Allegorical and Historical Prints

A collection of etchings and lithographs featuring allegorical figures, historical scenes, and depictions of rulers, emphasizing composition and artistic styles from various centuries.

Setup of Objects from Kant on the Exhibition Nationale of 1880 in Brussels, Belgium, Ferdinand Fussen, 1880 photomechanical print Brussels paper collotype trade exhibition, industries fair. lace Brussels

Etching by Jacques Fricquet from 1663-1716 depicting Concordia, allegorical figure representing harmony and unity, showing gestures, attributes, and composition.

Trekschuit, Paulus Lauters, After Joseph Moerenhout, c. 1830 print Print from album with twelve early lithographs produced by the company Dewasme-Pletinckx in Brussels to J.C. Schotel, E.J. Verboeckhoven, B.J. Van Hove and other contemporary masters in original band. paper tow-boat, towing-barge

The etching by Albrecht Dürer after 1504 depicts the birth of Christ, showing the infant, Mary, Joseph, surrounding figures, stable, animals, and background elements in early 16th-century European style.

Photo production of a drawing, representing a ruler with his entourage, Anonymous, After Jean Baptiste Madou, c. 1868 - in Or Before 1873 photomechanical print Amsterdam paper collotype family of a ruler, and court. ruler, sovereign

Etching depicting a competition, created by Monogrammist GG in the mid-16th to 17th century.

Union of Utrecht, 1579; The Union of Utrecht, 1579. The signing of the Union of Utrecht, 23 January 1579. Part of the Steel enrolled group to the paintings of the historic Gallery of the Company Arti et Amicitiae.

View of a portion of the fresco of Louis Jeannot, rue Fortin, Bagneux. "Fresco of Louis Jeannot executed in a house on rue Fortin, Bagneux". French photographic union. Paris, Carnavalet museum. 123883-25

Setup of Objects from Kant on the Exhibition Nationale of 1880 in Brussels, Belgium, Ferdinand Fussen, 1880 photomechanical print Brussels paper collotype trade exhibition, industries fair. lace Brussels

Aquatint by Richard Saint-Non from 1768 illustrating content for the Constantine Book, produced as part of a printed edition.

Copper engraving and etching by Carl Gustav Amling from 1695 depicting a portrait of Maximilian II Emanuel, showing facial features, gestures, attire, and compositional elements in 17th-century European prints.

Copper engraving by Pieter van den Berge depicting street musicians performing at night, produced between 1659 and 1737, showing urban night life and musical instruments.

Houses in the forest, meeting, illustration for the story of Wiktor Gomulicki "Malaria"; Jasi Ski, Feliks Stanis AW (1862-1901), Rapacki, Józef (1871-1929); 1897 (1897-00-00-1897-00-00), 1912 (1912-00-00-1912-00-00);Gomulicki, Wiktor (1848-1919)-Illustration, Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, Witke-Jeżewski, Dominik (1862-1944)-collection, trees, French (culture) , landscapes, city landscapes, Poland (culture), French drawings, Polish drawings, purchase (provenance), meetings

Bridge over Beek. Two figures on a bridge over a stream, against dark air. One of 16 etchings in double folder.

Etching by Carlo Maratta depicting the martyrdom of St. Andreas, created between 1645 and 1660, illustrating a religious scene with dramatic composition and figures.

Sebaldus Nurshaker in de Kelder, Daniel Nikolaus Chodowiecki, 1773 print Sebaldus Nathanker that the son of Stauzius, his archenemy, has hidden himself in the basement to escape military service. Numbered at the top right: 138.s. paper etching Literature. cellar. hiding, hiding oneself

Etching by William Walker from 1740-1793 depicting a Flemish entertainment scene with dancing, music, and social interaction among villagers.

Woman in landscape, Maurice Dumont, 1895 print print maker: Francepublisher: Parisprinter: Paris paper drypoint female sex; woman. landscapes

Kalwaria near Vilnius, Cedron River "photography in the album" TRAKI-Kalwaria "; Zdanowscy, Edmund and Boles Photographic / photo printing / bromine printing; products from Wzkien / paper / photo paper / bromine paper, products from W Load / paper / cardboard / color cardboard / cardboard black; photographic print: height 8.5 cm, width 13, width 13, width 13, width 5 cm, card in the album: height 16.6 cm, width 25.0 cm; di 67090/38 MNW; all rights reservations.

Diebitsch Carl von (1819-1869), school scene in Cairo (without dat.): View into a classroom. Pencil on cardboard, 30.9 x 19.3 cm (including scan edges) Diebitsch Carl von (1819-1869): Schulszene, Kairo

Etching by Pierre Hutin showing a Flemish inn interior with a card player, created between 1740 and 1763. The artwork depicts patrons, furniture, and gaming in a historical 18th-century inn setting.

An etching by Romeyn de Hooghe from 1667 depicting the Peace of Breda, showing diplomats, ceremonies, and political agreements.

Annual fair in Utrecht, early 12th century; The annual fair in Utrecht, in the beginning of the twelfth century. Annual fair in Utrecht at the beginning of 12th century. Visitors to the market run along the stalls at a church. Part of the Steel enruges group to the paintings of the historic gallery of the Company Arti et Amicitiae.

Etchings by Daniel Nikolaus Chodowiecki illustrating Julchen Grünthal from Unger and Life of a Lüderliche from Bretzner, created between 1788 and 1797, showing figures, interiors, and period clothing.

Interior with woman in front of a doorpost, Eugen Kirchner, 1875 - 1938 print paper etching interior of the house. standing figure - AA - female human figure. closed door

Chinese paintings and furniture from the collection of Emil Riebeck, in the courtyard of the Kunstwerbemuseum in Berlin, Hermann Rückwardt, 1884 photomechanical print This print is part of a cover with 21 prints and 1 text sheet. Artificial vertebral museum berlin paper collotype permanent exhibition, museum. picture, painting Artificial museum

Etching and copper engraving by Jean Moyreau, 1748, depicting a hay port, showing port infrastructure, workers, haystacks, and loading activity.

Frozen Fontana del Tritone in Rome. .

Five oak sculptures of Biblical figures from the Holy Savior Church in Hakendover, drawn up at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 - in Or Before 1866 photomechanical print Mechelenantwerp paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ wood, e.g.: panel ~ arts). New Testament Mechelen

Photo production of a painting by Gustaaf II Adolf who receives his wife through Adolf Menzel, Gustav Schauer, after Adolph Menzel, c. 1858 - in or before 1868 photograph Berlin photographic support albumen print ruler, sovereign. lovers' meeting

Water; Aqua; Four elements. Presentation of the element of water in the form of a naked woman with a leafy on the head, pours water from a large horny shell in a different shell. In the background a boat on the water and a number of fishermen with nets in the weather on a beach. In the undermaster a two-key Latin text. Reconstructed from two fragments.

Duplicate of Jan Witdoeck's copper engraving showing the Adoration of the Shepherds, created between 1635 and 1639.

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Caves of Hato, Jonkheer Jacob Eduard van Heemskerck van Beest, after Gerard Voorduin, 1860 - 1862 print Face in the caves of Hato on Curaçao. Guides with torches show a visitor the caves. Print is part of a cover with seventeen magazines. print maker: Netherlandsafter drawing by: Amsterdamprinter: Utrechtpublisher: Amsterdam paper cave, grotto. torch Curacao. Caves of Hato

Copper engraving by Jacob Matham depicting the Board of Cebet, representing classical allegories and moral or philosophical instruction.

st, Dr, -signaz -Seipel -Platz - Academy of Sciences - Auda of the Old University - Interior View - Festival Aal - Ceiling Fresco, August Stauda -, photographer

Reliefs of the Borobudur, C. Dietrich (photographer), After Anonymous, 1875 - 1890 photograph This photo is part of an album. Java paper. cardboard albumen print sculpture (+ relief ~ sculpture) Borobudur

Men and women in landscape at Moonlight, Charles Rochussen, in or before 1849 print Two men and women in Italian clothing in a landscape at Moonlight. The man on the right holds a lute in his hand. In the background boats on water and a castle. Belongs to the poem Italien by Samuel Johannes van den Bergh. The Hague paper landscapes (+ landscape with figures, staffage). moonlight

Vilnius. Church Bernardine. "Stalls in the presbytery; Zdanowscy, Edmund and Boles; before 1939 (1930-00-00-1939-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print / bromine print; products from W yókien / paper / photographic paper / bromide paper, products from W Dzkien / paper / cardboard / color cardboard / black cardboard; photo printing: height 8.5 cm, width 11.4 cm, card in the album: height 16 , 8 cm, width 24.8 cm; di 67091/20 MNW; all rights reservations.

Ancient life; Card I. In: Album of the exhibition of oldness and art objects; Beyer, Karol (1818-1877), Hirszel, Henryk (Warsaw; Litographic Zak 1838-1855); 1856 (1856-00-00-1856-00-00);Warsaw (Masovian Voivodeship), Exhibition of antiquity and art objects (Warsaw - 1856), photo albums, art exhibitions

Photo production of a print to a painting, representing an interior of an inn.

Design for the graphics "Exlibris Eustachy and Teresa Sapieha"; Care, Ignacy (1865-1941); 1937 (1937-00-00-1937-00-00);Lis (coat of arms), Sapieha (family), Sapieha, Eustachy Kajetan (1881-1963), Sapieha, Eustachy Kajetan (1881-1963)-exlibris, Sapieha, Teresa Izabela (1888-1964), Sapieha, Teresa Izabela (1888-1964 ) - exlibris, gift (provenance), trees, heraldic exlibris, Polish exlibrises, natural exlibris, coats of arms, books, forests, recovered war losses, Poland (culture), projects, Polish, Łopieński, Ignacy (1865-1944), Łopieński , Ignacy (1865-1944) - collection

Vilnius. "Cathedral - tapestry." Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Hamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I). Artist: After () Henry Perronet Briggs (British, London 1791-1844 London). Dimensions: Plate: 9 15/16 × 7 5/16 in. (25.2 × 18.5 cm)Sheet: 16 9/16 × 10 11/16 in. (42 × 27.2 cm). Engraver: William Greatbach (British, Stoke-on-Trent 1802-1894 London). Publisher: Hurst, Robinson & Co. (London); Robert Jennings, London. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1825-26. Museum: Metropolitan Museum of Art, New York, USA.

Interior with lantern and broom, Charles-François Daubigny, 1867 print print maker: Franceprinter: Parispublisher: Paris paper. etching / drypoint / engraving interior of the house. lantern. (household) utensils and implements (with NAME)

Etching by an unknown engraver depicting ruins and skiing activities, created between 1806 and 1836.

Engraving by Isaac Taylor depicting a Flemish collation, showing figures, food, and table settings in a domestic interior, created in 1765.

For Everyone, plate eight from A Life. Max Klinger (German, 1857-1920); printed by Otto Felsing (German, 19th century). Date: 1883-1884. Dimensions: 271 x 215 mm (image); 359 x 255 mm (plate, approx.); 349 x 245 mm (primary support); 788 x 575 mm (secondary support, approx.). Etching, with drypoint on ivory China paper, laid down on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Peasants with oxen and wagon; Jean-Gabriel Eynard (Swiss, 1775 - 1863); about 1847; Daguerreotype

The Owl's Chteau 1867-98 Félix-Hilaire Buhot French. The Owl's Chteau. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1867-98. Etching, sulphur tint, roulette, drypoint , and aquatint; fourth and final state. Prints

Copper engraving and etching by Claude Marie-François Dien depicting Raphael being presented to Pope Julius II by Bramante, created between 1815 and 1824. The print shows the figures, gestures, and attire.

Copper engraving by Pieter de Jode depicting the carnival in Venice, created between 1590 and 1634.

Umeer Dost Mahomed Khan. Hart, Lockyer Willis. Prints, Illustrations. 1843. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing & dress , South Asia, Dôst Mohammad Khân, Amir of Afghanistan, 1793-1863

Bronze statues in the Hofkerk in Innsbruck, Austria, Otto Schmidt, c. 1888 - in or before 1893 photomechanical print This print is part of a cover with twenty prints, two text magazines and a title page. HofkerkViennapublisher: Vienna paper interior of church. piece of sculpture, reproduction of a piece of sculpture Hofkerk

An etching by Rembrandt Harmensz. van Rijn from around 1648 titled 'The Hundred Guest Leaf,' depicting detailed figures and intricate design elements in a pinnate layout.

Etching by Jacques Fricquet created between 1663 and 1716, depicting a representation of geometry, with symbolic elements and classical motifs.

Bliżej Kultury Ignacy Krieger photo plant (Kraków; 1860 1926)

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Etching by Francesco la Marra from 1730-1780 depicting Salome receiving the head of John from the executioner, showing detailed figures, gestures, and biblical narrative on copper plate.

Neuilly Fair (La Foire de Neuilly). Dated: 1885. Dimensions: plate: 6.8 x 10.4 cm (2 11/16 x 4 1/8 in.) sheet: 13.8 x 20.1 cm (5 7/16 x 7 15/16 in.). Medium: etching and aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Umbria Perugia Bevagna SS. Domenico e Giacomo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Murals of Dirck Dalens III in the house on Herengracht 458, Amsterdam, Johanna Margaretha Piek (attributed to), after Dirck Dalens (III), 1893 photograph This photo is part of an album. Amsterdam baryta paper interior of the house Amsterdam

Fresco on a facade of the former home of Hans Jakob Fugger in Augsburg, c. 1865 photograph Part of photo album of a trip through Switzerland, Austria and Germany by the Dutch Derkinderen family. Augsburg paper. photographic support albumen print travelling; tourism. painting (including book-illumination, miniature-painting) (+ plaster ~ arts) Augsburg

Lazio Latina Priverno S. Lorenzo2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. Post-medieval: Frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Reproductory van summer pleasures door Jules-Frédéric Ballavoine, Charles Michelez, After Jules Frederic Ballavoine, c. 1871 - in or before 1876 photomechanical print paper painting, drawing and the graphic arts. historical persons. rowing-boat, canoe, etc.. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Mural for the Harlem Y executed by children. 1936. Photographs. Schomburg Center for Research in Black Culture, Photographs and Prints Division. Artists , United States, African American artists, African American art, Artists, Black

Etching and copper engraving by Romain Girard from 1772-1825 showing Wilhelm Tell killing the Landvogt Hermann Gessler in Hohlen Gasse near Küssnacht, illustrating a historical scene.

Exedra of Sirico's house, Pompeii, Campania, Italy, Europe. Old XIX century engraved from Pompeii and Pompeiians by Marco Monnier, Le Tour du Monde 1864

Vilnius. "Cathedral, photography of an image of an unknown painter" Choir of the Capuchin Church "; Zdanowscy, Edmund and Bolesław; before 1939 (1930-00-00-1939-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photography; fiber / paper / photo paper; photo printing: height 11.3 cm, width 8.2 cm, card in the album: height 16.4 cm, width 24.5 cm; Di 67098/13 MNW; All rights reserved.

Etching and copper engraving by Heinrich Guttenberg depicting a meal with courtesans and a hand reader, showing figures, gestures, attire, and interior details from 1765-1818.

Jan Adriaensz. Leeghwater, 1608. The hydraulic engineer Jan Adriaensz. Leeghwater engaged in measurements on the shore of a lake, 1608. Part of the steel engravings group to the paintings of the historic Gallery of the Company Arti et Amicitiae.

Galerie Anglaise. View of the English Gallery exhibiting sculptures and paintings at the Universal Exhibition of 1855 in Paris.

François Anne David created a copper engraving in 1778 depicting the Orviétan merchant, showing a figure, goods, and market setting.

Fête du Trône. Artist: Eugène Atget (French, Libourne 1857-1927 Paris). Dimensions: 23.4 x 17 cm (9 3/16 x 6 11/16 in. ). Printer: Berenice Abbott (American, Springfield, Ohio 1898-1991 Monson, Maine). Date: 1925, printed ca. 1929. Museum: Metropolitan Museum of Art, New York, USA.

Decoration for hospital, Gloucester , Hospitals, Sailing, Sailboats, Trees, Flowers. The Massachusetts WPA Federal Art Project Photograph Collection

Courage of the court of Savoye in Mechelen, Anonymous, After Unknown, c. 1876 - in or before 1881 photomechanical print Mechanival Porter Design By: Antwerp paper collotype / photolithography palace. courtyard Mechelen

Etching by James Watson depicting ships navigating stormy seas. Created in 1767, illustrating maritime activity, ship design, and weather conditions at sea.

Copper engraving and etching of the triumph of Roman emperors Titus and Vespasian by Louis Desplaces, created between 1700 and 1739, depicting ceremonial procession, soldiers, and classical architecture.

Farewell to Tobias, Jacques de Gheyn (II) (Attributed to), after Karel van Mander (I), 1580 - 1596 print Tobias and the Engel Rafaël say goodbye to Tobias' parents Tobit and Anna. Rafaël shakes the hand of the blind Tobit, Tobias says goodbye to his crying mother. To the left in the background, Tobias meets the Archangel. In the lower margin a four -line Latin text. Amsterdam paper engraving Tobias taking leave of his parents; Anna mourns her son's departure

'Denial of Peter' is a 1789 engraving by James Walker, depicting the biblical story of Peter's denial with detailed figures and composition.

Barn Interior, Probably New England. Doris Ulmann, photographer (American, 1882 - 1934) 1920 Doris Ulmann attended the Ethical Culture School in New York before beginning the study of psychology at Columbia University in 1907. She also took classes in photography with Clarence H. White (1871-1925) in the art department at Columbia Teachers College (see 87.XM.89.156). White, a one-time colleague of Alfred Stieglitz (1864-1946) and a founding member of the Photo-Secession, taught photography in the company of the artists Arthur Wesley Dow and Max Weber. Dow, a printmaker who had earlier been an assistant curator of Japanese prints at the Museum of Fine Arts, Boston, promoted the Eastern principles of crating in two dimensions, accenting the abstract, graphic qualities of any composition. That sensibility is evident in Barn Interior. White founded two schools of his own: one at a summer home on Georgetown Island, Maine, the other in New York. It is believed that Ulmann participated in bot

Round ceiling, c. 1866 - C. 1900 print Ceiling with four surfaces, the surface left and the circle in the middle are cut out. In the remaining planes are performances with women, on the right three women are next to three putti, the middle one breasts a baby. paper

The Wall of Wailing, Jerusalem. Francis Frith (English, 1822 - 1898)

Pejzaż górzysty z wioską i wozem na drodze na pierwszym planie. Reinhart, Johann Christian (1761-1847), graphic artist

Deux statues colossales avec les ruines du Palais de Memnon, vis-à-vis de Carnac Karnak et de Luxxor Luxor.. Norden, Frederik Ludvig, 1708-1742. Illustrations, Prints. 1780. General Research Division. Egypt , Description and travel, Egypt , Antiquities, Colossi

Photo production of a fresco in Pompeï van Ranken with birds and deer yacht, Anonymous, 1860 - 1900 photograph This photo is part of an album. photographic support albumen print painting, drawing and the graphic arts. birds. stag-hunting Pompeii

Brasserie, au Lion Rouge , Restaurants, Sitting. Joseph Pennell (1857-1926). Prints and Drawings

Domestic Felicity; Attributed to London Stereoscopic Company (active 1854 - 1890); about 1855; Photolithograph, colored;

Rangiport, d'après Yon.. Yon, Edmond, 1836-1897. 1888. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Tuscany Siena Montalcino S. Agostino74. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lion monument in Lucerne, 1876 photograph Part of Robert Daniel Crommelin (1841-1907) photo album. Lucerne paper. photographic support albumen print monument, statue Lucerne

Hogarth at Work, James Moore (1762 - 1799) 1861

Albert Besnard, French (1849-1934), Neuilly Fair (La Foire de Neuilly), 1885, etching and aquatint on laid paper

Landing Place, Leghorn, Joseph Pennell, American, active England, 1857-1926, Etching in black ink on paper, Curbed quay with small boats tied up. Foreground area left unfinished. Steps and many figures in the distance., USA, 1883, architecture, Print, Print

Max Klingers etching and aquatint on japana paper circa 1900 depicts philosophical allegories through figures, gestures, and symbolic compositions.

Postcard to the Bogtman family, Richard Nicolaüs Roland Holst, in Or Before 1936 Grasse cardboard. ink writing (processes) / pen money Grasse

Copper engraving and etching by Gerard de Lairesse around 1652 depicting Joseph recognized by his brothers, showing figures, gesture, and biblical scene.

Bliżej Kultury Hanfstaengl, Fr.

River Wall, Oporto, before 1926. Orville Houghton Peets (American, 1884-1968). Etching;

Group Portrait. Unknown, photographer 1840s Group portrait with two men and one woman standing, and four women and one man sitting. (Recto, mount) upper right, in pencil: "37"; upper edge, in pencil: "1 space 2 space 3"; lower edge, in pencil: "4 space 5 space 6 space 7 space 8"; lower left, in pencil: "1. Captain Archibald O.Ogilvy Dalgleish/ 2. Captain W. Heriot Maitland/ 3. Miss Joanna Makgill/ 4. Mrs. Makgill/ 5. Lady Playfair/ 6. Mrs. Heriot of Ramornie/ 7. Mrs. James Ogilvy Dalgliesh/ 8. Captain James Ogilvy Dalgliesh";

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