Allegorical and Historical Prints

Engravings depicting allegorical figures and significant historical narratives, showcasing the intersection of art and storytelling in baroque and neoclassical styles.

The daughters of Lycomedes sit bent over a chest of jewels while Achilles, disguised as a woman, draws his sword. Achilles is grabbed by two men by his arm. In the foreground a bow and arrow. In the background two figures on a staircase. Bottom center: 9. Ninth print from a series of fourteen with scenes from the life of Achilles, Achilles and the daughters of Lycomedes Scenes from the life of Achilles (title series) Vitam et mortem achilli (title series)., print maker: J. Alexander Janssens, Victor Honoré Janssens, Zuid-Nederland, c. 1700, paper, engraving, etching, h 166 mm × w 130 mm

Allegorical show with the Amsterdam city virgin, Reinier Vinkeles (I), after Cornelis Ploos van Amstel, 1767 print The Amsterdam -crowned Stedensmaag is on a throne surrounded by allegorical figures. Next to her is a female figure with the all -seeing eye on a staff, behind the throne is caution with mirror and snake. Left in the foreground history with a writing spring and a book in her hands. In the background the town hall on Dam Square and statues of two river gods, the Amstel and the IJ. paper etching personification of a city, town-patron(ess). Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. 'Historia'; 'Historia' (Ripa) City Hall of Amsterdam (1655-1808). Amstel (river). Ij. Amsterdam

Judgment of Solomon, Reinier Vinkeles (I), 1766 print King Solomon points, from his throne, to a kneeling woman with a baby, while a executioner is about to share the child in two. Solomo had given De Beul this assignment after two women came to him who both claimed the motherhood of a child. When the executioner raised his sword, the real mother wanted to give up the child, so Solomon knew who the real mother was. Amsterdam paper etching / engraving the judgement of Solomon (1 Kings 3:16-28)

Gerard de Lairesse, Caesar Refusing the Head of Pompey, etching on laid paper.

French reformed church attacked by man with scourge; History of Reformation, and priced from the Reformed Churches in Vrankryk; Title page for: E. Benoist, History of Reformed Churches of Vrankryk, 1696.The Personification of the French Reformed Church, The Huguenots, Attacked by a Wildeman with a scourge. This takes place under approval by personnifications from the French Kingship and the French Catholic Church. Below is a representation of the Perseecution and Expulsion of the Huguenots.

The daughters of Lycomedes sit bent over a chest of jewels while Achilles, disguised as a woman, draws his sword. Achilles is grabbed by two men by his arm. In the foreground a bow and arrow. In the background two figures on a staircase. Bottom center: 9. Ninth print from a series of fourteen with scenes from the life of Achilles, Achilles and the daughters of Lycomedes Scenes from the life of Achilles (title series) Vitam et mortem achilli (title series)., print maker: J. Alexander Janssens, Victor Honoré Janssens, Zuid-Nederland, c. 1700, paper, engraving, etching, h 166 mm × w 130 mm

Paul wakes up eutychus back to life. .

Martyrdom of Saint Cecilia, Jean Baptiste de Poilly, after Nicolas de Poilly (I), After Domenichino, 1679 - 1728 print print maker: Romeafter painting by: Romepublisher: ParisFrance paper etching / engraving female saints (with NAME) - death, deathbed of female saint

The Death of Lucretia, from Allen's New and Impartial Roman History. Artist: William Blake (British, London 1757-1827 London). Dimensions: plate: 5 7/8 x 3 1/4 in. (14.9 x 8.3 cm)sheet: 7 1/8 x 3 13/16 in. (18.1 x 9.7 cm). Publisher: John Johnson (London) St. Paul's Churchyard. Date: 1797. Museum: Metropolitan Museum of Art, New York, USA.

Giving Drink to the Thirsty ca.1737-42 François Hutin This print is from a series depicting The Seven Mercies made by François Hutin presumably during his stay in Rome, from 1737 to 1742. His facility with the etching needle is evident in the expressive forms of the figures and the mastery of light effects. After his death, his son would claim them as his own work, altering the first initial in the signature from "F" to "C" when he published a collection of his etchings in Dresden in 1763.. Giving Drink to the Thirsty. François Hutin (French, 1686-1758). ca.1737-42. Etching. Prints

Jael will do it. .

Marcellus sacrifices captured armor to Jupiter; Entry of Ferdinand in Ghent in 1635 (no. 30), Jacob Neefs (attributed to), after Gaspar de Crayer, after Peter Paul Rubens, 1675 - 1685 print Marcus Claudius Marcellus sacrifices the in the year 222 BC in a temple. On Viridomarus, the leader of the Gauls, captured armor to Jupiter. Presentation at the bottom left of the rear of the triumph gates Arcus Caroli on the Vrijdagmarkt. Page no. 30 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper engraving triumphal arch. victor (after the battle) Ghent. Carthage. Friday market

Vormsel (left part), Jean Pesne, After Nicolas Poussin, 1680 - 1694 print publisher: ParisFrance paper etching confirmation ~ the second of the seven sacraments

Jakob gives Rachel's herd to drink, Claude Mellan, After Paolo Veronese, 1608 - 1688 print France paper engraving Jacob moves the stone which covers the opening of the well and waters Rachel's sheep

Charles Louis Lingée after Jean Honoré Fragonard, Le paysan Le paysan

Allegory on rome, JaaBOB FOLKEMA, AFTER Louisi FABRIUS Dubbourg, 1737 print On a globe is Roma with helmet and fases flanked by a male and female soldier. An angel crowned her with a laurel wreath. A woman on the right offers her a crown. On the left are putti with a portrait medallion from Titus Livius. There are prisoners for Roma. In the foreground is the Wolvin with Romulus and Remus and is on the right a river god as personification of the Tiber. paper engraving personification of a city, town-patron(ess). Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. river-gods Rome

Reinesius, Thomas.

Kasimir IV (1427 1492) W: The old Poland, historical and poetic album, composed of songs and legends of M. J. U. Niemcewicz, translated and put into verse by the most colebles French poets. Orne of 36 drawings by Charles Forster, Paris 1833 Oleszczyński, Władysław (1807 1866), Lithographie Villain, Forster, Karol (1800 1879)

Honor proven to Emperor Constantijn after the victory over Maxentius, Nicolas Henri Tardieu, after Peter Paul Rubens, 1684 - 1749 print Paris paper etching / engraving the Roman emperor Constantine the Great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross. angels. Victoria as Roman personification

Mercury and Herse n.d. François Jourd'heuil French. Mercury and Herse 385171

Weigel, Christoph, Nuremberg, Luyken, Caspar, Blind prophet Achia speaks to the disguised wife of Jeroboam, verso - stamped, print, prints, height 251 mm, width 203 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Marriage of Maria and Jozef, Michel File, After Jouvenet, 1694 - 1738 print publisher: ParisFrance paper engraving / etching Mary and Joseph

Jocaste, arms spread, accompanied by her daughters Antigone and Ismene, begs Eteocles and Polynices for peace. On the right Polynices wearing a helmet and holding a spear in his right hand. Left Eteocles., Eteocles and Polynices, exhorted to peace by their mother Jocaste., print maker: Pieter Franciscus Martenasie, (mentioned on object), after: Andries Lens, (mentioned on object), publisher: Pieter Franciscus Martenasie, (mentioned on object), Antwerp, 1774, paper, etching, engraving, h 428 mm × w 590 mm

Amsterdam, Luyken, Caspar, Rebekka and Eliezer at the well, verso - manuscript in brown ink, print, prints, verso - stamped, 26, height 113 mm, width 148 mm, North Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

The meeting between Abraham and Melchizedek (). Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 288 mm × w 145 mm. Museum: Rijksmuseum, Amsterdam.

Jacob blesses his sons, Jacob, in a bed under a canopy, makes a blessing gesture with his right hand. His twelve sons are standing around the bed and kneeling. Probably against the right wall are Ephraim and Manasseh, Joseph's two sons. On the right a woman sitting at a table. With a reference to Gen. 49: 1-28 and the title of the print in Hebrew, French, German, Latin, English and Dutch, Cornelis Huyberts (mentioned on object), Amsterdam, 1720 - 1728, paper, etching, h 357 mm × w 221 mm

Pastoral scene with Granida and Daifilo, Justus Brouwer, c. 1635 - c. 1690 print The princess Granida stands next to her horse, the simple shepherd Daifilo kneels in front of her. Northern Netherlands paper etching pastorals, Arcadian scenes. (scenes from) specific works of literature: Hooft, Granida

The Marriage of Punchinello's Father 1780-1804 Italy. Pen and brown ink and brush and brown wash, with charcoal, on ivory laid paper . Giovanni Domenico Tiepolo

Title print for the presterie of the reflection of Stadholder Willem V and Princess Wilhelmina van Prussen in Amsterdam, 30 May - June 4, 1768. Allegorical performance with a monument Inspired by Honor with links Sale, freedom and peace, in the foreground the river gods Van Amstel and IJ. In the background the Amsterdam city hall. On the monument portrait medallions of the prince and princess and putti with floral garlands.

Judgment of Salomon (left part), Jean Dughet (attributed to), after Nicolas Poussin, 1625 - 1679 print paper etching / engraving Solomon gives verdict; he commands a soldier to divide the living child in two

Mort tragique d'Agrippine.Three men of Nero, Anicetus, Herculeius and Obaritus, are about to kill Agrippina Minor, Nero's mother. Agrippina anticipated her upper body and raises them with the sentence 'ventrem feri' to hit her in the abdomen. Title illustration for part 12 of a book about the tricks of love.

Gabriel Jacques de Saint Aubin, The Death of Tancred (left), 1760 The Death of Tancred left

David and Nathan. Design for a print.

Landscape with shepherds in antique sarcophagus, Bernard Picart, After Nicolas Poussin, 1694 print Landscape with three shepherds and a woman. They discover an antique sarcophagus with an inscription in Latin: "et in Arcadia ego". In the margin a caption in French. Below that a caption in Latin and in French. Paris paper etching / engraving 'And in Arcadia I am'

Portret van Pierre Vincent Bertin, Gerard Edelinck, After Noël -Nicolas Coypel, After Nicolas de Largillière, 1700 - 1707 print Two women as personifications of painting and sculpture roll out a portrait of Pierre Vincent Bertin (1653-1711) together with two putti. In the margin three lines in Latin, between which a weapon with two lions. paper engraving 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa)

Weigel, Christoph, Amsterdam, Luyken, Jan, King forgives the unmerciful slave his debts, verso - stamped, print, prints, height 247 mm, width 198 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publicatie, Duits, 1654-11-09 - 1725-02-05, publisher

Lorenz Froelich (1820-1908), Illustration to "Erik Menves fight with the Fredloese and Norway", 1853

Emperor Hadrian in Bad, Lambertus Antonius Claessens, after Jacques Kuyper, 1803 print Emperor Hadrian takes a bath. Dozens of slaved men take care of him. Hadrian meets an old soldier who tells him that he has no slavish people to scrub him. He himself scrubs with his back against a stone to get it clean. Hadrian gives the old soldier slaves so that he no longer has to scrub his back. Amsterdam paper etching bath-tub. taking a bath. slavery; serfs and the enslaved

Conte Antonio Maria Zanetti I, Mucius Scaevola Mucius Scaevola

The Merovingian Count Allowin van Haspengouw, the later H. Bavo, converted after the death of his wife. At the top of the stairs, BAVO is received in the monastery by Bishop Amandus and Abbot Floribert. In the foreground, the poor displaces themselves to receive his possessions. At the bottom left of the client's coat of arms. In the margin a four-line caption with an assignment in Latin and the coat of arms of Jan Baptist De Smet, Bisschop in Ghent.

Odysseus gets an alms of one of his servants; Les Travaux d'Ulysse; Odysseus works. The Odysseus disguised as a beggar gets a piece of meat as a candy alms. The print is part of an album.

The Guardian Angel, stepping off a cloud and putting his arm around a young boy at left while a demon walks away at right 1729-40 Nicolas Gabriel Dupuis. The Guardian Angel, stepping off a cloud and putting his arm around a young boy at left while a demon walks away at right. Nicolas Gabriel Dupuis (French, Paris 1698-1771 Paris). 1729-40. Etching and engraving. Prints

Domenichino, Rome, Frey, Jacob (der Ältere), Esther before Ahasverus, verso - stamped, With caption in Latin., print, prent, prints, prenten, height 386 mm, width 312 mm, 1681 - 1752-01-11, print maker, printmaker, 1718 - 1719, paper, papier, engraving, engraving (printing process), Italian, 1581-10-21 - 1641-04-06

The destruction of Troy Cornelius, Peter von, 1783-1867. still image. Art reproductions. 1888. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Trojan War, Murals, War casualties , To 499, War destruction & pillage , To 499, Priam (Greek mythology)

General gives reports of warmen grace, Gerard de Lairesse, 1670 print Two reports received grace from a Roman general. They kiss his hand in which he holds a scepter. This print illustrates the first part of the basic principle of Roman politics included by Vergilius: "Parcere Subiectis, Sed Debellare Superbos" (Vergilius, Aeneis 6.853). According to this principle, the subjects would be saved, but those who persisted were stubbornly destroyed. Pendant of a print over the second part of this rule. Amsterdam paper etching the defeated before the victor. Forgivingness (+ symbolical representation of concept)

Jean Honoré Fragonard after Giovanni Battista Tiepolo, Mucius Scaevola, 1763 1764 Mucius Scaevola

Germanicus with a sacrifice, Pietro Vitali, After Jean Grandjean, 1781 print Germanicus with a sacrifice with priests. On the left a bull decorated with a flower wreath. print maker: Italyafter design by: Rome paper engraving / etching sacrifice ~ Roman religion. (story of) Germanicus

Poussin, Nicolas, Amsterdam, Picart, Bernard, Folkema, Jacob, Coriolanus surrounded by pleading women, Coriolanus draws his sword and is surrounded by his kneeling mother, wife and other women who beg him not to attack Rome. In the margin a two-line caption in French., print, book illustration, prints, height 155 mm, width 196 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, etching, engraving, engraving (printing process), Dutch, 1692 - 1767, supervision, French, 1594-06 - 1665-11-19

Gray chalk and feather drawing on blue paper by an anonymous artist depicting the judgment of Solomon, showing figures, gestures, and courtroom scene, late 17th century.

Copper engraving by Hendrick Goltzius depicting the Adoration by the Shepherds, showing biblical figures, animals, gestures, and a structured composition with architectural and landscape elements, circa 1595.

Parrocel, Charles, Paris, Wille, Johann Georg, Soldiers, Pointing soldier talking to a woman, verso - stamped, Numbered top right: 1., print, prints, height 194 mm, width 148 mm, German, 1715-11-05 - 1808-04-05, print maker, printmaker, 1753 - 1753, paper, papier, etching, etchings, Work conception, French, 1688-05-06 - 1752-05-25

Hercules consults with Mars and Minerva; Festivities in the visit by Maria de 'Medici to Amsterdam in 1638. Tableau Vivant. Hendrik IV, dressed as Hercules, consults with Mars and Minerva about the way to make France back to a whole. Mercurius points to the gods on the clouds. Justice is still under the globe of the split French empire and is assisted by peace. Presentation used in the water theater on the Rokin. Legal under numbered: 11. Plate 11 of the illustrations in the description of the festivities around Maria de 'Medici to Amsterdam from 31 August to 5 September 1638.

Frontispiece for Athalie, Act V, Scene VI, from Racine's Oeuvres 1760-1767 France. Etching with engraving and stipple on cream laid paper . Jean-Jacques Flipart

Representation of the triumphal procession of Bacchus, executed with gray brushwork.

Aeneas and the Sibyl. Dated: c. 1670. Dimensions: sheet: 20.2 × 15.6 cm (7 15/16 × 6 1/8 in.), cut to platemark. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gerard de Lairesse.

Roman soldiers seize the unmarried Sabine virgins and attempt to take them to Rome. On the right on a rise is Romulus, giving his soldiers the sign to carry the virgins away. Sabine Virgins Robbery, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Utrecht, 1793, paper, etching, h 214 mm × w 134 mm

The Rape ofEuropa. Etcher: Léon Davent, French, active 1540-1556 After: Francesco Primaticcio, Italian, 1504-1570

Quadro di Camillo Procaccini 1738-1803 Italy. Etching on paper . Giuseppe Camerata, II

Man on deathbed; Alzire tragedy. A man on his deathbed surrounded by various figures. At the left is a group of men in loincloth.

Jozef and the wife of Potifar, Pieter Perret, after Hans Speckaert, 1582 print Depart with Joseph who is drawn to his cloak by the wife of Potifar. In the margin a Bible quote from Gen. 39 in Latin. Rome paper engraving Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

The cities of Pompeii and Herculaneum are destroyed by a violent eruption of the volcano Date: 79

Pygmalion. Dated: 1778. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Noël Le Mire after Jean-Michel Moreau.

The Dutch Virgin being notified of the naval battle at Dogger Bank, Jacobus Buys, 1782, Design for a print., draughtsman: Jacobus Buys, 1782, paper, pen, brush, h 143 mm × w 95 mm

Amsterdam, Luyken, Jan, Washing of the Feet of Peter, verso - stamped, print, prints, height 127 mm, width 70 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Ceremony testing female infidelity, verso bottom center - stamped, print, prints, height 109 mm, width 158 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publication, Frans, 1661 - 1711, publisher

Paolo de Matteis drawing of the Queen of Sheba before Solomon, in pen with brown and gray wash, white heightening, and blue coloring on gray paper.

Old woman with three children at fireplace, Simon Fokke, After G. Edelinck, 1745 print In front of the fireplace is an old woman with a spinning skirt, resting her feet on a stew. Two children are kneeling in front of her and, together with the standing third child, listen carefully to the old woman. This print is made for the stories from "Vertellingen of Mother De Gans - Contes du Tems Passé de Ma Mere lOye" by Charles Perrault. Amsterdam paper etching open hearth, fire-place

Civilis and Cerialis negotiate on the broken bridge, 69-70, Ludwig Gottlieb Portman, after Reinier Vinkeles (I), 1791 - 1810 print Civilis and cerialis negotiate and close peace on the broken bridge. Netherlands paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations Netherlands

Copper engraving by Israhel van Meckenem showing the Morisken dance, created in the last third of the 15th century, illustrating dancers and period attire.

Drawing by Sigmund Ferdinand von Perger with feder, lavated and white-raised details depicting ten subjects from the Bellerofon table based on the 6th song of Homer's Iliad, 1810.

Leto changes the farmers to frogs, Claude Dubosc, After Jean Baptiste Jouvenet, 1714 print print maker: Francepublisher: Paris paper engraving / etching Lycian farmers changed into frogs: Latona changes Lycian farmers into frogs, because while they were weeding a marsh, they prevented her and her children from quenching their thirst (Ovid, Metamorphoses VI 369)

. Lucius Papirius cursor, seated on a throne, shows the young Fabius Maximus grace, as his father and the entire Roman people to be grace. Fabius Maximus had attacked the Samnites without the permission of Papirius and would be punished for this. Presentation in the council chamber of the Court of Justice of Holland, Zeeland and West Friesland in the Binnenhof in The Hague.

Aristodemus prince of Cuma betrayed by Xenocrite, Arnold Houbraken, 1681-1683.

Thalia driven by painting, Bernard François Lépicié, After Charles-Antoine Coypel, 1733 print The Muze Thalia, a pile of books bearing, is chased away by painting. He has the form of a woman with palette and brushes in one hand in the other. In addition to painting, a sculpted tors. The Hercules Farnese stands for a painting. On the right on the wall the portrait of a painter. The floor is littered with early 18th-century editions of plays. publisher: ParisFrance paper etching / engraving Thalia (one of the Muses); 'Talia' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). 'Comedia', 'Comedia vecchia' (Ripa). piece of sculpture, reproduction of a piece of sculpture

David plays on his harp and dances for the Ark of the Covenant, Jakob Frey (I), After Domenichino, 1718 - 1719 print With caption in Latin. Rome paper engraving the ark is placed on a cart driven by the sons of Abinadab; David and the people dance and make music before the ark

Weigel, Christoph, Amsterdam, Luyken, Jan, Elisa worpt meel in de kookpot te Gilgal, verso - stamped, print, prints, height 252 mm, width 200 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Apotheosis of Jean Racine, Louis Alexis Léon de Pellicot, After Pierre Prud'Hon, 1797 - 1897 print paper Historical Persons. 'Genio' (ripe). Melpomene (One of the Muses); 'Melpomene' (ripe). Immortality, Imperishableness; 'immortalità' (ripe)

Herders in Arcadia, Simon François Ravenet (The Old), After John Hamilton Mortimer, After Nicolas Poussin, 1763 print London paper etching / engraving 'And in Arcadia I am'

Marteling van Heilige Gervasius, Etienne Picart, After Eustache Lesueur, 1652 - 1689 print publisher: ParisFrance paper engraving / etching other scenes ~ second book of the Maccabees. the martyrs and deacons Gervase and Protase; possible attributes: sword, whip

Deugd Van Scipio.Allucius by Scipio Africanus is reunited with his fiancé. From gratitude he grabs the hand of the Roman general.

The death of Sapphira. Engraving by J. Pesne, ca. 1703, after N. Poussin.

Ink and feather drawing by Pier Francesco Mola depicting Peter and Johannes healing a lame person at the Golden Gate, lavated on brown paper.

Regulus 1772 Antoine de Marcenay de Ghuy. Regulus. Antoine de Marcenay de Ghuy (French, Arnay-le-Duc, Côte-d'Or 1724-1811 Paris). 1772. Etching. Prints

The Supper at Emmaus. Dated: 1778. Dimensions: plate: 26.3 × 31.2 cm (10 3/8 × 12 5/16 in.) sheet: 29.6 × 34.3 cm (11 5/8 × 13 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: José del Castillo, after Mateo Cerezo the younger.

Weigel, Christoph, Nuremberg, Luyken, Caspar, David is anointed by Samuel, verso - stamped, print, prints, height 252 mm, width 202 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publicatie, Duits, 1654-11-09 - 1725-02-05, publisher

The martyrdom of Saint Agnes. Pen and ink drawing by F. Rosaspina () after D. Zampieri, il Domenichino, 1619-21.

Abruzzo Teramo Atri Cattedrale, Museo Capitolare4. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pyrrhus when a Child, Print made by John Hall, 1739-1797, British, after Benjamin West, 1738-1820, American, active in Britain (from 1763), 1769, Engraving

Footswassing, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Christ washes Peter's feet

Amsterdam, Hayman, Jacobus, Philips, Jan Caspar, Title page for: G. Klinkhamer, Educational symbols and Bible materials, 1740, Truth and Poetry in conversation, verso - stamped, Truth and Poetry, accompanied by Minerva, in conversation at an altar on which the title is in Dutch. An angel, with a flame above its head as a symbol of religious zeal, points them to the heavenly Jerusalem. On the left in the foreground a devil spies on them. On the right in the background a woman chases devils out of the house with her whip., print, engraving, title page, prints, height 144 mm, width 88 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1740 - 1740, paper, etching, etchings, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968), Robert Blyth, 1750-1784, after John Hamilton Mortimer, 1740-1779, British, 1781, Etching

Allegorical composition celebrating the Humanities. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Sir Nicolas Dorigny (French, baptized Paris, 1658-1746 Paris). Dimensions: sheet: 10 9/16 x 6 5/8 in. (26.8 x 16.8 cm)plate: 9 5/8 x 5 7/8 in. (24.5 x 15 cm). Date: 1695. Museum: Metropolitan Museum of Art, New York, USA.

Mentor offers Idomeneus an olive branch; Adventures of Telemachus. Surrounded by soldiers, the unarmed Mentor Idomeneus offers an olive branch. Illustration manufactured by a story from "Adventures of Telemachus", written by François de Fénélon.

Emperor Caligula attacked in a vault by an armed gang and killed, Jan Luyken, Pieter Mortier, 1704

French Virgin is advancing the disaster of France, Pieter Nolpe, After Claes Moeyaert, 1638 print Tableau vivant with the mashing of France's disaster by the, as Maria de 'Medici, French Virgin on the left. The Globe of the French Empire is split by discord and envy and set on fire. The peace, with olive branch, and justice are crushed on the right. Venus lifts her hands to heaven. Presentation used in the water theater on the Rokin. Numbered at the bottom right: 9. Plate 9 of the illustrations in the description of the festivities around the visit of Maria de 'Medici to Amsterdam from 31 August to 5 September 1638. Amsterdam paper etching / engraving Triumphal Entry and public reception, Pageant, 'Only Solennel' entrance '. 'Tableau living'. PERSONALITIONS OF COUNTSIRIES, DECURTTTS, etc. Symbols, Allegories of Peas, 'Pax'; 'Peace' pace (ripa). Justice; 'Byance to the videos,'Justia','Justia 'gifted violemis', 'gets Giovanni' adjobione Francesca. (Story of) Venus (Aphrode) Amsterdam

Joseph and Potiphar's Wife (reverse copy) n.d. After Lucas van Leyden Netherlandish. Joseph and Potiphar's Wife (reverse copy) 364808

Saint Nicholas of Bari and the Three Poor Girls 1587 Cristofano Cartaro Italian. Saint Nicholas of Bari and the Three Poor Girls. Cristofano Cartaro (Italian, active Rome, 1577-87). 1587. Engraving. Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Prints

Copper engraving by Albrecht Dürer depicting the crowning or coronation from the copperplate Passion series, created in 1512, showing figures, gestures, and composition.

Elisa throws flour in the cooking pot in Gilgal, Jan Luyken, 1708 print Amsterdam paper etching story of Elisha (Eliseus)

Caricature on the baffle. Corruption of justice under the old regime. French Revolution, 1789. Justice returns a litigator and crown another character. (Title)

Allegorical show at the alliance between the Netherlands and France, 1795, Willem Kok, 1795 - 1800 print Allegorical show on the alliance between the Netherlands and France, 1795. In the middle, the Dutch Virgin and French Republic (as a young man) are connected by freedom in real life, with the sign of eternity: a ring formed by a snake that in its own tail bite. Before the wedding couple are a rooster and a lion and behind them there is a lady with the loss of freedom on a lance. On the left in the foreground is Mercury and there are some sea gods under him. On the right a number of murderous (victorious) soldiers and a temple in the background. paper etching / engraving (story of) Mercury (Hermes) - apotheosis, deification. beasts of prey, predatory animals: lion. attributes of Aesculapius: cock. Freedom, Liberty; 'Libertà' (Ripa). serpent Ouroboros

of 4