Abstract Prints and Fragments

A collection of abstract prints combining aquatints and lithographs, featuring muted colors and unique textures, ranging from figurative to fragmented compositions.

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from four fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Gauloises Bleues. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 292 x 162 mm (plate); 582 x 388 mm (sheet). Aquatint in blue-gray on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Susanna, anonymous, after Hendrick Goltzius, 1583 - 1596 print Susanna, depicted in half in an oval. The hands folded, gaze oriented to heaven. Susanna is prayed in the background on the left, while she is spied on by the elders. Copy in mirror image to engraving by Hendrick Goltzius from 1583. Reconstructed from two fragments. Northern Netherlands paper engraving female persons from the Old Testament (with NAME) (not in biblical context). the elders spying upon Susanna

Spaghetti and Grass. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 315 x 410 mm (image); 507 x 660 mm (sheet). Lithograph in black, with red pastel addition, on buff wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Winged Girl. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1958. Dimensions: 255 x 300 mm (image); 340 x 520 mm (sheet). Lithograph in black, with graphite additions, on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from four fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Loose fragments of a print of Pyramus and Thisbe, Anonymous, 1580 - 1596 print Fragments of the two right corners. Northern Netherlands paper engraving Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Gaiety Stage Door. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 123 x 195 mm (image); 182 x 226 mm (primary support); 374 x 478 mm (secondary support). Transfer lithograph in black with scraping, on cream chine, laid down on off-white plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drizzle. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1966-1967. Dimensions: 517 x 286 mm (image); 362 x 710 mm (sheet). Lithograph in blue and black with graphite additions on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Loose fragments of a print of Acis and Galatea, Jacques de Gheyn (II), After Cornelis Cornelisz. van Haarlem, 1587 - 1591 print Fragments of Acis, Galatea and the Pan flute Polyphemus in the background. Amsterdam paper engraving Acis wooing Galatea. triumph of Galatea, Polyphemus playing the syrinx

A 1913 red pen drawing by Gustav Klimt depicting a reclining nude figure on paper.

Designs for a cornice, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk mouldings ~ architecture

Edelfelt, Albert, work, Sketch book, drawing, 23.5 cm x 31.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Portret van actress Yvette Guilbert in Pessima, Henri de Toulouse-Lautrec, 1898 print Portrait of actress Yvette Guilbert in play Pessima where the artist has drawn her smiling face in just a few lines. With minimal designation of shade on her nose and with her eyes it becomes clear that she is on stage and that her face is lit by lamps from below. London paper vaudeville, variety-show. actress (on the stage)

Reverse Copy of Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion) 17th century Anonymous. Reverse Copy of Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion). La Petite Passion. Anonymous. 17th century. Etching. Prints

Poet II. Robert Motherwell (American, 1915-1991); printed by Robert Blackburn (American, 1920-2003); published by Universal Limited Art Editions (American, founded 1955). Date: 1961-1962. Dimensions: 508 x 356 mm (image); 753 x 538 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Footit and Chocolat Made 1894 France. Lithograph on ivory wove paper . Henri de Toulouse-Lautrec

Sketchbook Folio, Quick Cliff Study; William Trost Richards (American, 1833-1905); USA; pen and black ink on off-white wove paper; 12.9 x 10.7 cm (5 1/16 x 4 3/16 in.) Sheet: 19.6 x 12.3 cm (7 11/16 x 4 13/16 in.)

Abklatsch of the chalk drawing on page 7 Verso, 1875 - 1934 Page 8 Recto from sketchbook IX with 28 sheets. The Hague paper

Le secret du maître Cornille.. Buhot, Félix Hilaire (1847-1898). 1874 - 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Canto II, from Rauschenberg: XXXIV Drawings for Dante's Inferno. Robert Rauschenberg (American, 1925-2008); published by Harry N. Abrams, Inc. (American, founded 1949); printed by Smeets Offset (Dutch, founded 1830). Date: 1964. Dimensions: 368 x 290 mm (image/primary support); 430 x 440 (secondary support, closed); 430 x 878 mm (secondary support, open). Color offset lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Canto V, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 658 x 461 mm. Lithograph in black on folded cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermaster the text Genesis 3. Reconstructed from two fragments.

Wentzel Emil, staircase intermediate pillars (without date): View. Pencil on paper, 102.2 x 52 cm (including scan edges) Wentzel Emil : Treppenzwischenpfeiler

A Swarm of Flies above a Spider's Web 1860-84 Alexandre-Louis Leloir French Trained as a history painter, Leloir eventually abandoned academic, historical subjects in favor of genre scenes and book illustrations. He also founded the Société des Aquarellistes Français (Society of French Watercolorists). This delicate study contrasts the airy two-dimensional form of the spiders web anchoring the lower left corner with the lifelike swarm of flies above, their size varied to suggest their placement in space, some nearer and some farther from the viewer.. A Swarm of Flies above a Spider's Web 392379

John Shaw, Brooklyn Bridge, 1981 1983 Brooklyn Bridge

Eduardo Chillida / 'Une Hélène de vent ou de fumée I-III', 1998, Etching with aquatint on paper, 56 x 52 cm. Museum: COLECCION PRIVADA.

Study for San Francisco, far right section 1855-1856 France. Graphite on tan wove tracing paper . Charles Meryon

Falling, plate six from Oda a Lorca. Antonio Frasconi (Uruguayan, born Argentina, 1919-2013); printed by Bohuslav Horák; published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 768 x 572 mm (sight). Color lithograph in gray and black on white nacre Japanese paper. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

Interlinear N 65. Josef Albers (American, born Germany, 1888-1976); printed by Irwin Hollander (American, born Netherlands 1927); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 476 x 610 mm (image); 559 x 762 mm (sheet). Lithograph from zinc, offset to stone, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Breton Women by a Gate, from the Volpini Suite 1889 France. Zincograph in black on chrome yellow wove paper . Paul Gauguin

High-Pool. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1966. Dimensions: 340 x 340 mm (image); 710 x 1,015 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Composition with color areas, 1987 print paper etching Abstract, Non-representational Art

The Ghost Ship, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 322 × 401 mm (image); 635 × 453 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Double Apple Palette with Gingham. Jim Dine (American, born 1935); printed by Ben Berns (American, born Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 575 x 450 mm. Lithograph with ink additions on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Mary Magdalene. The Sacred Mary Magdalene shown in oval in half. In the background on the left, Mary Magdalene can be seen again, kneeling under Christ on the cross. Copy in mirror image to engraving from Hendrick Goltzius from 1582. Reconstructed from two fragments.

Roelofs, Albert, Hand, verso - handwritten, print, prints, verso - stamped, 1219, 21, height 81 mm, width 65 mm, Dutch, 1877-09-05 - 1920-12-31, print maker, printmaker, 1887 - 1920, paper, papier, etching, etchings, aquatint

Salle VIII, 18.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Untitled 1950 Franz Kline (1910-1962 American) Ink on paper

Coat Hanger I. Jasper Johns (American, born 1930); published by Universal Limited Art Editions (American, founded 1955); printed by Robert Blackburn. Date: 1960. Dimensions: 655 x 535 mm (image); 915 x 680 mm (sheet). Lithograph from one stone in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Woman with umbrella in the rain, Théophile Alexandre Steinlen, 1898 print paper drypoint adult woman. umbrella. rain

Wang Huaiqing / "Day Bed 2", 2006, Engraving (etching), 75 x 98. Author: WANG HUAIGING.

Gamble. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 920 x 570 mm (image); 1040 x 705 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Simberg, Hugo, Sketch book (54 pp.+covers), 1904-05, drawing, 10.5 cm x 18 cm, Simberg, Hugo, 1904-05

Lilac Arbor. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1970. Dimensions: 485 x 358 mm (image/plate); 759 x 568 mm (sheet). Color aquatint from one plate, with etching from one plate on pinkish cream wove paper, with collage addition of aquatint on wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Dark Graces, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 469 × 365 mm (image); 655 × 504 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

'Series of 9 postcards. Death-99'. Russia, Moscow, 1990s. Dimensions: 14,8x10 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Plate C, from 12 Views for Caroline Tatyana. Brice Marden (American, born 1938); printed by Crown Point Press (American, 20th century); published by Parasol Press (American, 20th century). Date: 1977-1979. Dimensions: 253 x 177 mm (plate); 843 x 645 mm (sheet). Etching and aquatint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Untitled, from Pour Jorn. Henri Michaux; Belgian, 1899-1984. Date: 1976. Dimensions: 750 × 540 mm (sheet). Color lithograph on ivory wove paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

A Throw of the Dice #5. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 610 x 457 mm. Lithograph in black on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Persian Garden. Helen Frankenthaler (American, 1928-2011); printed by Ben A.J. Burns; published by Universal Limited Art Editions (American, founded 1955). Date: 1965-1966. Dimensions: 425 x 353 mm (image); 446 x 354 mm (stone); 644 x 490 mm (sheet). Color lithograph from one stone on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pyramus and Thisbe. Two fragmentary prints with a landscape with fountain. ThisBe discovers her dying beloved Pyramus, to which she commits suicide with his sword. Pyramus has stipulated himself because he thought Thisbe was killed by a lion. In the background the lion runs. A Latin text in the undermaster. The fragment with the dying pyramus is missing.

Drawing, Design for Weathervane, Birds; Designed by William Hunt Diederich (American, b. Hungary, 1884-1953); USA; brush and black ink, graphite on tracing paper; 27.6 x 21.5 cm (10 7/8 x 8 7/16 in.)

(TRISTES REFLEXIONS.). Artist: Paul Gavarni, French, 1804-1866

Sketches for the Flagellation of Christ"; verso: columns of digits with pen. Procaccini, Giulio Cesare (1574-1625), draughtsman, cartoonist

Element of Soil I, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 300 × 400 mm. Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Animals. Heinrich Campendonk; German, 1889-1957. Date: 1918. Dimensions: 78 x 235 mm (image); 240 x 323 mm (sheet). Woodcut on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Water's Transitional Spectacle, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 300 × 400 mm (image); 450 × 640 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Untitled Etching 1. Barnett Newman (American, born 1905-1970); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1968-1969. Dimensions: 379 x 606 mm (image/plate); 575 x 805 mm (sheet). Etching on heavy ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 141r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Untitled. Marcel Jean; French, 1900-1993. Date: 1940. Dimensions: 116 × 87 mm (plate); 250 × 175 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Double Apple Palette with Gingham. Jim Dine (American, born 1935); printed by Ben Berns (American, born Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 765 x 565 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Roche, Pierre (n.1855-D.1922-01-18), Chambord, 1898. Gypsography, black draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

Papyrus fragment ca. 2030-1640 B.C. Middle Kingdom. Papyrus fragment. ca. 2030-1640 B.C.. Papyrus, ink. Middle Kingdom. From Egypt, Memphite Region, Lisht North, Cemetery, MMA excavations, 1906-07. Dynasty 12

Untitled. Louise Nevelson (American, born Russia, 1899-1988); printed by Jason Leese (American, born 1931); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1963. Dimensions: 888 x 501 mm (image/sheet). Lithograph on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Postcard Stone. Helen Frankenthaler (American, 1928-2011); published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 300 x 285 mm (image); 506 x 660 mm (sheet). Lithograph, with graphite on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Design for a brooch with sapphires. .

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Woman reading, figure looking on - (unidentifiedillustration), Watercolor wash, Composition board, 53.7 × 36.3 cm (21 1/8 × 14 5/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Francisco de Goya y Lucientes / 'Por casarse con quien quiso. Album C, 93'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

Interior with a man and a woman. A woman likes a can in her hand. Next to her is a man with a hat on the head.

Jules Chéret, Columbine and Harlequin, c. 1885-1895, lithograph in sanguine on paper.

'La muela de oro', 1991, Oil on canvas, 100 x 81 cm. Author: LUIS CLARAMUNT. Location: GALERIA JUANA DE AIZPURU. MADRID. SPAIN.

Turkeys. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 210 x 135 mm. Cancelled copper plate. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

French Money. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 580 x 805 mm. Lithograph in red on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Silent Eclectic Fish Tattoo. Vera Berdich (American, 1915-2003); Art Green (American, born 1941); Suellen Rocca (American, born 1943); William Schwedler (American, 1942-1982). Date: 1964. Dimensions: 430 × 145 mm (image/plate); 512 × 201 mm (sheet). Color etching on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Frederic Amat / 'Depòsit i flors', 2005, 195 x 250,5 cm. Museum: COLECCION PRIVADA.

Plate 8, from The Pocket Size Tlingit Coffin. Gérard Titus-Carmel; French, b. 1942. Date: 1976. Dimensions: 207 × 270 mm (image); 505 × 380 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sitting woman in a landscape, Gustave de Smet, 1918 print paper sitting figure - AA - female human figure

Treaty. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1974. Dimensions: 690 x 1020 mm (sheet, lower half of diptych). Color photolithograph from three stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): ceiling painting. Pencil watercolored on paper, 24.4 x 32.1 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Study sheet with horse under a tree and playing a man on a trumpet under a tree, accompanied by two donkeys, Leo Gestel, 1891 - 1941 drawing paper. pencil trees. horse. ass, donkey. male sex; man. horn, trumpet, cornet, trombone, tuba

An approval study by Carl von Hasenauer, executed in pen with black, red, and blue ink, dated November 11, 1849.

There were also embryonic beings; Il y eut aussi des Etres embryonnaires. A column and two dumplings with a face, one of which is in a box. Fourth print of six from the album "Hommage a goya".

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): Stuckprofile. Pencil on transparent, 39.3 x 45.8 cm (including scan edges) Böhmer & Petrich : Dienstwohnung des Reichsaußenministers Joachim von Ribbentrop, Berlin-Mitte. Umbau

Victor Hugo (1802-1885). "Victor Hugo notebook - furniture project". Between 1856 and 1870. Brown ink. Paris, house of Victor Hugo. Notebook, drawing, French writer, brown ink, furniture, furniture project

Plain green paper, anonymous, 1800 - 1900 decorated paper paper. paint (coating) painting

Message from Degas. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1974. Dimensions: 181 x 223 mm (image); 191 x 251 mm (plate); 391 x 498 mm (sheet). Color etching and aquatint from two plates on white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Persépolis. Palais no. 8. (Bas-relief.) Takht-i-Djemchid Takht-i Jamshîd. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Land Text, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 483 × 375 mm (image); 640 × 450 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

"Une splendide creature que j'avais aimee la veille...". Artist: Auguste Rodin (French, Paris 1840-1917 Meudon). Dimensions: sheet: 12 13/16 x 9 15/16 in. (32.5 x 25.3 cm). Lithographer: Lithographed by Auguste Clot (French, 1858-1936). Date: 1902.Rodin contributed twenty drawings as illustrations for a luxury edition of his friend Octave Mirbeau's avant-garde erotic novel "The Torture Garden." Masterfully translated into lithographs by printer Auguste Clot, each sheet came in a tissue-paper sleeve printed with the corresponding line of text and a reduced-scale contour version of the drawing. This example, keyed to the line "a splendid creature that I had loved the night before," relates to a part of the novel in which the femme fatale, Clara, recounts her past affairs with women. Museum: Metropolitan Museum of Art, New York, USA.

15 Years. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 495 x 330 mm. Lithograph in black on translucent wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

White Portal. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 562 x 383 mm (image); 649 x 495 mm (sheet). Color lithograph from four stones on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Card. Helen Frankenthaler (American, 1928-2011); published by Telamon Editions; commissioned by the Whitney Museum of American Art. Date: 1971. Dimensions: 265 x 405 mm (image); 527 x 755 mm (sheet). Color lithograph from two stones, wth graphite and orange crayon notations on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

I Need Yellow. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and John A. Lund; published by Universal Limited Art Editions (American, founded 1955). Date: 1973. Dimensions: 432 x 283 mm (image/stone); 722 x 514 mm (sheet). Color lithograph from two stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Latina Sezze Antiquarium Comunale65. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Coquillage. Max Ernst; American and French, born Germany, 1891-1976. Date: 1960. Dimensions: 338 x 492 mm (image); 580 x 450 mm (sheet). Color lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Music of Spheres, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 410 × 350 mm (image); 640 × 450 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fish, Caricatures (Inside Back Cover of Switzerland 1869 Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 7 3/4 x 11 3/4 in. (19.7 x 29.8 cm). Date: 1869. Museum: Metropolitan Museum of Art, New York, USA.

Lacan, E., Ville de Paris, Bilordeaux, Adolphe, Metatarsal bone and molars of a wild boar, recto - printed, photomechanical print, page, photographs, photographically illustrated books, 1, 1 nature, Procédé special photo-lithographique, E, PL. 28, SUSSCROFA, 1. MÉTACARPIEN, 2. ET 3. MOLAIRES, height 239 mm, width 190 mm, photographer, 1864 - 1869, paper, photolithography, French, 1807 - 1870, cliché maker, printer, supervision

Two Human Beings. The Lonely Ones. Edvard Munch; Norwegian, 1863-1944. Date: 1894. Dimensions: 168 x 225 mm (plate); 343 x 480 mm (sheet). Drypoint, roulette, and burnisher on copper plate printed on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Door. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and John A. Lund; published by Universal Limited Art Editions (American, founded 1955). Date: 1976-1979. Dimensions: 586 x 755 mm. Lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

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