Abstract Figural Art

Various depictions of figures in abstract settings, emphasizing movement and emotion with muted colors and dynamic compositions.

Hodler / The Fall I (Absturz I) / 1894

Hodler / The Fall I (Absturz I) / 1894

TRIPTICO (1 DE LOS 3 CUADROS) - SIGLO XX - EXPRESIONISMO. Author: VIOLA MANUEL 1916/1987 MANUEL VIOLA. Location: PRIVATE COLLECTION, MADRID, SPAIN.

Karl Isakson (1878-1922), composition with two basunblaying angels above the ground ball, About 1895

PASION-300X260 CM-ACRILICO/LIENZO. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Clear Morning in Snow-coveredMountains. Artist: Zhang Gu, Chinese Artist, formerly attributed to Tang copy by: Yang Fei

Portrait Painting of Barbara Slingsby, propped up in the Cloisters Courtyard at Lacock Abbey.

DISTORSIONES CORTESIANAS - 1989 - 100x70 cm. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN. Margaret Theresa of Spain. FELIPE IV HIJA. MARIANA DE AUSTRIA HIJA. AUSTRIA MARIANA HIJA. INFANTA MARGARITA. LEOPOLDO I ESPOSA.

Abklatsch of the chalk drawing on page 62. Page 63 from a sketchbook with 43 sheets.

Luigi Schiavonetti after William Blake, The descent of Man into the Vale of Death, 1808 and 1813 Luigi Schiavonetti after William Blake (Italian, 1765 - 1810), The descent of Man into the Vale of Death, 1808 and 1813, etched copper plate, Rosenwald Collection 1943.3.1751

Sudeykin, Sergei Yurievich (1882-1946) Private Collection 1910s Gouache on paper Symbolism Russia

Victor Hugo (1802-1885). "Souvenir de Normandie". Plume and wash of brown ink, gouache on woven paper. Painted frame. 1859. Paris, house of Victor Hugo. 157444-1 Landscape, Souvenir, Tour, 19th XIXth 19th 19th 19th 19th century

Fragment tezy Andrzeja Kuropatnickiego (górna część kompozycji z Jakubem Ludwikiem Sobieskim). Kilian, Bartholomäus, II (1630-1696), graphic artist, Lublinski, Martin Anton (1636-1690), draughtsman, cartoonist

Willem Witsen aan de Pers, George Hendrik Breitner, c. 1880 - c. 1910 photograph photographic support historical persons. printing press. graphic artist

ARCAISMO - 1988 - 100X70 CM - MIXTA/CARTON. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

A pencil study sheet by Cecil van Haanen depicting sitting and standing girls, emphasizing posture, anatomy, and figure relationships.

Crane and Pine, from a triptych of Jurōjin and Cranes, 18th-19th century, Spurious signature and seal of Kano Tsunenobu, Japanese, 1636 - 1713, 65 x 11 1/2 in. (165.1 x 29.21 cm) (mount)36 x 12 in. (91.44 x 30.48 cm) (image), Ink and color on silk, Japan, 18th-19th century

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Two women conversing on aporch, Watercolor, Wove, 25.1 × 55.6 cm (9 7/8 × 21 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Amit'a Triad Amit'a Triad, 14th century. Ink, color and gold on silk, 51 1/4 x 32 1/4in. (130.2 x 81.9cm). Asian Art 14th century

A man helping a woman down a ladder., 1770, Woodcuts, Pillar print, 26 x 4 3/4 in. (66 x 12.1 cm)

Wild Indian, Philip William May, 1864-1903, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, blued white laid paper, Sheet: 7 1/16 × 2 7/8 inches (17.9 × 7.3 cm), body art, buckskin, caricature, Feathers, Indian (American), man, Native American, paint, tattoos, tunic

Cocktail Drinker, 1945 by Max Ernst; oil, canvas. Max Ernst (1891 - 1976); a German (naturalised American in 1948 and French in 1958) painter, sculptor, graphic artist, and poet

Winter landscape: hills and river; figures of mounted travelers. Origin: China. Period: Ming dynasty. Date: 15th-16th century. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

AUTORRETRATO - S XX - POSTMODERNISMO. Author: GUILLERMO PEREZ VILLALTA (1948-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN. PEREZ VILLALTA GUILLERMO (1948-) PINTOR.

Rat poison seller, smaller. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Buddhist deity: Fudo Myo 'o. Origin: Japan. Ink and color on silk. Period: Kamakura period. Date: 1308-1388. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Drawing, Turkenbund: Black; Designed by Anny Schröder (Austrian, 1898-1972); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.7 × 20.3 cm (2 5/8 in. × 8 in.) Mat: 30.5 × 45.1 cm (12 in. × 17 3/4 in.)

PIRAMIDE ESTAMENTAL - 1988 - TECNICA MIXTA SOBRE CARTON - 100x70CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

fine arts, iron, Kesai (1790 - 1848), ""Festively dressed courtesan in kimono"", woodcut, Tokyo, Japan, circa 1830,

Holmberg, Werner, work, Sketch book, pencil and marker engraving, drawing, 17.5 cm x 26 cm, Holmberg, Werner, pencil and marker engraving

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. South wall, door top. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77436-3 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, door top, door frame, oriental influence, orientalism, wooden panel, Chinese living room, 19th XIX 19th 19th 19th 19th century, engraving

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. South wall, door top. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77436-3 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, door top, door frame, oriental influence, orientalism, wooden panel, Chinese living room, 19th XIX 19th 19th 19th 19th century, engraving

Lazio Viterbo Capranica Chiesa della Madonna del Piano. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, wooden ceiling decoration. Structure with simple classical facade by Vignola. In the main chapel are frescoes depicting the Nativity, the Death of Mary and the Assumption, all of which are attributed to Francesco Cozza or to Antonio Carracci. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cows at La Prairie, 1863 - 1880 Paris steel (alloy) etching

Landscape, anonymous, c. 1600 - c. 1699 Painting of landscape with architecture on silk. In wooden box. China silk. ink. dye Painting of landscape with architecture on silk. In wooden box. China silk. ink. dye

Gloomy thoughts by Kasatkin, Nikolai Alexeyevich (1859-1930)/ State Tretyakov Gallery, Moscow/ 1905/ Russia/ Oil on canvas/ Russian Painting, End of 19th - Early 20th cen./ 75,7x122,3/ Genre

ANACLETA REGIA - 1988 - 100X70 CM - MIXTA/CARTON. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Young man with a falcon KORYUSAI, ISODA (1735 1790)

Deraisme, Pierre -Georges (N.1859 - D.1932), Coccinelle chain (main title), 1905. Graphite, ink, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Sibylla Delphica, Burne-Jones, Sir Edward Coley, 1868.

Drawing, Textile Design: Anastasius; Designed by Angela Piotrovska-Wittmann (b. 1898); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 6.5 × 20.5 cm (2 9/16 × 8 1/16 in.) Mat: 31.8 × 45.2 cm (12 1/2 × 17 13/16 in.)

Suicides grave. Kotarbiński, Wilhelm (1849-1921), painter

Maneta de los dormitorios del Palau Güell de Barcelona, 1886-1890. Author: ANTONI GAUDI.

French, Louis XV frame, Unknown framemaker, mid-18th century, Oak, original matt and burnished water gilding, sanded frieze

Kinzan Island, mid 18th century, Ike Taiga, Japanese, 1723 - 1776, 44 1/2 × 11 in. (113.03 × 27.94 cm) (image)71 5/8 × 14 5/16 in. (181.93 × 36.35 cm) (mount, without roller), Ink on paper, Japan, 18th century

Skeleton, late 19th century, Doi Gōga, Japanese, 1817 - 1881, 53 13/16 × 13 1/16 in. (136.68 × 33.18 cm) (image)77 7/16 × 13 7/8 in. (196.69 × 35.24 cm) (mount, without roller), Ink on paper, Japan, 19th century

Komurasaki of the Tamaya, from an untitled series of courtesan images Utagawa Toyohiro (Japanese, 1773-1829). , ca. 1800-1810. Pillar-print format (hashira-e), 26 15/16 x 4 13/16 in. (68.4 x 12.2 cm). Asian Art ca. 1800-1810

Russia, Saint Petersburg, State Russian Museum, Morning, Mikhail Vrubel, 1897

Beauty of the Yoshiwara with Apprentice in Moonlight 19th century Teisai Hokuba Japanese Among the most splendid sights and sounds of the Yoshiwara pleasure quarters was that of an elaborately dressed courtesan in procession with her entourage and the clattering cadence of their footsteps in high, lacquered clogs. This beauty's sumptuous, lavender-colored outer garment featuring three-dimensional wisteria blossoms is worn over layered robes, all rendered in extraordinary detail, including an elaborate obi decorated with a lion and peonies in gold. Her coiffeur boasts an assortment of tortoiseshell combs and long hair ornaments. Only the full moon, a pale orb rendered against faint washes of ink, and two geese in flight in the upper section of the scroll suggest an outdoor evening setting. The artist Teisai Hokuba, a principal student of Katsushika Hokusai, produced many surimono prints and was highly skilled in the minute depiction of details.. Beauty of the Yoshiwara with Apprentice i

The Wandering Star; El Astro Errante. Remedios Varo (1908-1963). Oil on canvas. Painted in 1961. 76.2 x 42cm.

SOLIDA RAIGAMBRE - 1989 - TECNICA MIXTA/CARTON - 36X26 CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Herma decorated with a drapeado with base with phallus in erection, symbol of masculinity. 1st century. National Archaeological Museum. Naples. Italy.

Liezi in the Wind, c. 1810-1813, Katsushika Hokusai, Japanese, 1760 - 1849, 37 1/2 x 14 7/8 in. (95.25 x 37.78 cm) (image)68 1/2 x 19 1/4 in. (173.99 x 48.9 cm) (overall, without roller), Ink and color on silk, Japan, Nikuhitsu ukiyo-e

Pa. German Figurine. Dated: 1935/1942. Dimensions: overall: 29.4 x 23 cm (11 9/16 x 9 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

LA HILANDERA - FIGURILLA DE BELEN - SIGLO XVIII - BARROCO ESPAÑOL. Author: Francisco Salzillo. Location: MUSEO SALZILLO. MURCIA. SPAIN.

Daguerreotype plate with no image. Unknown

Seated Male Nude Diana Ong (b.1940 Chinese-American) Private Collection

Portrait of a Woman. Jacob Byerly (American, 1807 - 1883)

Gouache painting by Franz Wacik showing Prince Eugen engaged in battle at the gates of Vienna, part of a series on his life.

Autumn Maple late 19th century Shibata Zeshin Japanese. Autumn Maple. Shibata Zeshin (Japanese, 1807-1891). Japan. late 19th century. Hanging scroll; color on silk. Meiji period (1868-1912). Paintings

The Monkey and the Catfish (Hyotan Namazu), 1600 - 1699, Wash drawings, 27 3/4 x 9 3/8 in. (70.5 x 23.8 cm) Paper / Sheet 27 3/4 x 9 3/8 in. (70.5 x 23.8 cm)

George Edmund Street, 1824-1881, British, Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, undated. Pen, black ink, graphite, watercolor and gouache on moderately thick, smooth, green wove paper.

MURAL - 1993 - RELIEVE LACADO - 1,65x2,10 - Nº INVENTARIO 177. Author: RAMON MOLINA ALBENTOSA (1937-). Location: SENADO-PINTURA. MADRID. SPAIN.

The Vision of the Prophet Ezekiel by Vrubel, Mikhail Alexandrovich (1856-1910) / State Russian Museum, St. Petersburg / Symbolism / 1906 / Russia / Watercolour, white colour, black chalk on paper / Bible /

Infant Bacchanal. Artist: Piat Joseph Sauvage (Flemish, Tournai 1744-1818 Tournai). Dimensions: 10 1/4 x 29 5/8 in. (26 x 75.2 cm). Date: 1780s. Museum: Metropolitan Museum of Art, New York, USA.

Fascism by Williams, Pyotr Vladimirovich (1902-1947) State Art Gallery, Lviv 1925 Oil on canvas 332x202 Russia Modern Mythology, Allegory and Literature,History Painting

SIN TITULO - SIGLO XX. Author: JOSE MARIA LARRONDO (1958-). Location: GALERIA JUANA DE AIZPURU. MADRID. SPAIN.

The Flight of the Spies James J. Tissot (1836-1902/French) Jewish Museum, New York

Two paint panels, originally manufactured for a photo album. Two loose paint panels that ever formed the front and rear platform of a photo album. On the front panel a bird of prey on a branch that attacks a hose from inlaid mother-of-pearl. Something two butterflies. The rear panel is solid black. Book block and Bandrug are missing.

Paris, Lemercier & Cie., 15th century armor for a horseman of the army of Charles VII of France, from the collection of the Musée d'Artillerie in Paris, recto - embossed, This print is part of a cover with 36 prints, a title page and a list of images., photomechanical print, photographs, photographically illustrated books, PHOTOGLYPTIE, LEMERCIER ET Cie, PARIS, height 266 mm, width 118 mm, photographer, 1877 - 1882, paper, papier, Woodburytypie, French, clichémaker

CONSCIENCIA - 1991 - 195x130 - OLEO SOBRE LIENZO. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

The Korsak family tree. Korsakowicz, Jan (16..-17..), graphic artist

LA HORA BAIXA - PARAVENT - 1997. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

The Prodigal Son, BARENT FACEITIUS, 1661 painting The lost Son. The story of the lost son, portrayed in four scenes in one painting. On the left the son says goodbye to his father, behind it he drinks with a woman at a table outside of an inn. To the right of that, the son can be seen as a pig's keeper and on the far right the home of the son, the welcoming by the father and the slaughter of the mented calf. The canvas is part of a series of parabels painted for the Lutheran Church in Leiden (see also Nos. SK-A-2959 and SK-A-2960). canvas. oil paint (paint) leave-taking and departure of the prodigal son. the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. the prodigal son tends the swine and eats from their trough. the prodigal son returns home, where his father awaits him

The Legend of Santa Sophronia Cuzco School. The Legend of Santa Sophronia, late 17th century. Oil on canvas, 21 x 87in. (53.3 x 221cm). PAINTINGS IN SPANISH COLONIAL HOMES The enormous number of paintings acquired by private collectors in colonial Spanish America is borne out by evidence in testamentary, dowry, and other documents of the period. From urban centers to frontier areas, paintings by European and New World artists depicting religious and secular subjects decorated the homes of Creole, peninsular Spanish, mestizo (people of mixed race), and indigenous men and women. The five Andean paintings on this wall were produced for a growing art market by anonymous artists in the workshops of Cuzco. Paintings of religious subjects were prevalent in Spanish America but uncommon in colonial British America; one exception was the New York scripture paintings made for Upper Hudson and Mohawk Valley Dutch families (see illustration). Elite Spanish American homes also displayed Spanish and

Four children under a willow tree. Date: 17th century. Origin: China. Period: Ming or Qing dynasty. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Abruzzo L'Aquila Celano Museum7. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bamboo in Wind, early 1500s. Attributed to Genga (Japanese). Hanging scroll; ink on silk; image: 95.2 x 39.7 cm (37 1/2 x 15 5/8 in.); overall: 182.5 x 58 cm (71 7/8 x 22 13/16 in.). East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images. These sets might have been composed for specific palace or temple rooms, or to portray a specific theme, such as the four seasons. Over time, the original intent of such sets is often lost through damage, changes in ownership, or a variety of other reasons. The identity of the artist can also be lost, but then, sometimes, retrieved. This pair of ink paintings has traditionally been labeled as Japanese and attributed to the 16th-century painter Genga. Since there are no seals or signature of the artist on the painting, this attribution was based on comparisons of brush style with paintings known to be by Genga. More recent study indicates that while the 16th century is an appropriate time frame for the p

Mirror by Chagall, Marc (1887-1985) State Russian Museum, St. Petersburg 1915 Russia Oil on cardboard Painting Architecture, Interior,Still Life

Anthropomorphic Echo by Salvador Dali, 1937, 1904-1989, USA, Florida, St. Petersburg, Salvador Dali Museum

Votive plaque (ema) of ahorse. Artist: Shibata Zeshin, Japanese, 1807-1891

The Channel Sketchbook, Joseph Mallord William Turner, 1775-1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water body component), marine art, sea, England, English Channel, Europe, La Manche, United Kingdom

Beauty in a Teahouse at the Sea Katsukawa Shunko (Japanese, active ca. 1770-1790). , circa 1780. Woodblock print, 27 x 4 5/8 in. (68.6 x 11.7 cm). Asian Art circa 1780

Where are you going (Part of the triptych) by Roerich, Sviatoslav Nikolayevich (1904-1993)/ State Oriental Art Museum, Moscow/ 1942/ Russia/ Tempera and Oil on canvas/ Modern/ 153x92/ Genre

Fresco Fragment. Unknown

Fresco Fragments (4). Unknown

Edward Lear, 1812-1888, British, Karnak, 24 February 1867 (545), 1867. Watercolor with pen and browni ink over graphite on moderately thick, rough, cream wove paper.

Ships at sea crossing from Dover to Calais, Ship from Dover to Calais Naviere ordinaire qui passe de Douvre a Calais Seaports copies Vues de ports de mer copies , print maker: anonymous, Stefano della Bella, 1647, paper, etching, h 91 mm × w 140 mm

Untitled 1964 Rothko, Mark(1903-1970 American) Oil On Canvas Christie's Images, London, England

Eugeniusz Nieczuja Urb Ski (1877-1955), her favorite; Salon Painters Publishing House (Kraków; 1895-1949); around 1910 (1905-00-00-1915-00-00);

Woodcut world map by Albrecht Dürer from 1515 showing the eastern hemisphere with the south pole on the left side, based on Johannes Stibius' Mappa Mundi, carved on a wooden stick.

Visiting a Recluse with a Qin, 13th century, Attributed to Ma Lin, Chinese, active c. 1180 - after 1256, 69 3/4 × 23 13/16 in. (177.17 × 60.48 cm) (includes roller ends)38 1/4 × 17 1/16 in. (97.16 × 43.34 cm) (image), Ink and color on silk, China, 13th century, This painting is traditionally attributed to Ma Lin of the late 13th century. Ma artists evolved a formula for painting wherein the pictorial surface is divided in half diagonally. One side is filled with pictorial motifs, while the other side is left empty to suggest vast space. Here a scholar is shown being followed by his servant who carries a qin (a kind of lute). A feeling of vague melancholy is a hallmark of Ma Lin. Here, the lonely scholar pausing for a moment to enjoy the transient beauty of the mist-filled landscape strikes a poignant chord.

THE BEASTS. Author: ESCUELA DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Sir Lancelot Approaching the Castle of Astolat Artist's working dates 1852-1883 France. Gouache with pen and black ink, heightened with lead white (partially discolored), on cream wove paper prepared with a brown ink ground . Gustave Doré

Figure Study, for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol,Harrisburg. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Anonymous. Landscape with fisherman by the river. Porte-de-door (woodwork comes from 45 rue de Grenelle, 7th arrondissement). Oil on canvas. 1701-1800. Paris, Carnavalet museum. 76087-21 Door-to-door, landscape

Fragment, Medium: silk Technique: cut supplementary warp pile (velvet) in a twill weave foundation, Horizontal fragment of cut velvet in black and white on a white ground in a design of riders on horseback and a horsedrawn carriage. Known as 'velours miniature.', France, late 18th century, woven textiles, Fragment

Painting 'Better Moroccan' by Johann Victor Krämer after 1890 depicting a Moroccan figure, illustrating late 19th-century ethnographic and figurative representation in art.

Perique Tobacco Cutter. Dated: c. 1937. Dimensions: overall: 44.7 x 37 cm (17 5/8 x 14 9/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

Italy. Pompeii. "The Cave Canem" (Beware of the dog). Mosaic in the House of the Tragic Poet. House vestibulum. 2nd century BC. Campania.

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