role in the development of a distinctive Japanese form of Zen-inspired ink painting. Listen to experts illuminate this artwork's story Listen Play or pause #8804. Gibbons in a Landscape Supported by Bloomberg Philanthropies We're sorry, the transcript

RUTAS DE AGUA - 73x116 - ACRILICO SOBRE TELA - 1999. Author: ALBERTO REGUERA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

SANLUCAR DE BARRAMEDA - 1993 - TECNICA MIXTA SOBRE CERA - 60,2x40,5x6,5. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

VESTIGIA VITAE - B-VI -1990. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

PINTURA - 1990. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Piece 18th century Japan. Piece 71567

PINTURA. Author: JOSE CABALLERO (1915-1991). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Border, Block-printed and glazed on machine-made paper, Cut-out border with yellow roses and other flower and rust-colored leaves., H#139, France, 1875-1910, Wallcoverings, Border

Dragon in Clouds, 17th century, Unknown Chinese, 46 1/8 × 25 1/2 in. (117.16 × 64.77 cm) (image)88 3/16 × 31 11/16 in. (224 × 80.49 cm) (mount, without roller), Ink on silk, China, 17th century

Fragment, Medium: silk Technique: 41 satin damask Label: silk satin damask, Fragment of silk composed of several pieces sewn together. Yellow and salmon damask showing design of exotic fruits and vegetation in the ‘bizarre’ style., England, Netherlands, 1706-09, woven textiles, Fragment

Campania Napoli Naples S. Lorenzo Maggiore38. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Young Woman with Black Stockings (Jeune femme aux bas noirs). Dimensions: 38 cm x 28.1 cm, 28.8 cm x 12.7 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

LA FUENTE VI - 1969 - O/L - 97X130 CM. Author: FERNANDO ZOBEL (1924-84). Location: BANCO URQUIJO. Barcelona. SPAIN.

Sketchbook (71 leaves, mostly blank, linencover). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

British, 'Carlo Maratta' - NeoClassical variant frame, Unknown framemaker, early 19th century, Wood and compo, original oil and water gilding

Continental Europe, Neoclassical frame, Unknown framemaker, 19th century, Wood and compo, partially bronze painted over original oil and water gilding, Frame: 27 1/8 × 20 1/2 × 2 1/8 inches (68.9 × 52.1 × 5.4 cm)

Terracotta fragment of a skyphos (deep drinking cup) 460-450 B.C. Greek, Attic Obverse, head and upper torso of a woman to right, with her hair tied up with a fillet, wearing a chiton and himation, with her arms extended, holding a fillet in both hands; in the field, a marble bag; draped youth to left; in between the two figures, below the rim, part of a two line inscription, on the top, KALOS; below, HO PAIS; tendrils from ornament; Reverse, end of the stick from a figure; outer edge of the foot is glazed; resting surface is unglazed; inner wall of the foot is glazed; the underside is unglazed; in the center, two black glaze concentric circles. Terracotta fragment of a skyphos (deep drinking cup). Greek, Attic. 460-450 B.C.. Terracotta; red-figure. Classical. Vases

PINTURA - 1990. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Untitled Painting, 1980; by Edgar (Erhard) Jene (1904 - 1984); German-French painter, graphic artist and surrealist.

Schlesinger and Mayer Department Store, Louis Henry Sullivan, American, 1856-1924, Winslow Brothers Company, American, 1887 - 1922, Cast iron, Balustrade panel from an interior stairway. Stylized leaves and berries form a symmetrical arrangement., 1903-1904, metalwork, Decorative Arts, Balustrade Panels, Balustrade Panels

Boy fishing from the limb of a tree. Date: 1839. Origin: Japan. Period: Edo period. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Anonymous, pin (main title), 1927. Graphite, ink and gouache on gray cardboard (A). Petit Palais, Museum of Fine Arts of the City of Paris.

Roman Statue in Louvre, Paris, 2005, Andre Burian, (b.1966/Brazilian), Photograph

Drawing, Textile Design: Säge; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.8 × 20.5 cm (2 11/16 × 8 1/16 in.) Mat: 31.4 × 44.1 cm (12 3/8 × 17 3/8 in.)

Tkanina koptyjska. unknown, author

The Art-Union, Monthly Journal of Fine Arts, Decorative, Ornamental Vol. 8. William Henry Fox Talbot (English, 1800 - 1877)

Homage to Tamara Toumanova. Joseph Cornell; American, 1903-1972. Date: 1940. Dimensions: 392 × 228 mm. Collage composed of cut and pasted commercially printed papers with sprayed and spattered gouache on blue wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Josep Vilaseca; Enric Sagnier / Recorded glass (detail), from the main room of Tallers Francesc Vidal i Cia (current school of the Sacred Heart), 1882, Barcelona, Barcelona, Catalonia, Spain.

PINTURA. Author: SANTIAGO SERRANO (1942-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

SIN TITULO - SIGLO XX. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Daoist Immortals. Shibata Gitō (Japan, 1780-1819). Japan, 19th century. Paintings; screens. One from a pair of six-panel screens; ink, light color, and gold on paper

Dance. Toys Jules Cheret (1836-1932). Dance. Toys. Pencil and Gouache on one sheet of laminated paper.

VELEZ BLANCO IV, 1994, TRIPTICO, ACRILICO SOBRE LIENZO. Author: SOLEDAD SEVILLA (1944-). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Saint Jerome Penitent A14668 Painting; oil on panel; painted surface: 86.7 x 24.5 cm (34 1/8 x 9 5/8 in.) overall (panel): 86.7 x 25.3 cm (34 1/8 x 9 15/16 in.) framed: 94.3 x 61.2 x 5.7 cm (37 1/8 x 24 1/8 x 2 1/4 in.);

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