Allegorical and Historical Prints

Engravings depicting historical events and allegories, showcasing intricate illustrations and narrative scenes from different eras.

Women and children see how Civilis Battle of the Romans, 69-70, 1768 - 1770 print Women and children see how Claudius Civilis delivers with the Romans at Xanten. Print 8 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Xanten

Wheel of fortune with the death of the Swedish king Charles X Gustaaf, 1660; T 'Radt from Avontueren / So Draeyt so Gaet des Werels Staet. Allegory on the death of the Swedish king Charles X Gustaaf, February 23, 1660. Wheel of fortune with the king in the middle at its deathbed, assisted by family and councilors. To the wheel the rise and fall of man in eight figures. The European princes can see the left and right. At the top left and right a biblical performance. A text sheet with a verse belongs to the print.

Print, Nativitas Christi ; Germany; etching on paper; 1906-31-2

Frontispiece for 'Lili Guegori Gyraldi Opera Omnia' 1696 Jan van den Aveelen. Frontispiece for 'Lili Guegori Gyraldi Opera Omnia'. Jan van den Aveelen (Dutch, ca. 1655-1727). 1696. Engraving. Prints

The LastJudgment. Engraver: Giorgio Ghisi, Italian, 1520-1582 After: Michelangelo Buonarroti, Italian, Florence, 1475-1564

Hell opera. Usuors

Stairs of the old age, Claes Jansz. Visscher (II), 1596 - 1652 print A staircase of the old age: a men's staircase. On the steps of the stairs, in the form of a bridge, there are men between the ages of 0 and 100. Under the bridge a representation of the Last Judgment. Left front a putto and front right. A tree on either side of the show. Under the show a 24-line verse in six columns. Left and top right and in the middle of cartouches with text. Numbered bottom left: 28. publisher: Amsterdamprint maker: Netherlands paper engraving the ages of man represented by a staircase. Last Judgement

The Founding ofRome. Engraver: Domenico Maria Bonaveri, Italian, 1653-1731 After: Annibale Carracci, Italian, 1560-1609

Women and children see how Civilis Battle of the Romans, 69-70, 1768 - 1770 print Women and children see how Claudius Civilis delivers with the Romans at Xanten. Print 8 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Xanten

Tytel-print der Actie-Kraam of Voor-hof van Quinquenpoix -print of the stocks-shop or the court of Quinquenpoix. 1720. Berge, Pieter van den, 1659-1737. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Cartoon on the Treaty of Fontainebleau, 1785, Anonymous, 1785 - 1786 print Cartoon on the Peace closed in Paris, which ended the Ketel War, the disputes between the Netherlands and the Austrian emperor Jozef II, November 8, 1785. The Netherlands paid 8.5 million guilders and accepted other humiliating conditions. In the throne room, the Dutch envoy kneels for the emperor who spends him with a rod. Left and right envoys of other European countries that look forward to their share in Dutch payments. In the caption a verse of 10 couplets in German. Germany paper etching / engraving throne-room

Putti with weapon of Namur, 1670 print The crowned weapon of the Graafschap took with weapons and flags and a pedestal with title. Putti with weapons left and right. Around an ornamental frame with floral motifs. Right f. 48 numbered. paper etching armorial bearing, heraldry. cupids: 'amores', 'amoretti', 'putti' Namur

Figures working on the country; Title page for: Jan van Westerhoven, Den Schepper Verherlyt in the creatures, 1685. A man standing under a bow overlooks a landscape in which figures are working. All around eight medallions with landscapes and scenes referring to various psalms and bible texts.

Queen Anna picks the French Haan, 1706, 1706 print Cartoon in which the English queen Anna is sitting on her throne picking the French Haan, French officers caught on either side. Above the throne the solar eclipse of 12 May 1706. With three small scenes of the French defeats and Louis XIV, the Madame on the throne together with Madame. In the plate 3 columns verses in Dutch and French. Page no. 24 (numbered at the top right) in the series of 25 magazines entitled: By joint to the Koninglyke Almanach, called the Golde Year of the allies, 1706. Part of the print work published under the collection title: 't Lust-Hof of Momus, with The bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires. plucked fowl. solar eclipse

Fontein with assignment to and weapon of Ercole II d'Este, Anonymous, 1653 - 1691 In the middle a fountain with an assignment on and the weapon of Ercole II d'Este, Duke of Ferrara, Modena and Reggio. In the background a face on the surroundings of Tivoli with the round temple of Vesta on the left. Nummered at the bottom right: 2. The print is part of an album. publisher: RomeRomeItaly paper etching Villa d'E This. Tempel van Vesta. Tivoli In the middle a fountain with an assignment on and the weapon of Ercole II d'Este, Duke of Ferrara, Modena and Reggio. In the background a face on the surroundings of Tivoli with the round temple of Vesta on the left. Nummered at the bottom right: 2. The print is part of an album. publisher: RomeRomeItaly paper etching Villa d'E This. Tempel van Vesta. Tivoli

Schellhammer, his Jacob.

. Cartoon on the peace closed in Paris that came to an end to the boiler war, the arts between the Netherlands and the Austrian emperor Jozef II, November 8, 1785. The Netherlands paid 8.5 million guilders and accept other humiliating conditions. In the Throne room, the Dutch envoy kneels for the emperor who shed him with a row. Left and right inserted from other European countries that rejoice about their share in Dutch payments. In the caption a verse of 10 couplets in German.

. Those in which the time put an end to the rule of discord, allegorically represented as a struggle between good and evil. Links fled the personal statements of the scene. In the clouds, the Personifications of Peace (Pax) and Justice (Justice) hug each other, right blows fame on her trumpet. In the presentation cartouches with inscriptions in Latin. Under the show printed three verses of 6 rules each in Dutch, Latin and French.

Fontein der jeugd, johann theodor de bry, after haans sebald beham, 1588 - 1623 print A bathhouse with bathing men and women and, on the "roof terrace", loving and musician people. On the right the fountain of youth, in which old and defective are immersed. They appear rejuvenated. Rear right is a rejuvenated woman in a fire in which crutches and sticks burn. Three naked men around it. A dar, on the terrace, mocks the whole. paper engraving fountain of youth, 'Fontaine de Jouvence'. public baths. court jester, court fool

Loy du Roy of Portugal. (Ti)

Il pomo d'oro: Act I, scene xi. Burnacini, Lodovico Ottavio, 1636-1707. Prints. 1668. Jerome Robbins Dance Division. Cesti, Antonio, 1623-1669. Pomo d'oro, Opera , 17th century

De Zuidzé Compagnie door wind in top gerezen Beklaagt nu haar verlies met een bekommerd wezen The South Sea Company, having risen to the top by wind, now laments her loss with a rueful aspect. 1720. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Fight on bridge in Venice.A Large Litter Men in Battle on a Bridge in Venice.

May tree planted by the Haagse Schutterij, 1757, 1757 print The eight allegorical representations or emblems of the May tree planted by the militia of The Hague in the year 1757. Northern Netherlands satin etching / engraving maypole The Hague

Karta Tytu Owa: Trophies of ancient and modern weapons, serving to all kinds of workers, for the newly designing works and engrave by Jean le Potre. This sells to Paris, at Pier Mariette, Ruë St. Jacques has a esperance, with Priv. du Roy, B.R.; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; M .); OK. 1660-OK. 1670 (1657-00-00-1679-00-00); Pobrano Z Systemu Muza Muzeum Narodowego W Warszawie; Graficzne / C / MIEDZIORYT; Wyroby z w ókien / paper; wys. 15.1 cm, Szer. 22.3 cm; Gr.ob.alb.12/1 mnw; Wszystkie prawa zastrze One.

Nebuchadnezzar sees that Sadrach, Mesach and Abednego are unharmed; History of Sadrach, Mesach and Abednego. Nebuchadnezzar comes to look at the oven and sees a surprise that Sadrach, Mesach and Abednego remain unharmed. He also sees a fourth man between them with an earlife. The burned guards lie on the ground before the oven. Under the show an explanatory text in Latin. This print is part of an album.

Murder of Sebastiaen de la Ruelle, mayor of Liège, 1637; Eigentliche Abbildung und Grundliche Erklärung der Schändlichen und Verrahterischen Mordthat / So an Dem Herrn Burgermeister Zu Lüttich / Sebastian de la Ruelle, Durch Reynier von Renes, Grafen von Warfuse Verübet. The murder committed on Sebastiaen de la Ruelle, Mayor of Liège, by Reinier van Renes, count the warfusé, who wanted to bring the city of France among Spanish governance, April 16, 1637. The murderer was arrested and killed by civilians and afterwards The gallows dragged. Leaf with the events in 5 performances with portraits of the protagonists. Under the show a description of the events in 3 columns in German.

Etching by Romeyn de Hooghe on the title page of Atlas Maritime, featuring decorative elements and maritime symbolism, created in 1693.

Reproduction of the print on which the troops of Bourse dispose of the German soldiers of Treslong and Merville from the Citadel, 1577; Reproductions of the medallions with the conquest of the Citadel of Antwerp in 1577. Reproduction of the print on which the troops of the Bourse will expel the German soldiers of Treslong and Merville from the Citadel, 1577, August 1, 1577. In the clouds of justice. Presentation in a round medallion with ornamental allegorical frame with the sitting female personifications of providence (Providentia) and Steadfastness (Constantia) at the top. At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Val van Babylon, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1585 print An angel throws a stone, as large as a millstone, into the sea. In the background the burning Babylon. In the foreground people who throw dust over their heads. In the margin a four -line caption in Latin. Twentieth print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving a mighty angel casting a great (mill)stone into the sea

Map of Castle and Gardens of Versailles, ca. 1702, 1702 - 1703 print Map of the castle and the gardens of Versailles. Decorated with cartouches with allegorical figures. Plate no. 218 In the printed work consisting of a total of 276 numbered plates of renowned strong cities and fortresses in the context of the Spanish Succession War. For the most part these records have been copied to the anonymous French records: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the framework of the nine -year war. Title and inscriptions in the album in French. print maker: Northern Netherlandspublisher: Amsterdam paper etching palace. French or architectonic garden; formal garden Castle of Versailles

Fountain with assignment and weapon of Ercole II d'Este; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. In the middle a fountain with an assignment and the weapon of Ercole II d'Este, Duke of Ferrara, Modena and Reggio. In the background a face in the area of Tivoli with left the round temple of Vesta. Numbered at the bottom right: 2. The print is part of an album.

Schouwburg van den War (page XXI), 1720, 1720 - 1722 print Leaf with nine performances of events from the year 1720. PLAG XXI in: Schouwburg van den War (edition of 1720), the print work with the bundled series of 31 plates on the Spanish Succession War. Amsterdam paper etching battle (+ naval force). battle (+ land forces). confinement, birth. coronation of a ruler. signing of peace treaty, concluding the peace Stockholm. Sicily

Sprinkling loaves among the public, plate QQ, 1530 - 1536 print Sprinkling loaves under the audience, plate QQ. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. Mechelen paper etching festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Reproduction of the print on which Bourse, Liedekercke and Roeck confirm their oath, 1577; Reproductions of the medallions with the conquest of the Citadel of Antwerp in 1577. Reproduction of the print on which Bourse, Liedekercke and Roeck confirm their oath, 2 August 1577. The three men surrounded by soldiers make an oath. In the clouds an angel with laurel wreath and palm branch. Presentation in a round medallion with ornamental allegorical frame with the sitting female personifications of truth (Veritas) and Eendracht (Concordia) at the top. At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Eleazar and Rebecca 1581-1623 Germany. Engraving in black on ivory laid paper . Johann Theodor de Bry

Title print for the scene of foolishness, 1720, 1720 Title print with a central performance in which father holds a mirror to a young woman with a globe. Around a frame with two small people, animals and rolling work with all kinds of inscriptions, printed from a second album. On the leaf under the plate a fresh in 5 columns. Title page in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving / letterpress printing Title print with a central performance in which father holds a mirror to a young woman with a globe. Around a frame with two small people, animals and rolling work with all kinds of inscriptions, printed from a second album. On the leaf under the plate a fresh in 5 columns. Title page in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving

Don Juan receives the Duke of Parma, 1578, 1581 - c. 1585 print Don Juan receives Alexander Farnese, the Duke of Parma, January 20, 1578, surroundings of Namur. On the right in the background the arrival of Parma on horseback, left front the reception by Don Juan and left in the background through the window a small representation of the Battle of Gembloers. With caption of 16 lines in German. Nummered in the bottom left: 142. The print is part of an album. Cologne paper etching Names (city)

Torture death of Eleazar, 1613 Eleazar is beaten to death on behalf of Antiochus because he refused to eat pork (2. Makk. 6:30). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Eleazar is beaten to death on behalf of Antiochus because he refused to eat pork (2. Makk. 6:30). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching

Allegorical performance with Mars and Mercury; Viva Delineatio, AC Descriptio Omnium Proeliorum, Obsidionum, Aliarumque Rerum Memoratu Dignarum (...); Title page for: W. Baudartius, Polemographia Avraico-Belgica, 1621. In the middle a cartouche with title, flanked by Mars (Arma) and Mercury (Industria). Behind it the female personifications of virtues faith, love and hope. At the bottom of the weapon of Prince Maurits and eight province weapons. Printed on the back with text in Latin.

Karel V, Ferdinand I, Isabella, Eleonora, Catharina and Maria on horseback. The six children of Philip the clean and Johanna the crazy of Castile. On the left the two brothers on horseback, on the right the four sisters on mules. In the middle of the national arm with the order of the golden fleece, including the motto of Karel "Plus Oultre" with the two columns of Hercules, flooded by waves. The whole in arcuate frame in which the 27 weapons with the names of the kingdoms. Under the show Dutch text in letterpress: four verses of 6 lines.

Bomen, dieren en noten; Verering van godsbeelden; Mangas Nooten / Arbres, Animaux, etc. des Indes // Tyden, Afgoden / Idoles, Mathematiciens, Philosophes etc. des Indes; Les Indes Orientales et Occidentales et autres lieux.Presentation in two parts. Left trees, animals and nuts from West and East Indies. Three men climb on the back of a giant tortoise. On the right show a temple in which different God's images are honored. Insight into the past and the future give the almanac seller, instrument maker and philosopher. In the background a lookout tower and a few globes and atmospheres. With a legend in French and Dutch. The print is part of an album.

Reproduction of the allegory on the Pacification of Ghent, 1576, 1878 print Reproduction of the allegory on the Pacification of Ghent, 1576. The Netherlands Lion monitors the entrance gate to the Dutch garden in which the personifications of the seventeen provinces are located. Spanish soldiers with guns and guns have surrounded the garden. At the bottom of the legend 1-4. Great Britain paper photolithography fenced or walled garden; 'Hortus Conclusus'

The turnout but no fall from John Law, 1720, 1720 The turnout but not yet a fall of John Law. Central a presentation of the arrival and reception of John Law in Paris, with caption of four verses. Surrounded by sixteen smaller scenes from Law's life, above his portrait between spider webs. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving Vianen. Paris The turnout but not yet a fall of John Law. Central a presentation of the arrival and reception of John Law in Paris, with caption of four verses. Surrounded by sixteen smaller scenes from Law's life, above his portrait between spider webs. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving Vianen. Paris

Hertog van Aarschot taken prisoner in Ghent, 1577, 1581 - c. 1585 print The imprisonment of the Duke of Aarschot and other nobles in the Hof van S. Baeffs in Ghent, 28 October 1577. With caption of 12 lines in German. Nummered in the bottom left: 135. The print is part of an album. Cologne paper etching imprisonment Sint-Bavo Hof

Inzy work. (IT)

Clementi XIII P M mvnificentissmo principi promotori bonarvm artivm , Architectural decorations & ornaments, Bas-reliefs. The Antonio Cardinal Tosti Collection

Humanity must learn everything, 1563 print A mother feeds her child, another teaches a toddler to walk. They are followed by three children: two cry, while one learns to step with a walking rack. In the background all kinds of animals that are gifted by certain properties from birth. Under the show a verse in Latin and a Dutch and French caption in book print. This print is part of an album. paper engraving / letterpress printing baby in swaddling clothes. learning to walk, the first steps. implements for learning to walk, go-cart. crying, shouting. animals

Copper engraving Thesenblatt by Michel Lasne, 1610-1667, depicting King Louis XIII of France, showing royal attire, symbols of monarchy, and portrait elements.

Trap of Life, Jan Barentsz. Muyckens, 1637 - 1648 print The stairs of the man's life. The stairs has nine steps. There is a man on every step and the corresponding age on the step. On the right the young years from zero to fifty, left the age of fifty to one hundred. Two putti hold a cartouche for the stairs with the presentation of the last judgment. At the bottom of the margin five -line verses in Dutch. Amsterdam paper etching / engraving the ages of man represented by a staircase. Last Judgement

Lucas Cranach the Elder, The Celestial Ladder of Saint Bonaventura The Celestial Ladder of Saint Bonaventura

Monument for the Nassau War, 1625, 1625 print Monument for the Nassau War, 1625. Monument with performances Divided into four actes Numbered A-P of episodes from the start of the Dutch Uprising with lead roles for Willem van Oranje, Maurits and Frederik Hendrik and the Spanish Land Guardians. In the bottom layer of Maurits on his deathbed with fame and representatives of the continents, the Dutch Virgin in the Dutch garden and members of the States General at Frederik Hendrik on the throne. At the bottom of the funeral procession of Prince Maurits in Delft on September 16, 1625. The procession winds in three rows to the entrance of the Nieuwe Kerk. A text sheet belongs to the plate. print maker: Northern Netherlandspublisher: Utrecht paper etching cortege, funeral procession. deathbed

Pre-bed of Prince Willem IV, 1751. Funeral room with visitors to the praal bed of the Prince Willem IV prince Willem IV and on October 22 and on October 22 and December of the year 1751 he has laid out. The show in a picture frame with weapons of the seven provinces, tokens with portraits of the stadholder, woman and children and forefathers. Signature at the top left: No. 3. And right: p. 217.

Moderation with Personified sins, Anonymous, After Jan Snellinck (I), After Maerten de Vos, c. 1626 - 1676 print Allegorical representation on the saying 'There is a size in all things'. In the middle the personification of moderation (temperantia) in a jet wreath, crowned by two angels. A tetragram above her in a jet wreath. It is flanked by efficiency (Intemperantia), envy (invidia), Toorn (IRA) and stinginess (Avaritia), Lust (Luxuria), Hoogmoed (Superbia), and the Cult Immoderatus and Vestitus Immoderatus. All are crowned by angels. In the foreground various measuring instruments and a lunar and globe. In the margin a caption in Latin. Antwerp paper engraving Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues - MM - triumph. Temperance, Moderation; 'Misura' (Ripa) (+ symbolical representation of concept). proverbs, sayings, etc.. the Seven Deadly Sins (personified). the Golden Mean; 'Mediocrità' (Ripa)

Failed trip from Lodewijk XIV and the Duke of Anjou, 1706; Metamorphose Nouvelle 1706; Royal Almanach from 1701 / 't Lusthof from MoMus. Triumphag with Louis XIV and the Duke of Anjou drawn by six princes towards a temple where the Spanish crown is preserved. At the top two cartouches with representations with Jesuits, 1706. On the leaf under the plate a statement in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706.

Sheet with five stage scenes in round medallions numbered I-V from the play Gijsbrecht van Amstel by Joost van den Vondel. Centrally a large circular scene surrounded by four small rounds. The medallions connected by ribbons, at the bottom a cartouche with the text: J.v.Vondel's Gysbrecht van Aemstel, Sheet with five scenes from Vondel's Gijsbrecht van Amstel, print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Northern Netherlands, 1775, paper, etching, h 194 mm × w 229 mm

Analysis of beauty, pl. 2 , Ballroom dancing, Balls Parties. William Hogarth (1697-1764). Prints

Painted decorations on the fair in Vlissingen, 1772, Caspar Jacobsz. Philips, After P. Janssens, 1772 - 1773 print Six painted allegorical representations, on panels for the windows of the fair in Vlissingen, at the celebration of 200 years of freedom in Vlissingen, April 6, 1772. Each performance with a two -way verse. Numbered in the top left: pl. Vi. Part of a group of nine plates numbered I-X of the decorations at this party. print maker: Northern Netherlandspublisher: Flushing paper etching / engraving public festivities (+ decorated staff, portable structure ~ festive activities) Flushing

Monogrammist VEGB, Venne, Adriaen Pietersz. van de, Northern Netherlands, d'Grote Seeff, 1618, The great sieve. Cartoon on the fall of Johan van Oldenbarnevelt. On the right are Prince Maurits, Count Willem Lodewijk and Count Ernst Casimir (Nassouwsche Kracht), on the left members of the States-General (Mogende Macht) at a sieve through which Van Oldenbarnevelt and two others fall. The sieve hangs from three cords held by Justitia. On either side the coats of arms of Maurits and the Republic of the seven united provinces. Below the depiction is a text sheet pasted with a long verse over four columns with the title 'Verclaringe over dese hoogh-nodighe Seeff', signed VEGB, print, engraving, cartoon, Frederik Muller Historieplaten, height 437 mm, width 370 mm, print maker, printmaker, 1618 - 1618, first quarter 17th century, paper, papier, etching, etchings, engraving (printing process), letterpress printing, Work conception, after a print by, Noord-Nederlands, 1589 - 1662-11-12, intermed

Neighborhood letter from the Amsterdam Schutterij, 1795, 1795 print Non -filled neighborhood letter from the Amsterdam militia under the motto 'Urban faithfulness', 1795. Stone pedestal crowned by the city coat of arms of Amsterdam and a keeshond. In the foreground freedom, on the right in the background the Amsterdam town hall. At the bottom of a four -line verse. paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure) City Hall of Amsterdam (1655-1808)

Allegory on Pieter Adriaansz. van der Werff, 1574, 1752 - 1799 print Allegory of the steadfastness of Pieter Adriaansz. van der Werff, mayor of Leiden during the siege in 1574. In the middle a portrait in oval, pyramids on either side with emblems and spells. At the top of the weapon of Willem van Oranje and the all -seeing eye. Under two putti and a small allegorical imagination of the siege of Leiden. At the top right marked with the number 2. Netherlands paper etching / engraving

Print, Title page, from Neüw Grotteßken Buch (New Grotesque Book); Designed by Christoph Jamnitzer (German, 1563 - 1618); Germany; engraving on laid paper; Platemark: 15.1 × 19 cm (5 15/16 × 7 1/2 in.) 18.5 × 22.9 cm (7 5/16 in. × 9 in.)

Allegory over the victories of the Republic in the year 1709, 1710 print Allegory in honor of the victories by the Republic in the year 1709. Triumph paradoette with Johan Willem Friso, Prince of Oranje-Nassau in a chariot Gemende by Faith (Fides), the horses accompanied by De Vuugden Hoop (Spes), Justice (Justitia) , Power (Fortitudo), Love (Charitas), Moderation (temperantia) and caution (Prudentia). Left for the car love for the homeland (Amor Patriae), piety (Pietas) and Vrijheid (Libertas). In the air the fame (fama) and angels. In the foreground two angels with a cartouche with a performance of the peace trade in the year 1709. On the right a column with four small performances of the military victories achieved in the summer of 1709. The print includes a text sheet. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper engraving / etching symbolic triumphs of individual persons. 'Sapientia' and the Seven Virtues, i.e. the Three Theological

Twelve Dutch games, approx. 1750. Sheet on which twelve tricked prints with accompanying number, title and four-line verse are stuck. Every performance shows a specific game for children and adults, ca. 1750. N. 1. Singing with the Star; N. 2. Blindeman; N. 3. Danszen; N. 4. Castle; N. 5. Rope jumping; N. 6. Kicking = fluctuating; N. 7. Flasks; N. 8. Rocket track = kind of badminton; N. 9. Kegel game; N. 10. Card game; N. 11. 't Dambort; N. 12. Hand hold.

Allegory on the elevation of William IV, 1747, 1747 print Allegorie on the elevation of William IV to Stadholder of the Republic, 1747. The Dutch Virgin sitting in the Dutch garden, the entrance of which is guarded by the Netherlands Lion. In the clouds, time brings the reins of the Netherlands Lion to the personification of the Oranje Vorst. Around the Garden Soldiers, on the right the Orange Steam Tree, in the foreground the French Haan, symbols of unfaithfulness, false promises, etc. On the leaf under the plate a explanation of the show in two columns. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / letterpress printing fenced or walled garden; 'Hortus Conclusus'. personifications of countries, nations, states, districts, etc. Netherlands

Vos, Maerten de, Southern Netherlands, Wierix, Den Boom des Verbondts, Arbor Pacis, De Boom van het Verbond, 1578, mo four times eight lines, Political allegory from 1578 with the Tree of Peace (Arbor Pacis) in the middle; at the top of the tree the coat of arms of Philip II in which a heart is placed from heaven; in the branches on the left and right are Love (Charitas) and Divine Order (Ordo Divinus), next to each an empty coat of arms. Together with the female personifications of Fidelity (Fiducia) and Concordia (Eendracht), they carry a cord on which the coats of arms of the seventeen Provinces hang. Fiducia tramples Fallacia and Concordia displace Discord (Discordia). In the middle lies on the ground an open Bible with a sword on it. Behind the tree angels chase away monsters and predators. In the caption four verses of 8 lines each in Dutch, Latin, French and German., print, engraving, propaganda print, prints, Frederik Muller History plates, THE TREE OF THE BOND., top center, AR

Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print

The coat of arms of Prince Alexander Danilovich Menshikov, Anonymous

Focken, Hendrick, Northern Netherlands, Frisius, Simon, Amsterdam, Visscher, Claes Jansz. (II), t' Arminiaens Testament, Het Arminiaans Testament, 1618, back - stamped, Detailed allegorical representation in which the Arminians are mocked. The print is an adaptation of an old plate by Simon Frisius made in 1609 on the occasion of the Truce. Central to the representation is a tower with small scenes of the activities of the Arminians in the cities of Utrecht, Leiden, Haarlem, Rotterdam, Gouda, Schoonhoven, Hoorn, Alkmaar and Kampen. On the tower are the innkeepers and personifications of Envy, Deceit, Slander, Temptation and Error. In the foreground, at the foot of the tower, sit the seven provincial virgins. On the left and right are the towers of the Prince of Orange and the Dutch Lion. In the air fly Fame and Time., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 530 mm, width 452 mm, 1586 - 1652-06-19, print maker, printmaker, 1609 - 1609, first qua

Various nobles, plate X, 1530 - 1536 print Various nobles, Plate X. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. Mechelen paper etching festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Feast of Belsassar, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1646 print The festival of Belsassar, King of Babylon, with his courtiers and women. Belsassar, seen on the back of the table, sees a writing hand appear. On the table are the stolen cups and scales from the Temple of Jerusalem. At the top right are trumpeters on the balcony. Under the show a reference in Latin to the Bible text then. 5: 5. This print is part of an album. paper engraving during Belshazzar's banquet a hand appears and writes on the wall (MENE, MENE, TEKEL and PARSIN (UPHARSIN)); King Belshazzar is frightened

Cartouche with calligraphy, left and top right a man with banner, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Leaf XXIII. Cartouche with the text Xaramagos Encendidos y Espinos .... at the bottom left and bottom right hangs a wreath of leaves around a niche in the batter. In the left niche there is a man, in the right a woman. From series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. Netherlands (possibly) paper engraving

The Siege of La Rochelle: Plate 1, 1628-1630. Jacques Callot (French, 1592-1635), and Abraham Bosse (French, 1602-1676). Etching and engraving; sheet: 22.1 x 63 cm (8 11/16 x 24 13/16 in.); platemark: 16.4 x 65.7 cm (6 7/16 x 25 7/8 in.).

. Panel with a representation of the victory in Liège on 23 and 29 October 1702. Part of the decorations on the stellage with the Temple of Mars during the fireworks on the Hofvijver on December 13, 1702 in The Hague. The Temple of Mars was decorated with eight panels with representations of victories of the Allies in France and Spain in the year 1702.

Engraving depicting an agricultural scene of men and women scything the wheat and animals ploughing the fields. The illustration is set within an ornate frame.

Departure of Karel V, 1555; Series 2: Events in the Netherlands, 1555-1558. Karel V Distance from the throne, October 25, 1555. In the Troonzaal, Philip II takes place on the throne and leaves Charles V hall. Charles V stamps are broken and replaced by that of Philip II. For the full meeting of the States General. The walls decorated with tapestries with yacht scenes. With caption of 12 rules in German. Left below 11. The print is part of an album.

Murder of the Protestants in Cahors, 1561; Mord und Todtschleg Zu Cahors and Quercy Functions 19. Des Winter Monats 1561. Murder of the Protestants in Cahors, November 19, 1561. The house in which a meeting takes place is fired and the fleeing protestants are killed. In the caption the legend A-F in German. Unnumbered.

The Eleven Ages of Women. Artist: Gerhard Altzenbach (German, active 1609-72). Dimensions: Sheet: 12 11/16 × 17 3/16 in. (32.2 × 43.7 cm)Plate: 9 15/16 × 14 3/8 in. (25.3 × 36.5 cm). Date: 1609-72. Museum: Metropolitan Museum of Art, New York, USA.

A 1563 etching depicting a riding tournament in an open field with statues of Mars and Venus, showing mounted riders and spectators.

Landscape with fishermen and the weapon of Österbotten, Johannes Jacobsz van den Aveele, 1712 The print is part of an album. Stockholm paper etching Ostrobothnia The print is part of an album. Stockholm paper etching Ostrobothnia

Philipp IV., King of Spain.

Theater of the war (Leaf XXI), 1720; Schouwburg van den War, starting from King Charles Den II. To K karel Den III. Existing in IX. Historical figures on an elephant leaf, as battles, water and the main fortresses (...). Leaf with nine performances of events from the year 1720. Leaf XXI in: Theater of the war (1720 edition), the printing with the bundled series of 31 plates on the Spanish Succession War.

Allegory in honor of Christina of Sweden, Pieter Nolpe, 1650

The Peace of Westminster, 1674, 1674 print The Peace of Westminster, closed on February 19, 1674, which ended the Third English War. Central a representation of the bonfires and fireworks set off on March 14, 1674 in The Hague to celebrate the peace. Around this 8 smaller scenes of episodes from the declaration of war to the peace negotiations between the Republic and England and the drawing of the Fershrag. Amsterdam paper etching declaration of war. signing of peace treaty, concluding the peace. festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works The Hague

Apollo and the Muses. Dated: published 1502. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Süss von Kulmbach.

Partial meal from Belsassar; History of Daniel; Historia Danielis (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Belsassar's feast, king of Babylon, with his hole and women. Belsassar, seen on the back at the head of the table, sees a writing appearance. On the table are the stolen cups and scales from the Temple of Jerusalem. At the top right stand trumpets on the balcony. Under the show a reference in Latin to the Bible text in. 5. Print is part of an album.

Plate Two, from The Analysis of Beauty 1756-1761 England. Etching and engraving in black on cream laid paper (now split in two, with the left side laid down on back book cover and the right side in two parts) . William Hogarth

Stairs of the old age; Only border / one / a child. / Ten / who mind the porridge and drum (...). A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. On the gate the text: Remember the dagh who is not allowed to remove. On either side of the show a tree.

The world is a play theater, 1720, 1720 The world is a play theater. On a stage under a throne sky, wind traders are received by the devil, in the clouds the gods at a column gallery with the Wapen van Amsterdam, in the foreground all kinds of personifications. Left and right smaller scenes of the wind trade in different regions and cities. At the top left of slave Africans at the Mississippi Company. Also at the top right, left and bottom right representations with regard to slavery. At the bottom of a verse from Philadelphus. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Mississippi The world is a play theater. On a stage under a throne sky, wind traders are received by the devil, in the clouds the gods at a column gallery with the Wapen van Amsterdam, in the foreground all kinds of personifications. Left and right smaller scenes of the wind trade in different

Triumph of death, 1563 - 1567 print Death, in the form of a skeleton with a scythe, sits on a car that is decorated with skull. The spokes of the wheels consist of knekels. Under the cart of death, everyone he encounters is crushed: clergy, kings, generals and children. In the background you can see what all the dead ultimately await: on the left a burning hell and on the right the emerging sun of paradise. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving 'Trionfo della Morte', 'Triumphus Mortis'; 'Carro della morte' (Ripa). entrance of hell as monstrous mouth (of Leviathan). representations of celestial paradise (and its inhabitants). Death as skeleton

Amsterdam, Banse & Co., Hendrik Arend, Visser, Jan Gerritsz., Netherlands, Temple for the Netherlands, 1794, verso - stamped, Allegorical monument in the form of a temple with the enthroned Batavian Freedom in the centre between Religion, Justice, Moses with the tablets of the law and a Batavian. The porch of the temple is hung with portraits of historical heroes and patriots. In front of the throne Hope and Gratitude with four children (Commerce, Art, Agriculture and Fisheries) with a beehive. To the left and right of the temple stand two Batavians as guards. On either side are columns from which hang medallions with representations of important events from Dutch history. The print comes with an explanation., print, prints, Frederik Muller Historieplaten, height 508 mm, width 660 mm, Noord-Nederlands, 1765 - 1821-05-08, print maker, printmaker, 1794 - 1794, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Eve

Mercury as God of the learning and trade, Bernard Picart, 1722 print The flying Mercury, with a bag of money in hand, as a protector of the learning and trade. On the left a study and on the right ships at sea. Above the print the motto: erudit et ditat (leather and enriched). Amsterdam paper etching / engraving foliage, tendrils, branches ~ ornament. scrollwork, strapwork ~ ornament. specific aspects, allegorical aspects of Mercury; Mercury as patron

The Coffeehouse Quincampoix in Amsterdam, 1720; Quinquanpoix; The great scene of foolishness. Central representation of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects to Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a jester head. In the caption a verse in four columns. Print 10 in the series The great scene of foolishness with cartriders at the 1820 wind trade.

Inscriptions and fragments from tomb of the Arruntius family; Iscrizioni E Framenti delle Camere Sepolcrali della Famiglia Arrunzia EC.; Archaeological finds in and around Rome; Le Antichità Romane. Different inscriptions in marble, carved fragments and oil lamps from the Graftombe of the Arruntius family. Title and explanatory list of letters in undermarge. Numbered above: Tom. II. / XIII.

Allegory on the uplifting of Willem IV, 1747; Encouragement for all devout patriots, to sacrifice good and blood to protect religion and veryness. Allegory on the uplifting of Willem IV to Stadtholder of the Republic, 1747. The Dutch virgin sitting in the Dutch garden whose entrance is guarded by the Dutch lion. In the clouds the time brings the reins from the Dutch lion to the personification of the orange frost. To the garden soldiers, on the right the orange tram tree, in the foreground the French rooster, symbols of unfaithful, false promises, etc. on the leaf under the plate a statement of the show in two columns.

Fontainebleau, Primaticcio, Francesco, Fiorentino, Rosso, Fantuzzi, Antonio, Mountain landscape with frame, verso - stamped, A representation of a mountain landscape in an ornamental frame with male and female satyrs, nude figures, putti and garlands with fruit., print, prent, prints, height 269 mm, width 525 mm, Italian, print maker, printmaker, 1543 - 1543, second quarter 16th century, paper, papier, etching, etchings, Work conception, 1494-03-08 - 1541-11-14, after a design by, 1504-04-30 - 1570-09-14

Strasti Gospodni.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Fonteen Met Twee Riviergoden; Fountains, or water jets to the Italian.

Augsburg, Lotter, Tobias Conrad, Scheller, August, Mappa Geographica exhibens Electoratum Brandenburgensem, Cartouche with Minerva and Mercury, verso - stamped, Minerva with country and shield and Mercury seated on merchandise flank a cartouche with title. Top left is a crowned eagle with coat of arms. Detail of a map of the state of Brandenburg in Germany., print, prent, prints, height 179 mm, width 188 mm, 1719 - 1790-08-06, print maker, printmaker, 1758 - 1758, second quarter 17th century, paper, papier, etching, etchings, hand coloring, Publication (Event), Publication, 1717 - 1777-07-14, publisher

Elsevier photo collection. Garvure image Noordeinde Palace. undated. Hague, South Holland

Hercules Doodt of Centaur Nessus, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

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