Allegorical and Classical Art

A collection of 18th-century designs and memorials featuring classic ruins, statues, and allegorical elements, illustrating historical narratives and botanical themes.

Design drawing for a title print of a book for the Amsterdam Hortus Botanicus, 1697 Design B for an allegorical representation with flora, pallas Athens and the Amsterdanse Stedensmaag. Amsterdam paper. ink brush / pen

Design drawing for a title print of a book for the Amsterdam Hortus Botanicus, 1697 Design B for an allegorical representation with flora, pallas Athens and the Amsterdanse Stedensmaag. Amsterdam paper. ink brush / pen

Standingeld van Johann Matthias von der Schulenburg, Bernard Picart, after Antonio Coradini, 1728 print Landscape with the statue of Johann Matthias, count of Schulenburg. The statue was made by Antonio Corradini in 1716 and is on Corfu. In the margin a caption in Latin. print maker: Amsterdamafter sculpture by: Venice paper etching / engraving piece of sculpture, reproduction of a piece of sculpture

Painting, Stage Design, Antique Views in Garden; Italy; brush and oil on canvas

James Fittler, 1758-1835, British, Isola Bella, on the Lago Maggiore, 1818-1820. Etching and engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Classic ruins in a cave. Two shepherds and a shepherdess with a dog are located in a cave at classical ruins.

Memorial for Louis Charles Antoine Desix in Paris. A monument for General Louis Charles Antoine Desix in Paris. Statue of a Roman soldier, DESAIX Bust Lauwert. At the bottom of people at the fountain.

Fountain with two floors; Fountains. The fountain is made up of rocks and seed beads, a man abuses a woman. From series of 6 unnumbered sheets.

Two hikers at a gate ruin in a park, Johannes de Bosch, 1781 drawing paper. ink pen / brush

Monument of his majesty Weiland Emperor Franz I, Monument of his majesty Weiland Franz I, Emperor of Austria, Johann Höfelich -, publisher

Standing Chinese Man with Two Birdcages, Plate 5 from 'Cahier de Figures Chinoises', Jean-Jacques Avril the Elder, French, 1744 - 1831, Jean-Baptiste Pillement, French, 1728-1808, Engraving on paper, A Chinese man stands in a garden setting holding a birdcage in his right hand, and in his left, a pole from which hands another cage., France, 1773, Print, Print

Memorial for Louis Charles Antoine Desix in Paris. A monument for General Louis Charles Antoine Desix in Paris. Statue of a Roman soldier, DESAIX Bust Lauwert. At the bottom of people at the fountain.

Portrait of Luther with allegorical figures, Willem Hendrik Hoogkamer, after Johannes Jelgerhuis, 1817 print Portrait of Maarten Luther in a medallion, on which a swan and in the clouds an angel with a trumpet. Among them two performances: Maarten Luther who publishes his academic propositions against the trade in indulgences on 31 October 1517 and below that the combustion of the papal bul and code on December 10, 1520: the start of Protestantism in Wittenberg. On the right father Time with scythe and hourglass and a banderol with: 300 years. On the left a personification of eternity with divine flame and an Ouroboros. Haarlem paper etching allegories and personifications ~ Protestantism Wittenberg

Project for a monument for Foro Bonaparte, Milan, 1800, Felice Giani, Italian, 1758-1823, Pencil, pen, and black ink; gray wash watercolor. Paper., Vertical rectangle. Very large. Steps lead to the round base, the lower part of which is not decorated; some inscriptions. The central part has a smaller diameter. Above a strip with inscription is a frieze with trophies of weapons between female genii. The cornice of the entablature has the same diameter as the lower parts. The statue of the Roman emperor stands on two round stockles. At right, in the background, a wall; at left a fortress. Clouds. On the steps, two persons, standing, and one recumbent. Cf. 1938-88-4106, Italy, 1810-1820, architecture, Drawing, Drawing

Figures Near the Ruins of a Corinthian Temple (recto), first half 1700s. Andrea Locatelli (Italian, 1695-1741). Brush and black and gray wash, over traces of black chalk; framing lines in black chalk, and brown ink (iron gall); sheet: 32.1 x 16.9 cm (12 5/8 x 6 5/8 in.); image: 30.4 x 15 cm (11 15/16 x 5 7/8 in.).

Tomb with obelisk and gradient figures; Livre De Tombeaux. A tomb with two grieving women and a smoke vessel, behind it an obelisk in a semicircular niche.

Bernhard Zaech after Jonas Umbach, Travelers beside a Ruined Portico, c 1650 Travelers beside a Ruined Portico

Two hikers at a gate ruin in a park. Draughtsman: Johannes de Bosch. Dating: 1781. Measurements: h 97 mm × w 70 mm. Museum: Rijksmuseum, Amsterdam.

The Schubertmonument in the city park in Vienna, The Franz Schubertmonument in the city park in Vienna from Ueber and Sea, General Illustrirte Zeitung, Franz Kollarz Kolá -, artist

Rinaldo reads the miracles of the island on the column, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Rinaldo

Market square with barrel on a barrel.

Abraham Lincoln, The President Elect, addressing the People from the Astor House Balcony, February 9, 1861, 1861. Winslow Homer (American, 1836-1910). Wood engraving;

Richelieu, Louis Francois Armand Duc de.

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are steps. A sockle has the general shape of a bank, in which two female allegories sit; below them a festoon hangs at the front. Two more women kneel, adorning the lateral parts of the wall. Backwards rises a pedestal, with a band bearing the inscription around the main part. On top is a variation of 1938-88-1305; the left arm supports a cross. The figure possibly represents a bearded man., Rome, Italy, 1793, architecture, Drawing, Drawing

Classic ruins in a cave, Pieter Anthony Wakkerdak, after Jan Asselijn, 1740 - 1774 print Two shepherds and a shepherdin with a dog are in a cave in classic ruins. Rotterdam paper cave, grotto. ruin of a building ~ architecture. dog. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Oosterhuis, Haatje Pieters, Netherlands, Hoogkamer, Willem Hendrik, Memorial Column for the Netherlands, Allegory of the heroes of the Battle of Waterloo, 1815, verso - stamped, Allegory of the victory of the allies in the Battle of Waterloo on 18 June 1815. In the centre a column with the portraits of Wellington, Blücher and the Prince of Orange. At the bottom of the column a representation of the Battle of Waterloo of 18 June 1815. In the air, Fame blows its trumpet. To the right of the column is Eendracht pointing to the portraits of the three heroes, at its feet the Dutch lion. In the foreground on the ground weapons and household effects and a bundle of paper marked 'op 't kasteel van Laken', left behind the captured travelling carriage of Napoleon. With three-line caption., print, prints, Frederik Muller Historical Plates, height 485 mm, width 383 mm, Dutch, 1790-09-21 - 1864-01-22, print maker, printmaker, 1815 - 1820, paper, papier, etching, etchings, aquatint, 1784-11-28 - 185

The Maximilian monument in Trieste,

View of the Column of Marcus Aurelius before 1704 Jan Goeree Dutch. View of the Column of Marcus Aurelius 336109

Funerary Monument with Two Male Figures (Santa Maria del Popolo, Cappella Chigi, Rome) 18th century Anonymous, Italian, first half of the 18th century Italian. Funerary Monument with Two Male Figures (Santa Maria del Popolo, Cappella Chigi, Rome). Anonymous, Italian, first half of the 18th century. 18th century. Pen and brown ink, brush and gray wash, over graphite

Northern Netherlands, Magnificent Image for Her Royal Highness, Madam de Princess of Orange Born Princess of Prussia, Statue for Wilhelmina of Prussia, 1786, verso - stamped, Allegroric statue in honor of Princess Wilhelmina of Prussia, following the mediation between the States of Holland and West Friesland and the hereditary stadtholder, 1786. Image of the princess as an armed Amazon. On the right a monument with the princes from the House of Orange, on the left kneels Religion. In the sky the All-Seeing Eye. On the sheet below the plate an explanation of the representation and a verse in two columns. The plate has a pendant., print, prent, prints, Frederik Muller Historieplaten, height 383 mm, width 243 mm, print maker, printmaker, 1786 - 1786, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing

Watercolour - Nelsons Monument. John Hugh Ross

Sculptural work by Rudolf Weyr depicting a monument, showing form, structure, and artistic details.

French Revolution: Day of the Prairial An 2 or 8 June 1794. Festival of the Supreme Being in the Field of Reunion (Current Champ-de-Mars): The people and members gathered on the mountain, surmounted by the tree of freedom. 7th arrondissement. (Dummy title)

Speculum Romanae Magnificentiae: The Septizodium 1582 Giovanni Ambrogio Brambilla Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Inst

Rijswijk, Altena, Maas van, Noordelijke Nederlanden, Brouwer, Anna Catharina, Memorial for the Peace of Rijswijk 1697, Northern Netherlands, verso - stamped, Memorial in the Rijswijk forest erected in 1792 on the site where the Huis te Nieuburch in Rijswijk used to stand, where the Peace of Rijswijk was concluded on September 20, 1697 between France and the allies. In the margin a four-line verse. The sheet includes two text sheets with a description of the monument., print, prints, Frederik Muller Historieplaten, height 166 mm, width 86 mm, Dutch, print maker, printmaker, 1792 - 1792, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, intermediary draughtsman

Landscape with classical images and buildings; Room pieces in the house of Mr Mesquita; Room stucco in 't Huys van de Hr. D.B. Mezquita. Landscape with the remnant of a round classic temple left and right a sculpture. In the foreground a figure wades through the water, three figures are met on the side. In the background a triumphal arch and a ship to the quay. To the painted wall panel in the hall of the house of Koopman David Bueno de Mesquita.

Artist: Joachim von Sandrart, German, 1606-1688, Portrait Busts, Columns, Smoking Urn and aRelief, Etching, image: 31.5 × 20.6 cm (12 3/8 × 8 1/8in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

'The New Statue of Cromwell in Front of Westminster Hall', c1900. Statue of Oliver Cromwell, Lord Protector of the Commonwealth of England, Scotland and Ireland 1653-1658, designed by Hamo Thornycroft and erected in 1899. It was unveiled on the tercentenary of Cromwell's birth. 'Many people were shocked at the idea of a statue erected to one whom they could only associate with the historical trial at Westminster Hall and the execution at Whitehall, and the Irish were furious...Lord Rosebery...dismissed the execution of Charles the First as a political blunder..."Happy is the dynasty that

Drawing, Design for a Fountain in a Pavilion; Architect: Carlo Francesco Barabino (Italian, 1768 - 1835); Designed by Giuseppe Barberi (Italian, 1746-1809); Italy; brush and brown, gray, and black wash, graphite on white laid paper, laid down; 32.5 × 19 cm (12 13/16 × 7 1/2 in.)

Karl I, the big, Roman emperor.

Oilgrisaille drawing by Franz de Paula Ferg depicting a rural couple on a bridge with a man on the banks of a stream, on red-brown primed paper.

Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk ca. 1543-70 Attributed to Enea Vico Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard

Riders at a watering hole. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 144 mm × w 163 mm. Museum: Rijksmuseum, Amsterdam.

Bismarck monument and Gasthof Schubert in Briesen, Mark Brandenburg, Germany, reproduction of a postcard, historic

The Maximilians II monument, King of Bavaria, in Munich from The Book for All, Kolb, artist

Vierstromenfontein OP Piazza Navona Te Rome, Giovanni Battista Fonda, 1653 - 1691 Numbered below: 19. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Vierstromenfontein. Piazza Navona. Rome Numbered below: 19. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Vierstromenfontein. Piazza Navona. Rome

Grafhard Heinrich van Senden in Zwolle, Antoine Franciscus Cornelis Hoffmann, after Wilhelmus Cornelis Chimaer van Oudendorp, in or before 1854 - in or before 1859 print On the grave is an obelisk with a portrait in a medallion on it. A burning oil lamp on top of the obelisk. Under the image a six -line poem by F. F. C. Steinmetz. print maker: Netherlandsafter design by: Netherlandsprinter: Zwollepublisher: Zwolle paper. grave, tomb. obelisk, needle. oil-lamp (+ kindling a light; lit, burning light, lamp, candle)

Departure of the States Committee of Rotterdam, 1786, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print The departure of the States Committee on a quay in Rotterdam, 24 June 1786 Amsterdam paper etching departure ~ travelling Rotterdam

Design for a room protecting face through an outstanding door in a garden with fountain. Design for a room protecting: face through an open door in a garden with fountain; At the door a standing dog.

Classic ruins in a cave. Two shepherds and a shepherdess with a dog are located in a cave at classical ruins.

National Holiday on the Boulevard de Clichy. Dated: 1878. Dimensions: plate: 31.7 x 23.9 cm (12 1/2 x 9 7/16 in.) sheet: 53.6 x 37.7 cm (21 1/8 x 14 13/16 in.). Medium: etching, drypoint, aquatint, stop-out, foul-bite, and soft-ground etching in black ink (main subject) and in brownish-black ink (margin illustrations)on heavy wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Setting up the obelisk on St. Peter's Square. On the left the Vatican obelisk that is upright, awarded a copper globe. On the right men and dandeled the Vatican obelisk on his new place of residence, the St. Peter's Square, upright with the help of a wooden stellage. At the top right a decorative frame with text. Presentation faced in a decorative frame.

View of the fountain of the Place de l'école in Paris, Louis Albert Bacler d'Albe, 1822 - 1824 print There is a market on the square. In the foreground, in front of the fountain, there are a few female street vendors and a Marskramer. Paris paper ornamental fountain. village square, place. market. wandering or travelling merchant School

Zuil van antoninus pius te Rome, Giovanni Maggi, After Bartolomeo Rossi, 1651 print View of the Marsveld with the column of Antoninus Pius. Text in Italian in the lower margin. The print is part of an album. print maker: Romeafter design by: Italypublisher: RomeRome paper etching triumphal column with helical friezes Colon of Antoninus Pius

STATUE OF BARTOLOMEO COLLEONI, VENICE

Etching by Claude Lorrain from 1637 showing fireworks for the coronation of Ferdinand III by the Spanish ambassador Marquis of Castel Rodrigo.

Landscape with ruins; Landscapes; Varia Marci Ricci Pictoris Prestantissimi Experiment (...). Landscape with ruins of a classic buildings, including a round temple. In the foreground figures on and next to an enclosed vase. Behind an arc a rider statue. Assignment in undermarge.

Sanctuary at Negapatnam on the coast of Coromandel. Draughtsman: Jan Brandes. Intermediary draughtsman: anonymous. Dating: 10-Oct-1785 - 30-Dec-1785. Place: Sri Lanka. Measurements: h 208 mm × w 293 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with grotesque vase. Landscape with grotesque vase. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets.

Statue of Willem I, Prince of Orange, on the square in The Hague. Statue of Willem I by Louis Royer on the square in The Hague.

Hartel & Neckelmann, Brunnen, Weißenfels (without dat.): Perspective view. Light pressure on paper, 34.7 x 24.7 cm (including scan edges) Hartel & Neckelmann : Brunnen, Weißenfels

Landscape with ruins, Marco Ricci, 1730 print Landscape with ruins of classic buildings, including a round temple. In the foreground figures on and next to a fallen vase. Behind a bow a equestrian statue. Assignment in the end margin. Italy paper etching piece of sculpture, reproduction of a piece of sculpture. equestrian statue. landscape with ruins - II - ideal landscapes. ruin of a building ~ architecture

Riots in front of the house of the English consul at Amsterdam, 1688, Simon Fokke, 1777 - 1781, Riots in the street in front of the house of the English consul at Amsterdam, 1688. Probably at the birth of the Prince of Wales on June 20, 1688. Design for a print., draughtsman: Simon Fokke, Northern Netherlands, 1777 - 1781, paper, h 81 mm × w 43 mm

Brussels, Sacré, Amsterdam, Meijer, RC, Sarcastic monument for Emperor Wilhelm I, 1888, verso - stamped, Reproduction photo of a drawing of a sarcastic monument for the German Emperor Wilhelm I, probably on his death in 1888. On the monument skulls and surrounded by the crosses on the graves of the many victims who fell under his reign. With four-line verse in French., photograph, photo, photos, foreign history, height 142 mm, width 101 mm, height 165 mm, width 107 mm, photographer, 1888 - 1888, photographic paper, photo paper, cardboard, albumen print, albumine print, Publication (Event), Publication, publisher, Belgian

Statue of Sir Hans Sloane in Chelsea churchyard , Sculpture, Churches, Trees, Sloane, Hans, Sir, 1660-1753. Joseph Pennell (1857-1926). Prints and Drawings

Pannotet to the Champs-Elysées. / Comic scene.

Design for a room piece: statue of sense organ Hearing, in addition a young man with musical instruments. Draughtsman: Dionys van Nijmegen. Dating: 1715 - 1798. Measurements: h 388 mm × w 246 mm. Museum: Rijksmuseum, Amsterdam.

Doorsnede Van de Piramide Van Cestius Te Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Cross -section of the pyramid of Cestius in Rome. In the middle of the pyramid lies the burial chamber of Gaius Cestius with paintings on the walls. Title in the middle. Numbered in the top left: Tom. III. Numbered at the top right: XLIV. Under a explanatory list of letters, printed from another plate. Rome paper etching pyramid (marking grave) Piramide van Cestius

Design for wallpaper painting. Design for a wall painting.

Unknown architect, tombstone for two graves. Monthly competition January 1882 (01.1882): Perspective view. Ink on cardboard, 22.3 x 18.2 cm (including scan edges) N.N. : Grabstein für zwei Gräber. Monatskonkurrenz Januar 1882

Daniel Lysons, 1762-1834, British, Memorial to Two Cousins both Named Elizabeth Isaak from Hanworth Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Square Napoléon (Ti)

Archway, Casa del Gobernador, Uxmal, Yucatan Frederick Catherwood (British, 1799-1854). Archway, Casa del Gobernador, Uxmal, Yucatan, 1843. Sepia ink and wash on wove paper, Image: 12 1/2 x 17 in. (31.8 x 43.2 cm). European Art 1843

Anonymous. "The tomb of Max Buchon in Salins". Albumin paper draw. 1870-1870. Paris, house of Victor Hugo. 200669-27

Alexandre Jean-Baptiste Le Blond drawing depicting a front view of a shell fountain with figures and a floor plan, executed in brown pen and brush with brown wash, deck white highlights, red chalk architectural designations, and brown border lines, dated 1699.

Drawing (Italy)

The law in any state must be universal. The mortals, whatever they are, are equal before her Villemin and Chair. "The law in any state must be universal. The mortals, whatever they are, are equal before it".

Lazio Viterbo Bagnaia Villa Lante4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La Fuente del Viejo, der Brunnen des alten Mannes, um 1870, auf der Rambla in Barcelona, Spanien, digital verbesserte Reproduktion von einer Vorlage aus dem 19.Jahrhundert, Historisch, genaues Datum unbekannt 1f-4999724

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

Plundering the Remonstrant meeting place in Amsterdam, 2 February 1617.design for a print.

Radetzky from Radetz, Josef Graf.

Luxembourg Gardens , Gardens, Sculpture, Sitting. Joseph Pennell (1857-1926). Prints and Drawings

Clair-obscur woodcut by Hans Wechtlin, 1510-1512, depicting Alcon freeing his son from a line, showing figures in mythological narrative with detailed lines and tonal plates.

Setting up the obelisk on St. Peter's Square. Men and horses are setting up the Vatican Obelisk (in 1586) on St. Peter's Square, using a large wooden stellage. At the top right a decorative frame with text, the coat of arms of Pope Sixtus V and presetifications. At the bottom right men who transport the obelisk using round posts. Presentation is caught in a decorative frame.

Amsterdam, Bakker, Frans de, Monument for Christian Furchtegott Gellert, verso middle - stamped, Stone column with urn. On the urn are two putti sleeping, a third decorating a plaque with a portrait bust of Gellert with flowers., print, prent, prints, prenten, height 198 mm, width 117 mm, Nederlands, print maker, prentmaker, 1736 - 1767, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etchings, engraving, engraving (printing process)

. The personification of equality is on an estrade for an obelisk. She keeps the "rights of man" under her hand, behind which a rooster with a flag appears. At the top of the trinity in the shape of a triangle with eye. In the foreground boring kings with the cut head of Louis XVI. On the left in the background a battle and on the right four naked children around the freedom pole. The sun comes up behind the hills.

Triumph of freedom and equality about rigidity, 1795; Le Triomphe de la Liberté et de l'Egalité sur Les Despots Dédié au Peuple Batave / the at the absence of freedom & equality over the indefinite Heerszugt urged the Bataavsche people. Allegory with triumph of freedom and equality about the rigidity, 1795, equality is on an estrade for an obelisk (crowned by the all-seeing eye), resting her hand on the book with human rights. In the foreground Stadholder Willem V, a momentary king and the cut head of Louis XVI. The left behind the French army drives the enemy, right-hand dancing naked children around a freedom tree and a sunrise.

Ollefen, Lieve van, Northern Netherlands, Monument for the unexemplary mayor Henrik Hooft Danielsz., Memorial column for Hendrik Hooft Danielsz., 1794, verso - stamped, Allegorical memorial column for Hendrik Hooft Danielsz., former mayor of Amsterdam, who died on 31 August 1794. Two putti at a column with a portrait of Hooft. On the sheet below the plate a verse of eighteen lines., print, prints, Frederik Muller Historieplaten, height 225 mm, width 115 mm, print maker, printmaker, 1794 - 1794, paper, papier, stippelets, letterpress printing, hand coloring, 1749-10-13 - 1816-06-26, writer

Northern Netherlands, Magnificent Statue for Her Royal Highness, Madame the Princess of Orange Born Princess of Prussia, Statue for Wilhelmina of Prussia, 1786, verso - stamped, Allegroric statue in honor of Princess Wilhelmina of Prussia, on the occasion of the mediation between the States of Holland and West Friesland and the hereditary stadtholder, 1786 (Second edition). Image of the princess as an armed Amazon. On the right a monument with the princes from the House of Orange, on the left kneels Religion. In heaven the All-Seeing Eye. On the sheet below the plate an explanation of the representation and a verse in two columns. The plate has a pendant., print, prent, prints, Frederik Muller Historieplaten, height 337 mm, width 190 mm, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception

Wormation. Cathedral Piotr - Sketches of two know; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Wormacja (Germany), architecture, brick architecture, foreign architecture, gift (provenance), details, architectural details, cathedral of St. Piotr (Wormation - Germany), Churches, Romanesque Arts, Towers, Church Towers

Tomb of living denon.

The catafalque of Napoleon Bonaparte in Paris. Lithograph by J. Arnout.

THE FORTHCOMING TRANSIT OF VENUS

New Year's wish from the Torenwachters van de Zuiderkerk in Amsterdam, ca. 1840-1870, Anonymous, 1840 - 1870 print New Year's wish from the tower keeper of the Amsterdam Zuiderkerk, ca. 1840-1870. View of the Westerkerk in Amsterdam, two men raise money on the houses. At the bottom of a poem in two columns and a song in three verses. From the tower guards: F.W. Bulsing and J.P. Richard. Amsterdam paper letterpress printing street. tower sentry Amsterdam. Westerkerk. Zuiderkerk

Design for wallpaper painting. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 269 mm × w 183 mm. Museum: Rijksmuseum, Amsterdam.

Almanac for L'Art. Daniel Charles Marie Mordant; French, c. 1853-1914. Date: 1883. Dimensions: 247 × 322 mm (image); 279 × 331 mm (plate); 298 × 431 mm (sheet). Etching, with drypoint, aquatint, and plate tone, on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

"Pencil drawing by Hans Hueber depicting Baron Riesenfels at Seisenegg Castle, focusing on figure and architectural setting."

The grave of the Humboldt family of Tegel from The Book for All, Unknown

Fountain in the Gardens of the Ludovisi Palace atFrascati. Artist: Giovanni Battista Falda, Italian, 1643-1678

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