Abstract Art and Historical Murals

A mix of abstract works and historical murals, featuring monochromatic paints, figures, and classical scenes, showcasing a blend of artistic styles and periods.

Textile, Medium: cotton Technique: printed by engraved roller on plain weave; mordant for purple, Fragment of a pattern less than full repeat which would have filled the full width of the fabric: offset scenes of family life enclosed in a frame of leaves., Central Europe, ca. 1835, printed, dyed & painted textiles, Textile

An osteria in the Campagna, over the stove and the well to see outside., Osteria in the Campagna, draughtsman: Etienne de Lavallée-Poussin, 1762 - 1777, paper, pen, brush, h 136 mm × w 198 mm

Picture Sandstone Detail . Northern Arizona / Utah. Natural sandstone formed 180 years to 220 million years ago by wind and water as part of the geological formation 'Shinarump' - Colors and designs induced by iron oxides in mineral springs.

'Untitled'. Collection of Georges Matcheret and Nadiya Volkonskaya. 1990. Dimensions: 197x162 mm. Museum: State Hermitage, St. Petersburg. Author: Alexandr Grigoryev.

The Cruel Monument. Leon Golub; American, 1922-2004. Date: 1939-1943. Dimensions: 755 x 1010 mm. Red pastel with stumping on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Study for The Rock. Peter Blume; American, born Russia, 1906-1992. Date: 1943-1945. Dimensions: 52 x 77 mm. Oil paint, with pen and black ink on white wove paper, tipped on dark green wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Design for a Stage Set at the Opéra, Paris: A Fountain 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris: A Fountain 359278

lamina, Blai Bonet, Centre Cultural la Misericòrdia, sa Capella, Mallorca, balearic islands, Spain.

The angel of death (a winged skeletal creature) drops some deadly substances into a river near a town; representing typhoid. Watercolour, 1912, after R. Cooper.

The Carree Tower with Fireworks Claude Gell�e (said Lorraine, around 1600-1682). The square tower with fireworks, 1637. Floor.

A woodcut engraving depicting an expanding screw-driven device for forcing apart the iron bars of a grille. Recommended for entering a besieged city via watercourses or sewers. Dated 17th century

Study for the background of the Adoration of the Kings by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Anefo photo collection. Assignment on the Laak. September 22, 1965

Simberg, Hugo. .5 cm x 12.5 cm

Lala Eve Rivol, Petroglyph Human Figures, 1935 1942 Petroglyph - Human Figures

Drawing, Study for Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 3; Designed by Hugh Ferriss (American, 1889-1962); USA; black crayon, stumped and erased; brush and black wash over photostat, varnish, on illustration board; Other: 67.3 x 51.6 cm (26 1/2 x 20 5/16 in.) Mat: 91.4 × 71.1 cm (36 × 28 in.)

Cattaro (from Sketchbook) 1904 Mary Newbold Sargent. Cattaro (from Sketchbook). Mary Newbold Sargent (1826-1906). American. 1904. Graphite on paper

MUJER - ACUARELA - 1981. Author: OSCAR ESTRUGA I ANDREU (1933-. Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

El niño Stanton (idea para aguafuerte)/1987. Museum: COLECCION PARTICULAR MADRID ESPAÑA. Author: EDUARDO NARANJO.

Ruth Buker, Wall Painting, Pineapple, c 1940 Wall Painting, Pineapple

My friend the Giant , Stoves, Rooms & spaces, Kettles. The Massachusetts WPA Federal Art Project Photograph Collection

Design for a Stage Set at the Opéra, Paris: A Tent. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 8 3/4 x 12 1/2 in. (22.3 x 31.7 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Sidewall, Block-printed paper, Landscape views with woman walking along river carrying basket, man carrying pig with a small flock of sheep, market scene, vignetted in a framework of foliage., France, 1840s, Wallcoverings, Sidewall

Stage design for the theatre play Other side of Life by J. Benavente by Sudeykin, Sergei Yurievich (1882-1946) State Art Museum, Dnepropetrovsk 1912 Tempera on cardboard 102x138 Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

Drawing entitled 'My Models' by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

On Entering the House, Salute It (En entrant la maison salue-la) James Tissot (French, 1836-1902). On Entering the House, Salute It (En entrant la maison salue-la), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 7 5/8 x 5 1/4 in. (19.4 x 13.3 cm). European Art 1886-1896

JARRON CON FLOR-1969. Author: CRISTINO VERA (1931-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Crane in Gdańsk; Jabłczyński, Feliks (1865-1928); around 1924 (1919-00-00-1928-00-00);

Ballancourt la nuit. Jasiński, Feliks Stanisław (1862-1901), graphic artist, unknown, printer of graphic prints

AN AUTUMN TOUR IN SWITZERLAND

EL TIEMPO LIMITA- 1991- 140x100 -OLEO/LIENZO. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Antwerp. Print Falconnklooster

Aranjuez John Singer Sargent (American, born Italy, 1856-1925). Aranjuez, ca. 1903. Translucent and opaque watercolor and graphite, with graphite underdrawing, 10 x 14 1/16 in. (25.4 x 35.7 cm). This work was one of the first watercolors in which Sargent began to explore the interplay of carefully framed stone garden features and the ambient effects of their green settings. He found his subject in the Jardín de la Isla at the Royal Palace of Aranjuez, near Madrid, one of several old and neglected formal gardens that charmed him during visits to Portugal and Spain in 1902 and 1903. He characteristically bypassed the grander aspects of the setting to feature this small fountain and dissolved the form of the crowning sculpture of Triptolemus, a mythological figure, in watery touches of shadow. American Art ca. 1903

'Interior of the Grotto of Posillipo near Naples'. Sweden. Dimensions: 69x47 cm. Museum: State Hermitage, St. Petersburg. Author: Louis Jean Desprez.

Spanish literature. "The Ingenious Hidalgo Don Quixote of La Mancha", written by Miguel de Cervantes Saavedra (1547-1616). Don Quixote's assault on the wineskins in his sleep (I, 35). 19th century engraving by G. Dore. Later coloration. Author: PAUL GUSTAVE DORE.

Raja Ram Singh II of Kotah and Ramkishan Singh of Udaipur Indian. Raja Ram Singh II of Kotah and Ramkishan Singh of Udaipur, ca. 1850. Ink and color on paper, sheet: 10 1/4 x 14 1/2 in. (26.0 x 36.8 cm). Asian Art ca. 1850

The Bridge of Sighs John Singer Sargent (American, born Italy, 1856-1925). The Bridge of Sighs, ca. 1903-1904. Translucent and opaque watercolor with graphite and red-pigmented underdrawing, 10 x 14in. (25.4 x 35.6cm). Sargent used multiple techniques to create light and highlights in this work. The most obvious is the application of white impasto in the gondoliers and figures in the boat. The artist created light by reserving the white paper that forms the top of the arch; a hard line of blue pigment indicates where the wet paint of the sky met the dry, reserved paper. More subtle highlights were created by dry scraping, notably in the tan building beyond the arch and the waterline beneath. The removal of wet paint is evident around the prow of the gondola and in the sky to the right of the arch. American Art ca. 1903-1904

The boyhood of Lincoln , Reading, Fireplaces, Lincoln, Abraham, 1809-1865. Louis Prang & Company Collection

Figure huddled on a bench by Norwegian artist Edvard Munch

Bear hunt. unknown c. 1530-1550 Tapestry Dimensions: H 8'8" x W 7'2" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Mr. K. T. Keller 9/3/1947; returned 12/15/1947. In landscape, group of huntsmen on foot with spears, cross-bows & hunting dogs pursue 2 bears, 1 suckles 3 bear-cubs; man mounted on horseback gallops through landscape with dog before castle in background Borders missing. French & Co. stock sheet in archive, 79137

Babylon in Ruins (vision of John the Baptist), Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Doré (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.

Two helmeted men for three witches, 1917 wood (plant material)

The Red Lightning', 1919. Artist: Ignaty Nivinsky. Ignaty Nivinsky (1880-1933) was a Russian engraver born in Moscow.

'Station centrale des aŽronefs ˆ Notre-Dame' (Central aircraft station at Notre Dame). Robida drawing for his book 'Le Vingtime Sicle' (1883), a nineteenth century conception of life in the twentieth century. Early Modern Era. Engraving.

Vom Tode I, (Opus II, 1889) No. 2. Max Klinger (German, 1857-1920). Etching and aquatint;

Submarine Series: Introductory Lithograph, 1941. Eric Ravilious (British, 1903-1942). Color lithograph; sheet: 31.5 x 37.3 cm (12 3/8 x 14 11/16 in.); image: 28 x 32.1 cm (11 x 12 5/8 in.).

Copying Velasquez John Newcomb, Ink drawing, 1961

Russian revolution bas relief on the Lenin Floor at the State Historical Museum, Bishkek, Kyrgyzstan

A. Side view, B. Cross-section, and C. Bas-relief of the monument at Dekkeh. Issued between 1822 and 1827 in Stuttgart and Paris by J.G. Cotta. The image focuses on Nubia, encompassing themes of antiquities, bas-reliefs, temples, and Egypt, specifically Ed Dakka

Wall drawings in black and white, Mercedes Platz, Friedrichshain, Berlin, Germany, Europe

Denmark Copenhagen gastronomy Tivoli interior view H_st ball in the mill wood engraving late 19th century,

Stage Design by Alexander Yakovlevich Golovin, Gouache on cardboard, 1901, 1863-1930, Russia, Arkhangelsk, Regional Art Museum, 54x94, 7

PINTURA OBJETUAL1931 - GALERIA RUTH BENZACAR. Author: DELESIO ANTONIO BERNI (1905-1981) MURALISTA. Location: IFEMA-ARCO. MADRID. SPAIN.

Lion Monument, Lucerne, Switzerland. Created in 1821 by Bertel Thorvaldsen. Monument Swiss guards killed in 1792 protecting king

Inlaid of Monteoliveto Abbey choir, by Giocondo da Verona Giovanni Fra, 16th Century, wooden tarsias. Italy, Tuscany, Chiusure, Siena, Monte Oliveto Maggiore Abbey. Detail. Wooden intarsia: inlays ideal city lamps saltcellar liturgical objects pyx.

Restoration Drawing Wall Painting and Door, Facade Mission House. Dated: 1937. Dimensions: overall: 35.5 x 26.7 cm (14 x 10 1/2 in.) Original IAD Object: Door: 6' x 3'6". Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt and Harry Mann Waddell.

Geoffrey Holt and Harry Mann Waddell, Restoration Drawing Wall Painting Around Window, with Grille, c 1939 Restoration Drawing: Wall Painting Around Window, with Grille

Exhibition

Sacco and Vanzetti by Tyshler, Alexander Grigoryevich (1898-1980) State Tretyakov Gallery, Moscow 1927 Oil on canvas Russia Expressionism Genre,History Painting

To the foremost front line by Makeev, Viktor Ivanovich (*1924)/ Central Artist's House, Moscow/ 2004/ Russia/ Oil on canvas/ Modern/ 127x87/ Genre,History

An Eye to the Future Print. ca. 1936, This print advertises the services of Dr. Walter H. Silge, Optometrist.

Drawing by Ferdinand Boberg. Uppland, Oland's hd., Öster-Lövsta sn., Lövsta Nordic

SIN IDENTIFICAR. Author: MIQUEL BARCELO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Photograph, Exterior of Castel d'Orgeval, Overview of Main Facade; Designed by Hector Guimard ((French, 1867-1942)); France; printed ink on sensitized paper; Overall: 25.4 x 20.2 cm (10 x 7 15/16 in.) Image: 18.4 x 17.3 cm (7 1/4 x 6 13/16 in.)

The lantern of the Eddystone lighthouse built on the Stone 13 miles South-east of Polperro, Cornwall, England, being used to observe migrating birds. This practice began in the Autumn of 1878. Illustration by Charles Whymper (1853-1941) from The Quiver (London, 1882).

Grave Workers; Grabende Arbeiter. Edvard Munch (1863-1944). Lithograph with handcolouring. Executed 1920. 43.5 x 60.5cm.

Village Landscape with Figures Henri Rousseau (le Douanier) (French, 1844-1910). Village Landscape with Figures, ca. 1895-1910. Oil on paper, 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm). European Art ca. 1895-1910

Fantasy Castle in Moonlight I', 1820-1876, by the French artist George Sand. He was the pseudonym of the French novelist and feminist Amandine-Lucile-Aurore Dupin, later Baroness Dudevant (1804-1876).

A Boar, Galloping to the Left, and a Sleeping Sow (on the Base). Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 4 3/4 x 6 11/16 in. (12.1 x 17 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Anefo photo collection. Vincent van Gogh in the Stedelijk Museum in Amsterdam. , Exhibitions, paintings. October 1945. Amsterdam, Noord-Holland

mixed media composition by French-Algerian artist Yves Baume; Born 1933

France, Paris, set design for performance Medea act III at Paris Opera, by Maurice Brunet

holiday time

Sower II, sketch of the theme for the cover of `La Pologne Contemporaine`. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

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